We 1 dt DA pS oe, ee) ee a ed ad AO i cs it gad THE AH Tat id ro ee RF Le inthe bk Om ‘He Pe See. we sere pee A phar & a» B fin fe PO ot pth,CONTENTS 4 ¢ Colorado Bulldog Nl ¢ Price You Gotta Pay 20 ¢ Promise Her The Moon 25 ¢ What’s It Gonna Be 32 ¢ Wild World 37 ¢ Mr. Gone 42 ¢ The Whole World’s Gonna Know 48 ¢ Nothing But Love 54 ¢ Temperamental G1 ¢ Ain’t Seen Love Like That 66 ¢ Mr. Big 71° Tabulature ExplanationColorado Bulldog Words and Music by Paul Gilber, Billy Sheehan, Pat Torpey, Enc Marth ‘and Tony Fanucchi Triplet feet 9-2) steht Double time feel, NCES) Aw sancti (end Riff A) Copyright © 1280Careers-OMG Muse Publishing 12) (2M Partorpedo MoseM-Apet Mus ere Maren Songa/Voaran MUSTEM Muse! ‘Ghary Lane hl Publishing Company Ine (ASCAP) 4 ‘mrnaonl Coyne Sacwed i Riga ResewedIst, 2nd, 3rd Verses 2nd time w/Rhy, Fit 1 3rd time w Fill 2 Neves) 1. Ace high in gold en, 2.3 $6 additonal yes (sala Was tll snd on the rocks. Anda lit-tetouch of at-# ~ tude, 4 pics A (Gt. ow) _ mentee NCS) _ _¢ Rhy. Fal2nd time substitute Ful ee anc it onthe ta —_ tak-it a te men} ‘ea te ™ T atcinae tat To oo ee 4, waned _—, scsi a: te rete Ne. 2nd time substitute Rhy. Fill? ES DS ES bull - dog This night has gone to.-my head Ne. Ds As c ‘Thowa leash. -roundmy Zé wo = a a Pall Pull Fut 2nd time to Coda T D ‘ec D NcuES) Tuma roundand run tke (end Rhy. Fig) Rhy. FZDS. al Coda 1 fa -ooees--yhoeo + - i « li te TR : * rm one 7 or : t = 4 . eee ge ler ring -= 4 NcurtS) cn Tike het — ws ler ring NCS) a (Sma)Guitar soto ea NCIAS) # Ps 4 et 9 PS at Coda ItFeelin! lke a night-mare that bites right in - tomy skin, ah, REE UEE ES hop ap Teer vr TP, Pak Theor Chorus ry a w/Rhy. Fig. 1 @ times) Ds Es NG bs AS Throw a teesh_ a round my neck, Tuma round and run tike.. Substitute Rhy. Fill 3 Ds bs ES Nc As NC, bull - dog — This night. has gone (resume Rhy. Fig. 1) bs. ES teow the the ew thw rhe rhe 7 % 7 3 lam Tr woTPa TPN TRA te Ho TPH TPM Twbs aS c > c > se 7 === ‘Throws ash a-round ‘wflast bar of Rhy. Fig. 1 € time to start allo - Free time al trem. pick steady: : 4 gas ‘te continuing co em ple se LA Sista towaeds rg, thereby sounding trem strum steady gs ES x © Adeltional Lyrics 2. Swingin’ from the rafters, losin’ all contro, Playin’ alittle game of et and mouse popped the question. I've been lonely much too lone Last cal, the drinks are oa the house. (To Preshons) 3. My sweet Lolita, a preying mancater, Left me in the Number Six Motel How was Ito know she'd strip me to the bone ‘And steal away my heart 25.well? (To Pre-chonus) 10Price You Gotta Pay ‘Words and Music by Billy Sheehan, Paul Gilbert ‘and Pat Torpey Moderate Rock shuffle 4.= 100 as csus2 Rhy. Fie Gtr ps NC aS ONG aS Ne. 2 = 3 ——— 2 ° AS cous2 bs Ne. AS NC. As Ne. As Cou Ds NC AS ONE. AS (end Rhy. Pig. 1) aL ‘Conyright © 1988 Patorpado MusiclCrery Lane Mule Pushing Company, In. ASCAPY’ “Carers SG Musk PustahngG 13 Imeratonal Copyright Secued Ai gts Recerved 11st Verse NeyAas) T could take what 1 want, take NC«AS) fore yp = = 1 st posses = sion with half of the truth — Pa Fw Mb, lower note only al, AWM 12‘Then tum — det ring Chorus wiRhy. Fig. # Ne. Ne. Ae Cus? DS NC. AS NGS rice. the price you gotta poy. Ws 1s time substitute Rhy. Fill 1 Resume Rhy. Fig. | AS NG ‘AS NC. as cu2, DS) NC. AS NG AS Ne. te» Sra Atthe tine it seems so as = 9, ‘ke any game.you phy. Thaes a 2nd tne Cod as oma vs Ne BAS NG as cess ee = = f pec ftey -Iog may = by the pee you tote ot 2d Vere Neuasy y so = thin’, Mb, lower hoteonly 13pot 6 = — | on and take @ chance now, ba = by. Gim- me what you got, yeah — NCIAS) ‘A piece of the ac a bast Ne DS. al Coda : sa you'relook =in’ back — It's the 14NC. fe eases £ (Bs) x 16Gr. I tacet) as) {Spoken:) Now. this is how i all adds up ‘chord implied by bs oh SSS and so are you Pm here to Fe pos -ses your soul enti t F=f you're deep 16Chorus ‘w/Rhy. Fig. 1 (Ist7 bars only) AS csw2—s Ne. AS NG AS Resume Rhy. Fig. 1 od Ds NC. AS ONC AS cud Ds NC Eee fet ey stat = edout so eas ~ 9, tke t-te game. Theres a prloe foraay-int may =e, the NE Outro 1 Ne as tx NS bs Bs Ne z + Rhy. Fil? 1718 ‘The price you got - ta (end Rhy. Fig. 2) wiRhy. Fig, 2(2 times) BS it seems so easany gimes you phy.— vs ik omen ve? a \semi-harm. > * : 5 : = : = — pick side Steady hiss <= (cont. in notation) In time O21. Gove FEA BS ONC. BS ado OST Gus. Tait 19Promise Her The Moon Words and Music by Eric Martin and Andre Pessis Moderately = 116 Dasd¢ Em Intro Rhy. Fig. 1 °Gtr 1) © NC(G) Daddd Em ae let ring 4 tet ringe-oeo-224 let ringesoeoeeoeoeoe Ter ring let rnge<-----4 Le vinge= = 7 Chan oe. wg eben ‘Acoust de ring a we Didds Em c NC. Fm? Em7 © Bie Cou {end Rhy. Fig. 1) CConyeah © 1981 EME Apt Musi, In Ee Marin SongsEnass Frogs tc (ASCAP) ‘A Rone For Enon Foge use Agranstered by Bet-ALew Songs ASSAP) Irtratonal Copyight Secures A Figs ResowodL.You don't know what you've got— most gone. 2 See additonal Iyrles C619 Cmaj7ino 3rd) Csus2 cS Cte’ yeah, she’s giving up. (end Rhy. Fig. 2) let rings -- === “iad une oul w/Rhy. Fig, 2 (both gt.) GS Gaus? Gs Gawd —— Su 6 sat of ok 1 shat en com ie ‘w/Rhy. Ful 6/9 CmajHmo 3rd) Csus2 CS Cmaj7%no 3rd) ay ee at on. or wak ing up. Rhy. Fill 1 (both gts.) atPre-chonus os te Gmgj7/B ae Em? « soa eS hee — ~ = ; 3 = a 7 oath Sarearaceetiey ra onion) soi ot ze [SS ——_- Ph ee = x pout ww tp ov Chon SIR. Fig 1 (st 8 bas ony both tn) Blair Fe cng cic) dasa fim oe, eS Ss oo 7 i too a a ee too goat tobe tye, Be - fore omy = words hy. Fill? 223rd time t0 Coda Dads Em Fsus2 Pe si prom = ise her— the moon. VL prom-ise her the Fa et ingen det ring A let ing: let ringen samo = + = ° + > 2 €6/9CmajT(n0 3rd) couse Tr w/Rhy. Fig. 2 (Ist 2 bars only - both gtr) GG Andall the times she. stood by me, 1 neveer said, Both gts. gs ig x a = aL woes Terrings-=n a = 7 3 fa $ = Fa x ei ‘And all the while-T¥e been 4 fool. Ge z ee = you". Yeah, 1 kept it deep down. in ee rings w —s osDS. al Code Coa wipe. ig. 1 both ats) a = ——— =e oon = Rhy. Fi Additional Lyrics, 2.1. too blind to notice her. ‘Wrapped up in myself Workin’ hard overtime, night and day. T thought we were so secure. (Can't imagine someone ese ‘Could come between us and take her away. (To Pre-chorus)What's It Gonna Be Words and Music by Paul Gilbert, Pat Torpey, André Pessis and Eric Martin Moderate Rockd = 112 rms) 3 NC ESS Ne. Ds NC BSS Ds ONC BS DS NG Ne. DS NCS Ds xe a ail (Gnd Ray. Fie 1) x lat Vere Ne. Es Ne ————— —# fa 6 = SSS = What's it gon-na be babe? __ Rhy. Fig.2 (Gtr. wy sea = PM. \Conyrght © 1988 Carats BMG Music PblnngPG 13 (aM Pantorpado Musctndess Hoge thinkers aren SoMguEM-At Mos, Ine! ‘Chery Care Mose Publishing Company, ines ASCAP) ‘3 gs For Endless Frogs Muse Admrstred by Sob-h-ten Songs (ASCAP) Internatonal Copyright Sacwed Al ges Reserved 25Shivers down my gear spine. Js your tress tell mesomething real. (end Rhy. Fig. 2) What'sit gonna Substitute Rhy. Fal Nesp bs, Wint'sit gonna be? Resume Rhy. Fig. 1 ne be ba = by? Why's it have. to be— so. hard. C bs Ta ES Fie ats fg T 3 i ¥ ‘win your sympa thy? What'sit gonsnabe,— ba - by? Wits it gon =a bet You're tak in’ your time. mak in’ up— your 2nd Verse w/Rhy. Fig. 2 N: Bs 2nd time to Coda ‘mind, youshould be mak-in' ++ Fes = == How's it gon=na_fecl_—_ babe? Rhy. FUL (Gtr. Your back's a -guinstthe wall.chorus wiRhy. Fig Ne. Won. upstate Ray. Fa x bs 1s Resume Rhy. Fig. 1 we (ak in" your time.mak-is” up— your mind,- youshould be -mak-in* arSend me out an an = swer Move. @ Ht-tle clos = em (Hoo, oo.) re = 2 = wae seer tae = eS —| == Put you in my pock - ot keep you for a day. Goo, oo.) loo, hoo.) — — = ad 28Cate ¢y/ast bar of Rhy. Fig. 1) NC BS makin’ times with me Come on, Guiter slo w/Rift A Cull end) *Gtr. ws) geAth er Side w/R fnger 30a JX 31Wild World ‘Words and Music by Cat Stevens, al Emaj7ino3ed) £5 Fim a A eo a my ‘tpt Fim) py a Agua O-n Orr Slowly = 76 EmajI(no3ed)ES Emaj7(no3rd) beh bh hh bok bo Lala A Fim Gist _Gt_cim IFAs EE D3 FFT EmajTino3ed) ES EmajT(no3ed) 7 td FP you say you wanna start some - thing— Gtast Gh Chm a ee a ee I) == = ‘Andivs Drain my heart__ you're Ieav ine Baby,Tmgiev - ing Fee Be Emai?(no3rd) £5 _EmajTno3rd) J ee er ee ee eee SSS == bY Lsuuee a =I = But if you wan-na leave, take good care Hope youhave a lot-ta nice things to. wear (ond Rhy. Fig!) Rhy. Ft ‘Bei 5 BA aH Z iat = Sa Bt then a fot-ta nice things tum {cont in slashes) ‘copyions ©1970 Salta, tetrnatonl Conygh Sacred A Rights Reserves 32 Fopented by PermissionChorss wir 1 e gre2ft SATA PA TOA se ae aS Or 4h Ome, Oa BOE cB 1s hard to. get_ by Jost up-on a smile Geom w/FiN| xe (end Rhy. Fig. 2) 29 JOG BA TA TA SS aS > ooh, ba = by, ba = byits a wid vo w/Rhy. Fil? 3 sued E 2nd tie to Code ZF GTI FCA 6 ¢ ] t | 7 =. = TL al-waysre-mem-ber you like 2 child, gi. 2nd Verse wiRhy. Fig. Chm Fhonen Ben EmajX(no3ed) ES Emaj2(no3rd) _ = . Sf bey Youknow?'veseen a lot of what the world can do,— and its breakin’ my heart. in two, A Fim ot Glass Gt Chm Ful Gtr.) Rhy. Fil 2 Gtr.) (oat. in slashes) a a Fe Tet ringe-+ ‘let rings tet ring-+Fe pve EmajTino3ed)ES Ema 7in03rd) if youwanne leave . Hope you makea lot-ta mice frends.out Mandan ora wiki at DSSfal Coda A Fim ct Be NC. & Coda Lobb bh bbe rdrd Verse S{Rl. Fi 1 ast 4 bars ony Cam pen Emaj7ino3ed)ES _Emai7ino3ed) But if youwan-ma leave, take good ca, Hope you makes lot-ta nice frionés_out sw/Rhy. Fal 1 N. Chorus w/Rhy. Fig. 2 w/Paul E B au on, ba + by, ba-by.it's a wild world, —— Ox Or, AE, 2. B Asus? EB BOE ChB Ws hard to get by Just up-on a smile Yean, yeah, yeah ‘w/Fill | (Ist bar only) fo tiene fi FR Ooh, ba = by, bas by it's a wid world, —___ And Tu wild world.) 35B Asn ve/Rhiy. Fill 3 always resmember you a on, yeah _ w/Rhy. Fig 2 (last bars only)& Fill 1 at E B J 737 BA Ooh, be = by, barby,its a wild world Om, sm, Baer 2h BOGE cB Ws hard to get by. just up-on a smile Yeah \w/Fil | (Ist bar only) qe le ttt baby baby's a wild 36Mr. Gone Words and Music by Pat Torpey, Paul Giber ‘and ily Sheehan cS FSF Cydde_D9 Fmalzjeino 3d) C7, ie ae ge te ap a i 00 Synth. & Drums) 4 o Rhy. Fie. 1 (Gt 1) Fmaj7 sus? bo af let ringthroughowt v ‘clean tone w/chorus w/Rhy. Fig. 1 @ times) C7 Fial7/6(00 318) (ena Rhy. Fig ty Rhy. Fig 2 (Gt 1 Fmaj? widlstortion et oe Fimaj7/6(no 3rd) ea Cou? ae le Pete Mis-ter Gone {end Rhy. Fig. 2) Capron © 1909 Patopado iisoneny Lan Mis Ping Comyn (ASCAPY ‘ExrereG4G Musk Pustehng PG 19 (Mh Invernatonal Copyright Secured Al gts Reserved a7Ist, 2nd Verses (end Rhy. Fig. 3) Rhy. Fig 3 (Gtr 1) Gxt. @2f cs CoG GS FS TDD, ASTM 2 FIFI] 4d urty. tie 36 times O3t. oan, Wels GS CG" Gs Bs 1. You feel a tap_up- on your shoul ~ ds Tam 2, See additional lyrics ound,there’s noone there. Os. Oot et © GGs FS cs oe or Gs FS Is yourmind just get ~ ting old - er? ‘Are you whispering a prayer? you're some by your = self Bkgd. Vor. Fig.2 Mis-tor Gone. 38Chorus Ww/Rhy. Figs. 1&2 (both 2 times) .w/Bkgs. Voc. Fig. 2 o *Fmaj7/C cu pe Fimaj7/6(n0 380) 2 — knocked on. your door. You were gone. Love, choice and des = t= ny. bas plyse. o Frais vs Sold your world. to keep it fie Are you lone = Iy to-night Mister Gone?- Substitute Rhy. Fil 1 (Gtr 11) Fimaj7/6(00 3ed) cau. bp Fmai7/6tno 3x8) (Gtr Lous) (Gte.Lout) lone + ly to-night Mis - ter Gone? Bridge Ered E7 Dust === Where's your love? Where'syour life-— Get yourhead out of the sand.— Free your Free your soulNein, Acous. cuits D2 nano Sed) a F id id te te te ‘Come on. on /Bkad. Voc. Fig. 1 ed Dp Fmajr/6cno Sd) id td te > (Gtss out) (Drums only) thing is cool. Hoo, hoo w/Bkgd. Voc. Fig.2 < fa, > Oh, — yeah. We need love A — yeah —— We gotta make a change, Al-right. Chorus ‘w/BKega. Voc. Fig. 2 G times) ‘w/Rhy. Figs. 1 & 2 (both 4 times) o Fimaj7jC couse be + Fmaj7/6(00 3rd) Love, choice and des - th- ny. knocked on. your door. You were gone. a FmaiT/C coun. be Sold yours world to keep it free Are you lone - ly to-night, Mister Gonet Fmaj7/6(n0 3rd) Co] Fmaj7/C Lose your— perssons al > i+ when Gin pw FmaiTi6(no3rd) o a fof your rights tum to_ wrongs Blind - ed by ‘the Fmaj7/6(n0 3rd) 1 cu = FmajTic this see Are you lone = ly to-night -Mis-ter Gone? ings you x (Mis - or Gus 1a 2 (Gts. out) NC. ~ Additonal Lyres 2, Twist your heart up over nothing. Your will is working double time. Intuition has misled you, ‘She's poite but s unkind. (To Prechorus) aThe Whole Wor Moderate Rock J = 122 NC. @mada2) tro Gte RITA at (ami) wszt!) 4) x (mada?) Py Id’s Gonna Know Words and Music Bily Sheehan, Paul Giber, Pat Torpey ane Ec Martin amt) (m9) carts) AM sk (amie) (am) (m9) carts) (end Riff A) aa at Coprisht © 1099 Pancrpede Muscrea ‘Chery Lane Me Pubining Comeany. ne (AM pitek: D Apes Musi, ne ere Main Songs) TASCAPY/Carears BG Muse PubisnngPG 19 (2M) Intemational Copy Secued Al Fights ResewesIs, 2nd Verses = fa ‘and time substitute Rhy. Fill 2 ~e. ‘2nd time Gtr. I substitute Rhy. Fill3 eet ty = fi, {ond Rhy, Fig. 1) —s i w x s Ray Fil 2 (Gts.1& 11)Bs cs 1st ime substitute Rhy. Fil tse, s ee “<-> £ = (bea —f a = =f=f £ 1 cart complain, tes aly off of — my. beck 1 2 time sbstivte Rhy. Fld Ana time subsite Rhy. Fill S Bis Go NS 3 os -s : else fe shoulda know better Pre-chorus BS Keep my mouth shut, Gus. 1&1 She came in from the wrong side cs FAM pit: Chorus #9 o of the tracks, rm Bis by,— pretty soon the Whole— (The whole pa on-na know. is gon-na know. The whole ‘The whole Rhy, Fil 4 (Gtrs.1& 1)bs Bis NCO bs world is. gon-na know what you've done is gon-na know. world “cu, THe whole world (3a) 5, world is gon-na know world is gon - na know.) (am) (m9) carts (Am) Re NEM Noth atts) FS cs Yeahthe whole. is gonna know, "The whole Bridge WIRE A (Gt. 1 811) ref a Fs (Dmada2) mio) (mesh) ing T can o. w/Rhy. Fill 6 bs 45Guitar solo w/Rhy. Fig, 1 (2 times) Ds Ger. Fall ape S Fell Gurs. 18M substitute Rhy. FL (resume Rhy. Fig. 1) HL GS Put Fat Fah Tra nee a cs = 3 wer pint foe or eee ___ = rl wee penn SE& = — +-— MR te a = Guitar solo ee — 3 ye Full 2.0ne Right. Be ee x (Gtr. tout) GE ~ TR. Fi A . teptetstes oR 2 Rhy. Fig. 3 (Gtr. 1) ip 87wePilry pePie y opp ee Te Th rw D oN Hanew ewe eS EIS ROHS 18 — ie a = ot oi Pre-chorus w/Rhy. Fig. 2 (Gite. Mout) DiS al Code § ss sie > —zs Echo pe AS BS AS BS Never uve [weer nish an at= tude. Dow shoot *Ghout, shoud, Donstoot A's on-Iy me, be = Dy. ‘tase sen ») ww en xe z o © o and howyousay it. = per = mene (hes 0 tem a 58an © @) (any ®) py DFT ET 2 good little gil like that She's of so je New w/Rhy Fig. 1 (1% times) o wo ESN.C.AS N.C. ES N.C. ASN.C. Doo-dahdoo-dah-yuh, twist - ed, sand tem ~ per men-tal Just a it tle bit ‘Teneper-men = tal. (Shes * 0) aa ww — ES WRIA FNC AS NC ESNCAS NO. BS NC AS Ne ee dah ow! Doo-dah,doodah-yuh,doo- dah Just a lit-tle bit \w/ad I singing & talking (til end) 7 "Depesbr before raBs — Ss Gu. ms? pattie = == E ——S| i tn 00 do 0 bon ey hl tog ir fot dmv oan ox === ——— = : = v3 ~ eo * ‘st, eb pe an Es Ne. Begin fade (Gtr. Mout) 4 Bah -doo-"n, dee 'a-dee\doodah, doo-dah,dsh-éah-dee— Nab ‘mah, — nah, nah, nah (Spoken:) n't tha right, Kevin? — 400, do0,doodah- wiFwt2 Rade out eve Hey, hey. Yeah, yeah. yeah, yeah.— She's so temper'men = tal Fi 2 te. 1) Additional Lyris 2. One minute, she's an innocent ehilé, Sweet tiste of her emotion, ‘Angel witha strange twist Man its all worthwhile Bad luck comin on strong, Ready to meet it halfway home. Heartbreaker, time to meet the maker, "Cause her mind's long gone. (To Prechoras) 60Ain’t Seen Love Like That Words and Music by Erie Martin, Mark Spiro and André Pessis Gust Ru? awe Dm? EW Ab Gt HAP RRR RR ee eR Moderately J = 94 G Gest GS Gast Gsust GS Gaunt G 9 Gtr Macous,) = Int 2, #, 2, #, f 2F let ring throughout e (Gtr. Lout) “Two gs ae for one It Verse Am c cre Am c op. I've been miles from no = wher ‘erossed and dow - bled back. Rhy. Fig. 1 (Gtr. 1) ler ring throughout and Ive done my time *T= thumb, Copyght ©1869 EM-Apt Muss, Inc Ec Man SongatEndees Frogs isl |ASCAP)Onge& Ole Music ark Spo Mus (BM) "0 igs For Ena eg ae Arie oy Boo-ALow Sos (9GRP) ‘a igh of rt Spr une scrmistard by bine 8 te Mise eM) 6 Intemasonel Cnyrah Scared Al Figs osowed2nd, 3ed Verses wwiRhy. Fig. wir ¢ cB. Am c sit seen Jove Uke that 2.1veseen the light of free = dom. Sel be-liew in jus - tce— fend Rhy. Fig. 1) dimand fade to, black — So man-y fac - es, but _no one com-pares wonder where she’s at Ie fees ike & life - time, andit» just ain't fai. cont » bat on a aa at on tom ett ant oe penne jee, fe co EA) 62r a ‘Bbsus2_ {end Rhy. Fig. 2) S SDE DS Sa PS Tove that you lost may be found ‘wf Guitar soto Poo: iki Pt w/Ritt A (Gee, love that you lost may be found." Ooh, Ge Faw? Dm? E Dm? © w/Rhy. Fil You know that Fl? (Gtr TT)Bridge w/Rhiy. Fig, 2 (Gtr 1) 8 last bar of RFA (Gtr. 1) Faus? Cand © Fas on c= =a = Ss es ? =— = SSS to tet hep “Don't ft it tum you a = round... To-mor + rows comin, an co ca _——— = a ee = youd nev et tow, ‘Te lowe that you fo may— be found 4th Vere é oie Am no = where. ‘w/Rhy. Fig. 1 (ast 3 bars only) ¢ Em c co a G Verossed and dou Time is a— heal dl a Fou Dm? B Da? ce wa ve done my like GeePW me oh a dias oy 12 - Sine i ee Ss my te sw Gist ety J) FAD a a ~~ ee No one com - pares. 1 ain't seen ove___ like that. — vs ae Fa ue fa AQ aR. mon bai a. se ais a Aint sem. fore Noe (Ain't seen Tove tke tat Gist seen toe tke that BY an » a JR 0 OA DRA OO aMr. Big Words and Music by Paul Rodgers, Andy Fraser, ‘Simon Kirks and Paul Kossofi Ist, 2nd Verses i Em7 © Em? NC. Em? NC. — Al right, huht 1. Lwork hard ey "ry day, — 2, See additional ines Rhy. Fig 1 w/Rhy, Fig. 1 Em? Ne. Em? Ne Jat Nc. Don’t need no- bod-y 0 tell me"bouta girl of mine She's got so much love, (nd Rhy. Fig. 1) Em? NC Em? NC Em? Ne saved it all for me— ‘And I would not be—Iy-ing, its the wayit'sgot-ta be. So, Mis- ter Copyight © 1970 Blue Mountain Musi Li. ‘Al Rapes or ho Unted Sates and Caraca 66 -Aaminateeaty Songe Of Pore romana, ne intmatonel Copyngn Secu Al figs ReseveaChoris 2nd time substitute Rhy. Fill | ES NG BS BBS AS Ne m7 ‘And don't you fang — ‘That all for All Fight. Ih. bn? NC im? NC bay ‘s se fete cae Yeh yeah Now ttn, cate Gidashe we Rhy. Fill 67Guitar soo NCEm) o Fey o go o woh, Double time feet, o em Don't you know 1 realy need to? o sk Emae £Ee a 5 AbdAde, ‘w/vocal ad libs (next 13 bars) Ds 69Dssus2 ES ‘Beast Oh wot, woh, ____Mis-ter Big, yeah! Additional Lyrics 2. Ldon’t care who you are, s0 don't explain Better get on out of here, and don't you come back again [don’t want a thing from ya, don't wanna give you nothing too, So get on out of here, before I lose my cook. (To Chorus}TABLATURE EXPLANATION TABLATURE: A six-ine statf that graphically represents the guitar fin- ne {gerboard, with the top line indicating the highest sounding string (high E). By placing a number on the appropriate line, the string and fret of any ‘note can be indicated. The number 0 represents an open string. tng gh Sowne jae (80 sng. 3rd rat Sane ee “an open E chors ae Definitions for Special Guitar Notation eho Seng ne antera 2 eo: ravame rote ane bene vps TAPPING Hamre ap rt ees vougouacete pnb J (Eth tertioon ee PALM MUTING: Tne note part j — manners PICK SIDE: The ge oe cee SUDE: sik tare anc ten ‘ites domme oe ang tare gee opes rosteng tse sean Muro Sra NGE: prea Rena soestne stipe mtogs Shs taed _REBOLO PICKING: Th ote Petedasrensiran conta PRE-BENO: urd ante or = ‘hoi, ee $106 sea anv. centne [ntnpmm ctenua Use Sars (stones the sn ver eet a Sya3 paeaeno ano neLaase weed Hauer ov See fe oe poo PULLonr rca tom nga re Siac Rican Sates ite pin time higse Rocenigecnave tionSPEND A WITH Eddie Van Halen Steve Vai Randy Rhoads Joe Satriani Jimi Hendrix » Nirvana Stevie Ray Vaughan Guns N’ Roses Skid Row Pearl Jam Nuno Bettencourt Eric Clapton Jimmy Page Faith No More Eric Johnson George Lynch Metallica Keith Richards Jeff Beck AC/DC Just $21.95 buys you a year’s subscription to GUITAR and the chance to spend 12 months. studying the techniques and the artistry of the world’s best guitar performers. 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