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An Exercise Plan for Guitarists Includes: © Daily warm-ups © Lessons on right- and left-hand technique © Exercises for chords, single netes, pickstyle and fingerstyle © A.30-day technical development |) plan for alll guitarists Jody Fisher Contents ABOU THE AUTHOR oi os . sense INTRODUCTION 7 even 3 SECON ONE—TERMS, GEOGRAPHY AND READING MUSIC...8 SECTION TWO—BASIC TECHNIQUE . 8 Megtete > 2 CONTENTS. SION FOUR—THE WORKO zamnininieinin etmrcne #1. Shrornaic Seals ordac Onl # Herwonzed Seales fo lexerose 12 orase by 2 wee a Yoon . orcas Beil 8 Four Senewice M. Doediac Dri Me Fee - - eee - posi Dril #5 ‘Sever. Sereicise #7 Sordi Dil Seeecive #8 Srovdiac Dll 88 New Feecice #7 : ordi Bn 1? Ten 2 Eeven wale ‘ Flexerose #10 . Chorsiac Drill w1C Thineer . Fonercne #11 ‘Shores Oe 7 Fouree Fexecies M2 ‘Dreriae Del #12 Fiteor Fenercice #13 Cronckoe O81 3 Che-dise Dall 818 Day Twonty Three: Fexercise 819 Chordine Dil 19 Day Twenty-Four Flexercze 20 Grordiae Di] 20 Day Twonty Five. Flexereise #1 ‘Grote Dull 421 Day Ivamy Soe Flexercce 122 Chordie Dill 122 Cay Tweaty- Seven Fenech #23. horde il #73. Day Tomy Fight Flowercie #22 Cheveiae Dil #24 Pay Twenty Nine Tiexercive 125 Chorciae Cll 225, ay Thin. Flowercne #2 Chorciae Drill 428 SERBEB ShSSeSSS About the Author . frome prstient'as a gutaret Fcrcesing cl'nanc anc te gular Besueyron ecient can hurr Hise Ban otelleeiua sty 30 yo. CaN fee my sk “honit uitrits te corened shou some fe mont por, yes reneve’ not of us are vahly dveed B aamecoes bu Sarai tinernelspet ir tree Me ote Semele yo Geese arene Can git sad ALWVAY Sheep op why Rae oesye orp sre ardour pie choos pocr? One ves How Heese fog Peking pst Te i of ls onal ona puter Gow on ee ee rou develog a baked et cl hand (ee ore several ways yeu can usethisbeok 1 eam the warm-ups ane go righ through =¢ May cours a8 preseriaec. 2 Leoklar 10 apeciic pester you ure hv 3. Werk only ur Ue choed Cowie. 4 Wark orly an the snl stone dexterity ox 5 Just snk on your kina & dust so oe agers tae Phar ar #he wan Bees cr by wotking an the ware Bs sectets arc get yan the abet dng this tnd uf wot, Tis he yaua fee ser ucking the warkvals: The fit ire noush this book suagest you soencs Ee des lesming cach verkcut, Meke sur yeu reall urdesstand that days outne anda {retain wth she exces bore starinatheren aysprogan. (Sheeyou rave seen throug? the plan cree you wlllnow tow to customze your workout Gon Sere ct the stenaline'y cnellcnoyry, Fel fs trek up pour oem vere or Bratet 2 sacigecied hots, These rout {tskes Wile Un le lary ane your Heth fete Looe for corns. Besse mort yaunondd okeo sir yecr olay. Thiswl pint you tthe rype af 00 NOT SPEND ALL YOUR TIVE ON THIS WORK: Good wechnigue = means tear end—not an ef in itsell. Spand ‘nos of rou ‘rater and parlecons the old Svey ance ma while Geen amasie lecrrigus camazign Then grab che baok ana gal ks work God yeclion uni" Tablature Note an: wre oie Ha ius Greet ree Ee ees cinee | Dbeateoaes Naeaey = nba Gch eee ee ee ee tens Thon Ten “bea “bet Time Signatures ws rumor aim dbus “ha ethe sah cle tore Pete Th “| a erste neashragsire The bovory ure claw stare sree be Zotob per nr Sor sess oe mene es Tes ee aa 4 esos grrreynunilecmeacens inca cies 4 ei hon cabo conic see anie reenaity 2 tous woe aw ares a we Roman Numerals mi v EMM siiasy ay pone nce hei paki REL Me SOME MB EBD GEMM aT? S Measures and Bar Lines ie Li d Rest Values Section Two Gasic Technique We're 2 Pimist ng teetague be insmwinenia ts learn arly on ta lrg uth serplere con the praise ups mean Many ture 3 stay and Sractce are necessary Sut ‘nerd wont lelp much f your nasi Land positon and pesture a esting Agana you Farsame vesson, mary aula players 22n' esther wth deselopieg sioud teen ical fac lity Were act along scout sevolypig raced that cemes luer Wa’ akg anout crow eg an tn, how te stn 3206 12 FC fing a evan Poncte tingor 2 tingle acts how ts shunge enord ana how to poor, Most gute am sort Le {gute Jul ‘her Ove way Samclires sineks Most af he tine tedowen's As xiseuly shove are @ lot of playa: working ouairst themsehesunnecessarts The 10885 prosersed in ts section ae rot new or oroltionary THeee etuld by riaty Heong views on us subject Ty some cf these deus ora few mosths bulore arco fr oisching ary of thers. The werkouts this how will ve yo Mian tess wer omborise sith the Fallewng auggentone Your Strap Abteys wea" your gutarstrop Yourhands should not have majo of ‘helsing ra te your guiler—that® the sap job, The rao fees yc Pe a you can play, Be sure 6 "ave joursusp adj.sted sothar the gurtars height sganetysur buoy is exdely esate Jost sterling of Sting. Whee youpricuce you are prayiaming Sour buh sa met 7 Portis wate, HW you paacticn ating down and ihe QUIAt 19 yp ABMS" your Ces YUL cruscles wil move weey specie ways # you stare ap and the gata sang dow around your wast or kneas. mast of the geagrantia qaesright cl the 9 rv tency courts fer ao re Nour Posture Stes. satirs, Every function of your boxy works bate” and ecient y when your So, don’t * slouch uit “nt c= your lap (a light angles OK) 4 rose yt tall steer et your left chigh ia Tous habit to ereak) Fhe rock cut n farthelyoutiyay don want to “reach” far nets, ight forward perl shgatly tt your eu sued 19 ea the fingerscera theweb uit under yaur sass) Tyas lever time you oract re Soiraames nssnsstent progress ran be sibien! pestioning, Relax your whale 2od)—atm boul prea + focus. ths aero tyon oF hui 8 SECON TW Rae Behn The Left Hand he Invisivie Thumb thunk: rine ice esse Was the Hur a os bs lopez Tas oe reckurd civgor“toling.7 704 linger ps shock be see on ate ped olyourlinge's, Pictu your inges Eke the Se Sune anes sate rai uot Sh Lae mele = PK thevheais Wat pala tne enacts a enc noe curfinger pall make yn much snare cies ead cape0 © of a Lower Ao ingesuloeto bisa ngs cs aewioe, soot iscorcept = alled folder viwall wredes ed ea wnisre newvaa lover cy 11031 your tine wer onve'? goae.. ys paing i'n aie Neale we mT net hy she came tole, yor neers hava yore Megs ae deve 9 be 1 sap-rco7 fe tor your incerste Tee ku z Se haichara saat rs teal she =e. velayiig sige etsceaen feel Soe oa fee Fave a5 aooenpun ts seve these, Ono : aster by 3 2 orathaeaee99 or sts rer iy mars tha the tl est wee Smee stad rl the na 2 plagng asrencing cosss lGairaiyaue Snget ey ancient eas wezounoee! Lam - net anluel git seainste: To eppernan 93) ~ oe sbevauiecht aid aise surest) sole, Lun auth ete alas he Right Hand lolding the Pick se shot F bo pia. Ratner saat Cues ane ide fines eee ane gistur Tkceal prroease etetall sc b Garealy isnot s godedes FQUBISY Fever fy ipracormenced se 48 Your rik ane tick ce Ps ue tae ge ~ sor Feel tow. cee ce 5 Te MosLel yourtingee Forthernds er ah oes she ety a ny plel ts fds goed rue ee wlisre aoa Terr ssonaraiiler ple ra wes srunenrgca y sexu hand regi paste oelaar se dolume and ore hese a dare sours ne. Te tava, ioarnsa 1 karia of eed yee are (calen benace the ere be syere treed Fy strkas sane Foopsble Se Warm-Up Exercise #3 Digits of Domirance soles grow atoaeiaid. ike hase ip Saray eget fears te, Hue the poretnnts ve Eg Newbare te Sur bes gngerdoss @ ante newer Masten hee aaresvee sina, Ho Alcea. cua) than bare aura! (ys Grete ths ptr wrlzcasreban “goilber igs lmpotian” ha sige cart Louch any omer finger otic guittne duration oF this exeretse! at ray bance Fee atin gs HN Teese ryncE Meme bouts tonne. Y panel bate sue fingae Ore typ ano 170 coun fines mazecticy “hiss ver au ds Wi mane gs. SECTION Wiurk The Ras wt Warm-Up Exercise #4 Fingers of Freedom , Thisivangithond fngesive nara. Stan weh t's shed shape: 7 D + Sound each choratona in an amour ith ts Fingering pumarip. Rapsat arden the chord uo une tet and repeat thy linge! parton. Goal the wuy to -hea gest tet ycet ‘guise wll sccommmadiste and cemmbuck down, Repeat the eli: process wing Is pat va202 a1 ate 14 SECTION THREE—The Basie Warm-up. ection tour Warn Up #1-4 Flexercise #1. Chroma Saale wertjal fF kd ge fms ea situ sac, rend Keer se fod A aes — ————— = 6 ees ey seagate ee depiet == alle 2+ os ee 4s 6 sey = ~ = = = MBIT Fin? = Gmin? AMAT 87 min? Ai ae TF i it 2 Cee : ENalT + cl gravee aspasit SECTION ECHR The Wickets 1 rants 1. Practice Mlexerdse 1 using aentat and volumes, 2. Practce Chardiae Pill #1 using all downstvakes, all ypstrckes and ‘kerning the two Fingerstyle 1. Practice Flexarcia #7 using pand mattenstely 2 Practe Flexerc #1 using vane averaiely 3, Precuoe Chovaisc Gril 1 sriking all four stings simultaneous (oat 4. Practice Co wine Bri #1 waing cutsde/insde tedinique.* ln pking. Vrous tanipes | Qarsidetinsse tecrnia.e i amply plucking the ino outside stings together ra down: ‘Best nc then plucking “ho:wo iside ings together onthe usbrol. “hs wiampleshows tes chaque spy othe harmonized ese in Chordie Dri 81 a9 page 17. Mg ee My Fete Ray? BCs DPS Lt? 9 SECTION FOUR—The Workouts Warm-up ft Flexercise #2 uitanecs yp ie SECTION FOUR The Wor vay inree. Warm up #1-4 Flexercise #35 Play this pattern cirematically up and daw se Hngerboaid en each suing. Starstowly tnd increase speed. The open stirs rrust be aa loud me the feted notes. Steve ke ‘evenness and contol. Practioe this paorn moving acose the ea o the sna a vel | ——— ! TaeaOT DIeaE a] TT aITa OIF IE TP TAO | | | Chordiac Drill #3 zz Memo*ze thisfingeringorathemonized maj ale oldearh chee foritsfullvaluecot ‘curslow beatebefore wwitching. Try tn al key init ie hae aa ae q Bri a “Tan we THE SHH TBH |G f | Picking: 1 Proctas Flasorcae #4 using shornate o” cea! ord volumes 2 Practice Chordiae Dail #3 using all dowmstrokes, all uostrakes and } ahomating the two, hing. Vary ere ermpoe Fingerstyle: | |, Proctice Flenercne 43 wing p and w atzomotaly 2 Precio Flmsarca 43 using mand vsiterestaly 3 Frectce ChersSac Dull viking al four stings Sr ukoreoush Wr imal {4 Procice Chesca Dei #3 usirg cutadesinsde tecr7 que. 2 SECTION FOUR—The Warkexite vay rour- Warm-Up #1-4 Flexercise #4 lareninies ve Dri ve sings dewnove a tracked asGrl a asia ou lake! ve mle hi pet cl TON FON The Werke 91 vay rive Wamn-lp #1-4 Flexercise #5 5 fe oniat 2 2 2 ie o Fe SS cmiby Din EMA? mie - PR - TT any HEE = ain: varpkhing hy vance Day Six Warm-Up #1-4 Flexercise #6 Chordiac Drill #6 a Aun OM? Fingerstyle: valllovsleduryst Day Seven az Warm-Up #1-4 ruth Flexercise #7.) silforont patter and hast rust Day Eight —$£i@ @ —<- ——-um-! wate Winn Flexercise#8 Picking: 2 Tew ltarraty Fingerstyle: he vorsanddeon tie Sraedhoard on each cera. Stats Sentinal Pesta ts “posing ane SECTIONFOUR TheWorkours 7 Chordiac Dri #9 atl Hove fsancther exerise utitzig the chords rom the rartnonzed major scals.Oree #asin, the das isso ship tram chord te chord witheutrrasrigany beats Fracice ascending anc ‘descending in alloys. Lintan rarely Fis? EwiaS—Dminy cP BMG? Ama? Gerd ME & = 1 3 204 poppe ta 3 | 1? 33 : 28 PPS tg 52] fb be Pa 594 53 Po} gb G PPR PERG ; i 3 j Picking: 1. acon Rance BP sing ria or cic plting. Vy stn wed olomes 2, Precis Cherdiac Dull #7 using ol downstaes, tl upstrckos are serena het 12 #9.ssing pando akamatoly 2. Practice Flexercise #9 usinp manic akernatly 3 On Chordie Dril #9 strike Une choras wth p (aw a simul:enzousiy Keepal notes even imamically, Prost at dferent cystic vais 28 SECTIONFOUR—The Workouts Warm-Up #1-4 Review Warm-Up #14 Review Warm-Up #1-4 Floxercise #10: SERUIONT Chordiac Drill #10 faa Horwis a chardstetching exercise, Sta withthe major ?thshape: jan He “Then move 280° fing down one tre 39 ime starting with your li ager, shen 2rd ole “The rich to do ths very slowiy a you have tohald the chord dewn fora wie. Sldemack eget chm sith liking of ol wip rata. Tvel{fam the 29p the fingerboate all the ‘vay dann te the fist fet cur 0? oS Grins aM a7 bas b b =the ane yh ap iT: x whl u Picking: 1, Pract Foro F.wth ths picking pater doy down ome-=cime-yp. ste Keep otes ever interme of volume ane tere Pen Ren owerety of ore 2. Practice Chordine Orit 0 weing al! dawaitiokéo. Then sterateleul pickin Fingerstyle: 1. Pract Fence #0 si pane matenatey 2 Facsce Fosorcee fusing pti repeatedly. Flay ety 3 Fracsee Hexen ining mand tahemely 4 Oncor Or 10, tpeggateusing pio, Koop il notes even trey Protice wt cierentSytame wl Day Thirteen Wann-Up#1-4 Flexercise #11\SD “fe exercise on the top Sf page 31 fa variation on the tiach exercise you ar ‘ep We me scxingthe major Tthto each ns by playing the lots whicn les on hal sep slow each siasls 100% Othernise, the pattern remains te sere This will 3 you rajer thapegsios ince ofthe cer al ovr the ingertoers Obeaive the tlegerings. Each Seger sit on the Bet sing actually e9t6 you a= forthe next move up the ngeracarsl nce youhave memaxized the pattem, vm 2gain by placing your Tal ger nthe ot rat rid rrowng wp the neck fom there STR) FRE 3. SECTION FOUR—The Workouts Chordiac Dini? Tey namie ramets of ree ing th-ash the oie, ths an ssere m ot Prtiaes en a8 paskally ahetran'g nerhee 2 voc ne on 19g et 2 mci nitinol ing) ane eben ie ot wes ERS Pl oe Set her vourg coun tac Few el rp na dos sen al yet Pens ths seer or ne fae seal 2 woe T —— + ye 3 4 inevoa ne tana wapuit “hese hens 4 Picking: I. brsat ce blesarsne 11 2.Fraetise Census 0 | 1 at Fingerstyle: Pract Sea gs al ag Sheriiag Drill #10, Shey vzing 9 9 ryramenily Mme a dearer. dirarre ou LAY OU ET TTT Warm-Up #1-4 Wi, Flexercise #12 i a fd Sued - anil * “2 » 2s a fe i: - 1 — t f Picking: ns Jess Fingerstyle: - ° Day Fifteen Warm-Up #14 Flexercise #13 . Chordiac Drill #13 ma gorings tor he dale sees fy om seine se 22 Picking: vay oxiwert Warm-Up #1-4 Flexercise #14 Chordiac Drill #14 ¥ 4, Bo oe 1 Picking: ASPBIRE HARON, ey n Uveabetrin - Fingerstyle: ache dan yravicak, ey ee | cassis Warm-Up #1-4 ne Flexercise #15 eee eee Chordiac Drill #15 “3, 1. Practice ange aan anit upp at anergy yates end sour Lpcnawr up ay descending peters 2. Paste Plasacaiee w 4 with altereatescic lay picky, Suse ell nse le Gun ie aeboe wre een he p pkesres worn Fingerstyle: 1 Putte Sesvcie Miuniea pared 2 brctise nescicin Manning aed m eller sley vay cignteen a so WWM LVI Warm-Up 81-4 Flesecise dé Ling, -ierrueln Sardiben es hat estas Jescerrd eeu sandra" the efeoue vosraphy mnstrohuserd ther all slr eorstecchuclan p07 F dounatitea, ell usetio sus ur Day Nineteen Warm-Up #1-4 Review Day Twenty ms Maren-Up #14 Day Twenty-One Warm-Up #1-4 Flexercise #17 a A_RS Chordiac Drill #17 Picking: Day Twenty-Two Warm-Up #14 nm es, Flexercise #18 eee seer’ Fingerstyle: Paste sera tbe ena marae nara Pe SECTIONFOUR—theWorkauts 3 Day Twenty-Three Maim-Up #1-4 Ree Flexercise #19 * sik your any sk oir, Ph posi, BS dio Picking Jan ubiiula ties Red al icles rp al enarencken, carers ata Fingerstyle: S rUlsaiani egy Day Twenty-Four Warm-Up #14 Flexercise #20 9 Picking: 1 traet se seers SECTION FOR Tha Warkriis Vay Iwenty-rive Warm-Up #1-4 aT Flexercise #219) weary Chordiac Drill #21 ee Hanes se reve pickin Raa sf rote’ Way IWETILy-DIK Warm-Up #1-4 Flexercise #22 * inated! aT —— Sa os Bee iomuraisiouy pied Reap al rones ideas ring al avovoket, a asm ces an SECTION Fre —The Winners A} Day Twenty-Seven ss Warm-Up #1-4 Dh veers Flexercise #23 ° woe Hap secereng ace chavencina os aid anmmevell tings Pe eipriteet were tai sett Be ae a AT fel kon all pst sy e700 Se MUIaeeleocali Day Twenty-Eight Warm-Up #1-4 Flexercise #24 \ secercing ord b 44 re git thebais phe of erry” 4 mi Chordiac Drill #24 ig, Ae ceme tothe earth cnsrdend: 2F Fingerstyle: SPCVON EUR The Wirrervits AB, Day Twenty-Nine Warm-Up #1-4 Flexercise #25 \" 25a ot ip ares Ss si reula picking. Kano al rotes bey Thirty fei tht eer exercise #26) ww, = : . i taf be Sse 9 fap Sorcerer ne ere Chordiac Drill #26. Se pation Practice erg fan cross ote donee Hrs the al agsenes seaesnuly ahaa ly STCTION FOUR The Workouts 47 ROE Se CT ut cd) NATIONAL WORKSHOP * Study musid i a7 nensive ard inensty * Ledations i’Goonectict. Calor. Cat 1+ Students 6 a ages snd iovels ent leaming fram viting aots end cuittaicing professions! ‘acully n weeklong sunimer sessions. * Clasoas are ati * the tenner through the professions pi Design @ course ot een) Method Books Alfred's Basie Guitar Method soe NE At ase ‘Teach Yeursolt to Play MLM n 1 ete nme et Tn Jerry snyaer es OT Preece eres nes Rock Series ‘seo ek at sig MIG eo ce Blues Series Hae Top Sen ang oe et tes He a ae “SDS 3h tng ox Eaton Miscollancous Books ait 42 nye ur ev ne 19 ome ing es Jazz Serles | ene an cas Mah oon Fingerstyla Method ey One act te gt ae Bo saan MT Pg lr Gutar “in Tab” Series 205 Sn ut AB = SIMON

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