IMSLP285418-PMLP463313-hallelujahordevo00wait Part2 1849 PDF

THE
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OR
DEVOTIONAL
FROM THE LIBRARY OF
REV. LOUIS FITZGERALD BENSON. D. D.
BEQUEATHED BY HIM TO
THE LIBRARY OF
PRINCETON THEOLOGICAL SEMINARY
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HALLELUJAH;
DEVOTIONAL PSALMODY.
part t\)t &ttmiti.
COMPOSED, ARRANGED, AND EDITED
HY THE
REV. J. J. WAITE,
HENRY JOHN GAUNTLETT, MUS. DOC.
LONDON
JOHN SNOW, 35, PATERNOSTER ROW;
AND SOLD BY ALL BOOKSELLERS.
M.DCCC.XLIX.
3. HADDON, rlUNTBK CASTLE STItEIM, PINSBITUV.
INTRODUCTION.
TO THE MEMBERS OF MY PSALMODY CLASSES.
I regakd you as fellow labourers in the great work of uplifting Psalmody from
its degraded and prostrate condition, and of giving to it, in the midst of our churches,
a position corresponding to that which it occupies in the Word of God.
"When I call to mind the delightful evenings we have spent together ;

—when I
think of the musical talent, the intelligence, the piety, and the hallowed enthusiasm
which have been manifested in our midst ;
— when I remember the glorious specimens
of harmonious, intelligent, devotional, and congregational Psalmody which we have
produced and enjoyed ;
— when I consider the hearty reception you have given to the
great principles expounded in my Lectures, and also the ready and repeated responses
you have made to my appeals, for your calm consecration and cordial and constant
co-operation; — and when I bear in number already exceeds twenty
mind that your
—
thousand that you belong to all denominations of Christians— that you are located in
almost every part of the Metropolis, and in many of the Provinces, and some of you
even in the distant Colonies, and other fields of missionary labour ;
— that many of
you occupy stations of commanding influence ; — that you have already formed
Psalmody Classes in connection with many of your congregations ; — that not a few
of you are now engaged in carrying on the great work of teaching ;
— and that you
include a goodly company of young persons, rising up with the desire and determi-
nation of doing in this great enterprise, that which shall be at once honourable to
themselves, useful to the church, and acceptable to God :
— I say when I think of all
these things, I feel a deep emotion of thankfulness to God for permitting me to be
associated with you in this great and good cause, and for granting me, in addition to
all His other favours, the honour and pleasure of providing and dedicating to you
this Book.
In its preparation I have availed myself of the assistance of a highly gifted and
learned Musician, whose name is associated with mine in the title-page.
The principles on which the Book should be made were first laid down in private
conference. It was to be a Book for the many, not for the few ; for Congregations
rather than Choirs: not a single bad or inferior tune was to be admitted into it. Its
—
IV INTRODUCTION.
melodies were to be ecclesiastical, simple, symmetrical, and syllabic. Its harmonies

were to combine variety, richness, and feature, with that smooth and easy progression
which would fit them for the People's use. Provision was to be made for a great
variety of Peculiar Metres. The simple pure forms of the old Church tones, and also
some of the expanded forms, were to be introduced, in order that our young people
might study fine rich melodial phrases. Moreover, the Book was not only to be
of a high musical quality, but its music was to be subservient to the intelligent and
devotional expression of the truths and sentiments contained in some of the finest
specimens of our metrical Psalms and Hymns. In short, it was to be a Book suited
for the purposes of Divine worship, both in the family and in the sanctuary.
In accordance with these views, Dr. Gauntlett proceeded to select, arrange,
and compose materials, out of which the contents of the present volume have been
chosen. The part I assigned to myself, has been that of engaging his services,
suggesting the plan of the work for his guidance, meeting with him for the purpose
of examining and determining on the tunes to be admitted, and writing some one or
two of the The work which remains for me to accomplish, is,
original compositions.
that of helping to teach the people how to use these melodies and harmonies in sub-
serviency to the true designs of Scriptural Psalmody. It is due to Dr. Gauntlett,
that I should express my approbation and admiration of the manner in which he

has performed the work assigned him; and the great pleasure I have felt during
its progress. That you may know his feelings on the subject, I subjoin a letter
addressed to me a few days since :
" 16, Warwick Street, Pall Mall East.

"My dear Sir,
" I trust I have completed the Second Part of '

The Hallelujah, ' in a manner and spirit
that may aid you in the great enterprise in which you are engaged —the creating of a general
congregational singing throughout this country.
" I have written not so much for Choirs as for Congregations. In thus appealing to
the masses, I have relied on the universal appreciation of the most prominent attributes of
Church song —namely, simplicity in phrase, continuity in idea, and symmetry in form. The
felicitous variety of the Peculiar Measures you have chosen, has enabled me to present a
succession of melodies which may be thought altogether new, and in some respects this may
be the case, for I am not aware that any musician has, before this time, occupied himself in
supplying thoroughly artistical tunes to the numerous metres which abound in modern collec-
tions of Hymnody. In publications, in which I have been formerly engaged, I have at times
been much embarrassed by the selection of inferior and inartistical tunes. My dislike to such
tunes may be sufficiently indicated by the fact, that rather than comply with continued
requests to play them, I resigned an appointment which I had held upwards of twenty years.
On this occasion, however, I was rejoiced to find in you a determined opponent to all tunes
of such character. I have varied the forms and the styles of harmony as far as I could
consistently with the great object in view, namely, that of creating a tune which should
be sung not by the few only but by the many. My labour has been one of much pleasure,
because your admiration and love for the olden forms of church song relieved me from any
difficulty, and because you desired only that which reason, and right emotion could approve.
Many of the tunes have passed beyond criticism, for who can gainsay the approbation of
INTRODUCTION. V
centuries ? Of the new and modern it is not for me to write, more than that I have
endeavoured to imitate the manner, and infuse somewhat of the same noble spirit, which mark
the hymn tunes of olden days.
" I am, my dear Sir,
" Yours most faithfully,
" 23rd December, 1848. "Henry Jclin Gaontlett.

" Rev. J. J. Waite, Ilminster."
" Luther's Jewel," " Dies Ir.e," " Stabat Mater," " The Anthem,"
"The Sanctuses," "Doxologies," and "Chants," with some half-dozen other tunes,
will furnish valuable material for study, and when once mastered, will afford great
pleasure.
I have thought it desirable to enrich the volume with verses of Hymns for
which the tunes are adapted, and for which, in some cases they have been expressly
written. The words Joyful, Moderate, Grave, &c, placed at the head of the tunes,
are to be understood only as indicative of character ; while the signs of Piano,
Forte, Crescendo, Diminuendo, &c, are to be considered as applying only to the verses
given. In using these tunes, whether in the family, the class, or the congregation,
always bear in mind our great rule, that manner must agree with matter ; style accord
with subject; soimd express sense ; and music interpret meaning. During our exercises
we have had repeated illustrations of the manner in which the same tune may be
made subservient to the expression of various sentiments ; and I mention this here,
lest any should fall into the absurdity of singing one line soft and another loud, when
such a mode of using the tune would be utterly inadapted to express the sense.
You will not go far wrong, if you acquire the habit of considering what each verse
means, and how you may best express its meaning.
It will be seen that, in the Accompaniment, the Counter and Treble melodies are
given to the right hand, while the Tenor and Bass are distributed to the left hand.
Should any of my young friends be now and then unable to reach the Bass and
Tenor notes, I may remind them, that in such cases the Tenor may, if more
convenient, be taken with the right hand. I have already had great pleasure in
hearing some of the members of my classes play a few of these tunes from the proof
sheets which I have placed before them, and I would take this opportunity of
recommending all my young friends to make a business of practising these harmonies
till they have thoroughly mastered them, so as to play them with correctness, ease,
and fluency. Such an attainment I regard as both ornamental and useful, and I shall
look forward with pleasure to the enjoyment of hearing the tunes thus played by
many of the young people whom I already know, and by others with whom I may
yet have the pleasure of becoming acquainted.
That our congregations may speedily acquire the power of singing these tunes
in full harmony may, I think, be now regarded as a settled question. My Finsbury
Class, of nearly three thousand, sung twenty-three tunes in six nights ; and since I
have devoted more time to the exercises, and less to the lectures, my classes in
London, Norwich, Halstep, Beccles, Woodbridge, and Reading, have all

—:
VI INTRODUCTION.
averaged forty tunes in the six evenings. In twelve evenings my Ipswich Class
went through upwards of ninety tunes. At Barnstaple and Bideford, about
thirty tunes were sung in four evenings. If the classes I have already met may be
taken as a fair average specimen of the musical power possessed by our congregations
throughout the country, then that which I said to a committee of gentlemen in
London some fifteen months ago, I may now say to ministers and other gentlemen
throughout the land: —" Select your largest place of worship, — fill it with the musical
talent of all your congregations, both cultivated and uncultivated, — those who have
musical knowledge, and those who have none ;
—arrange them in four groups, Bass,
Tenor, Counter, and Treble, according to the voices which God has given them ;
place a copy of the tunes in every hand; — let me explain to them the method of
tracing out their several melodies, and I promise for them that, the first evening
they meet, they will sing two or three genuine psalm tunes in full harmony."
Let there be, however, no unreasonable expectations in this matter. Let no one
imagine that my appearance in a town or district, to deliver one or two courses of
lectures and exercises, will be all that is needful for the reformation of Psalmody. My
faith is in labour. The education of the people is the grand remedial measure for the
present defective state of Psalmody. We must teach —teach— teach, from generation
to generation. The voice, with all its musical capabilities ; the understanding, with
all its capacious power of thinking ; and the heart, with all its best affections, must be
trained for God. Every congregation must have its Psalmody Class, and in that
class must be trained all the musical, intellectual, and devotional powers of the
people, ere we can get that glorious Psalmody for which God has made provision, and
which in his great goodness he intended us both to have and to enjoy. If God be
graciously pleased to spare my life, and to sustain my health, and to continue to give
me favour in the sight of the people, I may, Avith the assistance of ministers and
others, be able to do much in the way of developing the Psalmody power of the
people, and of demonstrating the power of the people's Psalmody, to attract, delight,
edify, and impress all classes. While engaged in conducting your exercises, my spirit
has sometimes been bowed down with a deep and grateful admiration of the great
goodness of God, in endowing us with such an amazing power for the purposes of
spiritual edification and enjoyment. Why have we not such enjoyments every Lord's
day, and in all our congregations ? Because every Lord's day there is an
inconsiderate and fearful waste of the power which God has given. I say, there is a
prodigious and sinful waste of the Psalmody power of the people every Lord's day
by reason of this God is dishonoured, and his people suffer a sad privation of the
sacred edifications and deep delights he intended them to enjoy. Let ministers and
churches think of this, and let them, in the fear of God, resolve that this prodigious
power, given for the highest and holiest purposes, shall be wasted no longer.
Where Psalmody Classes have not been formed, let immediate steps be taken for
their formation. Where they have been commenced, let them not be regarded as
mere singing classes, neither let them be handed over to ineffective teachers. Let
ministers and churches sanction and sustain them. Let gifted men be sought out to
superintend them ; men of enlarged intelligence —men of fervent piety — men of
status too, as well as musical knowledge and skill: —the very best men our churches
INTRODUCTION. Vll
can supply or procure for this purpose. I say not this to discom age any who have -
entered the field of labour ; but to stimulate and bring out to the work those who
possess the qualifications, but who have as yet not consecrated them to the honour of
God, and the benefit of the church.
Looking around me, I see here and there men of the right stamp, who for many
years did little but complain and despond : but now they have come out, and given
themselves to the work. Now they are engaged in teaching considerable classes;
and already they have reason to rejoice in the fruits of their labours. The number
of such men is increasing. During the past year I have had the honour of enlisting
many in the service ; and wherever I go this will be regarded as one great part of my
mission. To help them in their benevolent and useful labours is one of the objects con-
templated in the preparation of this volume. I call it, "The Hallelujah, Part II,"
because it may be regarded as a continuation of a work published in 1841, bearing
the same title, and containing two Essays and One Hundred Tunes. About twenty
thousand copies of that work are now in circulation ; and I am not without good
evidence for believing that it has been of some service in promoting devotional
Psalmody.
The present work will be published in thirteen different forms, six of which,
including two vocal scores of different sizes, and four separate vocal parts, will
be figured for the use of my classes. If effectively sustained by the churches, my

purpose is to produce a series of volumes, which, taken together, shall form a rich
treasury of sacred music, in which ample provision shall be made for all the various
metres found in the books used by different denominations of Christians. Desirous

that the Work should possess all the advantages arising from the improvements in
music printing, I requested Mr. Haddon to produce the most beautiful page
that the present advanced state of the art would allow, and he accordingly procured
a supply of new type expressly for this purpose. Ultimately, I intend to revise and
reprint Part I, uniform with this series, but there are several important reasons why
this should not be done yet. Many of you have, I know, been looking forward with
great interest to the appearance of the pi'esent volume. Here it is : master all its
harmonies — teach them to your classes — sing them in your families, as well as in the
sanctuary.
Remember that the surest and shortest way of destroying bad tunes, is to
teach the people good ones. Keep in mind too, that Psalmody includes the
noblest use of poetry as well as music. Let our young people be taught to study the
hymn as well as the tune. Let them not only understand what they sing, but so
sing that others may understand. How can I sing this hymn so as most to contribute
to my own edification, and that of others ? How can this hymn and tune be made
most subservient to the excitement and expression of devotional thought and feeling ?
"What mode of singing is that by which I can present to God the best offering of the
voice, the understanding, and the heart ? How can I engage in this service so as
most to gain His approval, and promote His glory ? These are questions wdiich I
would press upon my own mind: suffer me also to press them upon yours. The
Psalmody we want is that which shall most honour God, and most benefit his people.
VJli INTRODUCTION.
For the promotion of such Psalmody let us labour ; and with diligent labour let us
connect effectual and fervent prayer. Many things concur to assure me that the
Divine blessing has already descended on our exertions. Let us then be of good
courage, and seek a more abundant out-pouring of that blessing.
As soon as my engagements will allow, I purpose to comply with the request

which many of you have addressed to me, by revisiting the classes, and conducting them
through another series of exercises. We shall then have an opportunity of enjoying
together many of the harmonies contained in this book. It may confidently be ex-
pected that our musical pleasures will surpass even those of our former meetings.
Moreover, as the difficulties of the tune retire, we shall be able to get a clearer view of
the truths, sentiments, and feelings contained and expressed in the hymn. A
more vivid apprehension of these will increase the range of our intellectual en-
joyments, and be, I trust, also associated with deeper devotional delights.
Commending you to the constant guidance and to the continued benediction of

the great Head of the Church, and in the hope that this volume may contribute to
the enlargement of your home-pleasures, as well as to the improvement of the service
of song in the house of the Lord,
I am,
Yours very truly,
J. J. WAITE.
The Chantry, Ilminster, January \st, 1849.
P. S. It is desirable that persons engaged in the publication of Psalrn and

Hymn Tunes should know that the entire arrangement of this work is copyright, and
that all the Melodies, with the exception of less than half-a-dozen, are copyright also.
THE HALLELUJAH :
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7V10 Hallelujah, Part 2. Vocal Score, and Accompaniment 23
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The Hallelujah, r,irt 2. Coca/ Score, am/ Accompaniment. 26
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136. WORCESTER. C. M. Joyful.
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The glo : ry of my bright-est days, And com-fort of my nights.
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138. ILMINSTER. C. M. D. Uvely.
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140. ASHILL. L. M. Lively.
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My God. my king, thy va-rious praise Shall fill the rem-nant of my days:
My God, my king, thy va-rious praise Shall fill the rem-nant of my days
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My God, my king, thy va-rious praise Shall fill the rem-nant of my days
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Thy grace em-ploy my humble tongue, Till death and glo - ry raise my song.
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Thy grace em ploy my hum-ble tongue, Till death and glo - ry raise my song.
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Thy grace em-ploy my hum-ble tongue, Till death and glo - ry raise my song.
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77je Hallelujah, Part 2. Fow/ Score, and Accompaniment. 33

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142. ST. BAR X ABAS. L. M. Solemn.
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When I sur - vey the won-drous cross, On which the Prince of glo-ry died:
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When I sur - vey the won-drous cross, On which the Prince of glo-ry died:
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When I sur - vey the won-drous cross, On which the Prince of glo-ry died;
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My rich-est gain I count but loss, And pour con-tempt on all my pride.
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My rich-est gain I count but loss, And pour con-tempt on all my pride.
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Great God, at-tend, while Si-on sings The joy that from thy pre-sence springs
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Great God, at-tend, while Si-on sings The joy that from thy pre-sence springs:
Great God, at-tend, while Si-on sings The joy that from thy pre-sence springs:
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To spend one day with thee on earth Ex-ceeds a thou-sand days of mirth.
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A-wake, my soul, and with the sun, Thy dai - ly stage of du - ty run :
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Shake off dull sloth, and joy-ful rise, To pay thy morn-ing sa - cri - fice.
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The Hallelujah, Part 2. I'oro/ Score, and Accompaniment. 36

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145. BIDEFORD. L. M. Moderate.
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A-wake, and run the heaven-ly race, And put a cheer-ful cou-rage on.
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7%e Hallelujah, Part 2. Pbca? Score, anrf Accompaniment. 37
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UG. ST. JOHN L. M. Moderately Slow.
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Ho - san - na to th'E - ter - nal Name, And all his bound-less love pro - claim.
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Ho - san - na to th'E - ter - nal Name, And all his bound-less love pro - claim
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7%e Hallelujah, Part 2. Foctf/ Score, and Accompaniment.
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147. MELCOMBE. L. M. Moderate.
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Lord, 'tis a plea-sant thing to stand, In gar-dens plant- ed by thy hand:
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Lord, 'tis a plea-sant thing to stand, In gar-dens plant-ed by thy hand
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Let me with - in thy courts be seen, Like a young ce-dar fresh and green.
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Let me with - in thy courts be seen, Like a young ce-dar fresh and
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Hallelujah, Part 2. TbeaZ Score, and Accompuniment. 39

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148. MINSTERWORTH. L. M. Plaintive.
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God
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God of my life, to thee I call: Af-flict-ed, at thy feet I fall:
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God of my life, to thee I call: Af-flict-ed, at thy feet I fall:
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Leave not my trem-bling heart to fail.
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When the great wa-ter-floods pre - vail, Leave not my trem-bling heart to fail.
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77ie Hnllrlujnh, Part 2. Coca/ Score, and Accompaniment. 40
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149. ST. PAUL'S, or Devonshire. L. M. Earnestly.
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Thus far my God hath
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Thus far my God hath led me on, And made his truth and mer-cy known :
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My hopes and fears al - tcr-nate rise. And comforts min-gle with my sighs.
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My hopes and fears al - ter-nate rise, And com-forts min-gle with my sighs.
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My hopes and fears al - ter-nate rise, And com-forts min-gle with my sighs.
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77<e Hallelujah, Part 2. Torn/ Score, and Accompaniment,

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150 STAMFORD. L. M. Grandly.
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Je - sus shall reign wher-e'er the sun Doth his suc-ces-sive jour-neys run
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Je - sus shall reign wher-e'er the sun Doth his sue - ces - sive jour-neys run :
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His king-dom stretch from shore to shore, Till moons shall wax and wane no more.
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His king-dom stretch from shore to shore, Till moons shall wax and wane no more.
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His king-dom stretch from shore to shore,
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His king-dom stretch from shore
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Vocal Score,
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and Accompaniment. 42
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15*. LUTHER'S JEWEL. L. M. D. Solemn.
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De-scend from heaven, im-mor-tal Dove, Stoop down and take us

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De-scend from heaven, im-mor-tal Dove, Stoop down and take us on thy wings :
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De-scend from heaven, im-mor-tal Dove, Stoop down and take us
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De-scend from heaven, im-mor-tal Dove, Stoop down and take us on thy wings:
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Vocal Score, 43
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Be-yond, be-yond this low - er sky, Up where e - ter - nal a - ges roll
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157. PLUMPTRE. 8. 7. 8. 7. or 7. 7. 7. 7. trochaic. Joyful
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158. EVINGTON. P.M. 11. 11. 11. 11. TROCHAIC. Joyful.
Hark, the sounds of glad-ness From a dis-tant shore Like : re-lief in sad-ness ; Sor-row now no more.
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Oh that the Lord's sal - va-tion Were out of Zi - on come
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To heal his an - cient na - tion. To lead his out - casts home.
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A-gain re-turns the day of sa-cred rest, Which, when he made the world, Je-ho-vah blest
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The God of A-bra'm praise, Who reigns en-thron'd above : An-cient of ev-er-last-ing days, And God of love.
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Bright-est and best of the sons of the morn-ing, Dawn on our dark-ness and lend us thine aid
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fall be-fore Him who our sor-rows bore, Let saints cry ev - er-more, Wor-thy the Lamb.
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1G4. LYN.DHURST. 10. 10. 11. 11. ANAPAESTIC. Joyful.
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Tho' trou-bles as - sail, And dan-gers af- fright ; Tho' friends should all fail, And foes all u - nite:
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Tho' trou-bles as - sail. And dan-gers af-fright ; Tho' friends should all fail, And foes all u - nite
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Yet one thing se-cures us, What-ev-er be - tide ; The Scrip-tures as-sure us, The Lord will pro- vide.
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Yet one thing se-cures us, What-ev-er be - tide ; The Scrip-tures as-sure us, The Lord will pro- vide.
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Yet one thing se-cures us, What-ev-er be - tide The Scrip-tures as-sure us, The Lordwill pro- vide
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165. ST. AUSTIN. P. M. 11. 11. 11. 11. anai'.estic. Joyful
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How firm a foun-da-tion, ye saints of the Lord, Is laid for your faith in his ex-cel-leut word:
How firm a foun-da-tion, ye saints of the Lord, Is laid for your faith in his ex-cel-lent word :
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How firm a foun-da-tion, ye saints of the Lord, Is laid for your faith in his ex-cel-lent word
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firm a foun-da-tion, ye saints of the Lord, Is laid for your faith in his ex-cel-lent
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What more can he say than to you he hath said, You who un-to Je-sus for re-fuge have fled.
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What more can he say than to you he hath said, You who un-to Je-sus for re-fuge have fled.
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What more
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Tfte Hallelujah, Part 2. IV<// .S-piv, and Accompaniment. 58

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1(30. WADDINGHAM. P.M. 10. 11. or 5. 5. 11. anapaestic. Solemn.
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All ye that pass by,
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To Je-sus draw nigh :
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To you is it
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To Je-sus draw nigh To you
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All ye that pass by, To Je-sus draw nigh : To you is it no-thing that Je-sus should die
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Your ran-som and peace, Your sure-ty he is, Come, see if there ev - er was sor-row like his.
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The Hallelujah, Part ~. Vocal Score, and Accompaniment.

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167. BLEDLOW. P. M. 11. 9. 11. 9. AXAP.ESTIC. Joyful
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A-way with our fears. The glad morn-ing ap-pears, When an heir of sal-va-tion was born :
A-way with our fears.

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When
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A-way with our fears. The glad morn-ing ap-pears, When an heir of sal-va-tion was born :
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From Je-ho-vah I came, For his glo - ry I am, And to him I with sing-ing re - turn
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Hallelujah, Part 2 Focal Score, an Accompaniment
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60
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168. HUNGERFORD. P. M. 12. 9. 12. 9. anapaestic. Joyful.
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Conie a- way to the skies, My be-lov-ed a-rise, And re-joice in the day thou wast born :
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Come a- way to the skies,
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My
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be-lov ed a-rise, And re-joice in the day thou wast born
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Come a-way to the skies, My be-lov-ed a-rise, And re-joice in the day thou wast born :
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Come a-way to the skies, My be-lov-ed a-rise, And re-joice in the day thou wast born
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On this fes-ti-val day, Come ex-ult-ing a-way,

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And with
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sing-ing to Zi-on re -
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On this fes-ti-val day, Come ex-ult-ing a-way, And with sing-ing to Zi-on re -turn.
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On this fes-ti-val day, Come ex-ult-ing a-way, And with sing-ing to Zi-on re- turn.
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On this fes-ti-val day, Come ex-ult-ing a - way, And with sing-ing to Zi-on re - turn.
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77/<? Hallelujah, Part

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and Accompaniment.
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109. OLANTIGHE. P.M. 11.9.11.9. anapaestic. Joyful
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Come let us as-cend, My com-pan-ion and friend, To a taste of the ban-quet a - bove
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My com-pan-ion and friend,
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To a taste
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Come let us as-cend, My com-pan-ion and friend, To a taste of the ban-quet a - bove
Come let us as-cend, My com-pan-ion and friend, To a taste of the ban-quet a - bove :
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If thy heart be as mine, If for Je-sus it pine, Come up in -to the char - iot of love.
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If thy heart be as mine, If for Je-sus it pine, Come up in -to the char - iot of love.
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If thy heart be as mine, If for Je-sus
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If thy heart be as mine, If for Je-sus it pine, Come up in - to the char - iot of love.
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no. WESTBUliY. P.M. 8. 6. iamb. 10. 8. anapaest. Joyful
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Lift up your heads with joyful hope, Sa - lute the hap - py morn :
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Lift up your heads with joy - ful hope, Sa - lute the hap -
py morn :
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Lift up your heads with joy -ful hope, Sa - lute the hap - py morn :
Lift up your heads with joy - ful hope, Sa - lute the hap - py morn
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Each hea-ven-ly power Pro-claim the glad hour. Lo, Je-sus the Sav-iour
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Each hea-ven-ly power Pro-claim the glad hour. Lo, Je-sus the Sav-iour born.
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Each hea-ven-ly power Pro-claim the glad hour. Lo, Je-sus the Sav- iour is born.
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Each hea-ven-ly power Pro-claim the glad hour. Lo, Je-sus the Sav-iour is born.
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Focn/ Score, ararf Accompaniment.

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171 BRAMFIELD. P. M. 11. 11. 11. 11 SAPPHIC. Joyful.
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Glo-ry to God, with joy-ful a-do - ra-tion ; Sing prais-es, sing prais-es, his pow-er pro-claim
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Glo-ry to God, with joy-ful a-do Sing prais-es, sing prais-es, his pow-er pro-claim
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Sing prais-es, sing prais-es, his pow-er pro-claim

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Sing prais-es, sing prais-es, his pow-er pro-claim

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Praise the Lord, the strength of our sal-va-tion, And wor-ship-ping be-fore him, a-dore his name.
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Praise we the Lord, the strength of our sal-va-tion, And wor-ship-ping be-fore him, a-dore his name.
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The Hallelujah, Pari '1. Vocal Score, and Accompaniment. K g^.

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172. WAVENDON. P. M. 8. lines of 8. 7. trochaic. Joyful.
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Come, thou Fount of ev - ery bless-ing, Tune my heart to sing thy grace
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Come, thou Fount of ev - ery bless-ing, Tune my heart to sing thy grace
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Come, thou Foimt of
Come, thou Fount of

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Tune my
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Tune my
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Streams of mer - cy, nev - er ceas - ing, Call for songs of loud - est praise.
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Streams of mer - cy,. nev - er ceas - ing, Call for songs of loud - est praise.
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Streams of mer-cy, nev - er ceas - ing, Call for songs of loud -est praise.
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Streams of mer - cy, nev - er ceas - ing, Call for songs of loud - est praise.
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65
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WAVENDOK— continued.
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Teach me some me - lo - dious son - net, Sung by nam - ing tongues a - bove :
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Teach me some me - lo - dious son - net,, Sung
hi by flam - ing tongues a - bove :
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Teach me some me - lo - dious son - net, Sung by flam - ing tongues a - bove
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Praise the mount ; oh, fix me on it, Mount of God's un - chang-ing love
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Praise the mount ; oh, fix me on it, Mount of God's un - chang-ing love.
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Praise the mount ; oh, fix me on it, Mount of God's un - chang-ing love.
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The Hallelujah, Pari 2. Vocal Score,

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Act-fin* animent.
22:
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66
:: ::: :::
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173. BRADFORD. P. M. 8. 4. 8. 4. 8. 8. 8. 4. trochaic. Moderate.
43
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One there is a-bove all o-thers :
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how he
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love be-yond a bro-ther's
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One there is a-bove all o-thers how he loves. His is love be-yond a bro-ther's
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BRADFORD,— continued.
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God reign-eth For His mercy: En - dur-eth. Haste, Lord To help
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God reign-eth For : ev-er His mer-cy : En - dur-eth. Haste, Lord : To help us.
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The Hallelujah, Pari 2 Vocal Score, and Accompaniment
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174. ST. MILDRED. P.M. 6 of 7's. trochaic, or 8. 7. 4. Solemn.
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Rock of A - ges, cleft for me, Let me hide my - self in thee
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ST. MILDRED,— continued.
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Be of sin the dou - ble cure, Cleanse me from its guilt and power.
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Cleanse me from P^^-fP,^

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Havemer-cy: Up - on us. Lord, hear us : And save us. In-thy pi-ty : Look-up.. on us.
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Have mer-cy ; Up - on us. Lord, hear us : And save us. In-thy pi-ty Look-up. .on us.
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Let us now a bless - ing seek, On th'ap-proach-ing Sab-bath day
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7%e Hallelujah, Part 2. Fôon/ Score, and Accompaniment. 71
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WINCHELSEA — continued.
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Re-mem-ber: Lord God. Let my pray-er: Come un-to thee. Sing all ye: His serv-ants.
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176. FEVEKSHAM. P. M. 6. of 8. 7. or 8. 7. 4. trochaic. Plaintive.
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When I read the con - tra - die - tion Christ en - dured, my soul to gain
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FE VERSH AM, -continued.
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Let not, Lord, thy sore af - flic - tion, Have been borne for me in vain.
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Moderate. No. 12.
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Moderate.
Sing prais-es : Sing prais-es ; The Lord God: Is ho-ly: He will hear us : And save us.
Sing prais-es : Sing prais-es : The Lord God : Is ho-ly : He will hear us : And save us.
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The Hallelujah, Part 2. Focal Score, ami Accompaniment. 74
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177. RAM AH. P.M. 8.7.4. trochaic. Moderate and Energetic.
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Lo, he comes with clouds de-scend - ing, Once for fa-voured sin-ners slain
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Lo, he comes with clouds de-scend - ing, Once for fa-voured sin-ners slain :
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RAM AH, continued.
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Hal - le - lu-jah, Hal - le - lu-jah: Je-sus comes, and comes to reign.
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No. 13. Moderate. No. 14. Moderate.
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Let this mind be in you: Which was in Christ Je-sus. Be strong in the
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Lord : In his might and power.
Let this mind be in you: Which was in Christ Je-sus. Be strong in the Lord : In his might and power.
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Let this mind be in you: Which was in Christ Je-sus. Be strong in the Lord : In his might and power
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Let this mind be in you: Which was in Christ Je-sus. Be strong in the Lord : In his might and power.
The Hallelujah, Part 2. 1'ocol Score, and Accompaniment. 76

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178. BUTTINGTON. P. M. 8. 7. 4. trochaic. Moderate.
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Lord, dis - miss us with thy bless - ing, Fill our hearts with joy and peace
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Lord, dis - miss us with thy bless - ing, Fill our hearts with joy and peace :
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Lord, dis - miss us with thy bless - ing, Fill our hearts with joy and peace :
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Fill our hearts with joy and peace :
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Let us each thy love pos - sess - ing, Tri-umph in re - deem - ing grace
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The Hallelujah, rart 2. Vocal Score, and Accompaniment. 77
1
BUTTINGTON, -continued.
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Oh, re - fresh us, Oh, re - fresh us, Travel-ling through this wil - der - ness.
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be not wea-ry: In well doing. Pray-with .. out ceasing : In all tilings give thanks
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Let us love, and sing, and won-der, Let us praise the Sav-iour's name
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Part 2. I ocn/ Score, and Accompaniment.

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101
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NEW YEAR HYMN,— continued.

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And our ta-lents im - prove, By the pa-tience of hope, and the la-bour of love.
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No. 33. Moderate.
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I will have mer..cy on thee: Saith-the Lord thy Re .. deem..er.
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will have mer..cy on thee: Saith-the Lord thy Re .. deem..er.
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The Hallelujah, Part 2. Focal Score, and Accompaniment. 102

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191. OLDEN NOEL. P. M. 7. 7. 8. 7. iambic. Joyful
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Head of the church tri-umph-ant, We joy-ful-ly a - dore thee. Till thou ap-
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Head of the church tri-umph-ant, We joy-ful-ly a - dore thee. Till thou ap-
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s
103
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OLDEN NOP-^L,— continued
fe Pt
In blest an-ti - ci -
3=^
pa-tion,
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And cry a-loud, and give to
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God The praise of our sal -
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va - tion
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In blest an-ti - ci - pa-tion, And cry a-loud, and give to God The praise of our sal - va - tion
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In blest an-ti - ci - pa-tion, And cry a-loud, and give to God The praise of our sal - va - tion.
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In blest an-ti - ci - pa-tion, And cry a-loud, and give to God The praise of our sal - va - tion.
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No. 3-4. Moderate.
Thou-shalt nev..er be a .. sham..ed. Neither shalt thou be con .. found., ed.
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Thou-shalt nev..er
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shalt thou be con found., ed.
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Thou-shalt nev..er be a .. sham..ed. Neither shalt thou be con .. found .. ed.
Tlie Hallelujah, Part 2. Vnral Score, and Accompaniment.

I
192. ECKINGTON. P. M. 7. G. 7. 6. iambic. Joyful.
as ^^
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Some-times a light sur - pri - ses The Chris-tian while he sings : It is the Lord, who
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Some-times a light sur - pri - ses The Chris-tian while he sings : It is the Lord, who
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7%e Hallelujah, Part 2. Foca/ Score, and Accompaniment. 105
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ECKIN GTON, -continued.
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gain A
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No. 35. Moderate.
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From henceforth bless.. ed are the dead: Which die in the Lord
it
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From henceforth bless.. ed are the dead: Which die in the Lord.
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From hence, .forth bless., ed are the dead: Which die in the Lord.
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From henceforth bless.. ed are the dead: Which die in the Lord.
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Hallelujah, Part 2.
77fi? Tocr;/ .SVwr, a«tf Accompaniment 106
—
]93. LYNTON. P.M. 7.7.8.7. iambic. Bold and Moderate.
ft
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Wor-ship, and thanks, and bless-ing, And strength as-cribe to Je - sus ; Je - sus a-
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lone De-fends his own, When earth and hell op-press us. Je-sus with joy we wit-ness,
m a -o _^_IL^Jz: id_^_ j^-dil —— | |-U &- 0-^-0-0 3

lone De-fends his own, When earth and hell op-press us. Je-sus with joy we wit-ness,
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earth and hell op-press us.
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No. 36. Moderate.
T= ±3 :dzz± s«
Z2 -©•-
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For they rest from all their la . . bours : Even so, saith the Spi . . rit
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For they rest from all their la. .hours: Even so, saith the Spi . . rit
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For they rest from all their la.. bours: Even saith the Spi . . rit.
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For they rest from all their la . . hours : Even so, saith the Spi . . rit.
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The Hallelujah, Part 2. Focal Store, a«rf Accompaniment. 108
r
194. BECCLES. P. M. 7. 6. 7. 6. 7. 8. 7. 6. trochaic and iambic mixed. Solemn.
IS o Q^
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Je-su,
Gh-Gh
let thy
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pity-ing eye, Call

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back a wand'-ring sheep False to thee, : like
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Je-su, let thy pity-ing eye,

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Call
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back a wand'-ring sheep
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m
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Je-su, let thy
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Call
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back a wand'-ring sheep False to thee, :
35:
like
m
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Je-su, let thy
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Call
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Pe-ter, I Would fain like Pe-ter weep : Let me be by grace re - stored, On me be
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The Hallelujah, Part 2. Vocal Score, and Accompaniment, 109
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BECCLES, —continued.
A 73-Q &-rf &z&- ZZ2

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all long-suff'-ring shown: Turn and look up-on me, Lord, And break my heart of stone.
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No. 37. Moderate.
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Ho, eve..ry one that thirst.. eth : Come ye to the wa..ters.
n Ho,
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one that thirst .
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Come
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s -<a> — e>- ^=^ -e> — <s>-
Ho, every one that thirst.. eth:

IX
Come
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22:
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Ho, eve..ry one that thirst. .eth: Come ye to the wa..ters.
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The Hallelujah, Part 2. Vocal Score, and Accompaniment. HO
105. HALSTED. P.M. 7.6.7.6.7.7.7.6. trochaic and iambic mixed. Bold.
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None is like Je - shu-run's God, So great, so strong, so high ; Lo, he spreads his
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So great, so strong, so high ;

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Lo,
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None is
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shu-run's God,
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So great, so strong, so high

351
;
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Lo,
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he spreads his
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None is like Je - shu-run's God, So great, so strong, so high ; Lo, he spreads his
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wings a - broad, He rides up - on the sky. Is-rael is his first-born son ; God, th'Al
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wings a - broad, He rides up - on the sky. Is-rael is his first-born son ; God, th'Al-
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HALSTED—continued.
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55:
thy help come down,

d -G- ^ The ex
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m
migh-ty God, is thine ; to - cel-lence di - vine.
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migh-ty God, is thine ; See him to thy help come down, The ex - cel-lence di - vine.
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migh-ty God, is thine ; See him to thy help come down, The ex - cel-lence di - vine.
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migh-ty God,
4
is thine ;
Gt J±
See him
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to
5
thy help come down,
i The ex - cel-lence di - vine.
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No. 38. Moderate,
1
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And he that hath no mo .. ney: Come ye, buy and eat.
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And he that bath no mo., ney: Come ye, buy and eat.
3; «i — <a- ^=^ -©» — e»-

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And he that hath no mo .. ney: Come ye,

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And he that hath no mo .. ney: Come ye ,
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7%e Hallelujah, Part 2. Toea/ Score, arcrf Accompaniment. lit
— — ::
196. WESTMINSTER ABBEY. P. M. 8.7.8.7.7.7.8.7.7. trochaic. Slowly.
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"NOW UNTO THE KING,"— continued.
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SINGLE CHANT OF FOUR AND FIVE MEASURES.

No. 45. Moderate.
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No. 4:0. Moderate.
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7%c Hallelujah, Part 2. Vocal Score, and Accompaniment, 125
CHANTS OF TWO AND THREE MEASURES.
Xo. 47. Moderate.
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77ie Hallelujah, Part 2. Fbca/ Score, 126
—
INDEX.
SHORT METRES. COMMON METRES,— continued. LONG METRES.
No. No. Page. No. Page.
Augustine
111.
112.
St.
Cud worth
. . . 124.
125.
Dundee
Frankfort
15
16
139. Alderminster .... 31
140. Ashill 32
113. Glastonbury . . . 126. St. George 17
141. Ashton 33
Godmanchester
114.
115. Ipswich
. . . 127.
128.
Ilton
St. Mary
18
19
142. St. Barnabas .... 34
Barum
116. Launceston . . . . 129. Melross ...... 20
143.
144. St. Bees
35
36
117. Laverton 130. Old Manchester ... 21
Bideford 37
118. Ursula 131. Otterhampton .... 22
145.
146. John 38
119. Whitchurch . . . 132. Raddington .... 23
147.
St.
Melcombe 39
120. Yatton
121. Armageddon, (S. M. D.)
133.
134.
Radstock
Salisbury
24
25
148. Minsterworth . ... 40
149. St. Paul, or Devonshire 41
135. Selwood 26
COMMON METRES. 136. Worcester 27
150. Stamford 42
151. Luther's Jewel,(L. M. D.) 43
122. Cologne . 13 137. York 28
123. St. David's 14 138. Ilrainster, (C. M. D.) . 29
PECULIAR METRES. PECULIAR METRES,— continued.

No. Page. No.
152. Amesbury. 7's. Trochaic 45 182 Lutterworth. 6 lines of 8's. Iambic (112th
153. Ashampstead. 7's. Trochaic .... 46 Metre) 85
154. Pershore. 7.7.7.5. Trochaic 47 183. Inspruck. 8.8.6. Iambic 87
155. Beaminster. 8.7.8.7- Trochaic ... 48 184. Minsterley. 8.6.8.6.8.8. Iambic 89 ....
156. Wilberfoss. 8.8.8.6. Trochaic ... 49 185. Fincham. 6.6.6.6.4.4-4.4. Iambic (148th M.)91
157. Plumptre. 8.7.8.7. or 7.7.7.7. Trochaic. 50 186. Weybridge. 6.6.8.6.6.8. Iambic 93 ...
158. Evington. 8 lines of 6's and 5's. Trochaic 51 187. Dies Irse. 7.7.7. Trochaic 95
159. Bridgeland. 7-6.7.6. Iambic 52 188. Stabat Mater. 8.8.7-8.8-7. Trochaic 97 . .
160. Somerford. 10.10.10.10. Iambic . 53 .

189. Luther's Martyr Hymn. 8.7.8.7.8.8.7. .
161. St. Asaph. 12.12. or 6.6.8.4. Iambic. 54 Iambic ... 99

162. Burvan. 11.10.11.10. Dactylic . 55 . .
190. New Year Hymn. 5.5.5.11.6-6-6.12. lambiclOl
163. Dorchester. 6.6.4.6.6.6.4. Dactylic . 56 191. Olden Noel. 7.7.8.7.7.7-8.7. Iambic . 103
164. Lyndhurst. 5.5.5.5.6.5.6.5. Anapwstic. 57 192. Eckington. 7.6 7-6.7.6.7.6. Iambic . . 105
165. St. Austin. 11.11.11.11. Anapaestic 58 .
193. Lynton. 7-7.8.7.7.7.8.7. Iambic ... 107
166. Waddingham. 10.1 l.or 5.5.11. Anapaestic 59 194. Beccles. 7.6.7.6.7.8.7.6. Trochaic and
167. Bledlow. 11.9.11.9. Anapcestic 60 .... Iambic mixed 109
368. Hungerford. 6.6.9.6.6.9. Anapaestic 61 . .
195. Halsted. 7.6.7.6.7-7.7.6. Trochaic and
...
.
169. Olantighe. 5.6.9.5.6.9. Anapaestic 62 Iambic mixed Ill

170. Westbury. 8.6. Iambic, 5.5.8. Anapaestic 63 196. Westminster Abbey. 8.7.8-7.7.7.8.7.7.
171. Bramfield. 11.11.11.11. Sapphic 64 ... Trochaic 113
172. Wavendon. 8 lines of 8.7- Trochaic 65 . .
173. Bradford. 8.4.8.4.8.8.8.4. Trochaic. .67 .

SANCTUSES.
174. St. Mildred. 6 lines of 7's. or 8.7.4. Trochaic 69 115
175. Winchelsea. 6 lines of 7's. Trochaic 71 . . 116
176. Feversham. 6 lines of 8.7. or 8.7.4. TrochaicjS
177. Ramah. 8.7.4. Trochaic 75 ANTHEM.
"
178. Buttington. 8.7.4. Trochaic 77 " The Song of Moses and the Lamb 120
179. Hemel Hempstead. 8.7.8.7.7.7. Trocliaic 79
180. Evesham. 8-7.4. Trochaic 81 DOXOLOGIES.
181. Cuddesden. 6 lines of 8's. Iambic (113th 1. " Now unto the King Eternal " . . 123
Metre) 83 2. " Now unto God our Father " . . 124
CHANTS OF ONE MEASURE. CHANTS OF TWO MEASURES, CHANTS OF THREE MEA-

No. Page. continued. SURES, continued.
1, 2, 3 68 No. Page. No. Page.
4, 5, 6 70
29, 30 92 41, 42 118
7, 8, 9 72
10, 11, 12 ...... . 74
31, 32 94 43,44 119
CHANTS OF TWO MEASURES. CHANTS OF THREE CHANT OF FOUR AND FIVE

13, 14 76 MEASURES. MEASURES.
15, 16 78 33, 102 45 -125
17, 18 80 34 104
19, 20 82 35 106 CHANTS OF TWO AND THREE
21, 22 84 36 108
24
MEASURES.
23, 86 37 110
25, 26 88 38 112 46 .125
27, 28 90 39, 40 117 47, 48 126
i. BADDON, PRINTER, CASTLE STREET, FlNJaBURY.

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THE

REV. LOUIS FITZGERALD BENSON. D. D.

PRINCETON THEOLOGICAL SEMINARY

part t\)t &ttmiti.

COMPOSED, ARRANGED, AND EDITED

HENRY JOHN GAUNTLETT, MUS. DOC.

TO THE MEMBERS OF MY PSALMODY CLASSES.

a position corresponding to that which it occupies in the Word of God.

"When I call to mind the delightful evenings we have spent together ;

melodies were to be ecclesiastical, simple, symmetrical, and syllabic. Its harmonies

In accordance with these views, Dr. Gauntlett proceeded to select, arrange,

that I should express my approbation and admiration of the manner in which he

" 16, Warwick Street, Pall Mall East.

" I trust I have completed the Second Part of '

" I am, my dear Sir,

" Yours most faithfully,

" 23rd December, 1848. "Henry Jclin Gaontlett.

London, Norwich, Halstep, Beccles, Woodbridge, and Reading, have all

be figured for the use of my classes. If effectively sustained by the churches, my

metres found in the books used by different denominations of Christians. Desirous

As soon as my engagements will allow, I purpose to comply with the request

Commending you to the constant guidance and to the continued benediction of

Yours very truly,

The Chantry, Ilminster, January \st, 1849.

P. S. It is desirable that persons engaged in the publication of Psalrn and

|tot tjre $nmt

VOCAL SCORE WITH ACCOMPANIMENT.

Ill ST. AUGUSTINE. S. M. Joyful

viour and our ki

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To God the on - ly wise Our Sa - viour and our kins

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77i£ Hallelujah. Part 2. Kbca/ Score, and Accompaniment.

112. CUD WORTH. S. M. Joyful.

And thus sur-round the

Join in a song with sweet ac - cord ;

113. GLASTONBURY. S. M. Solemn.

Like sheep we went a - stray;

Like sheep we went a - stray; And broke the fold of God

But all the

Each wan-d'ring in a dif-f'rent way; But all the down-ward road.

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Each wan-d'ring in a dif-f'rent way; But all the down-ward road.

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Hallcl'ijuh, Part 1. Vocal Score, and Accompaniment.

114. GODMANCHESTEE. S. M. Moderate.

9, 3 e*- t) ' a 3 The

Far as thy name is known, The world de - clares thy praise :

world de -clares thy praise

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The Lord my shcp-herd is, I shall be well sup - plied

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Since he is mine, and I am his, What can I want be - side ?

gifrr TrP 351

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Thy name Al - migh - ty Lord : Shall sound through dis-tant lands

thy grace, and sure

2. Foca/ .Store, anrf Accompaniment.

117 LAVERTON. S. M. Joyful.

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peat his praise,

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