Professional Documents
Culture Documents
A STO RY O F 2000 A D . .
B Ru s HW OO D B OY , T HE LI GHT T HAT F D T H AI LE ,
E
D A Y s W O RK T HE
’
W l
o co tt B a les t i e r )
P LAIN T AL E OM
,
S FR THE
D EPA RT M ENTAL D I TT I Es HI LL S
AND B A L L A Ds A N D B A R PU C K P OF ooK s
’
HI LL
AC K OO M
R -
R B A LL A Ds SEA To SEA , F ROM
FI N A TI ON T H
VE S, E SEV E N SEA s , T HE
J UNG L B OO K T H
E , E SOLDI ER STO RI ES
J UNG L B OO K S C OND
E E So L DI ERs T H REE , T HE
TO Y
,
S R O F THE G A Ds EY s ,
J U T S SONG B OO K
S O
and I N B LA C K
AN D H E W IT
J T S ST O RI
us O ES
ST A L K Y 8 C : o .
KlM TH Y E
S HO OTI N G T H AT HE M US T GO B A CK AN D B UI L D UP
ms RA Y .
”
Wit h t he N i ght Ma i l
A ST O R Y OF 2000 A D .
BY
R U D Y A R D KI P L I N G
I ll u s t r a t ed i n Color
BY FRA N K ! . L E Y E N DECKER
AN D H RE U TE RDA HL
.
N E W Y O RK
Dou bl e day ,
P a ge Compan y
I 9 0
9
ALL I GHTS ES E VED INC LUD ING TH AT T NS LATIO N
R R R . 0! RA
I TO
N LANG UAG ES INC LUD ING TH E SCAND I A VIAN
I O RE I GN . N
'
COPY l I GHr
‘
, 1 90 5, I 90 9 , D Y RUDYA D IPLING
R K
RBP RI N I E D
‘ ‘
IN B OO BY K P E RHI SS I O N 0?
TH E S M C LU E
8 . . C R CO K PA N Y
I LLUST R AT I O N S
A ma n wi th a gh a stly s c a r le t he a d
fo ll o ws sh o uting th a t h e must go
,
”
ba c k a n d b u i ld up his Ra y F r on ti s pi ec e
Atl a ntic t a ke s h e r
The S to r m
I
’
ve a ske d him to t e a on F r ida y 58
WITH THE NIGHT
A STO RY OF 9000 A D
. .
W it h t he N i g ht Ma i l
T NINE O cl o ck o f a gusty wint e r nigh t
’
A I st o o d o n the l o we r st a g e s o f o n e o f
th e G P O o u t wa r d m a il t o w e r s
. . . My .
“
pu r p o s e wa s a r u n to Q u e b e c in Po st a l
Pa cke t 1 62 o r such o th e r a s ma y b e
”
a pp o int e d : and th e P o stm a st e r G e n e r a l -
ta lisma n Op e n e d a ll d o or s e ve n th os e in ,
t o we r wh e r e th e y w e r e d e li ve r ing th e s o r t e d
,
c oa ch e s . F i ve such c o a ch e s we r e fill e d
as I wa tch e d a n d we r e sh o t up th e
,
ducte d by a c o u r te o us a n d wo nd e r fully
le a n e d Offici a l
r — Mr L L G e a r y S e c o nd
. . .
,
o n fo r th e i r tu r n o f duty He int r o du c e s
.
”
me t o th e C a pt ai n o f 1 62 C a pt a in -
P u r ma ll a n d his r e li e f C a pt a in H o dgs o n
, , .
Th e o n e is sm a ll a n d d a r k ; th e o th e r l a r g e
a n d r e d ; but e a ch h a s th e b r o o ding sh e a th e d
gl a nc e ch a r a ct e r istic o f e a gl e s a n d a é r o
n a u ts . Y o u c a n s e e it in th e pictu r e s Of o u r
r a cing p r o f e ssi o n a ls fr o m L V B a utsch
,
. .
t o littl e A d a VVa r r le i gh th a t f a th o ml e ss
a bst r a cti o n of e ye s h a bitu a lly tu r n e d
th r o ugh n a ke d sp a c e .
O n the n o tic e b o a r d in th e C a pt a i ns
-
’
[4]
WITH THE NIGHT MAIL
de gr e e th e p r o g r e ss o f a s m a ny h o m e wa r d
,
“ ”
b o und p a cke ts The wo r d C a p e r is e s
.
a c r o ss the f a c e o f a di a l ; a g o ng st r ike s
'
“ ”
Time fo r us to b e o n th e m o v e s a ys ,
C a pt a in P u r n a ll a n d we a r e sh o t up by the
,
“
t o we r s
. O u r c o a ch will l o ck o n wh e n it
”
is fille d a n d the cle r ks a r e a b oa r d .
”
N O 1 6 2 w a its fo r us in S lip E Of th e
.
to pm o st sta g e The g r e a t cu r v e Of h e r
.
s o me minute a lte r a ti o n Of t r im m a ke s h e r
r o ck a littl e in h e r h o lding d o wn slips -
.
C a pt a in P u rn a ll f r o wns a n d di ve s insid e .
“ ”
Hissing s o f t ly 1 6 2 c o me s t o r e s t a s le ve l
,
WITH THE NIGH T MAIL
b o a r d e r e s he is und e r c o nt r o l a ga in Gi ve
.
h e r full h e lm a n d s he r e tu r ns o n h e r t r a ck
like a whip l a sh -
.C a nt the wh o l e fo r
wa r d a t o uch o n th e wh e e l will su ffic e
a n d s h e sw e e ps a t y o u r g o o d di r e cti o n
up o r do wn O p e n the c o mpl e t e ci r cl e
.
a n d s he p r e s e nts t o th e a i r a mush r o o m
“ ”
Ye s , s a ys C a pt a in H o dgs o n a nswe r
,
c o ve r e d the s e cr e t Of c o nt r o lling a é r o pl a n e s
'
wh e n he d o nly fo und o u t ho w t o st e e r
’
di r igibl e b a ll o o ns Ma gn i a c in ve nt e d his
.
r udd e r t o h e lp w a r b o a ts r a m e a ch o th e r ;
-
a n d wa r w e nt o u t Of f a shi o n a n d Ma n i a c
g
h e w e nt o u t o f his mind b e c a us e h e s a id
he c o uld n t s e r ve his c o unt r y a n y mo r e
’
.
I w o nd e r if a n y o f us e ve r kn o w wh a t
”
we r e r e a lly d o ing
’
.
“
If y o u wa nt to s e e the c o a ch l o cke d
[7]
WI T H T HE NIGH T MA I L
d
’
d b e tt e r o a boa r d It s u e n ow
’
you
g .
,
s a ys Mr G e a r y I e nt e r th r o ugh the d o o r
. .
c o me s d o wn to within a f oo t o r two Of my
h e a d a n d tu r ns o ve r j ust sh o r t o f the tu r n
o f t he bilg e s Lin e r s a n d ya chts d isguis e
.
o f th e b o w a n d a s much o f th e st e r n but ,
shunting a pp a r a tus a s th e st e m is pi e r c e d
fo r t h e sh a ft tunn e ls Th e e ngin e r o o m li e s
-
.
-
a lm o st a midships F o r wa r d Of it e xt e nd
.
,
a p e r tu r e a b o tt o ml e ss h a tch a t p r e s e nt
O n e l oo ks do wn o ve r the c o a mings th r e e
hundr e d f e e t to the d e sp a tching c a iss o n -
wh e nc e v o ic e s b o o m upwa r d Th e ligh t .
[ 8 ]
WITH THE N I GHT MAI L
r a pidly f r o m a p o st a g e st a mp t o a pl a ying
-
c a r d ; to a punt a n d l a st a p o nt o o n The .
t wo cl e r ks i ts c r e w d o n o t e v e n l o o k up a s
, ,
Mr G e a r y s a tisfy th e ms e l ve s th a t the c o a ch
.
is l o cke d h o me A cl e r k p a ss e s the wa y
.
P u r n a ll thumb m a r ks a n d p a ss e s it t o hI r
-
.
Ge a r y R e c e ipt h a s b e e n gi ve n a n d t a ke n
. .
“
P l e a s a n t r u n s a ys Mr G e a r y a n d dis
,
.
,
a pp e a r s th r o ugh th e d o o r which a f oo t
high pne um a tic c o mp r e ss o r lo oks a fte r
him .
”
“
A a h ! sighs the c o mp r e ss o r r e l e a s e d
-
.
We a r e cl e a r .
C a pt a in H o dgs o n o p e ns the g r e a t c o ll o id
[ 9 ]
WITH THE NIGHT MA I L
an d C a pt a in P u r n a ll o n e h a nd o n the
,
d i a l sh o ws fe e t .
“
he mu t te r s a s
’
It s ste e p to nigh t
-
, ,
ti e r o n ti e r Of cl o ud d r o ps und e r .
“
We
g e n e r a lly pick up a n e a s te r ly dr a ught
b e l o w th r e e th o us a nd a t this t ime 0 the ’
”
ye a r I h a te sla th e r ing th r o ugh flu ff
. .
“
So d oe s V a n C u ts e m .Lo o k a t him
”
huntin for a sla nt ! s a ys C a p t a in H o dgs o n
’
.
he r go c o mp o s e dly n o sing to e ve r y p o in t
o f the c o mp a ss a s s he r is e s .
F i ve t h o us a nd si x si x th o us a nd e ight
,
11 l
WITH THE NIGHT MA I L
th e ea s te r ly d r ift h e r a lde d by a flu r r y o f
,
sn o w a t the th o us a nd fa tho m le ve l Ca p
-
.
Th e r e is n o s e ns e in u r ging m a chin e r y wh e n
o lus hims e lf gi ve s y ou go o d kn o ts fo r
n o thing We a r e a wa y in e a r n e s t n ow
.
o u r n o s e n o t ch e d h o m e o n o u r ch o s e n st a r .
we s te r ly bl o w t h r o ugh which we r o s e .
d r a ws a th e a tr ica l ga uz e a c r o ss the fir ma
me nt The m o o nlight tu r ns the l o we r
.
st r a t a to sil ve r wi th o u t a s ta in e x ce pt wh e r e
o u r sh a d o w und e r r uns us B r is t o l a n d Ca r
.
[ 12 ]
WIT H T H E N I G H T MA I L
a bl e g r e e n b e a m tw e nty five d e g r e e s e a ch
-
wa y . Th e r e must b e h a lf a mil e o f flu ff
o ve r it in this w e a th e r but it d o e s n o t a ff e ct
,
Th e Le e k .
“
O u r pl a n e t s o ve r light e d if a nything
’
s a ys C a pt a in Pu r n a ll a t the wh e e l a s ,
“
C a r diff B r ist o l slide s unde r
-
I r e me mb e r
.
th a t u d Sh o w two o r th r e e th o us a nd fe e t
’
u p in a mist if y o u kn e w wh e r e t o l o o k for
,
“
a s w e ll h a v e b e e n und e r y o u r h a t On e .
c o uld ge t l o st c o ming h o m e th e n a n h a ve ,
’
P icc a dilly .
is a
pt t o t a ke lib e r ti e s with English a i r .
“
N o 1 62 lifts t o a l o ng d r a wn w a il o f the
.
-
a t a s a fe f e e t dipping o u r b e a m to a n
,
C o mmunica t io n di a l ha s c a ugh t he r t a lk
a n d b e gins to e a v e sd r o p C a pt a in Ho d g .
s a ys .
“
th e
’
Ar go l o f S t Th o ma s
‘
. D a ne ,
[ 15 ]
W IT H THE NIGHT MAIL
whimp e r s R e p o r t o wn e r s th r e e sta r b o a r d
.
sh a ft co ll a r b e a r ings fus e d
-
Ca n m a k e .
”
Sh a ll w e buy sp a r e s a t F a ya l P
Th e lin e r a ckn o wl e dge s a n d r e c o mme nds
“ ”
in ve r ting the b e a r ings The A r go l .
a b o ut ch e a p G e r ma n e n a m e ls fo r c o ll a r
c r i e s Cou r a ge mo n a mi a n d switch e s o fl
,
”
,
’
.
“
Th a t s o n e o f Lundt B le a me r s s
’ ’
” “
b o a ts, s a ys C a pt a in H o dgs o n S e r ve s .
t o l o o k r o und th e e ngin e r o o m -
I h a ve b e e n wa iting e a g e r ly fo r this i n vi
t a t i o n a n d I f o ll o w C a pt a in H o dgs o n f r o m
[ 16 ]
WI T H THE NIGHT MAIL
th e c o nt r o l pl a tfo r m st o o ping lo w to a v o id
-
,
“ ”
its n o r m a l lift a n d still 1 6 2 must be
,
ch e cke d by a n o cc a si o n a l d o wn d r a w o f the
r udd e r o r o u r flight w o uld b e c o m e a climb
to the st a r s . C a pt a in P u r n a ll p r e fe r s a n
o ve r li fte d t o a n u n d e r li fte d ship ; but n o t wo
“
c a pt a ins tr im ship a like Wh e n I t a ke .
‘
” “
the b r idg e , s a ys C a pta in H o dgs o n y o u ll ,
’
s e e me shunt f o r ty e r c e nt o f t he lift o u t o f
p '
.
th e ga s a n d r u n he r o n th e uppe r r udd e r .
fe tch e s he r d o wn o nc e e ve ry thi r ty kn o ts a s
”
r e gul a r ly a s b r e a t hing .
[ 17 l
WITH THE NIG H T MAIL
”
b e ll s o o n e r The midship s e ngin e g e n e r
.
,
h e ld in l e a sh o r spu r r e d o n by the l i ft
Shunts ; b e f o r e it the v a cuum wh e r e F le u r y s
’
Ra y d a nc e s in V i o l e t gr e e n b a nds a n d
-
p r e ssu r e t e mp e r e d c o ll o id (n o gl a ss w o uld
-
® lt t ci § i t]
WITH THE NIGHT MAIL
F le u r y who b e g a t it a n d unlik e Ma gn i a c , ,
s e c o nd st r ike the fu r io us bl a s t o f ga s
,
(y ou ca n h e a r it t r ickl e ) f r o m t h e fa r e n d
o f th e va cuum th r o ugh t he e ducti o n pip e s -
r e tu r ns t o its g a s e o us on e h a d a lm o st
,
wr itt e n s a g a ci o us st a t e a n d climbs t o wo r k
,
a f r e sh .Bilge t a nk upp e r t a nk d o r s a l
-
, ,
t a nk e x p a nsi o n ch a mb e r va cuum m a in
,
-
, ,
r e tu r n (a s a liquid ) a n d bilg e t a nk o nc e
,
-
mo r e is the o r d a in e d cycl e F le u r y s Ra y .
’
of o i l , if e ve n the n a tu r a l g r e a s e o f the
hum a n fing e r t o uch the h oo de d t e r min a ls
F le u r y s Ra y will win k a n d dis a pp e a r a n d
’
[ 20 1
WITH THE NIGHT MAIL
me a ns h a lf a d a y s wo r k fo r a ll h a nds a n d a n
’
e x p e ns e o f o n e hund r e d a n d s e v e nty o d d -
such tr i fle s .
“
N o w l o o k a t o u r th r us t c o ll a r s -
You .
wo n t find much G e r m a n c o mp o th e r e
’
.
F ull j e we ll e d y o u s e e s a ys C a pt a in Ho dg
-
,
”
,
ca p . O u r sh a ft b e a r ings a r e C M C ( Co m
-
. . .
wi th a s much c a r e a s the l e ns o f a t e le sc o p e .
Th e y c o st £ 3 7 a pi e c e So fa r we h a v e n o t
.
a r r i ve d a t th e i r t e r m o f lif e Th e s e b e a r
.
ings c a me f r o m N o . which to o k th e m
“ ”
o v e r f r o m the o ld D o mini o n o f Light ,
” “ ”
G e r ma n r uby e n a me ls s o c a lle d b o o r t
,
-
[ 91 l
WITH THE NIGHT MAIL
“ ”
P u r n a ll b r ings 16 2 d o wn by th e h e a d .
Th e hum o f th e tu r bin e s a n d th e b o o m o f
the a i r o n o u r Skin is n o m o r e th a n a c o tt o n
wo o l wr a pping to th e uni ve r s a l stilln e ss .
I p e e r f r o m th e fo r e e n d o f the e ngin e
r o o m o v e r th e h a tch c o a mings int o th e c o a ch
-
.
Th e m a il cl e r ks a r e s o r t n the Winnip e g
-
,
C a lg a r y a n d Me dicin e Ha t b a gs : but th e r e
,
is a p a ck o f c a r ds r e a dy o n the t a bl e .
the sp e ct a cl e d sl a v e o f th e Ra y in th e
wh e r e he is We a r e h a r d b r a k e d a n d go
.
-
’
Tim s sp a r king b a dly a b o ut s o m e thing ,
lo o k.
C a pta in P u r n a ll is n o t the su a v e ma n we
l e ft h a lf a n h o u r sinc e but the e mb o die d ,
a uth o r ity o f th e G P O . Ah e a d o f us fl o a ts
. .
the fo o t l a n e th a n ha s a h o r s e c a r t t o -
a m o d e r n t o wn .She c a r r i e s a n o bs o l e t e
“
b a r b e tt e c o nning to we r — a si x f o o t a ffa i r
- -
wa r ning b e a m pl a ys o n the to p o f it a s a
p o lice m a n s l a nt e r n fl a sh e s o n the a r e a
’
sn e a k Like a sn e a k thi e f to o e me r ge s a
.
-
, ,
sh o ck h e a d e d n a v ig a to r in his shi r t sl e e v e s
- -
.
C a pt a in P u r n a ll wr e nch e s o p e n the c o ll o id to
t a lk with him ma n to ma n Th e r e a r e .
“
Wh a t und e r the st a r s a r e y o u d o ing
h e r e y o u sky sc r a ping chimn e y swe e p
,
- -
[ 24 l
WI T H THE NIGHT MAI L
o u kn o w this is a M a il l a n e ? Y o u c a ll
y
-
yo u r s e lf a s a il o r s i r ? Y o u a in t fit to
,
’
p e ddle to y b a ll o o ns to a n Esquima u x Yo u r .
n a me a n d numb e r ! Re p o r t a n d ge t d o wn ,
and be
“
I ve b e e n bl o wn up o nc e the sh o ck
’
h e a de d ma n c r i e s h o a r s e ly a s a d og b a r king
, , .
”
a nything y ou c a n d o P o s te y ,
.
“
D o n t y o u s i r ? But I ll m a k e y o u
’
,
’
ca r e . I 11 h a ve y o u t o we d st e r n fi r st to
’
D isko a n d b r o k e up Y o u c a n t r e c o ve r .
’
insu r a nc e if y o u r e b r o ke fo r o bs tr ucti o n
’
.
”
D O y o u und e r st a nd tha t?
Th e n the str a ng e r b e ll o ws : Lo o k a t my
p r o p e ll e r s ! T h e r e s b e e n a w u lli wa d o wn
’
-
th o us a nd f e e t ! We r e a ll o n e c o nju r o r s
’ ’
wa t ch inside ! My ma t e s a r m s b r o k e ; my ’ ’
95 l
WITH THE NIGHT MAIL
infinity .
“
Th a t ll fe tch s o me thing he s a ys while
’
, ,
Ca pta i n Ho d gs o n wa tch e s th e G e n e r a l Co m
mu n i c a to r He h a s c a ll e d up the N o r th
.
w e st a n d is r e p or ting the c a s e
, .
I ll sta nd by yo u C a pt a in P u r n a ll r o a r s
’
,
“ ”
Is it a s b a d a s th a t ? c o m e s th e a nsw e r .
”
She is n t insu r e d sh e s min e
’ ’
, .
”
of a ll !
“
C a n t I f e tch S t J o hn s
’
n o t e ve n
.
’
”
with this b r e e z e ? the vo ic e qu a ve r s .
“
S t a nd by to a b a nd o n ship H a ve n t .
’
”
lift in o u f o r e o r a ft ?
y ou a n
y y ,
“
N o thing but th e midship t a nks a n d
th e y r e n o n e to o tight Y o u s e e my Ra y
’
.
,
[ 27 ]
WITH THE NIGHT MAI L
g a ve ou t a n d he co ughs in the r ee k of
the sc a ping ga s
e .
“ ”
Y o u p o o r d e v il ! This do e s n o t r e a ch
“
o u r f r i e nd Wh a t d o e s the Ma r k B o a t
.
sa
y , G e o r ge ?
’ ’
Wa nts to kn o w if th e r e s a n y d a nge r to
tr a ffic S a ys s he s in a bit o f we a th e r he r
.
’
s e lf a n d c a n t quit sta ti o n I ve tu r n e d in a
’
.
’
G e n e r a l C a ll s o e ve n if th e y d o n t s e e o u r
,
’
—
b e a m s o me o n e s b o und to he lp o r e ls e we
’
must S h a ll I cl e a r o u r slings H o ld o n !
. .
H e r e we a r e ! A P l a n e t lin e r too ! Sh e ll ,
’
”
b e up in a tick !
“
Te ll he r t o h a ve h e r slings r e a dy c r i e s ,
“
his b r o th e r c a pt a in Th e r e wo n t b e .
’
much time to sp a r e Ti e up yo u r
m a t e he r o a r s to the t r a mp
, .
My ma t e s a ll r ight It s my e ngin e e r
’
.
’
.
He s go n e c r a zy
’ ”
.
”
Hur ry !
W I TH THE N I GHT MA I L
But I m a ke St J o hn s if y o u ll
’ ’
ca n .
sta nd by .
“
Y o u ll
’
m a ke the d e e p we t Atl a ntic ,
A P l a n e t lin e r e a st b o und h e a ve s up
, ,
te nt a cl e s We shut Off o u r b e a m a s s he
.
a djusts h e r s lf e — st e e r ing to a h a i r o ve r
th e tr a mp s c o nning t o we r Th e m a t e
’
-
.
gh a stly sc a r l e t h e a d f o ll o ws sh o uting th a t ,
y
-
.
The b a nd a g e d h e a d g o e s up wa gging e x
c i te d l A y o uth and a w o ma n f o ll o w
y
. .
[ 29 ]
S LI D ES L I K E A L O S T S O U L D OW N T H A T PI T I L E SS
LA D D E R O F L IG HT A N D THE AT LANT I C T AK ES
,
HE R
WITH THE NIGHT MAI L
b e a m a n d gi ve s us a n d o u r qu a r r y a
wid e b e r th .
But sh e ll d r o wn in the wa te r wo n t
’
,
’
”
s he P I a sk .
“ “
N o t a lwa ys is his a nswe r I ve
’
.
,
kn o wn a d e r e lict u p e n d a n d sift he r -
P ith he r G e o r ge a n d l o o k sh a r p Th e r e s
, , .
’
”
we a th e r a h e a d .
o f the c r e sc e nt sh a p e d a r ms o p e ning a s
-
Th e d e r e lict s f o r e h e a d is
’
th e y d e sc e nd .
punch e d in sta rr e d a c r o ss a n d r e nt
, ,
di a g o n a lly . Sh e f a lls st e r n fi r st o u r b e a m ,
up o n he r ; slide s like a l o st s o ul d o wn
[ 31 ]
WITH THE NIGHT MAIL
l a n tic t a ke s he r.
“
A filthy busin e ss s a ys H o dgs o n
, . I
w o nd e r wh a t it must h a ve b e e n like in th e
”
Old d a ys .
Wh a t if th a t wa ve r ing c a r c a ss h a d b e e n
fill e d with Int e r n a ti o na l sp e a king me n o f a ll
-
kn o ws n o w th a t we a r e o nly o u r fa th e r s r e
e nl a r g e d up o n the e a r th ) we I s a y r ipp e d
, , ,
a n d r a mm e d a n d pith e d t o a dmi r a ti o n .
sh o u t s th a t we a r e t o ge t int o o u r i n fla t or s
a n d to b r ing him his a t o nc e .
l 3 9 l
WITH THE NIGHT MAIL
a n d o n e e a r c o cke d t o wa r d the Ge n e r a l
C o mmunic a t o r H e nc e fo r th h e i s t h e
.
l a r ge We a r e to s e cu r e a ll l o o s e o bj e cts ;
.
“ ”
“
h o o d up o u r F l e u r y R a ys ; a n d o n n o a c
c o unt to a tt e mpt to cl e a r sn o w fr o m o u r
”
c o nning t o we r s till the we a th e r a b a te s
-
.
Und e r p o we r e d c r a ft we a r e t o ld c a n a sc e nd
-
, ,
to th e limit o f th e i r lif t m a il p a ck e ts to
,
-
“
with fr e qu e nt bl o w o uts vo r tic e s l a t e r
-
, ,
”
a ls , e tc .
I f l th ugh I w l c m k s i l
’
( e e a s o e r e a a e a e
-
r
p
lo w ) a n d a n i r r ita bility which th e gibb e r ing
o f th e G e n e r a l C o mmunic a t o r inc r e a s e s
a lm o st t o hyst e r i a .
We h a ve m a de e igh t th o us a nd fe e t sinc e
w e pith e d the t r a mp a n d o u r tu r bin e s a r e
gi v ing us a n h on e st two hund r e d a n d te n
kn o ts .
Ve r y fa r to th e we st a n e l o ng a t e d blu r
o f r e d lo w d o wn sh o ws us th e N o r th B a nks
, ,
Ma r k B oa t Th e r e a r e sp e cks o f fir e r o und
.
[ 35 ]
WITH THE NIGHT MAIL
th e p r e cis e tip o f o u r n o s e pi r o u e tt e s th e r e
,
a n inst a n t , a n d swings o ff .O u r r o a r in g
b o w sinks a s th o ugh th a t ligh t we r e l e a d
sinks a n d r e c o ve r s to lu r ch a n d stumbl e
a g a in b e n e a th th e n e xt bl o w o u t
’
-
Tim s
.
numb e r s
s o o n ; fo r h e is r unning by his t a nks o nly ,
upp e r va ul t is ch a r ge d with p a l e kr yp to n
[ 36 ]
WITH THE NIGHT MAIL
fo r l a t e r a ls Tim he ll wa nt s o me
’
ou t , , s
h o lding .
“
I ve go t he r is the a nswe r
’
, C o me .
”
o ld w o m a n
u
p, .
gyr a ng e ls . S h e is j o lt e d o ff h e r c o u r se
in f o u r wa ys a t o nc e a n d cuffe d int o ,
dr o pp e d int o a n e w cha o s We a r e .
n e ve r with o u t a co r po s a nt gr in nin g on
o u r b o ws o r r o lling h e a d o v e r h e e ls fr o m
o nc e o r twic e the r a t tl e o f h a il h a il th a t
will n e ve r f a ll o n a n y s e a S lo w we mus t .
o r we ma b r e a k o u r b a ck pitch p o lin g
y
-
.
,
“ ’ ”
Air s a p e r f e ct ly e l a stic fluid r o a r s ,
”
a s a h e a d s e a o ff t he F a s tn e t a in t i t P ,
[ 38 ]
THE S TO RM
WITH THE NIGHT MAIL
If on e intr ud e s o n the H e a ve ns wh e n th e y
a r e b a l a ncing th e i r v o lt a cc o unts ; if o n e dis
-
t u r bs th e High G o ds m a r k e t r a t e s by hu r l
’
-
c o mp la in o f a n y r ud e n e ss in the r e c e pti o n .
t we n tv mi l e s a h e a d a n d th e fi e r c e sp a r ks
,
b r o ws a n d it wa s th e n th a t G e o r ge wa tch
, ,
th a t H e ll s h a lf h o u r wh e n th e flu r r y w a s a t
’
s a nd f o o t bl o w o u t -
th a t r e d ma n l a ugh e d
b e n e a th his infl a t e d h o o d !
“ ”
Lo o k ! h e s a id “
We must cle a r th o s e
.
”
r e fug e e s with a high lift .
The Ma r k B o a t wa s b e l o w a n d a l i ttl e to
th e s o u we st o f us fluctu a t i ng in the c e nt r e
’
,
it mo st o f th e m we r e t r ying to li e h e a d t o win d
but n o t b e ing hyd r a s th e y f a il e d An und e r
, , .
d r o pp e d a c o uple o f th o us a nd Th e r e s he .
me t a sup e r b wu lli wa a n d wa s bl o wn up
-
ing o ff s h e we nt a st e r n a n d n a tu r a lly r e, ,
“
If th e y d o nly r ide it o u t q ui e tly it u d
’ ’
b e b e tt e r , s a id G e o r ge in a c a lm a s we ,
[ 41 l
WITH THE NIGHT MAIL
”
d o ing Tim P
,
“
P la y i n kiss in the r ing w a s Tim s u n
’ ’
,
o f t h a t sm o o th s o th e T A D wa s flipp e d
, . . .
m a dly a s s h e fle d d o wn a n d a ll bu t o ve r
e nding .
N o w I h o p e s h e s s a tisfi e d
’
s a id Tim , .
“ ’
I m gl a d I m n o t a Ma r k B o a t
’
The C G di a l h a d
”
D o I wa nt h e lp P . .
c a ught his e a r G e o r ge yo u ma y t e ll th a t
.
,
ge ntl e m a n with my lo ve l o v e r e m e mb e r , ,
Ge or ge th a t I d o n o t w a n t h e lp Wh o .
”
i s th e o ffic i o u s s a r din e tin P-
“
A R imo uski d r ogh e r o n the l o oko u t for
a to w .
WI T H T H E NIG H T MAI L
Ve r y kind of th e R im o uski d r o gh e r .
”
p r e s e nt .
“
T h o s e d r o gh e r s will go a nywh e r e o n a
ch a nc e o f s a l va g e G e o r ge e xpla in e d
,
We .
ca ll e m kittiw a ke s
’
.
A l o ng b e a ke d b r ight st e e l nin e ty fo o t e r
-
,
-
fl o a te d a t e a s e fo r o n e inst a nt within h a il o f
us he r slings c o il e d r e a dy fo r r e scu e s a n d a
, ,
singl e h a nd in he r o p e n t o we r He wa s .
o f th e a i r s th r o ugh which w e t o r e o u r wa
y ,
h e la y in a bs o lut e p e a c e I s a w th e sm o ke o f
.
[ 43 ]
WITH T H E N I G H T MAIL
“ ”
H e ll o Willi a ms ! he c r i e d
,
A de gr e e
.
”
o r t wo o u t 0 st a ti o n a in t y o u P
’
,
’
“
Ma r k B oa t I ve h a d s o m e c o mp a ny
’
this e ve ning .
”
d r a ught ?
“ ’
I w a r n e d yo u Why did n t y ou pu ll
.
p a cke ts h a v e .
“
Me ? N o t till I m r unning a Po l a r c o n
’
s u m t i ve s S a n a t o r ium b o a t I a s squint
’
p w .
ing th r o ugh a co ll o id b e fo r e yo u we r e o u t o f
yo u r cr a dl e my s o n
,
.
“
I d b e th e l a st ma n to d e ny it th e
’
,
“
Th e w a y y o u h a ndl e d he r just n o w
'
a v o lt flu r r y
-
it wa s a th o us a nd r e vo
[ 45 ]
WITH THE NIGH T MAIL
va to r y ; life b o a t st a ti o n ; a s a l va ge tug ;
a -
a c o u r t o f ultima t e a pp e a l cum m e t e or - -
a ll di r e cti o ns till We dn e sd a y n e x t wh e n h e r
,
r e li e f s lid e s a c r o ss th e st a r s t o t a k e h e r buf
fe te d pl a c e He r bl a ck hull d o ubl e c o n
.
,
n ing t o we r a n d e ve r r e a dy slings r e p r e s e nt
-
,
-
a ll th a t r e m a ins t o th e pl a n e t o f th a t o d d Old
the A é r i a l B o a r d o f C o nt r o l t he A B C . . .
th a t s e mi e l e ct e d s e mi n o min a t e d b o dy o f a
-
,
-
fe w sc o r e p e r s o ns o f b o th s e x e s c o nt r o ls this ,
”
pl a n e t . Tr a nsp o r t a ti o n is Ci v iliz a ti o n ,
we pl e a s e s o l o ng a s we d o n o t inte r f e r e with
the t r a ffic a n d a ll i t i mpli es P r a ctic a lly the .
,
A B C c o nfi r ms o r a nnuls a ll int e r n a ti o n a l
. . .
p or t finds o u r to l e r a nt hum or o us l a zy
, , ,
h a ve b e e n st a nding o n o u r h e a ds th e n ,
”
Ge or ge .
“
Yo u don t s a y s o G e o r g e a nswe r s I
’
.
,
”
fa nci e d I n o tic e d i t a t the tim e .
G e o r ge ma y n o t h a ve C a pt a in P u r n a ll s ’
c o me a wa y o n the ta p e with n e ve r a w a ve r .
r e v o luti o n sh a ll tu r n up o u r l a nding
t o we r s .
[ 49 ]
WITH THE NIGH T MAIL
in his fa c e .
“
S qui r r e ls in a c a ge he mutte r s
, .
Th a t s a ll we a r e S qui r r e ls in a c a g e !
’
.
wa it a fe w ye a r s my shining fr i e nd a n d
,
w e ll ta k e st e ps th a t will a m a z e yo u
’
We ll .
’
”
J o shu a y o u !
Y e s th a t is o u r d r e a m : to tu r n a ll e a r th
,
into the Va le o f Aj a l o n a t o u r pl e a su r e So .
N o w w e l o o k d o wn o n a s e a th r o ng e d with
h e a vy tr a fli c A big subme r sibl e b r e a ks
.
wa te r sudde nly An o th e r a n d a n o th e r
.
[ 51 1
WITH THE NIGH T MAIL
b e n e a th us a n d we c a ught the ch a nt b e fo r e
She r o s e int o th e sunlight Oh y e Wi n d s .
,
” “
o
f G od ,s a ng th e un s e e n v o ic e s : bles s
y e
the L or d ! Pr a i s e Hi m an d ma gn i fy H i m
for e ver !
We slid o ff o u r ca ps a n d j o in e d in Wh e n .
o u r sh a d o w f e ll a c r o ss he r g r e a t o p e n pl a t
fo r ms th e y l o oke d u p a n d st r e tch e d o u t th e i r
h a nds n e ighb o u r ly whil e th e y s a ng We .
c o uld s e e th e d o ct or s a n d th e nu r s e s a n d the
white butt o n like fa c e s o f th e c o t p a ti e nts
- - -
.
th e night a ll a bl a z e in th e sunshin e
, SO .
t o o k s h e th e sh a d o w o f a cl o ud a n d v a nish e d ,
h e r s o ng c o ntinuing Oh y e holy a n d
.
,
hu mble me n f bl
o es s
y e the L or d !
hea r t,
P ra i s e H i m a n d ma gn i fy H i m for ever .
“
She public lunge r o r s h e w o uld n t
’ ’
s a
a G r e e nl a nd e r o r s h e w o uld n t h a v e sn o w
’
[ 53 ]
WITH THE NIGHT MAI L
B a y fu r r i e r s o u t o f the G r e a t P r e s e r v e ,
hu r r y n to m a ke th e i r de p a r tu r e f r o m
B o n a v ist a with s a bl e a n d bl a ck fo x fo r the
ins a ti a bl e m a r ke t s We o ve r c r o ss e d Ke e
.
-
c a pt a i ns who s e e n o l a nd b e twe e n Tr e pa s s y
,
and Bl a n c o kn o w wh a t g o ld th e y b r ing
,
N o r th a m o ng the n o r th e r n s a n a to r i a wh e r e
o u c a n sm e ll th e i r g r a p e f r uit a n d b a n a n a s
y
a c r o ss th e c o ld sn o ws A r g e ntin e b e e f
.
[ 55 ]
W I TH THE NIGHT MAIL
a ll d o wn th e P a r k th a t t he wisd o m o f
ou r f a th e r s bu t e ve r y o n e kn o ws the
Q u e be c r u n .
us o u r p r o p e r slip It wa s cu r i o us t o wa tch
.
th e f r o sty r i v e r f r o nt a s th e b o a ts cl e a r e d o r
c a me t o r e st A big H a mbu r g e r wa s l e a v
.
“ ”
pl a tfo r m r a ilings b e g a n to sing Elsin o r e
,
the o ld e st o f o u r ch a nt e ys Y ou kn o w .
it o f c o u r s e
Mother Ru gen
’
s tea hous e
-
on the B a lti c
F or ty cou
ple wa ltzi n
g on the floor !
A n d you ca n wa t h c my Ra y ,
F or I mu s t go a wa
y
A n d da n ce wi t h Ella Sweyn at Els i nore !
57 l
“
I
’
VE AS K E D HI M TO TE A ON F RI D AY
AE R IAL B OAR D OF C O NTR O L
B ULLETIN
AE R IAL B O A R D OF C O NTRO L
3 0 s e c inte v a ls ( e w) . r n .
M AL AY AN A R C H I PE LA G O lights un re li bl e owing e ru p a
ti ns L y f om So me se t to Sing p ore di e ct
o . a r r a r ,
F or the B oa r d
CA TTE RTHU N
Sr UST . J
V AN HE DD E R
We e k e n ding D c 18 th e . .
numbe indistinguish bl e p e nd e d a d f e t n k
r a , u -
, n or -
a
D e c 15 th W tche d to wa te r a n d p ithe d by M k
. . a ar
B t oa .
by p st l p ck et De c 14th
o a a , . .
KE RG U E LE N M A R K B O AT re p r ts l st c al l f m Cyme o a ro na
f e ighte (G ye To ng H uk
r r C ) t a k ing w a te r
a r -
o.
an d sinking in sn w t rm So u th M D ld I sl nds o -
s o c on a a .
N wre c k ge e c v e re d
o A dd e ss e s e tc
a f c re w t
r o . r , ., o a
a ll A B C o ffic e s . . . .
H m tt n
ar Ak k a R nge Und e pl t e s st in e d
a on a us a . r a ra .
B I SC AY M A R K B O A T e p ts C d ci (V l n d i gham
, r or ar uc a a n
[ 6 2 ]
N O TE S
a d lift a li k e
n Th e gas com p r tme nts re pe r mitte d both
. a a
ta n k is e n de e d bliga t ry T he se things w o k if ot
r r o o . r , n
E qu a t (W or I be c me w e f fu i us a d
. a a ar o a r o n
i e gul ca nn n di g s o m e fiftee n
rr ar twe nty kn ts
o a n or o
S 4 E
. D e sc e nding t th e 5 00 ft l eve l I f und p r ty
. o .
, o a a
t he l ge st p tt e n tm sph e ic bo mbs (A B C st nd a d )
ar a r a o r . . . a r
o th e n m e —
-
.
no we nt f t l e st tw h u rs d n tu
r a on or a a o o , an a r
p sse s f c u s e w e e th wn t my b w w st uck
a , o o r , r ro ou , o as r
pl tf m il O em n st ting I w t ld th t th e s e
a or -
ra . n r o ra , as o a
p fe ss s w e e e ng ge d in sci e nt i fic ex pe im ents
ro or r a r .
th e i w w ds )
r o littl e blu e sky if th ey we nt
n or a on
l ng e n ugh
o This in th e h e r t f th e D ld ums t
o .
”
a o o r a
sky in its p p e pl c e ( it be f u d a t th e
ro r l evel a ca n o n
[ 68 ]
C ORR E S P O N D ENCE
th t y we re fine d th e l we sc l e
a ou on o r a .
( v e se ) R M ve ge wo ke d t t f cti n ove ’
o r a . . . s a ra r ou a a ra o r
5 00 kil m e t e s pe h u
o thus c nstituting
r e c d (2)
r o r, o a r or .
F or co mme ci l d p ctic l pu p se s r a t ns is
an ra a r o o
PAT E RF AMI L I AS N ne wh te ve He is li bl e f o a r. a or
di re ct d m a ge bo th t y u chimneys d y c ll a te l
a o o r an an o ra
B di ly inc n ve ni e nce
o d m e nt l a nguish m y be includ e d
o an a a ,
I f y u a p ve th t his gr pne l e m ve d y p ti o n
o c n ro a a r o an or
o f yo u r r f y o h d be tt eoo e st y u c s e
, de v
u a r r o r a on co er
was st o my d c nfus e d
r d y u m y h ve t
an nch
o , an -
o a a o a or
A L D E B A R AN —W
.
was c nstitut e d in 19 49
o .
L M D Kee p h de d he d a t h lf p we t king
. . . er a a -
on a -
o r, a
l wing ga l e d th e e is lw ys is k f tu n ve (3 )
o , an r a a r o a r -
o r.
a d will co nti n u e to be
n l ng i is c m p es sibl e s o as o as a r o r .
R E VIEWS
tu ne d to th e ze nith
r .
cl e d with o ut do ubt f m bo ve
ar a n Th e ld se c e t , ro a :
“
O r ,
my !
s on
”
h a d kn wn I w ul d m ny tim e s h a ve b t e e d my p
o o a ar r o or
phil s ph e th e d i n g O bse ve th e m
o o r, f i n e n e gyar r r, an o ro r
a r, a
qu l
ar r ar a n , co e a
c mic de sp i f M d me L v ll e wh
o a r o sh e w ite s fi ve a a a a , o , as r
ye s fte t he m i ge t h ve ne bl e m th e f und
ar a r a rr a , o er ra o r, o
“
in this un e q u ll e d inte lle ct wh se n me I be th e a o a ar
a ba nd n f l ge d ve y untidy boy
o o a H e e is he
ar an r .
”
r r
l ette : r
X a vi e e tu n e d f m I d
“
r t kn w wh e re
r r t mid ro o no o a
n a o a light a bo ve
or a ou
[ 74 ]
R E VI EWS
o f th t hist ic c llisi n (
a
pl
or ) t he fl nk f H e cl
o o en a ne on a o a
w e cke d pl n e d c i e s
r C u ge ! I sh ll
a , an t f ll r :
“
o ra a no a
c ll f t umpe ts This is th t L v ll e wh m th e w ld
a o r . a a a o or ,
pe d n t d a th e ist
a an or .
t t he e l eve nth
o d nine tee nth ch pt e s in which
an a r , a re c o n
ta i d th e p ning
ne d c n umm ti n f th e T ll i i l
o e an o s a o o e u r on ca
f r th e m th t th e i
o X v i e this a this fa the r a r s on , r,
P y f m e h e s ys up n th e eve f e ch f his
“
ra or ,
”
a o o a o
ke pt his ba met e s ro r .
”
[ 70 ]
A D V E RTI SI NG S EC TI O N
Fl i ck e rs l Fli cke rs l Fli cke rs l
High Le ve l Fli c ke r s
“
He ( ha ! is
down nee d fea r no [ a ll
Fea r not ! You wi ll fa ll lightly as down !
Ha nse n s ’
a i r- k i ts
d o w n i n a ll a re
re s p e c t s Tre me n d o u s r e d u c t i o n s
.
i n p r i ce s p r e v i o u s t o w i n t e r s t o c k i n g .
Pu r e p a r a ki t w i th ce ll u l o s e s e a t a n d
s ho ul d e r p a d s
-
w e i g ht e d
, to b a l a n ce .
Un e q u a lle d fo r a ll d ro p wo r k - .
O u r t re b ly r e s i l i e n t he a v y ki t i s t he ne
plu s u lt r a o f co mfo rt a n d s a fe t y .
Ga s buo y e d w a te r p ro o f h a i l
-
, ,
-
p roo f, non
co n d uc t i n g Fl i c k e r s w i th p i p e a n d l
n o zz e
fi tt i n g a ll t y p e s o f g e ne r a to r . Gr a d u
a t e d t a p o n le ft hi p .
l Ql fo r d Stre et
'
Ch vi t s u f e cann t be d i st gmsh d
e o r ac o
.
in e
f m the din y s uit till infl t d
ro or ar a e .
Fli n t Ma n te l
So u t h a mp t o n
SA LE FO R
at the e d of Season th n fo l l owing Bat Bo ts e - a
D u gl l ck St in g ge
'
o as o -
ee r ar .
WEMON A 50 k r 35 ft 300 H g v ( R d iu m
. n ., ., ar re a e s a
acc e l r t o ) Mille
e a k l d udd
r , r ee an r e r.
Wi t ha mp l e c r u i s mg a c co mmo d a t i o n Gm elda .
c a rr i e s s a re s e t o f Ho fma n r a c i n g v a n s a n d
c a n be ll t e d t h r e e foo t c l e a r i n s moo th w a t e r
.
W i th b a ll a s t t a n k s wu n g a ft
-
The o the r s d o .
n o t ll ft cl e a r of w a t e r a n d a re re c o mme n d e d
.
,
fo r be g i n ne r s .
A l so by p r i v a te t re a t r a c i n g B B Ta rpon
m
. .
,
( 76 n i n g fl ag s ) 13 kn t 60 ft ; L o n g .
, .
David so n d ou bl e u n d e r r a k e ru dd e r n e w th i s -
850 n o m Ma g i n n i s
,
se a so n a n d u n s t r a i ne d . .
moto r Rad i u m re l y s a n d Po n d g e n e r a to r
o
a
.
,
k ee l Tr i p le s e t o f Ho fma n v a n s g i vi n g ma xi
. ,
mu m li ft i n s u rfac e of 532 7 s q ft
g
. .
Oa r Au tumn L m of r a ci ng a nd fa mi ly Ba ts
.
rea dy on tbe 9t h J a nu a ry .