Professional Documents
Culture Documents
Amber Sosa
Mrs. Priest
ERWC
16 December 2019
There is a sense of yearning in humans to go out and explore their inner, truest self.
While not many will choose to act on their desires, Chris Mccandless sets out to go against the
odds and actually try to live an “on the road” lifestyle to Alaska. Jon Krakauer explores
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Mccandless’s reasoning to act on something so extreme in the book, Into the Wild. A
by the book, Mccandless dropped the life that was set up for him by his parents to break free
from the facade his father had lived, be free from modern society, and understand his literary
heroes better.
upper-middle-class home, with both parents and his sister. While his family partook in family
vacations, buying their children new cars, and such. This however frustrated Mccandless and
according to his mother Billie, even “embarrassed by all of that”. Even from a young age,
Mccandless disdain for wealth was prominent, “Her son, the teenage Tolstoyan, believed that
wealth was shameful, corrupting, inherently evil” (115). Mccandless upbringing brought him
shame and made his desire to create a new identity strengthen. Likewise, Krakauer dives into the
complicated family dynamic that had sparked more resentment from Mccandless to his family.
His father Walt, had a previous marriage which Mccandless found out through a road trip he had
taken one summer, that the relationship never truly ended. According to Krakauer, “Walt
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continued his relationship with Marcia in secret, dividing his time between two households, two
families” (121). Mccandless would have every right to feel betrayed by this information, to him,
it’s as if his family has been living in a lie. This would also create fear of passing on
intergenerational trauma and perhaps becoming like his father. In order to break away from that
fear, Mccandless would go and do what his father would disapprove of most, living life unstable,
free from authority, and unhinged. Rather than give in to a societal, cookie-cutter norm,
Mccandless knew that at least once he should try to reach his goal, no matter the consequence or
obstacles.
Likewise, Mccandless had shown a desire to be free from modern society, since a child.
As mentioned earlier, he had a dislike for wealth and his parent’s lifestyle. Yet also, the
injustices he viewed in the world made him appalled at the privileges many around him had.
Krakauer makes mention of his time at Emory, “More and more of the classes he took addressed
such pressing social issues as racism and world hunger and inequities in the distribution of
wealth” (123). Mccandless had realized that the inequalities had only contributed to the
worsening of the state of the world, and for the privileged around him (including himself), he
wanted no part in contributing to it. In fact, by donating his law school money to charity, then
leaving his material goods behind, represents his inner desire to reject modern society and free
from what he deemed the evils of wealth. Another example of Mccandless rejecting modern
society is his inability to try to have deep emotional connections to other people. While
Mccandless is in Salton City, he gets a ride from an older man named Ron Franz. The lonely
elderly man takes Mccandless in like he was his own son, and is willing to go above and beyond
for him. Yet, Mccandless can’t fully reciprocate the emotional bond. When Franz warns
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Mccandless that he needs to change the way he lives, Mccandless takes his advice as an insult to
him, not out of a loving parental way. Instead, Mccandless responds back with, “you don’t need
to worry about me, I have a college education, I’m not destitute. I’m living like this by choice”
(54). Mccandless doesn’t want to be mindful of the wants or emotions of those around him since
the emotional aspect of it actually slows his plan down. Instead of attempting to have emotional
human relationships on the road, his focus is on himself only. Which is quite contrary to the
Furthermore, Mccandless’s biggest romantic inspiration to leave his life behind to be one
with nature is his literary icons. Krakauer sprinkles throughout the book quotes from Jack
London, Henry David Thoreau and Leo Tolstoy, which shows the ultimate connection to
Mccandless actions in the chapters. Inspired by the alter ego of Tolstoy in his writings,
Mccandless changed his name when he began to set off on his journey, “he was now Alexander
Supertramp, master of his own destiny” (23). Him changing his name shows his tribute to the
writer, and the influence it had on his interactions with others. Rather than exposing his true
identity to the people he meets, he’s able to live as this alter-ego to get a sense of the emotions
Tolstoy had felt in his writing. Through this, Mccandless can encapsulate the spirit of his hero in
the most authentic way possible. Another way Mccandles is able to encapsulate another one of
his hero’s spirit is through Thoreau. While Thoreau was known to live in the wild and wrote the
famous essay Civil Disobedience, which promotes living in a lawless society. Mccandless sets
out to live in this way, his own lawless world which only he creates rules in. Instead of listening
to the advice of others or having convenience goods to live more comfortably, he wants to live in
the natural world the way Thoreau did. Last but not least, London’s writings on Alaska is what
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influences Mccandless to try to travel and live there. According to his friend, Jan Burres, his
obsession with London’s Alaska stories were out of idealization, “that he forgot that they were
works of fiction, constructions of the imagination that had more to do with London’s romantic
sensibilities than the actualities of life in the subarctic wilderness” (44). The logic wasn’t a
pushing force for Mccandless to go out into the wild, but instead the romanticization of what
could be there when he explores it. London’s stories were fictional, but the effect it had on
Mccandless growing up had left him yearning for the romantic notions of nature.
To sum up, Mccandless was a motivated romantic who desires to go into the wild was
driven by his disdain for his family upbringing, rejection of modern society, and his love for his
literary icons. While much could be said about the illogical components of Mccandless’s journey
and decision, he died for something he was passionate about. Rather than dying a uniform death,
something Mccandless countlessly went against, “uniform”, Mccandless died in control of his
own life.