fa Master Sessions Reggae GuitarTranscribed by Tom Kolb (©1996 sTARUCKS, INC BEND AND RELEASE SLIGHT PRE-BEND PRE-BEND AND GRACE NOTE BEND RELEASE BEND ~, S A =] SSS = = — sa es = ‘cirike note and_ (bend up 172 ep) (sting ben vo ‘bend up whole step) ‘ite before stking) UNISON VIBRATO BAR DIVE, VIBRATO BAR PRE-DIVE, SLIDE BEND, wie AND RETURN ‘AND RETURN {th bar ready bet on mumber é (end tar down by numberof steps of lps indicated, rte nee and eta indicated thea fetuen to pcb ‘ariopiet) ‘tik Fist note ad tide ‘po wcond nt)HAMMER-ON PULL-OFF SLIDE FROM VIBRATO VIBRATO NOWHERE, stu WI BAR * * a ey _ Steen ‘rote ten round” (wih bh tes feted ke fint Glide om a ew eand vibra “ibrato w! fextge by feng iret note aad al of that finger wes below) sing stato ba) and wnhout picking) cough force to sound second me) lowing the pick) BVA. NATURAL HARMONICS PINCHED HARMONICS FRET HAND. MUTING SS} ween on a ‘rng ack ad eet of picking hand (ote te played an tae higher han PICK HAND MUTING. (place finger ighty above et (te) “ndicied andthe sing) Sips te snags ust sbove he Bridge) wip of Finger of picking nd: Second nae sou thn inget s palled ot) EXTREME STACCATO, ‘TENUTO PHRASING (OR ACCENTED STACCATO. (NOTES ARE PLAYED EVENLY AND HELD OUT) ‘igh scape thm of ond gs ink we ck) (SHORT “Prt nove ered (ats ae picked apy) DOWN STROKE PICKING tings ar mute with ffeting hand and rings ‘rest. creating» ‘rusve sound “TREMOLO PICKING | STACCATO PHRASING. NOTES) UPSTROKE, PICKING& “CHECKER” RHYTHMS “Checker Stum downstroke saccat0— ‘ — ‘—— 3 = ‘s——— E — EXERCISE 2. “CHECK” & “CHECKER” RHYTHMS W/ LEFT HAND DAMPING & Aim PERCUSSIVE TECHNIQUE fer foe speehet af eS e Bi EXERCISE 2 CONT. ‘Am3 VARIATION ON “CHECK” & “CHECKER” RHYTHMS ON ABOVE PROGRESSION, Am EXERCISE 3 CONT. ‘Am ow AICE TOP 2 STRINGS er er gat eae e an Fee . B———EXERCISE 6 USING "DUMMY" STROKES: alc 1 strum doin mi ie aking anes 10 EXERCISE 8 SHUFFLE EIGHTHS (FEELS LIKE TRIPLET FEEL, OR) c \ \ FA on EXERCISE 9 USING “TENUTO" STROKES 1"EXERCISE 10 TENUTO ON 3RD BEAT OF THE BAR EXERCISE 1] WHERE RIGHT HAND GOES DOWN TO DAMPEN STRINGS RENT SET OF RHYTHMS W/“DUMMY" STROKES, HA oo 8 pe 40 — —_|— xEXERCISE 14 GUITAR PART OVER DIFFERENT BASS GUITAR FIGURE c y BA EXERCISE 15 NEW RHYTHM RIFF LEAVING SPACE WHEN BASS PLAYS, c FIA, “ EXERCISE 16 VOICINGS USED FOR RHYTHM FILLS, Am Am Em? shape Em? shape ing the" oF G chord, wi thon ep 7 ie oa cmp cues | = ie Be EXERCISE 17 SOME RHYTHM FILLS Am Am Am 18EXERCISE 17 CONT. Am voy detring 16 EXERCISE 19 PICKING W/ RIGHT HAND HAND DAMPING EXERCISE 20. BASS LINE c Pee ee wBASS LINE W/"RATTLE” c ro Gc : Pr a8 i= aa aea == [_ PM. a t.. -. eee _. a * —| a 2 EXERCISE 21. PICKING RIFE e NRT eo oe cee 18 EXERCISE 22 PRACTICE DAMPING W/ SCALES ss a EXERCISE 23. “NORMAL" VOICINGS FOR Am, F and G Am G ‘am 19EXERCISE 24 RAY’ L-TERNATE" EXERCISE 25 VOICINGS W/ OPEN STRINGS AND “PEDAL” NOTES Am(adé9) —— Fmaj7 G6 m9 G6(a0 3rdyD i oe oe Seaeeare™ EXERCISE 26 THE ABOVE CHORD VOICINGS IN A FINGER PICKED PROGRESSION Ono ayEXERCISE 27 ‘An DOUBLE sTors HARMONIC _ ——— EXERCISE 28 Gre Teen So ce oo —— bend release bend release behing Behind 2 ut at EXERCISE 30 MORE HARMONICS ‘Am fur Ni EXERCISE 29 USING THE SUSPENDED FOURTH FD Os