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BTS KATANA Eng03 W PDF
BTS KATANA Eng03 W PDF
(Ver.3)
BANK B CH1, CH2, CH3, CH4
EFFECTS
We’ve added the following effects.
55 DC-30
55 GE-10
55 WAH-95E
* For details on each effect, refer to the “KATANA Effect Parameter
list.”
ASGN
In the editor screen, we added "ASGN." This lets you assign your
choice of effect parameters to the unit’s top panel EFFECTS knobs,
to an expression pedal connected to the rear panel SEL CH1 CH2/
EXP PEDAL jack, and to expression pedals connected to the EXP
PEDAL VOLUME jack and FX jack of the GA-FC foot controller
(sold separately). For details on these settings, refer to “Assigning
parameters to the EFFECT knobs and expression pedals” (p. 6).
CABINET RESONANCE
Adds the resonance of a connected speaker cabinet.
Value Explanation
VINTAGE The warm and sweet sound of a vintage cabinet.
MODERN A modern cabinet sound notable for a tight low-end.
DEEP Sound with powerful low-end as well as a distinctive edge.
* GA-FC cannot be used for KATANA-50.
Library
This is a storage area inside TONE STUDIO.
Tone settings (livesets) that you download from BOSS TONE
GLOBAL EQ CENTRAL (p. 16) and tone settings that you back up from the
The GLOBAL EQ can be placed before the effect chain (INPUT) or KATANA are saved in the library.
after it (OUTPUT).
Liveset
A liveset is a group of multiple tone settings.
Tone settings that you download from BOSS TONE CENTRAL
and tone settings that you back up from TONE STUDIO are
grouped as a liveset and saved in the library inside TONE
STUDIO.
You can also collect your favorite tone settings to create an
original liveset.
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Using BOSS TONE STUDIO for KATANA
Windows users You can edit livesets and download livesets from BOSS TONE
CENTRAL even if the KATANA is not connected to your computer
via a USB cable.
1. Download “BOSS TONE STUDIO for KATANA” from the However, you can’t save the result of editing a tone setting. In
order to save the edited tone setting, you’ll need to be connected
product support page.
to your computer.
2. Double-click the downloaded file to decompress it. 2. Double-click the TONE STUDIO shortcut icon.
3. Inside the folder created by decompressing the file,
double-click “BOSS TONE STUDIO for KATANA.exe.”
Installation begins.
Proceed with installation as directed by the installation screens.
When the screen indicates “Installation has been completed,” click
the [Close] button.
The first time you start up, the dialog box “Choose a device connect
Mac OS users with.” appears.
MEMO
On the second and subsequent startups, the device is selected
1. Download “BOSS TONE STUDIO for KATANA” from the automatically.
product support page.
Mac OS users
2. Double-click the downloaded file to decompress it. From the Finder, in the application folder, double-click [BOSS
TONE STUDIO for KATANA].
3. Double-click the decompressed file.
A “BOSS TONE STUDIO for KATANA” icon and “Applications folder” 3. Choose “KATANA,” and click the [OK] button.
icon appear.
4. Drag and drop the “BOSS TONE STUDIO for KATANA” icon
onto the “Applications folder” icon.
BOSS TONE STUDIO for KATANA is added to the applications.
Close the folder that you opened in step 3.
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Using BOSS TONE STUDIO for KATANA
MODE Explanation
DELAY The delay selected by DELAY2 is assigned.
3. Edit the amp settings. DLY+REV
The delay selected by DELAY2 and the reverb selected by REVERB
are both assigned.
You can edit a value by using the mouse to grab the knob and REVERB The reverb selected by REVERB is assigned.
moving it up/down, or by selecting the value shown above the knob
and using the keyboard to enter the new value. You can select the MEMO
AMP TYPE setting by clicking the type names at the left of the knob.
If you’re setting the delay time by operating the unit itself, you
can long-press the [TAP] button to specify whether you’re setting
the delay time for DELAY or for DELAY2.
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Using BOSS TONE STUDIO for KATANA
5. Specify the placement of the effects. Using the EQ, NS, and S/R
You can specify the placement of each effect relative to the preamp.
You can edit the EQ (PARAMETRIC EQUALIZER), NS
(NOISE SUPPRESSOR), and S/R (SEND/RETURN) parameters for each
tone setting.
* EQ, NS, and S/R can be specified only in TONE STUDIO. It cannot
be specified on the KATANA unit itself.
Effect Explanation
Adjusts the tonal quality.
A parametric equalizer that lets you adjust four
PARAMETRIC EQ
EQ frequency bands.
A graphic equalizer that lets you adjust ten function
GE-10
bands.
Reduces the noise and hum picked up by
guitar pickups. Since it suppresses the noise in
synchronization with the envelope of the guitar
NS sound (the way in which the guitar sound decays
over time), it has very little effect on the guitar
sound, and does not harm the natural character of
the sound.
S/R Settings for the EFFECT LOOP (SEND/RETURN) jacks.
Setting Explanation
CHAIN 1 AMP0BOOSTER/MOD0DELAY/FX0REVERB
CHAIN 2 BOOSTER/MOD0AMP0DELAY/FX0REVERB
CHAIN 3 BOOSTER/MOD0DELAY/FX0AMP0REVERB
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Using BOSS TONE STUDIO for KATANA
Assigning parameters to the EFFECT knobs and Select the parameter that you want to assign
expression pedals 1. For each effect, use the pulldown menu to specify
the parameter that will be controlled by each knob or
Assigning parameters to the EFFECT knobs and expression pedals
expression pedal.
You can assign effect parameters of your choice to the unit’s top
panel [BOOSTER/MOD] knob, [DELAY/FX] knob, [REVERB] knob, the
unit’s rear panel SEL CH1 CH2/EXP PEDAL jack, and the EXP PEDAL
VOLUME jack and FX jack of a GA-FC foot controller (sold separately).
NOTE
When you save, the tone setting of the selected channel is
overwritten; the original settings cannot be recovered. Select a
tone setting that you don’t mind overwriting.
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Using BOSS TONE STUDIO for KATANA
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Using BOSS TONE STUDIO for KATANA
Restoring Backed-Up Liveset to the KATANA Restoring a Tone Setting to the KATANA
Here’s how a liveset that you saved as a backup can be restored to Here’s how to select a tone setting from a liveset that you saved as a
the KATANA’s tone setting. backup, and restore it back to the KATANA.
1. Click the liveset that you want to restore. 1. Drag and drop the tone setting that you want to restore
onto the desired channel of the KATANA.
NOTE
When you drop a tone setting, it overwrites the tone setting of
the selected channel; the original settings cannot be recovered.
Select a tone setting that you don’t mind overwriting.
In this example, drag and drop the tone setting “01 Brown Flange”
onto “A: CH2 KATANA A-2.”
On the KATANA, select TONE SETTING “CH2” and you’ll be able to use
the restored tone setting.
MEMO
You can also select multiple tone settings as described in
“Selecting multiple tone settings” (p. 12).
9
Using BOSS TONE STUDIO for KATANA
10
Using BOSS TONE STUDIO for KATANA
3. From the tone setting list at the left of the TONE STUDIO
Creating an Original Liveset screen, drag and drop your favorite tone settings into the
new liveset.
You can collect your favorite tone settings to create an original
liveset.
11
Using BOSS TONE STUDIO for KATANA
1. Click the tone setting that you want to copy. Selecting a range of tone settings
MEMO Here’s how to select a range of consecutive tone settings.
You can also select and copy multiple tone settings as described
in “Selecting multiple tone settings” (p. 12).
1. Click the first tone setting that you want to select.
2. Drag and drop the selected tone settings onto the desired 2. While holding down your computer keyboard’s [Shift] key,
copy-destination. click the last tone setting that you want to select.
The first through last tone settings that you click are selected.
NOTE
When you drop the tone settings, they are overwritten onto the
tone settings of the selected red area, and the original settings
cannot be recovered. Select tone settings that you don’t mind
overwriting.
MEMO
55 If you select non-consecutive tone settings and copy them,
they are copied as successive tone settings.
12
Using BOSS TONE STUDIO for KATANA
The tone settings are inserted at the position of the red line.
Subsequent tone settings are moved backward. NOTE
Deleted tone settings cannot be recovered. If you decide not to
delete, click the [CANCEL] button.
13
Using BOSS TONE STUDIO for KATANA
2. Click the [Edit] button located at the right of the liveset 4. Choose an icon from PRESET IMAGE.
name.
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Using BOSS TONE STUDIO for KATANA
MEMO
Even if memo display is OFF, the memo appears as a popup when
you move the mouse cursor to the tone setting name.
15
Using BOSS TONE STUDIO for KATANA
1. Click the liveset that you want to delete. Downloading Livesets from BOSS TONE
CENTRAL
Livesets that have been published on BOSS TONE CENTRAL can be
downloaded and used on the KATANA.
NOTE
The deleted liveset cannot be recovered. If you decide to cancel
without deleting, click the [CANCEL] button.
16
Using BOSS TONE STUDIO for KATANA
MEMO
Downloads from BOSS TONE STUDIO are done in units of livesets. Loading and playing audio data
You can’t download individual tone settings, nor add individual
tone settings to the library.
1. On your computer, prepare the audio data that you want to
4. Click the [LIBRARIAN] button again. play back.
In this example, drag and drop the tone setting “01 WIND CRIES” onto
“A: CH2 KATANA A-2.”
Select tone setting “U03” on the KATANA to use the newly added
tone setting.
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Using BOSS TONE STUDIO for KATANA
4. Select the audio file that you want to play back, and click
the [Open] button.
The audio file is loaded into the audio player, and appears in the list.
5. From the list, select the audio file that you want to load,
and click the [p] button.
The audio file plays.
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Using BOSS TONE STUDIO for KATANA
Changing the playback speed or pitch Selecting the Device Controlled by TONE
You can change the playback speed of the audio data or adjust its
pitch.
STUDIO
Here’s how to select the device controlled by TONE STUDIO.
Adjusts the pitch
(-600–600 cents).
A semitone is 100 cents.
1. In the lower right of the TONE STUDIO screen, click the
[SYSTEM] button.
The “SYSTEM” screen appears.
MEMO
You can make the settings using the [I] [H] buttons or by
entering a numeric value from the computer keyboard.
19
Using BOSS TONE STUDIO for KATANA
MEMO
Select the same type for MIDI IN and MIDI OUT. Connection is not
possible if you select different settings.
20
KATANA Effect Parameter list
MOD/FX
MEMO
• This effect sound is mono.
• This effect sound is output with two channels. With MOD and FX, you can select the effect to be used from the
• These effects take a mono input and output it on two following. You can select the same effect for MOD and FX.
channels.
Selecting the Type
BOOSTER
Various boosters and distortion effects can be selected.
BOOSTER Type
Type Explanation
This not only functions as a booster, but also produces a
CLEAN BOOST
clean tone that has punch even when used alone.
TREBLE BOOST This is a booster that has bright characteristics.
This is a booster with unique characteristics in the midrange.
MID BOOST Making the connection before the preamp produces sound
suitable for solos.
A lustrous crunch sound with an added element of amp
CRUNCH OD
distortion.
This is a crunch sound of the BOSS BD-2.
BLUES DRIVE This produces distortion that faithfully reproduces the
nuances of picking.
OVERDRIVE
This models the sound of the BOSS OD-1.
This produces sweet, mild distortion.
MOD/FX Type
This is a list of the effects that can be selected for MOD/FX.
This is an overdrive sound that provides distortion with a
NATURAL OD
natural feeling.
Effect Name Explanation
WARM OD This is a warm overdrive.
Frequency band division is employed to produce two different
TURBO OD This is the high-gain overdrive sound of the BOSS OD-2.
CHORUS choruses, one for low frequencies and one for higher frequen-
T-SCREAM This models an Ibanez TS-808. cies. This allows you to achieve a more natural chorus sound.
DISTORTION This gives a basic, traditional distortion sound. The flanging effect gives a twisting, jet-airplane-like character
FLANGER
FAT DS A distortion sound with thick distortion. to the sound.
DST+ This models a MXR DISTORTION+. By adding varied-phase portions to the direct sound, the phaser
PHASER
GUV DS This models a Marshall GUV’NOR. effect gives a whooshing, swirling character to the sound.
RAT This models a Proco RAT. This models a Uni-Vibe.
This models the sound of the BOSS MT-2. UNI-V Although this resembles a phaser effect, it also provides a
METAL ZONE unique undulation that you can’t get with a regular phaser.
It produces a wide range of metal sounds, from old style to
slash metal. TREMOLO Tremolo is an effect that creates a cyclic change in volume.
This is distortion sound that is ideal for performances of VIBRATO This effect creates vibrato by slightly modulating the pitch.
METAL DS
heavy riffs.
ROTARY This produces an effect like the sound of a rotary speaker.
This models a FUZZFACE.
'60S FUZZ This creates a bell-like sound by ring-modulating the guitar
It produces a fat fuzz sound. RING MOD
sound with the signal from the internal oscillator. The sound can
(Ring Modulator)
MUFF FUZZ This models an Electro-Harmonix Big Muff π. be unmusical and lack distinctive pitches.
OCT FUZZ A fuzz sound with rich harmonic content. SLOW GEAR This produces a volume-swell effect (“violin-like” sound).
This consecutively interrupts the sound to create the impression
SLICER
that a rhythm backing phrase is being played.
DIRECT MIX 0–100 Adjusts the volume of the direct sound. Simulation of the characteristics of particular guitar compo-
GUITAR SIM nents such as pickups and different guitar bodies allows you to
(Guitar Simulator) switch among a number of different guitar types all while using
a single guitar.
1
KATANA Effect Parameter list
FLANGER
The flanging effect gives a twisting, jet-airplane-like character to
the sound.
2
KATANA Effect Parameter list
PHASER ROTARY
By adding varied-phase portions to the direct sound, the phaser This produces an effect like the sound of a rotary speaker.
effect gives a whooshing, swirling character to the sound.
Parameter Value Explanation
RATE 0–100 Adjusts the speed of the rotation.
Parameter Value Explanation
DEPTH 0–100 Adjusts the amount of depth in the rotary effect.
Selects the number of stages that the phaser effect will use.
LEVEL 0–100 Adjusts the volume.
This is a four-phase effect. A light phaser effect is
4 STAGE
obtained.
This is a eight-phase effect. It is a popular phaser
TYPE
8 STAGE
effect. RING MOD
This is a twelve-phase effect. A deep phase effect is
12 STAGE
obtained.
The sound can be unmusical and lack distinctive pitches.
This is the phaser with two phase shift circuits Parameter Value Explanation
BiPHASE
connected in series.
This selects the mode for the ring modulator.
RATE 0–100 This sets the rate of the phaser effect. NORMAL This is a normal ring modulator.
DEPTH 0–100 Determines the depth of the phaser effect. By ring-modulating the input signal, a bell like
Determines the amount of resonance (feedback). sound is created. The intelligent ring modulator
RESO changes the oscillation frequency according to the
0–100 Increasing the value will emphasize the effect, creating MODE
(RESONANCE) a more unusual sound. pitch of the input sound and therefore produces
INTELLIGENT a sound with the sense of pitch, which is quite
MANUAL 0–100 Adjusts the center frequency of the phaser effect. different from NORMAL. This effect does not give
EFFECT LEVEL 0–100 Adjusts the volume of the phaser. a satisfactory result if the pitch of the guitar sound
is not correctly detected. So, you must use single
This sets the cycle of the step function that changes notes, not chords.
OFF, the rate and depth. When it is set to a higher value, the
STEP RATE FREQUENCY 0–100 Adjusts the frequency of the internal oscillator.
0–100 change will be finer. Set this to “Off” when not using
the Step function. EFFECT LEVEL 0–100 Adjusts the volume of the effect sound.
DIRECT MIX 0–100 Adjusts the volume of the direct sound. DIRECT MIX 0–100 Adjusts the volume of the direct sound.
TREMOLO
Tremolo is an effect that creates a cyclic change in volume. SLICER
Parameter Value Explanation This consecutively interrupts the sound to create the impression
Adjusts changes in volume level. A higher value will that a rhythm backing phrase is being played.
WAVE SHAPE 0–100
steepen wave’s shape.
RATE 0–100 Adjusts the frequency (speed) of the change. Parameter Value Explanation
DEPTH 0–100 Adjusts the depth of the effect. Select the slice pattern that will be used to cut the
PATTERN P1–P20
LEVEL 0–100 Adjusts the volume. sound.
RATE 0–100 Adjust the rate at which the sound will be cut.
Adjust the sensitivity of triggering.
VIBRATO With low settings of this parameter, softly picked
notes will not retrigger the phrase (i.e., the phrase
TRIGGER SENS 0–100 will continue playing), but strongly picked notes will
This effect creates vibrato by slightly modulating the pitch.
retrigger the phrase so that it will playback from the
beginning. With high settings of this parameter, the
Parameter Value Explanation phrase will be retriggered even by softly picked notes.
RATE 0–100 Adjusts the rate of the vibrato. EFFECT LEVEL 0–100 Adjusts the volume of the effect sound.
DEPTH 0–100 Adjusts the depth of the vibrato. DIRECT MIX 0–100 Adjusts the volume of the direct sound.
LEVEL 0–100 Adjusts the volume.
3
KATANA Effect Parameter list
COMP T. WAH
This is an effect that produces a long sustain by evening out the You can produce a wah effect with the filter changing in response
volume level of the input signal. You can also use it as a limiter to to the guitar level.
suppress only the sound peaks and prevent distortion.
Parameter Value Explanation
Parameter Value Explanation
Selects the wah mode.
BOSS COMP This models a BOSS CS-3.
Low pass filter. This provides a wah effect over a wide
This is a compressor that adds an even stronger effect in LPF
HI-BAND MODE frequency range.
the high end.
Band pass filter. This provides a wah effect in a narrow
LIGHT This is a compressor with a light effect. BPF
frequency range.
D-COMP This models a MXR DynaComp.
TYPE Selects the direction in which the filter will change in response to
This is modeled on the sound of the Dan Armstrong the input.
ORANGE
ORANGE SQUEEZER.
POLAR
DOWN The frequency of the filter will fall.
When applied heavily, this compressor effect provides a
FAT
fat tone with a boosted midrange. UP The frequency of the filter will rise.
When applied heavily, this compressor effect produces a
MILD Specifies the sensitivity with which the filter changes in
sweet tone with the high end cut.
the direction specified by the POLAR setting.
Adjusts the range (time) over which low-level signals are SENS 0–100
SUSTAIN 0–100 Higher values will produce a stronger tone which
boosted. Larger values will result in longer sustain.
emphasizes the wah effect more. With a setting of 0, the
Adjusts the strength of the picking attack when the strength of picking will have no effect.
ATTACK 0–100 strings are played. Higher values result in s sharper
attack, creating a more clearly defined sound. FREQ 0–100 Adjusts the center frequency of the Wah effect.
LEVEL 0–100 Adjusts the volume. Adjusts the way in which the wah effect applies to the
area around the center frequency.
TONE -50–+50 Adjusts the tone.
PEAK 0–100 Higher values will produce a stronger tone which
emphasizes the wah effect more. With a value of 50 a
standard wah sound will be produced.
LIMITER
EFFECT LEVEL 0–100 Adjusts the volume of the effect sound.
DIRECT MIX 0–100 Adjusts the volume of the direct sound.
This selects the compression ratio used with Band pass filter. This provides a wah effect in a narrow
RATIO 1:1–INF:1 BPF
signals in excess of the threshold level. frequency range.
Adjusts the strength of the picking attack when RATE 0–100 Adjusts the frequency (speed) of the change.
the strings are played. Higher values result in s DEPTH 0–100 Adjusts the depth of the effect.
ATTACK 0–100
sharper attack, creating a more clearly defined
FREQ 0–100 Adjusts the center frequency of the Wah effect.
sound.
Adjusts the way in which the wah effect applies to the
RELEASE 0–100 Adjusts the release time.
area around the center frequency.
LEVEL 0–100 Adjusts the volume. PEAK 0–100 Higher values will produce a stronger tone which
emphasizes the wah effect more. With a value of 50 a
standard wah sound will be produced.
EFFECT LEVEL 0–100 Adjusts the volume of the effect sound.
DIRECT MIX 0–100 Adjusts the volume of the direct sound.
4
KATANA Effect Parameter list
GRAPHIC EQ
630 Hz– high cut filter begins to take effect.
HIGH CUT
12.5 kHz, FLAT When “FLAT” is selected, the high cut
filter will have no effect.
This adjusts the tone. You can adjust the sound quality in ten bands.
Parameter Value
31 Hz
62 Hz
125 Hz
250 Hz
500 Hz
-20–+20 dB
1 kHz
2 kHz
4 kHz
8 kHz
16 kHz
LEVEL -20–+20 dB
5
KATANA Effect Parameter list
P0AC
(PIEZO
Changes a piezo pickup tone to an acoustic guitar
tone.
WAVE SYNTH
0ACOUSTIC)
This is a synth sound that processes the guitar input signal.
LOW -50–+50 Adjusts the low frequency range tone.
* When you use a wave synthesizer, observe the following points.
HIGH -50–+50 Adjusts the high frequency range tone.
• Because of the need to analyze the pitch, chords (two or more sounds
Adjusts the way the body sounds when TYPE is set played simultaneously) cannot be played. Be sure to mute all the
to S0HOLLOW, H0HOLLOW, S0AC, H0AC
other strings and play only one note at a time.
or P0AC.
BODY 0–100 • If the unit cannot detect the attack, it may not sound correctly. If the
The body sound increases as the value is raised;
reducing the value produces a tone similar to that unit cannot detect the attack, it may not sound correctly.
from a piezo pickup. • The sensitivity may vary according to the guitar’s TONE knob and
LEVEL 0–100 Adjusts the volume of the effect sound. pickup type.
SQUARE
This effect simulates the tonal character of an acoustic guitar. square waveform ( ).
Adjusts the frequency where the harmonics contents of
CUTOFF 0–100
Parameter Value Explanation the sound are cut off.
BODY 0–100 Adjusts the body resonance. Adjusts the amount of resonance (and the tone
RESONANCE 0–100 coloration) in the synth sound. The higher the value, the
LOW -50–+50 Specifies the sense of volume for the low-frequency range. more the synth tone coloration is emphasized.
HIGH -50–+50 Specifies the sense of volume for the high-frequency range. SYNTH LEVEL 0–100 Adjusts the volume of the synth sound.
LEVEL 0–100 Specifies the volume of the effect. Adjusts the amount of filtering applied in response to
FILTER SENS 0–100
the input.
This sets the time needed for the filter to finish its
FILTER DECAY 0–100
sweep.
Adjusts the depth of the filter. When the value is higher,
FILTER DEPTH 0–100
the filter will change more drastically.
DIRECT MIX 0–100 Adjusts the volume of the direct sound.
6
KATANA Effect Parameter list
OCTAVE HARMONIST
This adds a note one octave lower, creating a richer sound. Harmonist is an effect where the amount of shifting is adjusted
according to an analysis of the guitar input, allowing you to create
Parameter Value Explanation harmony based on diatonic scales.
This selects the register to which the effect is applied. * Because of the need to analyze the pitch, chords (two or more
B1 (corresponds to the sound of an open 7th sounds played simultaneously) cannot be played. Be sure to
RANGE 1 (B1–E6) string) to E6 (corresponds to the 1st string mute all the other strings and play only one note at a time.
played at the 24th fret)
* If the unit cannot detect the attack, it may not sound correctly. If
B1 (corresponds to the sound of an open 7th
the unit cannot detect the attack, it may not sound correctly.
RANGE 2 (B1–E5) string) to E5 (corresponds to the 1st string
RANGE played at the 12th fret) * The sensitivity may vary according to the guitar’s TONE knob
B1 (corresponds to the sound of an open 7th and pickup type.
RANGE 3 (B1–E4) string) to E4 (corresponds to the sound of an
open 1st string) Parameter Value Explanation
B1 (corresponds to the sound of an open 7th Selects the number of voices for the pitch shift sound.
RANGE 4 (B1–E3) string) to E3 (corresponds to the 4th string
played at the 2nd fret) VOICE 1VOICE One pitch-shifted voice is output in monaural.
Adjusts the volume of the sound one octave 2VOICE Two pitch-shifted voices are output in monaural.
EFFECT LEVEL 0–100
below.
This determines the pitch of the sound added
DIRECT MIX 0–100 Adjusts the volume of the direct sound. to the input sound, when you are making a
harmony.
HR1:HARMONY -2 oct–+2
oct, USER It allows you to set it by up to 2 octaves higher
HR2:HARMONY
or lower than the input sound. When the scale
PITCH SHIFTER is set to USER, this parameter sets the user scale
number to be used.
The key setting corresponds to the key of the
This effect changes the pitch of the original sound (up or down) song (#, b) as follows.
within a range of two octaves.
Major
Parameter Value Explanation
C (Am)–B
Selects the number of voices for the pitch shift sound. MASTER KEY Minor
(G#m)
One-voice pitch-shifted sound output in
1VOICE Major
VOICE monaural.
Two-voice pitch-shifted sound (PS1, PS2) output
2VOICE
in monaural. Minor
PS1:PITCH Adjusts the amount of pitch shift (the amount of DIR.MIX
-24–+24 0–100 Adjusts the volume of the direct sound.
PS2:PITCH interval) in semitone steps.
(DIRECT MIX)
1:LEVEL Adjusts the time from when the direct sound
0–100 Adjusts the volume of the pitch shifter. HR1:PRE DELAY 0 ms–300
2:LEVEL is heard until the harmonist sounds are heard.
HR2:PRE DELAY ms,
Normally you can leave this set at 0 ms.
DIRECT MIX 0–100 Adjusts the volume of the direct sound.
Adjusts the feedback amount of the harmonist
Selection for the pitch shifter mode. HR1:FEEDBACK 0–100
sound.
FAST, The response is slower in the order of FAST, HR1:LEVEL
MEDIUM, MEDIUM and SLOW, but the modulation is 0–100 Adjusts the volume of the harmony sound.
HR2:LEVEL
PS1:MODE SLOW lessened in the same order.
PS2:MODE
MONO is used for inputting single notes.
Parameter Value Explanation
MONO * You may be unable to produce the intended
effect when playing chords (two or more notes C -24 C–+24 C
played simultaneously). Db -24 D²–+24 D²
PS1:FINE Make fine adjustments to the interval. The
D -24 D–+24 D
-50–+50 amount of the change in the Fine 100 is
PS2:FINE equivalent to that of the Pitch 1. Eb -24 E²–+24 E²
Adjusts the time from when the direct sound is E -24 E–+24 E
heard until the pitch shifted sounds are heard.
Normally you can leave this set at 0 ms. USER SCALE F -24 F–+24 F You can specify a pitch in the range
two octaves above or below the
* When set to BPM, the value of each param- *1 *2 F# -24 F¾–+24 F¾ direct sound.
eter will be set according to the value of the
PS1:PRE DELAY “MASTER BPM” specified for each patch. This G -24 G–+24 G
0 ms–300 ms
PS2:PRE DELAY makes it easier to achieve effect sound settings Ab -24 A²–+24 A²
that match the tempo of the song.
* If, due to the tempo, the time is longer than A -24 A–+24 A
the range of allowable settings, it is then Bb -24 B²–+24– B²
synchronized to a period either 1/2 or 1/4 of
that time. B -24 B–+24 B
Adjusts the feedback amount of the pitch shift
PS1:FEEDBACK 0–100
sound. *1 This can be specified if HR1:HARMONY or HR2:HARMONY is “USER.”
*2 The correspondence between the note names and the knobs differs depending
on the specified KEY. Knob [1] of the first page is the tonic (root note) of the
specified KEY. The table shows the example of when KEY is set to C (Am).
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KATANA Effect Parameter list
This models an MXR EVH-90 Phase Shifter. * Only when TYPE is ECHO.
Adjusts the volume that is returned to
Parameter Value Explanation the input. A higher value will increase
EHO INTENSITY 0–100 the number of the delay repeats.
Switches the character of the phaser.
* Only when TYPE is ECHO.
SCRIPT OFF, ON OFF: Modern
Adjusts the volume of the delay sound.
ON: Vintage ECHO LEVEL 0–100
* Only when TYPE is ECHO.
SPEED 0–100 Sets the rate and the depth of the phaser effect.
INPUT VOLUME 0–100 Adjusts the input level.
TONE -50–+50 Adjusts the tone.
OUTPUT 0–100 Adjusts the volume.
FLANGER117E
This models an MXR EVH-117 Flanger.
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KATANA Effect Parameter list
DELAY/DELAY 2 REVERB
This effect adds delayed sound to the direct sound, giving more This effect adds reverberation to the sound.
body to the sound or creating special effects.
REVERB Type
DELAY Type
TYPE Explanation
TYPE Explanation Simulates plate reverberation (a reverb unit that uses the vibration
DIGITAL This is a simple monaural delay. PLATE of a metallic plate). Provides a metallic sound with a distinct upper
range.
ANALOG This gives a mild analog delay sound.
Simulates the reverberation in a small room. Provides warm
This setting provides the characteristic wavering sound of the tape ROOM
TAPE ECHO reverberations.
echo.
Simulates the reverberation in a concert hall. Provides clear and
HALL 1
REVERSE This produces an effect where the sound is played back in reverse. spacious reverberations.
MODULATE This delay adds a pleasant wavering effect to the sound. SPRING This simulates the sound of a guitar amp’s built-in spring reverb.
SDE-3000 This models the sound of the Roland SDE-3000. This reverb adds the wavering sound found in hall reverb to
MODULATE
provide an extremely pleasant reverb sound.
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KATANA Effect Parameter list
EQ NS
This adjusts the tone. This effect reduces the noise and hum picked up by guitar pickups.
Since it suppresses the noise in synchronization with the envelope
of the guitar sound (the way in which the guitar sound decays over
PARAMETRIC EQ time), it has very little effect on the guitar sound, and does not
harm the natural character of the sound.
You can adjust the sound quality in four bands.
S/R (SEND/RETURN)
Adjusts the width of the area
affected by the EQ centered at the
LOW-MID Q 0.5–16
LOW-MID FREQ. Higher values will
narrow the area.
These are settings for the EFFECT LOOP (SEND/RETURN) jacks.
Specifies the center of the frequency
HIGH-MID FREQUENCY 20 Hz–10.0 kHz range that will be adjusted by the
HIGH-MID GAIN. Parameter Value Explanation
Adjusts the width of the area ON/OFF OFF, ON Turns this effect on/off.
affected by the EQ centered at the Specifies the position at which the
HIGH-MID Q 0.5–16 POST AMP, POST
HIGH-MID FREQ. Higher values will POSITION external effect unit is connected within
narrow the area. REV
the KATANA's effect chain.
This sets the frequency at which the
Specifies whether the external effect unit
low cut filter begins to take effect. MODE SERIES, PARALLEL
LOW CUT FLAT, 20 Hz–800 Hz is connected in series or in parallel.
When “Flat” is selected, the low cut
filter will have no effect. Adjusts the volume of the output to the
SEND LEVEL 0–100
external effects device.
This sets the frequency at which the
630 Hz– high cut filter begins to take effect. Adjusts the volume of the input from the
HIGH CUT RETURN LEVEL 0–100
12.5 kHz, FLAT When “FLAT” is selected, the high cut external effects device.
filter will have no effect.
GE-10
This models a BOSS GE-10 graphic equalizer. You can adjust the
sound quality in ten bands.
Parameter Value
31 Hz
62 Hz
125 Hz
250 Hz
500 Hz
-12–+12 dB
1 kHz
2 kHz
4 kHz
8 kHz
16 kHz
LEVEL -12–+12 dB
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