MICRO-COSMIC BEBOP LINE

Sheryl Bailey - www.sherylbailey.com

4 bœ œ bœ œ œ œ nœ
C min7 A min7 5 Arp
bœ œ œ bœ œ œ œ œ
Arp F7 Bebop from 3

Guitar &4 œ

b
E maj7 Arp
F7 Bebop from r
œ
F7 bebop from 5
œ bœ œ œ bœ œ œ
& œ œ œ œ bœ œ bœ œ
3

C min7 Arp F7 bebop from 3

&œ œ œ œ bœ œ œ œ œ bœ œ œ œ œ bœ œ
5
ETC.....

Study this line! It includes all the secrets to creating great

jazz lines by using the Dominant 7 Bebop Scale to connect
related chord substitions.

b b
F7 Bebop A min7 5 C min7 E maj7 All connected by F7 bebop scale
== "The Family of 4"
These 3 chords plus the dom7 bebop scale can be considered
a family of interchangeable sounds (chord substitions)

Note that the 3 chords are based on the

chord tones of the dominant 7:
F = bebop scale, A= Amin7b5, C= Cmin7, Eb = Ebmaj7

©2010 Withanese Music/Sheryl Bailey ASCAP