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Satellite Image Guide for Journalists and Media

Tips when using/creating satellite images for media
 December 18th, 2018 11:19am  Pierre Markuse
 Remote Sensing, Science  10 Comments

Using satellite images

A picture is worth a thousand words. Most
journalists will agree that this still holds
true, and therefore satellite images can be
worth a lot to journalists and media outlets.

So you would like to use a satellite image

in your article and you would like to explain
it to your viewers? Here is a short guide
covering some of the most frequently
asked questions and giving some general
explanations on satellite images. It by no
means covers all aspects, as there are far
too many types of satellite images, but
should give you a good start to find out
more on your own and maybe motivate
you to create your own images, which has
become quite easy and quick even with no
prior knowledge of it.
Landsat 8 image of the Camp Fire – Informative and catchy at the same time

You might also want to read my guest blog

post on the Sentinel Hub blog “Why Newsrooms need People with Expertise in Remote Sensing“.

Resolution
Satellite images come in different resolutions, depending on the satellite the resolution can be anywhere from a few hundred meters per
pixel to around half a meter per pixel for civilian usage. While images from 10-meter resolution onward are often available freely, better
resolutions are usually commercial products.

Aside from this spatial resolution there is of course also the temporal resolution. What is the revisitation time (the time it takes for the
satellite to look at the same location again) of the satellite or the satellite system? Will you get an image once a day, once a week, or
maybe only once a month?

I mention resolution because sometimes journalists ask for “the original picture in full resolution” and are somewhat disappointed at what I
could send them.

This close-up of Boston demonstrates very clearly the difference between 10-meter and 0.8-meter resolution. In the SkySat image you can
also see the “leaning” effect of the skyscrapers, not imaged at nadir (from directly overhead) but at a slight angle.

Copernicus Sentinel-2A Planet Labs SkySat

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Sentinel-2
The 10-meter resolution of the Sentinel-2A satellite seems not very attractive in this close-up, however, don’t let that fool you. When
showing bigger areas, the 10-meter resolution delivers superb images, as can be seen here in this image of the Sermilik Fjord and
surrounding glaciers in Greenland.

Landsat
The Landsat satellites have a similar resolution with 15 meters per pixel and deliver comparable results. Because the Landsat program is
much older, the archives of images are especially interesting and important for time-series stretching over a longer period of time to show
changes and monitor slow processes. 

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Now that is looking odd…

Some common surprises when looking at natural color satellite images include colors that look a bit wrong and less saturated than
expected and often some kind of haze in the image.

Forests for example can look surprisingly

dark and not at all as green as you might
expect them to be. Images also often show
a somewhat bluish tint, this is caused by
atmospheric scattering of the light which is
stronger at shorter (blue) wavelengths.

This bluish tint and haze can sometimes

be experienced when looking out of the
window of a plane, but because of the
higher altitude of remote sensing satellites
and therefore more atmosphere to
penetrate, those effects are usually more
pronounced here. More information on this
effects you can also find here.
Forests can look surprisingly dark in satellite images

Atmospheric correction
Atmospheric correction can be used to
reduce the impact of the atmosphere on
the image quality. Some data providers
deliver images that already are corrected,
but sometimes you have to do it on your
own.

There are several methods to do so, some

very scientific, others more artistic in their
approach. Which one you need depends
on your application, for usage in media,
scientific or artistic doesn’t make much of a
difference as long as the result is visually
appealing.

Bluish tint from atmospheric effects

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No bluish tint because of atmospheric correction

Visual, infrared, and more…

Satellites can often not only see the Earth in visual light, delivering natural color images as the above Greenland image, but also have
sensors that can detect other wavelengths, most commonly near infrared and short-wave infrared, sometimes also thermal bands to get
temperature readings.

Not seeing the Earth in visual light but also other wavelengths bands allows us to see things, that would otherwise be hard to see, or could
even be completely invisible. Here is a comparison of an image in visual light and near infrared/short wave infrared combination.

Natural colors NIR/SWIR view

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As you can see the burn scar pops out in a very distinct red in the infrared view, while healthy vegetation appears in greenish colors. This
kind of view is very common in satellite imagery. The burn scar can be seen in visual light as well, but the infrared makes it so much easier
to see the difference here. If you use images using not only visual light you should always state that fact, as otherwise the colors might
look odd to the casual reader expecting something completely different.

Blue snow…
Another common source of confusion is snow. In infrared images snow and ice often appear in cyan/bluish colors. Since infrared images
are so common, this is something you should know about. Take a look at the snow on top of the mountains of the Novaya Zemlya
archipelago. You should also note that water can appear quite dark blue or even almost black in these infrared views.

However, with some manipulation it is also possible to generate infrared images in which the snow appears white, possibly making it
easier to understand but also making it harder to distinguish snow and ice from clouds. See an example below.

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Different band combinations can also be used to distinguish between different types of rock. In this image the Jabal Arkanu (in the top part
of the image) shows a more or less circular granite intrusion (showing up slightly purplish in the NIR/SWIR image), flanked by a sandstone
component (greenish in the NIR/SWIR image) in the north-east. The Gabal El Uweinat (bottom part) also has a circular granite intrusion,
with sandstone and siltstone components surrounding much of the intrusion, pretty much looking like a big “hand of sandstone” holding a
“granite ball“. If you are interested, you can read more on it here.

Natural colors NIR/SWIR (12-11-8)

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Another combination that is used quite often produces images like this one. Healthy vegetation appears in bright red, while burn scars
appear dark red/brown to black. This image has additionally highlighted hot spots. These red false color images are quite popular, they
work reasonably well to show the burn scars and the red color, especially combined with bright hot spots, usually helps to create interest in
the image.

Here is an image showing three different way to show the same area. Left in natural colors, the middle a NIR/SWIR image, and on the
right a version highlighting the water in the image. Depending on what you are writing about, I would recommend to always also show a
natural color image, as most people find those easier to understand/read, image sliders as I have used above are also a nice way to do
this.

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Getting and processing your own satellite images

Okay, enough of looking at satellite images, but how do do get them? You are a Journalist or have an otherwise media related job that
makes it necessary for you to get pictures that go with your story? You want those images to be satellite images? Well, then thanks to
open data policies and services such as the Sentinel Hub EO Browser you are no longer limited to the pool of available and pre-processed
satellite images, but you can process images of your area of interest yourself in a matter of seconds.

I will not talk about how to get an image with the Sentinel Hub EO Browser, as it is so dead simple, you should just head over and do it
yourself. Many different visualizations are available as presets, making it easy to have a look at your area of interest in different ways. But
it doesn’t stop there. Thanks to custom scripting you can get even more functionality out of the EO Browser. An example would be my
script for wildfire visualization I wrote about here. But there is also a repository with many other scripts, and you can of course always try
your own ideas.

And while there are a lot of different possibilities to get satellite data or processed images, Sentinel Hub in my opinion stands out, as it
allows to process satellite data to very usable images with little to no knowledge and background in satellite data processing, making it an
ideal tool for journalists.

Images that match your story

This will make it possible for you to get
images that truly match your story, be it
general reference images, for example
satellite images of a city or area, or more
specific images of ongoing events such as
wildfires, volcano eruptions, floods,
hurricanes, and other events. Especially
for major events you will usually find an
ample amount of pre-processed images,
but with your own images you can focus on
specific aspects and sometimes even be
quicker than others, as you don’t have to
wait for pre-processed imagery to become
available. The advantages for smaller
events are even bigger, as pre-processed 
Finding satellite images of big cities and famous locations is easy – But what if your story takes place in Novy
Urengoy, Russia?
images of smaller wildfires or other events
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Another advantage is the license situation, as media can freely use the images created in EO Browser in accordance with the CC BY 4.0
license.

Know your audience

Satellite images are in some way not different from the stories you are writing. It is important to know your audience. Important because
knowing your audience will give you at least an educated guess on what they already know and also what kind of image will grab their
attention and the level of detail they might expect.

Scientists or fire-fighters will be perfectly fine with some gray-scale images of a fire perimeter and burn scars if they are easily readable
and accurate. The general public, however, is not a big fan of gray-scale images. To grab their attention, a natural-color image or a punchy
false-color image will be working much better. So to get attention, at least the lead image of your story should be something that appeals
to your audience, you can always add additional imagery within the story or in galleries for readers who would like some more detail and
background.

The right tool for the job

So, should you have decided to use the
Sentinel Hub EO Browser to get images,
great choice. However, as much as I’m a
fan of it and all its capabilities, it still is far
from being able to do everything.

If you want a quick satellite image for a

recent news event and there is Sentinel or
Landsat imagery available, then the EO
Browser will help you in getting a quick and
usable result. Sometimes the result right
out of the browser will be perfect for you.
But sometimes it won’t. So you will need to
do a little work yourself.

GIMP, Photoshop, and more Example of some post-processing in Photoshop (Click to enlarge)

Because of that I recommend, that you

don’t restrict yourself. Using the EO
Browser is fine, but don’t shy away from
additionally using other tools.

Using GIMP (free) or Photoshop

(commercial) to post-process the EO
Browser generated images is a great way
to enhance image quality or focus on
specific things in the image. You can
manipulate the image itself or just add
some annotations and explanations right in
the image as seen in this example here. I
added some annotations, an inlay, and
used Photoshop to bring the colors to a
more natural-like appearance.
Here an example of super-quick annotations in Photoshop still adding a lot of value
But even if Gimp or Photoshop are
relatively new to you or you simply just
don’t have the time to spend on some
fancy annotations, even the most simple
annotations, which can be done by
beginners in a matter of minutes, can be
helpful and add value to an image for your

audience. See the second example to the
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Not only allows a combinations of tools for

more useful images, with just minimal
knowledge of GIMP or Photoshop you can
use Sentinel imagery as decorative yet
thematically fitting element of a story, as
can be seen in the example image of the
fictive “Water in New York City” story. It is
not much on its own but can give your
story the final touch and looks quite nicely.

QGIS
With QGIS you can even get a
free geographic information system (GIS) Using Sentinel imagery as decorative, yet thematically fitting element

which, at least for some basic operations,

you will be able to use within 30 to 60
minutes. How far you want to go depends
on your interest, time constraints, and
needs, but even some basic usage of it
can be helpful.

Take a look at the example image with the

storm over the Gulf of Alaska. QGIS was
used to add the scale, borders/cities, and
to reproject the image. It will help your
audience to get a feel of the scale and
better be able to identify locations and
geographical features.

I should also mention that there is a

Sentinel Hub plugin for QGIS, more about
that you can read here.

The possibilities here are pretty much

endless, there are many other tools A storm over the Gulf of Alaska, Aqua MODIS imagery. QGIS was used to add the scale, borders/cities, and to
reproject the image.
available and depending on what you want
to highlight you should really experiment
what is working for you.

Keep it real
Keep it real with your images. By that I
mean that you should communicate to
your audience what can be seen. I’m
processing a lot of wildfire images, many of
which ended up in some media
publications. I like to create images
combining natural colors with an IR
highlights overlay, like this image on the
right. This way zones with active fires and
lots of residual heat are very visible in the
image. The resulting image looks a lot like
you could really see the fire, as the zones
of high IR emissions line up with the
smoke emanating from the fires. Here is
where you should keep it real and tell your
audience that what can be seen are not Wildfire in the Amur Oblast in Russia, natural colors with NIR/SWIR overlay to show IR emissions
actual fires but actually an IR overlay that

to some degree lines up Diese
with the active fires and hot spots.
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I have seen this explanation very rarely, and without it those images are to some degree misleading. But good examples of how to
communicate it can be seen here in Discover Magazine Blog by Tom Yulsman and here in Engadget by Steve Dent .

Explain, explain, explain…

Another thing worth noting is, that you
should tell your audience in which way an
image might have been altered. Take this
image of the Salton Sea for example.

You could say it is a natural color image,

but to be fair, in this image the colors
have been slightly exaggerated to make
the agricultural fields stand out more.
Additionally the contrast within the Salton
Sea has been enhanced to better show
the details now visible.

It is not necessary to explain every single

step of processing, however you should
speak about the effects your processing
had on the image.

A Sentinel-2 image of the Salton Sea with modifications to make the natural color image visually more appealing.

Some good examples of satellite image usage

Good is relative and what is good for one person/application might not work for others. But take a look at those images of some very
talented people to see some nice usage of satellite imagery. 

An annotated map of the Xe-Namnoi dam breach made by Simon Gascoin. Make sure to read the whole thread for more information. It
also shows that simple annotations can be really helpful in conveying the meaning of an image.

Simon Gascoin
@sgascoin

(1/n) Annotated map of the Xe-Namnoi dam breach. The flood

came from a saddle dam breach and followed the Vang Ngao
river down to the villages. @CopernicusEU #Laosdam

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86 1:14 AM - Jul 26, 2018

73 people are talking about this

Very impressive is this animation of the Pine Island Glacier calving, created by Stef Lhermitte from 108 Sentinel-1 images.

Stef Lhermitte
@StefLhermitte

Pine Island Glacier: the movie. From Oct 2014 to recent calving
in 108 #sentinel1 images @CopernicusEU @ESA_EO

439 6:25 PM - Oct 13, 2017

394 people are talking about this

Comparison animation of forests between Moena and Predazzo after heavy rain falls in Italy by Annamaria Luongo.

Annamaria Luongo
@annamaria_84

La devastazione dei boschi della @valdifassa (#Italia , tra

Moena e Predazzo) a causa del #maltempo vista da #Sentinel2.
Un vero disastro! @CopernicusEU @sentinel_hub
@CopernicusEMS @DPCgov @ProvinciaTrento @dpcpat1

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17 11:04 PM - Nov 10, 2018

See Annamaria Luongo's other Tweets

Timelapse of the Oroville Spillway destruction and reconstruction by Harel Dan.

HD
@HarelDan

Timelapse of #OrovilleSpillway destruction and

reconstruction.@CA_DWR

25 9:03 PM - Mar 26, 2018

See HD's other Tweets

The Öræfajökull volcano in Iceland by Antti Lipponen.

Antti Lipponen
@anttilip

#Öræfajökull, #Iceland . 10 November 2017. #Sentinel-2B

satellite data.
hi-res & download: flic.kr/p/221jEFv#OEraefajoekull
#volcano

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31 9:21 PM - Nov 29, 2017

See Antti Lipponen's other Tweets

Thousands of cars filling up Volkswagen’s Diesel graveyard in Victorville, California, by Kamil Onoszko.

Kamil Onoszko
@Onosz

#Volkswagen's diesel graveyard #Victorville #California #USA

#Sentinel-2 #Copernicus #timelapse you know why I
love satellite images? Because they represent the truth about
Us and the World in which we live @CopernicusEU
@NASA_Landsat @planetlabs @Pierre_Markuse

134 12:13 AM - May 20, 2018

96 people are talking about this

Sentinel Hub Education Pages and Future Updates of the EO Browser

I would encourage you to read “Educational Role of EO Browser and New Features” by Sabina Dolenc , giving you a nice overview of
some of the recently added features of the EO Browser and giving some more information about the Sentinel Hub Education Pages, which
is also a nice resource if you want to learn a bit more about Earth Observation.

The EO Browser is a work in progress. Some of the more exciting updates planned for the future are data combination (for example using
Sentinel-2 data and Sentinel-5p data in a single image), the ability to build time lapses from data of multiple satellite missions, additions to
the education pages regarding volcanoes and air pollution, and, maybe especially interesting for journalists to visualize things, the ability
to create 3D-images of scenes within the EO Browser by combining data from the Sentinel satellites and a digital elevation model.

There are also updates planned for the more advanced users, the new API V2.0 will support POST requests, removing the char number
limit in URLs. We will also see multi-part responses, e.g. GeoTiff (for raster data) + JSON (for meta-data or some script debugging
information), better support for machine learning, and the possibility to get raw satellite data e.g. unchanged Sentinel-2 reflectance values.

Useful Resources

Some useful resources toDiese
get Website
some more information. Interesting Twitter accounts to follow for Sentinel images (and satellite images in
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general) as well as some articles/blog posts explaining some aspects of image processing in greater detail.
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Twitter Accounts
Copernicus EU , the official account of the European Union Earth Observation Programme. You’ll get all sorts of information about the
Sentinels as well as a nice selection of images. They are also helpful with any questions you might have about the Sentinels or the
Programme itself.

Copernicus EMS , the Copernicus Emergency Management Service providing mapping products based on satellite imagery together
with forest fires Flood and drought early warning products.

ESA EarthObservation , more information about the European Earth Observation endeavors as well as Sentinel imagery.

Sentinel Hub , for news about the EO Browser and the Sentinel Playground as well as a stream interesting satellite images

Simon Gascoin , if snow and glaciers are your thing, you might want to follow Simon. But even aside from those topics he’ll surprise
you with nice usage of Sentinel imagery.

Stef Lhermitte , just as Simon, Stef likes to look at the colder things on Earth. Follow him for some nice timelapse animations and
informative use of imagery, especially glaciers.

Antti Lipponen , you should follow Antti for a beautiful selection of storm images from a variety of different satellites and some excellent
data visualizations. Also take a look at his Flickr here .

Harel Dan , bringing you interesting images and especially (timelapse) animations from Sentinel satellites.

Kamil Onoszko , tweeting interesting Landsat and Sentinel images with a focus on forests and areas in Poland.

Annamaria Luongo , who is posting all kinds of different Sentinel images with some very interesting GIFs, showing how to present
satellite data in an engaging way.

Further Reading
A lot of these are not meant for the Sentinel Hub EO Browser but rather deal with manual image processing, however, they give you a
deeper insight into the processing of good satellite images and the methods behind it and are all well worth reading. I would recommend to
especially read the first one, as it will help you to understand the general process of creating a natural color image from the raw data of the
satellite.

I would also like to remember you of what I have said earlier. Don’t restrict yourself to one tool. The EO Browser is versatile, quick, and
easy to use. But you should see it as a starting point. Sometimes you can use images right out of the browser, sometimes a little tweaking
with tools like GIMP or Photoshop can get you far ahead in terms of image quality and usefulness for your audience. So some knowledge
of all of this is always a plus.

How To Make a True-Color Landsat 8 Image by Robert Simmon

A hands-on guide on how to manually process Landsat 8 images. Very useful to get you started and learn about the basics. And even
though he used Landsat 8 data his workflow is pretty much transferable to many other satellites, including the European Sentinel-2
satellites. Even if manually processing images is not your goal, you should read it.

How to Pan-sharpen Landsat Imagery by Joshua Stevens

A useful extension to the above guide by Robert Simmon. Joshua describes how to manually pan-sharpen Landsat 8 data. Again, the
workflow is transferable to other satellites as well. Very useful especially if you are planning on manually processing natural color Landsat
8 images.

A Hands-On Guide to Color Correction by Robert Simmon

If your satellite images look like old photographs bleached by too much sunlight or have a strange blue hue then this guide on color
correction might be helpful. Get some tips on how to manually mitigate some of the effects our atmosphere has when taking images
through hundreds of kilometers of it and create images with more vivid and natural-like colors.

Making Sense of Satellite Data, An Open Source Workflow by Robert Simmon

This is a five-part series of articles dealing with Accessing Data (Part 1), Pre-processing Multi-band Data with QGIS (Part 2), Stitching
Data with QGIS (Part 3), Color correction with GIMP (Part 4), and Saturation and Sharpness (Part 5). This series of articles guides you
step-by-step from getting Sentinel-2 data over combining the data in QGIS to manual correction of colors, saturation, and sharpness to
your final image. Especially useful to read if you want to get the basics of how to integrate and work with satellite data in QGIS. 
A Gentle Introduction to GDAL by Robert Simmon
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If you don’t shy away from using some command line tools, then this introduction to GDAL in three parts will get you started. You’ll get
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introduced to the basics (Part 1), learn about Map Projections & gdalwarp (Part 2), and Geodesy & Local Map Projections (Part 3). GDAL
is a very powerful tool and helps you to manipulate satellite data in many different ways. If your goal is to just get some nice looking
satellite images you don’t necessarily need GDAL, however, it can be very helpful and can of course be used in batch-processing, so it
can speed up your workflow a lot, especially when you are about to process a lot of images.

Color Correction with JavaScript by Miha Kadunc

In this article Miha is talking about some of the basics of atmospheric correction of satellite images to  get better and more natural colors.
He gives a short explanation of his JavaScript meant to be used in the Sentinel Hub EO Browser to automatically color-correct images. If
you are using the EO Browser you should give this script a try, it can produce really good results.

Acknowledgements
Once again thanks to the team at Sentinel Hub, patiently, and quickly, answering all of the annoying questions I might have had and for
making the EO Browser available to the general public.

I would also like to thank all of you who gave me some form of feedback when I bugged them with questions. 

Landsat 8 data courtesy of the U.S. Geological Survey, Resourcesat data courtesy of ISRO and the U.S. Geological Survey, Contains modified Copernicus Sentinel data [2016, 2017,

2018], SkySat data by Planet Labs under CC BY-SA 4.0 license

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 education, EO Browser, journalism, landsat, media, remote sensing, sentinel, sentinel hub

Looking at Wildfires (and more…) – An Introduction - September 17th, 2019

Satellite images – Recap 2017 - December 31st, 2017
Visualizing Wildfires and Burn Scars with the Sentinel Hub EO Browser V2 - April 30th, 2018

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Visualizing Wildfires and Burn Scars with the Sentinel Hub EO Satellite images – Recap 2018
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10 thoughts on “Satellite Image Guide for Journalists and Media” 

Emmanuel Uko says:
December 24th, 2018 at 6:15 am

This article is amazing! I will say it is very informative and educative. This is a great material for enhancing my remote sensing skills .

Reply

Pierre Markuse says:

December 24th, 2018 at 11:04 am

Thank you!

Reply

Pingback: My pick for the most compelling — and scary — remote sensing image of 2018 – Ottawa Business Daily

Pingback: My pick for the most compelling — and scary — remote sensing image of 2018 – KESIMPULAN

Simon says:
February 16th, 2019 at 10:37 pm

Great article! And thanks for the nice comment 🙂

Reply

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Markuse says:
February 19th, 2019 at 11:39 pm Verstanden Datenschutzerklärung

Thank you, Simon!

Reply

Veronika says:
April 2nd, 2019 at 10:45 am

Hi Pierre,
I also appreciate your article very much. You are very good at explaining difficult things in a simple language. What a great skill! Thank you.

Reply

Pierre Markuse says:

April 4th, 2019 at 9:13 am

Thank you, Veronica!

Reply

Gerardo says:
August 7th, 2019 at 2:30 pm

So much remote sensing knowledge and information concentrated in a few words… Congratulations and thank you so much.

Reply

Pingback: Looking at Wildfires (and more...) - An Introduction - Pierre Markuse

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