Professional Documents
Culture Documents
September
Reading Practice Test 2
READING PASSAGE 1
You should spend about 20 minutes on Questions 1-13, which are based on
Reading Passage One.
The great daily changes in temperature of deserts have long been supposed
to be responsible for the disintegration of rocks, either by the differential
heating of the various rock-forming minerals or by differential heating between
the outer and inner parts of rock masses. However, both field observations
and laboratory experiments have led to a reassessment of the importance of
’ exposure to the sun's rays in desert weathering. Almost half a century
ago Barton remarked that the buried parts of some of the ancient monuments
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in Egypt were more weathered than were those parts fully exposed to the sun's
rays, and attributed this to the effects of water absorption below the ground
surface. Laboratory experiments have shown that rocks subjected to many
cycles of large temperature oscillations (larger than those experienced in
nature) display no evidence of fissuring or fragmentation, as a result. However,
when marked fluctuations of temperature occur in moist conditions small rock
fragments quickly form.
Weathering achieves more than the disintegration of rocks, though this is its
most important geomorphic effect. It causes specific landforms to develop.
Many boulders possess a superficial hard layer of iron oxide and/or
silica, substances which have migrated in solution from the inside of the
block towards the surface. Not only is the exterior thus case-hardened but
the depleted interior disintegrates easily. When weathering penetrates the
shell the inside is rapidly attacked and only the hard outer layer remains to
give hollowed or 'tortoiseshell' rocks.
Another superficial layer, the precise nature of which is little understood, is the
well-known desert varnish or patina, a shiny coat on the surface of rocks and
pebbles and characteristic of arid environments. Some varnishes are
colourless, others light brown, yet others so dark a brown as to be
virtually black. It's origin is unknown but is significant, for it has been
suggested that the varnish grows darker with the passage of time; obviously
before such a criterion could be used with confidence as a chronological tool
its origin must be known with precision. Its formation is so slow that in Egypt,
for example, it has been estimated that a light brown coating requires
between 2,000 and 5,000 years to develop, a fully formed blackish veneer
between 20,000 and 50,000 years.
Some duricrust layers have been used as time markers for landforms
and geological formations. The necessary conditions for this are that the
crust forms fairly rapidly, and that it is sufficiently distinct in appearance
to preclude the possibility of confusion with other crusts formed at other
times. The Barrilaco calcrete of Mexico for instance is believed to date from
about 7,000 B.C. The main silcrete of the northern districts of South Australia
is believed to date from the Lower Miocene, the laterite of northern Australia to
be of the Lower or Middle Miocene age.
Questions 1-7
Reading Passage 1 has seven sections, A-G.
Write the appropriate letter, A-G, in boxes 1-7 on your answer sheet.
4 the fact that weathering not only breaks down rocks, but
also shapes the landscape
Questions 8-13
Do the following statements agree with the information given in Reading
Passage 1?
10
Granite which has been subjected to huge
temperature swings tends not to exhibit any signs of disintegration as a
result.
11
It is estimated that dark patina originated between
2,000 and 5,000 years ago.
12
Because of surface crusts, water from torrential rains
cannot be fully absorbed into the ground and as a result causes run offs in
arid regions.
The earliest forms of 'clothing' seem to have been adornments such as body
painting, ornaments, scarifications (scarring), tattooing, masks and often
constricting neck and waist bands. Many of these deformed, reformed or
otherwise modified the body. The bodies of men and of children, not just those
of women, were altered: there seems to be a widespread human desire to
transcend the body's limitations, to make it what it is, by nature, not.
Dress in general seems then to fulfil a number of social functions. This is true
of modern as of ancient dress. What is added to dress as we ourselves know it
in the west is fashion, of which the key feature is rapid and continual changing
of styles. The growth of the European city in the 14th century saw the birth of
fashion. Previously, loose robes had been worn by both sexes, and styles were
simple and unchanging. Dress distinguished rich from poor, rulers from
ruled, only in that working people wore more wool and no silk,
rougher materials and less ornamentation than their masters.
In modern western societies there is no form of clothing which has not felt the
impact of fashion: fashion sets the terms of all dress behaviour. Even uniforms
have been designed by some of the top fashion houses; even the dress code in
the workplace has shifted from formal, business attire to the more relaxed,
smart casual look; even the less affluent enjoy haute couture - they wear
cheaper versions of the top designs and top labels.
Even the unfashionable wear clothes that represent a reaction against what is
in fashion. To be unfashionable is not to ignore fashion; it is rather to protest
against the social values of the fashionable. Last century the hippies of the
1960s created a unique appearance out of an assortment of secondhand
clothes, craft work and army surplus, as a protest against the wastefulness of
the consumer society. They rejected the way mass production
ignored individuality, and also the wastefulness of luxury.
Despite its apparent irrationality, fashion cements social solidarity and imposes
group norms. It forces us to recognise that the human body is not only a
biological entity, but an organism in culture. To dress the way that others do is
to signal that we share many of their morals and values. Conversely, deviations
However, while fashion in every age is normative, there is still room for
clothing to express individual taste. In any period, within the range of stylish
clothing, there is some choice of colour, fabric and style. This was even more
true last century, because in the 20th century, fashion, without losing its
obsession with the new and the different, was mass produced. Originally,
fashion was largely for the rich, but since the industrial period the mass
production of fashionably styled clothes has made possible the use of fashion
as a means of self-enhancement and self-expression for the majority.
Questions 24-26
Answer the questions below.
Choose NO MORE THAN ONE WORDS from the passage for each
answer. Write your answers in boxes 24-26 on your answer sheet.
24
25
Name ONE group of people who protested against the social values of the
fashionable.
26
Questions 14-19
Complete the table below.
14th century 17 18
Questions 20-23
Complete each sentence with the appropriate ending, A-J, below.
Write the appropriate letter, A-J, in boxes 20-23 on your answer sheet.
20
The styling of apparel
21
Wearing outdated clothing
22
The impact of fashion
23
Mass production of fashionable clothing
MASS PRODUCTION
Car manufacturer Henry Ford s 1908 Model T automobile was his twentieth
design over a five-year period that began with the production of the original
Model A in 1903. With his Model T, Ford finally achieved two objectives. He had
a car that was designed for manufacture, and one that was easily operated and
maintained by the owner. These two achievements laid the groundwork for the
revolutionary change in direction for the entire motor vehicle industry.
The key to mass production wasn’t the moving, or continuous, assembly line.
Rather, it was the complete and consistent interchangeability of parts and the
simplicity of attaching them to each other. These were the manufacturing
innovations that made the assembly line possible. To achieve
interchangeability, Ford insisted that the same gauging system be used for
every part all the way through the entire manufacturing process. Previously,
each part had been made to a slightly different gauge, so skilled fitters had to
file each part individually to fit onto the other parts of the car. Ford's insistence
on working to gauge throughout was driven by his realisation of the payoff he
would get in the form of savings on assembly costs. Ford also benefited from
recent advances in machine tools able to work on pre-hardened metals. The
warping or distortion that occurred as machined parts were being
hardened had been the bane of previous attempts to standardise parts.
Once the warping problem was solved, Ford was able to develop
innovative designs that reduced the number of parts needed and made these
parts easy to attach. For example, Ford's four-cylinder engine block
consisted of a single, complex casting. Competitors cast each cylinder
separately and bolted the four together. Taken together,
interchangeability, simplicity, and ease of attachment gave Ford tremendous
advantages over his competition.
Ford's first efforts to assemble his cars, beginning in 1903, involved setting up
assembly stands on which a whole car was built, often by one fitter. In 1908,
The first step Ford took to make this process more efficient was to deliver the
parts to each workstation. Now the assemblers could
remain at the same spot all day. Later in 1908, when Ford finally achieved
perfect part interchangeability, he decided that the assembler would perform
only a single task and move from vehicle to vehicle around the assembly hall.
By August of 1913, just before the moving assembly line was introduced, the
task cycle for the average Ford assembler had been reduced from 514 to 2.3
minutes. Naturally, this reduction spurred a remarkable increase in
productivity, partly because complete familiarity with a single task meant the
worker could perform it faster, but also because all filing and adjusting of parts
had by now been eliminated. Workers simply popped on parts that fitted every
time.
Ford soon recognised the problem with moving the worker from assembly
stand to assembly stand: walking, even if only for a yard or two, took time, and
jam-ups frequently resulted as faster workers overtook the slower workers in
front of them. Ford's stroke of genius in the spring of 1913, at his new Highland
Park plant in Detroit, was the introduction of the moving assembly line, which
brought the car past the stationary worker. This innovation cut cycle time
from 2.3 minutes to 1.19 minutes; the difference lay in the time saved in
the worker's standing still rather than walking and in the faster work
pace which the moving line could enforce. The moving assembly sped
up production so dramatically that the savings Ford could realise from reducing
the inventory of parts waiting to be assembled far exceeded this trivial outlay.
To appeal to his target market of average consumers, Ford had also designed
unprecedented ease of operation and maintainability into his car. He assumed
that his buyer would be a farmer with a modest tool kit and the kinds of
mechanical skills needed for fixing farm machinery. So the Model T's owner's
manual explained in 64 pages how the owner could use simple tools to solve
any of the 140 problems likely to occur with the car.
Questions 38-40
Choose the appropriate letter, A, B, C or D,
A Graph A
B Graph B
C Graph C
D Graph D
A Graph A
B Graph B
D Graph D
A Graph A
B Graph B
C Graph C
D Graph D
Questions 27-32
Complete the flow chart below.
Choose NO MORE THAN THREE WORDS from the passage for each
answer. Write your answers in boxes 27-32 on your answer sheet.
• 28 Performed repeatedly.
• Parts delivered to 29
ACHIEVING PERFECT 30
Questions 33-37
According to the passage, classify the following characteristics of mass
production as relating to
A an advantage
B a disadvantage
33
shaping each part to fit individually with all other parts
34
having a single, complex casting for the four-cylinder
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engine block
35
designing 20 Ford automobiles within a five-year
period
36
hardening of machined parts for standardisation
37
using identical gauges for each part throughout the
production
1 C 2 B
3 F 4 D
5 G 6 A
7 E 8 TRUE
11 FALSE 12 TRUE
25 cloth 26 hippies
21 G 22 J
23 D 38 C
39 A 40 C
33 B 34 A
35 C 36 B
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37 A