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As I Lay Dying - Awakened
Uploaded by
Szabolcs JuhászCopyright:
Available Formats
from As I Lay Dying - Awakened
A Greater Foundation
Words and Music by Timothy Lambesis, Phillip Joseph Sgrosso, Josh Gilbert, Samuel Hipa and Jordan Mancino
Tune down 1/2 step:
(low to high) Eb-Ab-Db-Gb-Bb-Eb
Intro
Very fast q = 252
*Em7
Gtr. 1 (dist.)
** ppp
12 0 0 0 7 12
10 9
12 0 0 0 10 12 8 12 0 12 0 0 7 12
10 9
12 0 0 0 8 10 10 7
*Chord symbols reflect implied harmony.
**Fade in
mf
10 9 10 9
12 0 0 0 7 12 12 0 0 0 10 12 8 12 0 12 0 0 7 12 12 0 0 0 8 10 10 7
E5
Gtr. 1
10 9 10 9
12 0 0 0 7 12 12 0 0 0 10 12 8 12 0 12 0 0 7 12 12 0 0 0 8 10 10 7
Gtrs. 2 & 3 (dist.)
mf
P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Copyright © 2012 Frickin’ Thunfisch Music
All Rights Administered by BMG Rights Management (US) LLC
All Rights Reserved Used by Permission
1
10 9 10 9
12 0 0 0 7 12 12 0 0 0 10 12 8 12 0 12 0 0 7 12 12 0 0 0 8 10 10 7
P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Verse
Gtr. 1 tacet
E5
1. Screamed: Re - al - i - ty no long - er bat - tles per - cep - tion.
Gtrs. 2 & 3
2
2
0
E5 μ E5 μ E5 μ E5 μ
This let - ter’s writ - ten to no one.
P.M. P.M.
0 0 0 0 0 0 0 0 0 0 0
2
Verse
Double-time feel
D5 E5 D5 E5 G5 F#5 E5 D5 E5 D5 E5 B5 D5 E5 F#5 D5 E5 F#5 E5 F#5 G5
2. Sin - cere, I sought your truth and di - vine
Riff A
mf
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
10 9 9 9 9 10
10 12 0 0 12 10 0 12 10 12 12 12 0 12 0 10 0 7 10 0 0 0 0 10 0 0
D5 E5 D5 E5 G5 F#5 E5 D5 E5 D5 E5 B5 D5 E5 D5 E5 A5 E5 C5 E5 B5 E5 G5
pur - pose through myths of rev - e - la - tion.
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
10 9
10 12 0 0 12 10 0 12 10 12 12 12 0 12 0 10 0 7 10 0 0 10 0 5 0 8 0 7 0 3
D5 E5 D5 E5 G5 F#5 E5 D5 E5 D5 E5 B5 D5 E5 E5 F#5 D5 E5 F#5 E5 F#5 G5
Guid - ance all wrapped up in a pa - per
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
10 9 9 9 9 10
10 12 0 0 12 10 0 12 10 12 12 12 0 12 0 10 0 7 10 0 0 0 0 10 0 0
End double-time feel
D5 E5 D5 E5 G5 F#5 E5 D5 E5 D5 E5 B5 D5 E5 D5 E5 G5 C5 B5 E5
box, sup - port - ed on - ly so
End Riff A
P.M. P.M. P.M. P.M. P.M.
10 9
10 12 0 0 12 10 0 12 10 12 12 12 0 12 0 10 0 7 10 0 0 10 0 0 0 3 8 8 7 0
3
G5 E5 G5 E5 A5 E5 B5 E5 G5 E5 G5 E5 C5 E5 A5 E5
long as my mind was the en - e -
Riff B
P.M. P.M. P.M. P.M. P.M. P.M.
3 0 0 0 0 0 0 0 3 0 0 5 0 0 7 0 3 0 0 0 0 0 0 0 3 0 0 8 0 0 5 0
G5 E5 G5 E5 A5 E5 B5 E5 G5 B5
my. I could not in con - science hold on.
End Riff B
P.M. P.M. P.M. P.M. P.M.
7 0 0 0 0 0 0 0 3 0 0 5 0 0 7 0 0 3 3 3 3 3 3 3 3 7 7 7 7 7 7 7
Pre-Chorus
Half-time feel
Gtr. 1: w/ Riff B (2 times)
G5 E5 G5 E5 A5 E5 B5 E5 G5 E5 G5 E5 C5 E5 A5 E5
*
Screamed: ...face dis - tress... ...not lose heart.
(Yelled: As we... ...we must...
Rhy. Fig. 1
P.M. P.M.
0 0 0 0 0 0 0 0 0 0 0 0
*Gang vocals, next 17 meas., refers to downstemmed notes only.
4
G5 E5 G5 E5 A5 E5 B5 E5 G5 B5
...and press on.
Stand fast... Tri - umph a - waits.
End Rhy. Fig. 1
P.M. P.M. P.M.
0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 7 7 7 7 7 7 7
Gtrs. 2 & 3: w/ Rhy. Fig. 1 (1st 4 meas.)
G5 E5 G5 E5 A5 E5 B5 E5 G5 E5 G5 E5 C5 E5 A5 E5
...face dis - tress... ...not lose heart.
As we... ...we must...
End half-time feel
G5 E5 G5 E5 A5 E5 B5 E5 G5 B5 μ
...and press on.
Stand fast... Tri - umph a - waits...)
Gtrs. 2 & 3
steady gliss.
P.M. P.M. P.M.
0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 7 7 7 16
Interlude
Double-time feel
Gtrs. 2 & 3: w/ Riff A (1st 8 meas.)
D5 E5 D5 E5 G5 F#5 E5 D5 E5 D5 E5 B5 D5 E5 F#5 D5 E5 F#5 E5 F#5 G5
...us.
End double-time feel
D5 E5 D5 E5 G5 F#5 E5 D5 E5 D5 E5 B5 D5 E5 D5 E5 A5 E5 C5 E5 B5 E5 G5
5
Verse
Gtr. 2: w/ Riff A (1st 4 meas.)
Gtr. 3: w/ Riff A (last 8 meas.)
D5 E5 D5 E5 G5 F#5 E5 D5 E5 D5 E5 B5 D5 E5 F#5 D5 E5 F#5 E5 F#5 G5
3. Screamed: The pow - er - ful con - stant that I had once leaned on
D5 E5 D5 E5 G5 F#5 E5 D5 E5 D5 E5 B5 D5 E5 D5 E5 G5 C5 B5 E5
is no long - er there.
Screamed: No long - er.
Gtr. 2
P.M. P.M. P.M. P.M. P.M.
10 9
10 12 0 0 12 10 0 12 10 12 12 12 0 12 0 10 0 7 10 0 0 10 0 0 0 7 12 12 10 0
Gtrs. 2 & 3: w/ Riff B
G5 E5 G5 E5 A5 E5 B5 E5 G5 E5 G5 E5 C5 E5 A5 E5
You call this shame - ful dis - be -
G5 E5 G5 E5 A5 E5 B5 E5 G5 B5
lief, a pro - cess like los - ing my clos - est friend.
Pre-Chorus
Half-time feel
Gtr. 1: w/ Riff B (2 times)
Gtrs. 2 & 3: w/ Rhy. Fig. 1 (2 times)
G5 E5 G5 E5 A5 E5 B5 E5 G5 E5 G5 E5 C5 E5 A5 E5
*
Screamed: ...face dis - tress... ...not lose heart.
(Yelled: As we... ...we must...
*As before
G5 E5 G5 E5 A5 E5 B5 E5 G5 B5
...and press on.
Stand fast... Tri - umph a - waits.
6
G5 E5 G5 E5 A5 E5 B5 E5 G5 E5 G5 E5 C5 E5 A5 E5
...face dis - tress... ...not lose heart.
As we... ...we must...
End half-time feel
G5 E5 G5 E5 A5 E5 B5 E5 G5 B5
...and press on.
Stand fast... Tri - umph a - waits...)
Chorus
Quarter-time feel
C5
Some - times we have to watch our whole
...us.
Riff C
Gtr. 1
w/ flanger
17 0 0 16 0 0 11 0 12 0 0 12 0 0 9 0 11 9 0 11 9 0 9 0 11 9 0 16 0 19 16 0
Riff C1
Gtr. 4 (clean)
mf
8 7
8
Rhy. Fig. 2
Gtrs. 2 & 3
P.M. P.M.
3 3 3 3
3 3 3 3
7
E5
lives fall a -
End Riff C
17 0 0 16 0 0 12 0 11 0 0 11 0 0 9 0 11 9 0 11 9 0 9 0 12 9 0 0 16 0 19 16
End Riff C1
8 7 7 5
8 5
End Rhy. Fig. 2
P.M. P.M.
2 2 2 2
0 0 0 0
Gtr. 1: w/ Riff C (3 times)
Gtrs. 2 & 3: w/ Rhy. Fig. 2 (3 times)
C5
part be - fore we can re - build them a -
Gtr. 4
8 7
8
8
E5
gain, a great - er foun - da - tion.
8 7 5
8 5 5 8
Gtr. 4: w/ Riff C1 (1 1/2 times)
C5
Screamed: We watch our whole
Riff D
Gtr. 5 (clean)
mf
Harm.
7
5 7
E5
(Some - times we have to watch our whole
lives
End Riff D
7
7
9
Gtr. 5 tacet Gtr. 5: w/ Riff D
C5
lives...) ...be - fore we can re - build them a -
fall a - part.
End quarter-time feel
Gtr. 4: w/ Riff C1 (1st 4 meas.)
E5
gain, a great - er foun - da - tion.
Re - build them a -
Interlude
E5 C5 E5 C5 E5
- gain.
Gtr. 1
P.M. P.M. P.M.
2
2
0 0 0 0 0 0 0 0 0 0 0 0 0 12 8 0 8 0 0 0 0 0 0 0 0 0 0 0 0
Gtrs. 2 & 3
2
2
0
10
E5 C5 E5 C5 E5 μ
P.M. P.M. P.M.
9 9
7 7
7 7 0 0 0 0 0 0 0 0 0 0 0 0 12 8 0 8 0 0 0 0 0 0 0 0 0 0 0
P.M.
9 9 2
7 7 2
7 7 0
Bridge
Gtrs. 2 & 3: w/ Rhy. Fig. 3 (last meas.)
E5
I wish there was an - oth - er way,
Riff E End Riff E
P.M. P.M. P.M. P.M. P.M. P.M.
12 8 0 8 7 0 7 3 0 0 0 0 0 0 0 0 7 0 3 3 0 0 3 8 7 0 0 0 0 0 0 0
Riff E1 End Riff E1
P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Gtr. 1: w/ Riff E (1 1/4 times)
Gtrs. 2 & 3: w/ Riff E1
but no a - mount of de - vo - tion can fix this.
11
Half-time feel
C5 E5 C5 B5 E5 B5 G5 E5 μ E5 μ E5
Gtrs. 2 & 3 Riff F
P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
μ E5
Tri - umph a -
End Riff F
P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Gtrs. 2 & 3: w/ Riff F (3 times)
μ E5 μ E5 μ E5
waits! Tri - umph a -
μ E5 μ E5 μ E5
waits! Tri - umph a -
μ E5 μ E5 μ E5
waits! Tri - umph a -
12
waits!
Riff G End Riff G
Gtr. 1
P.M. P.M. P.M. P.M. P.M.
12 8 0 8 7 0 7 3 0 0 0 0 0 0 0 0 7 0 3 3 0 0 3 8 7 0 0 0 0 0 0 0 0
Riff G1 End Riff G1
Gtrs. 2 & 3
P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Gtr. 1: w/ Riff G (1 1/4 times)
Gtrs. 2 & 3: w/ Riff G1
Tri - umph a -
Chorus
End half-time feel Quarter-time feel
Gtr. 1: w/ Riff C (4 times)
Gtrs. 2 & 3: w/ Rhy. Fig. 2 (1 1/2 times)
Gtr. 4: w/ Riff C1 (3 1/2 times)
C5 E5 C5 B5 E5 B5 G5 C5
waits! Some - times we
E5
have to watch our whole lives
fall a -
C5
part be - fore we can re - build them a -
13
E5
gain, a great - er foun - da - tion.
Screamed: We watch our whole
Gtrs. 2 & 3
P.M. P.M.
P.S.
X
XX
0
0 X
2 2 2 2 0 X
0 0 0 0 0 X
Gtrs. 2 & 3: w/ Rhy. Fig. 2 (2 times) Gtr. 5: w/ Riff D
C5
lives
Riff H
*Gtr. 6
mf
12 10
12 11
*Kybd. arr. for gtr.
14
E5
(Some - times we have to watch our whole
fall a - part.
End Riff H
12 12 15
12 12 14
Gtr. 6: w/ Riff H Gtr. 5: w/ Riff D
C5
lives...) ...be - fore we can re - build them a -
Re - build them a -
Gtr. 4: w/ Riff C (1st 4 meas.)
E5
gain, a great - er foun - da - tion.
gain.
15
Outro
Gtr. 6: w/ Riff H (2 times)
G D
Gtr. 1
w/ flanger
17 0 0 17 0 0 11 0 12 0 0 12 0 0 9 0 11 9 0 11 0 0 9 0 11 9 0 11 9 0 4 0
G D5
5 4 0 4 0 0 12 0 11 0 0 11 0 0 9 0 11 9 0 11 9 0 9 0 12 9 0 0 4 0 7 4
G D
X 0 0 17 0 0 16 0 11 0 0 11 0 0 9 0 11 9 0 11 0 0 9 0 11 9 0 11 9 0 4 0
G D5
5 4 0 4 0 0 12 0 11 0 0 11 0 0 9 0 11 9 0 11 9 0 9 0 12 9 0 0 4 0 7 4
16
from As I Lay Dying - Awakened
Cauterize
Words and Music by Timothy Lambesis, Phillip Joseph Sgrosso, Josh Gilbert, Samuel Hipa and Jordan Mancino
D5 Bb5 F5 A5
8fr 7fr
111 111 111
Drop D tuning, down 1 step:
(low to high) C-G-C-F-A-D
Intro
Very fast q = 228
μ ** D5 A5 D5 Bb5 A5 G5 A5 D5 F5 D5 G5 A5 E5 D5 G5 A5 Bb5
(Breath)
Screamed: Ow.
*Gtrs. 1 & 2 (dist.) Riff A
mf
P.M. P.M. P.M. P.M. P.M. P.M.
0 0 0
5
0 0 0 7 0 0 0
5
8 7 5 7 0 0 0
8
0 5 7
7
0 0 0 0 0 0 0 5 7 8
*Composite arrangement
**Chord symbols reflect implied harmony.
D5 A5 D5 Bb5 A5 G5 A5 D5 F5 D5 G5 A5 E5 D5 A5 Bb5 F5
End Riff A
P.M. P.M. P.M. P.M. P.M. P.M.
5 5 8 7 5
0 0 0 0 0 0 7 0 0 0 8 7 5 7 0 0 0 0 5 7 0 0 0 0 0 0 7 8 3
Double-time feel
Gtrs. 1 & 2: w/ Riff A
D5 A5 D5 Bb5 A5 G5 A5 D5 F5 D5 G5 A5 E5 D5 G5 A5 Bb5
Go.
Verse End double-time feel
D5 A5 D5 Bb5 A5 G5 A5 D5 F5 D5 G5 A5 E5 D5 A5 Bb5 F5
1. The truth of my heart is like a re - pressed tale.
Copyright © 2012 Frickin’ Thunfisch Music
All Rights Administered by BMG Rights Management (US) LLC
All Rights Reserved Used by Permission
1
D5 A5 Bb5 F5 C5 E5 D5 A5 Bb6 Csus4 C
Gtr. 1
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
5
5 8 7 5 8 7
0 0 0 0 0 0 7 8 0 0 0 0 0 10 0 0 0 0 0 0 7 8 8 8 10
Gtr. 2
0
0
0
D5 A5 Bb5 F5 C5 E5 D5 A5 Bb6 Csus4 C
A cen - sored and si - lenced sto - ry,
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
5
5 8 7 5 8 7
0 0 0 0 0 0 7 8 0 0 0 0 0 10 0 0 0 0 0 0 7 8 8 10 10
P.S.
P.M.
X X X
XX XX XX
0 X
0 X
0 X 8 8 8 8 8 10 10 10
2
Half-time feel
D5 A5 Bb5 D5 F5 C5 E5 D5 A5 Bb6 C7sus4 C
re - pres - sion or re - straint.
Riff B
Gtrs. 1 & 2
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
5
5 8 7 5 8 7
0 0 0 0 0 0 7 8 0 0 0 0 0 10 0 0 0 0 0 0 7 8 8 8 10
End half-time feel
D5 A5 Bb5 D5 F5 C5 E5 D5 A5 Bb5 G5 G6 G7(no3rd)
It is a del - i - cate bal - ance
End Riff B
Gtr. 1
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
2 3
5 5 8 7 8
0 0 0 0 0 0 7 8 0 0 0 0 10 0 0 0 0 0 0 7 8 8 8 5 5
Gtr. 2
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
5 8 7 8 5 7 7 8
0 0 0 0 0 0 7 8 0 0 0 0 0 10 0 0 0 0 0 0 7 8 8 8 5
Double-time feel
Gtrs. 1 & 2: w/ Riff B (1st 4 meas.)
D5 A5 Bb5 D5 F5 C5 E5 D5 A5 Bb6 C7sus4 C
be - tween bleed - ing out what will make me drown
3
End double-time feel
D5 A5 Bb5 D5 F5 C5 E5 D5 A5 Bb5 G5 G6 G7(no3rd)
and clos - ing in what I can - not af - ford to spill.
Gtrs. 1 & 2
(Gtr. 2 cont. in slashes)
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
2 3
5 5 8 7 8
0 0 0 0 0 0 7 8 0 0 0 0 10 0 0 0 0 0 0 7 8 8 8 5 5
Pre-Chorus
*D5
Gtr. 2
Ei - ther way
Riff C
Gtr. 3 (dist.)
mf
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
Riff C1
Gtr. 4 (dist.)
mf
7 7
X X
5 5
Rhy. Fig. 1 End Rhy. Fig. 1
Gtr. 1
0 0
0 0
0 0
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
4
Bb5 F5 A5
I must cau - ter - ize.
Screamed: Cau - ter - ize the o - pen
End Riff C
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 5 5 5 5 5 5 5 5 9 9 9 9 9 9 9 9
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 3 3 3 3 3 3 3 3 7 7 7 7 7 7 7 7
End Riff C1
10 5 9
X X X
8 3 7
3
3 3 7
1 3 7
3 7
5
Chorus
Half-time feel
D5
Rhy. Fig. 2A
P.M. P.M. P.M. P.M. P.M. P.M.
I’m caught be - tween the feel - ing of be - ing
(Screamed: I’m caught be - tween the feel - ing of be - ing
wound.
Riff D
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
12 14 12 14 14 14 12 12 14 12 14 14 12
15 15 15 15 14 15 15 15 14 15 15 15 15 15 15 15 15 15 14
Riff D1
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
9 10 10 9 10 10 10 9 9 10 10 9 10 10 10 9
12 12 12 12 12 12 10 12 12 12 12 12 12 12 10
12
Rhy. Fig. 2
P.M. P.M. P.M. P.M. P.M. P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
6
Bb5 F5 A5
End Rhy. Fig. 2A
pulled a - part or stuffed in - to a cell.
pulled a - part or stuffed in - to a cell.
End Riff D
P.M. P.M. P.M. P.M. P.M.
12 14 12 14 14 12 12 14 12 12 12 14 15 14 12
15 15 15 15 14 15 15 12 15 14 15 15 15 15 15 15 15
End Riff D1
P.M. P.M. P.M. P.M. P.M.
8
9 10 10 9 10 10 9 9 10 9 9 7 9 10 10 9 7
12 12 12 12 12 12 10 12 12 12 12
12 12 12
End Rhy. Fig. 2
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 7 7 7 7 7 7 7 7
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 3 3 3 3 3 3 3 3 7 7 7 7 7 7 7 7
3 3 3 3 3 3 3 3 7 7 7 7 7 7 7 7
Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A
Gtrs. 3 & 4: w/ Riffs D & D1
D5
I’m caught be - tween the feel - ing of be - ing
I’m caught be - tween the feel - ing of be - ing
To Coda
End half-time feel
Bb5 F5 A5
pulled a - part or stuffed in - to a cell.
pulled a - part or stuffed in - to a cell.)
7
Interlude
Gtrs. 1 & 2: w/ Riff A
D5 A5 D5 Bb5 A5 G5 A5 D5 F5 D5 G5 A5 E5 D5 G5 A5 Bb5
D5 A5 D5 Bb5 A5 G5 A5 D5 F5 D5 G5 A5 E5 D5 A5 Bb5 F5
Yeah.
Verse
Double-time feel
Gtrs. 1 & 2: w/ Riff A (1st 4 meas.)
D5 A5 D5 Bb5 A5 G5 A5 D5 F5 D5 G5 A5 E5 D5 G5 A5 Bb5
2. And if these are the on - ly op - tions
End double-time feel
D5 A5 D5 Bb5 A5 G5 A5 D5 F5 D5 G5 A5 E5 D5 A5 Bb5 C5
this will al - ways be hell.
Nev - er end - ing.
Gtrs. 1 & 2
P.M. P.M. P.M. P.M. P.M. P.M.
5 5 8 7
0 0 0 0 0 0 7 0 0 0 8 7 5 7 0 0 0 0 5 7 0 0 0 0 0 0 0 7 8 10
Half-time feel
Gtrs. 1 & 2: w/ Riff B (2 times)
D5 A5 Bb5 D5 F5 C5 E5 D5 A5 Bb6 C7sus4 C
Though I still may be breath - ing
End half-time feel
D5 A5 Bb5 D5 F5 C5 E5 D5 A5 Bb5 G5 G6 G7(no3rd)
there is no qual - i - ty of life.
8
Double-time feel
D5 A5 Bb5 D5 F5 C5 E5 D5 A5 Bb6 C7sus4 C
So I choose to risk it all for you,
End double-time feel
D5 A5 Bb5 D5 F5 C5 E5 D5 A5 Bb5 G5 G6 G7(no3rd)
for you to be by my side.
My side.
Chorus
Half-time feel
Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A (2 times)
Gtrs. 3 & 4: w/ Riffs D & D1 (2 times)
D5
I’m caught be - tween the feel - ing of be - ing
(Screamed: I’m caught be - tween the feel - ing of be - ing
Bb5 F5 A5
pulled a - part or stuffed in - to a cell.
pulled a - part or stuffed in - to a cell.
D5
I’m caught be - tween the feel - ing of be - ing
I’m caught be - tween the feel - ing of be - ing
End half-time feel
Bb5 F5 A5
pulled a - part or stuffed in - to a cell.
pulled a - part or stuffed in - to a cell.)
9
Interlude
Gtrs. 1 & 2: w/ Rhy. Fig. 1
D5
Gtr. 3 Riff E
P.M. P.M. P.M. P.M. P.M. P.M.
5
5 7 8 8 7 5
0 12 0 10 12 0 0 0 0 0 0 12 10 12 8 12 0 12 0 10 12 0 0 0 0
μ
Gtr. 3 End Riff E
P.M. P.M. P.M. P.M. P.M.
5 7 8 7 5
8 8
0 12 0 10 12 0 0 0 0 0 0 12 10 12 8 12 0 12 0 10 12 0 0 0 0
Gtrs. 1 & 2
P.M. P.M.
0 0 5
0 0 5 7 8 8 7 5
0 0 7
Bridge
Gtrs. 1 & 2: w/ Rhy. Fig. 1
Gtr. 3: w/ Riff E (1st 4 meas.)
D5
Spoken: A crowd is eas - y to de - ceive,
10
Gtr. 3 tacet
D5
but now I am a pa - tient on the Screamed: ta - ble.
Gtr. 3
P.M. P.M. P.M. P.M. P.M. P.M.
0 12 0 10 12 0 0 0 0 0 0 12 10 12 8 12 0 12 0 10 12 0 0 0
Gtrs. 1 & 2
0 0
0 0
0 0
Quarter-time feel
D5 μ D5 μ D5 μ D5 μ
Ah.
Gtrs. 1 & 2
P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
D5 μ D5 μ D5 μ D5 μ
3
P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
11
Gtr. 3: w/ Riff E
D5 μ D5 μ D5 μ D5 μ D5 μ D5 μ D5 μ D5 μ
I’ll give you the knife,
(Screamed: I’ll give you the knife.)
P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
End quarter-time feel
D5 μ D5 μ D5
cut a - way as you see fit.
Gtr. 4
P.M.
5
8 7 5
Gtrs. 1 & 2
3
(cont. in slashes)
P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Interlude
Gtr. 4 tacet
D5
Gtrs.
1&2
8va
Gtr. 5 (dist.)
mf
w/ bar w/ bar w/ bar
+1/2 grad. dive Harm.
0 0 3 3
slack
12
Guitar Solo
Half-time feel
Gtrs. 1 & 2: w/ Riff B (2 times)
D5 A5 Bb5 D5 F5 C5 E5 D5 A5 Bb6 C7sus4 C
Gtr. 5 loco
P.M. P.M. P.M. P.M.
1
10 9 7 9 7 7 7 9 10 9 7 9 7 7 0 9
10 10 7 7 10 10 10 7 10 9
8 7 8 8
End half-time feel
D5 A5 Bb5 D5 F5 C5 E5 D5 A5 Bb5 G5 G6 G7(no3rd)
loco
8va
3
P.H.
1/2
10 12 12 12 10 10
13 13 13 13 10 10 13 13 8 5
12 14 14 12 14 5 7 5 7 9
7
Double-time feel
D5 A5 Bb5 D5 F5 C5 E5 D5 A5 Bb6 C7sus4 C
8va
3
3
3
loco 3
3 3 3
3
Harm.
w/ bar
10 13
3 3 9 10 9 9 10 12
12 12 12 12 12 10 12 10 10 10 12 12
12 12 10 12 10 8 10 12
slack slack slack
End double-time feel
D5 A5 Bb5 D5 F5 C5 E5 D5 A5 Bb5 G5 G6 G7(no3rd)
8va
3 3
3 3
3
1 1/2 1 1 1
10 12 13 20
13 13 15 16 20 20 18 20 18 17 18 17 17 18 17 20 18 20 22 20
19 17 19
13
Pre-Chorus
Gtrs. 1 & 2: w/ Rhy. Fig. 1
Gtrs. 3 & 4: w/ Riffs C & C1
D5
Spoken: Just prom - ise me the Screamed: pa - tience
8va
w/ bar
1
22 22
D.S. al Coda
Gtr. 5 tacet
Bb5 F5 A5 μ
Spoken: to wait for Screamed: me to heal.
Gtr. 1
P.M. steady gliss.
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 7 7 7 7
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 3 3 3 3 3 3 3 3 7 7 7 7
3 3 3 3 3 3 3 3 7 7 7 7 7 19
Gtr. 2
P.M. steady gliss.
(cont. in slashes)
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 3 3 3 3 3 3 3 3 7 7 7 7
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 3 3 3 3 3 3 3 3 7 7 7 7
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 3 3 3 3 3 3 3 3 7 7 7 7 19
14
Coda
Gtrs. 3 & 4:: w/ Riffs D & D1 (2 times)
D5
Rhy. Fig. 3A
Gtr. 2
Gtr. 1
Rhy. Fig. 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Bb5 F5 A5
End Rhy. Fig. 3A
I’m caught be - tween the feel - ing.
End Rhy. Fig. 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 7 7 7 7 7 7 7 7
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 3 3 3 3 3 3 3 3 7 7 7 7 7 7 7 7
3 3 3 3 3 3 3 3 7 7 7 7 7 7 7 7
Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A
D5
Bb5
of be - ing pulled a - part or
of be - ing pulled a - part or
F5 A5 μ
stuffed in - to a cell.
stuffed in - to a cell.)
15
from As I Lay Dying - Awakened
Defender
Words and Music by Timothy Lambesis, Phillip Joseph Sgrosso, Josh Gilbert, Samuel Hipa and Jordan Mancino
E5 C5/G D5/A
5fr
114 1134 1134
Tune down 1 step:
(low to high) D-G-C-F-A-D
Intro
Moderately q = 100
**Em D5
*Gtr. 1 (dist.)
*** f
fdbk.
0
2 7
2 5
0 5
*Two gtrs. arr. for one.
**Chord symbols reflect overall harmony.
***Vol. swell
C5 B5 G5 A5 Em
De - fend - er!
Rhy. Fig. 1
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
7 7 7 5 5 4 2 2
5 5 5 5 7 3 3 2 5 7 5 7 7 7 7 7 7 10 7 9 5 3 2 3 X 7 10 10 7 12 9 14
5 5 5 5 7 3 3 0 2 0 3 5 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
D5 C5 B5 G5 A5
Gtr. 2 (dist.)
f
w/ bar
12 12
17
-8 1/2
Gtr. 1 End Rhy. Fig. 1
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
0 0
X 7 7 7 5 5 4
9 10 10 10 15 14 12 10 5 5 5 7 3 3 2 5 7
0 0 0 0 0 0 0 0 0 0 0 5 5 5 7 3 3 0 2 0 3 5
Copyright © 2012 Frickin’ Thunfisch Music
All Rights Administered by BMG Rights Management (US) LLC
All Rights Reserved Used by Permission
1
Guitar Solo
Em
2
1 1 T
15 15 15 15 17 15 12 10 13 13 13 13 12 10 10 12
12
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
2 2
5 7 7 7 7 7 7 10 7 9 5 3 2 3 X 7 10 10 7 12 9 14
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
D5 C5 B5 G5 A5
6 6 6
1/2
12
12 12 10 12 10 8 7 8 7 7 7 8 10 12 12 8 7 8 10 7 10 12 15
9 9 7 9 7 5 5 7 9
9
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
0 0
X 7 7 7 5 5 4
9 10 10 10 15 14 12 10 5 5 5 5 7 3 3 2 5 7
0 0 0 0 0 0 0 0 0 0 0 5 5 5 5 7 3 3 0 2 0 3 5
2
Verse
E5 Em7 E5
1. Try - in’ so hard to be heard,
Gtr. 2
1
15 15
Gtr. 3 Riff A
(dist.)
f
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
9 9 7 7 9 9
9 9 7 9 9 9 9 9
7 7 7 7 9 10 10 9 10 9 7 7 7 7 7 7 7 7
Gtr. 1
Rhy. Fig. 2
P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Gtr. 2 tacet
Em7 E5 C5 B5 G5 A5
yet hav - ing noth - ing to say.
Gtr. 3
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
9 9 7 7 9 9
9 9 7 9 9 9 9 7 9
7 7 7 7 9 10 10 9 10 9 7 7 7 7 7 7 7
Gtr. 1 End Rhy. Fig. 2
P.M. P.M. P.M.
5 5 4
3 3 2 5 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 3 0 2 0 3 5
3
Gtr. 1: w/ Rhy. Fig. 2
E5 Em7 E5
You talk a - bout chang - ing mass - es
Gtr. 3
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
9 9 7 7 9 9
9 9 7 9 9 9 9 9
7 7 7 7 9 10 10 9 10 9 7 7 7 7 7 7 7 7
Em7 E5 C5 B5 G5 A5
but for - get those close to you.
End Riff A
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
9 9 7 7 9 9
9 9 7 9 9 9 9 7
7 7 7 7 9 10 10 9 10 9 7 7 7 7 7 7 7 7
Chorus
Gtr. 3 tacet
C5 A5 E5 B5
Most of us have giv - en up on these
Gtr. 4
Riff B
(dist.)
f
0 2 3 7 0 7 5 0 5 0 5 0 5 7 5 3 2 0 2 3 2 2
0 0 3 0 3 0
Rhy. Fig. 3
Gtr. 1
5 5 5 5 5 5 4 4 4 4 4 4 4
5 5 5 5 5 5 7 7 7 7 7 7 7 2 2 2 2 2 2 4 4 4 4 4 4 4
3 3 3 3 3 3 7 7 7 7 7 7 7 2 2 2 2 2 2 2 2 2 2 2 2 2
3 3 3 3 3 3 5 5 5 5 5 5 5 0 0 0 0 0 0 2 2 2 2 2 2 2
4
C5 A5 E5
words that all sound the same.
End Riff B
0 2 3 7 0 7 5 0 5 0 5 0 5 7 7 7
5 0 0 5 0 3 5 0 5 0 0 5 0
End Rhy. Fig. 3
P.M.
5 5 5 5 5 5
5 5 5 5 5 5 7 7 7 7 2 2 2 2 2 2 2 2 2 2 2 2 2
3 3 3 3 3 3 7 7 7 7 2 2 2 2 2 2 2 2 2 2 2 2 2
3 3 3 3 3 3 5 5 5 5 0 3 2 0 0 0 0 0 0 0 0 0 0 0 0 0
Gtr. 1: w/ Rhy. Fig. 3
Gtr. 4: w/ Riff B
C5 A5 E5 B5
But I am still will - ing to be - lieve...
...if you have
Gtr. 5
(dist.) 8va
mf
19 19 17 17 17 17 19 17
17 19 20 17 17 17 17 20 17 15 17 18 17 19
16 16 19 16 19 16
To Coda 1
To Coda 2
C5 A5 E5
done all that you can.
*Gtr. 2
12
*Played 1st time only.
Gtr. 5 8va
19 19 17 17 17 17 19 19 19
17 19 20 17 17 17 17 17 17 17 17 17
16 16 16 19 16 16 16 16
5
Guitar Solo
Gtr. 1: w/ Rhy. Fig. 1
Gtr. 5 tacet
Em
8va
Gtr. 2
loco
6
6 3
6
P.H.
1 1
12
12 15 12 12 15 15 15 12
9 9 12 9 9 9 12 9 12 14 12 14 14
12 12 12 12 12 12 9 12 12
D5 C5 B5 G5 A5
loco
15ma
8va
3 6
w/ bar
2 P.H.
1
1
15 15 15 15
17 19 19 19 20 19 17 12 15 12
14 12 12 14 16 12 14 14
14
-2
Verse
Gtr. 1: w/ Rhy. Fig. 1
Gtr. 2 tacet
Em D5 C5 B5 G5 A5
2. You can jus - ti - fy al - most an - y - thing if you are will - ing to be loud e - nough.
Gtr. 1: w/ Rhy. Fig. 2 (1 3/4 times)
Gtr. 3: w/ Riff A
E5 Em7 E5 Em7 E5 C5 B5 G5 A5
But once you’ve spent ev - ’ry - thing to change the world a - round you,...
D.S. al Coda 1
Gtr. 1: w/ Rhy. Fill 1
E5 Em7 E5 Em7 E5 C5 B5 G5 A5
...e - ven if your voice is tak - en a - way such ac - tions will still in - spire.
Rhy. Fill 1
Gtr. 1
P.M. P.M. P.M.
5 5 4
3 3 2
0 0 0 0 0 0 0 0 0 0 3 3 0 2 0 2 19
6
Coda 1
Interlude
*E5
Rhy. Fig. 4
Gtr. 1
Riff C
Gtr. 3
P.M. P.M. P.M. P.M. P.M. P.M.
9 10 9 7 9 10 9 9 10 9 7 9 10 9
7 7 10 9 10 7 7 7 10 9 10 7
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
C5/G D5/A
End Rhy. Fig. 4
End Riff C
P.M. P.M. P.M. P.M. P.M. P.M. P.H.
9 10 9 7 9 10 9 9 10 9 7 9 10 9
7 7 10 9 10 7 7 7 10 9 10 7
Pitch: F#
Bridge
Gtr. 1: w/ Rhy. Fig. 4
Gtr. 3: w/ Riff C
E5 C5 ***D5/A
**
Drained, spent, de - ter - mined, in - tent. Now you’ve earned the right to be
**Gang vocals, next 5 meas. ***Bass plays A.
Interlude
E5
heard.
Riff D End Riff D
Gtr. 3
6 6 6 6 6 6 6 6
5 0 0 0 5 7 8 7 5 0 5 7 5 0 0 0 5 7 8 7 5 0 5 7 5 0 0 0 5 7 8 7 5 0 5 7 5 0 0 0 5 7 8 7 5 0 5 7
Gtr. 1
6 6 6 6 6 6 6 6
P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
7
Gtr. 3: w/ Riff D
Gtr. 1
6 6 6 6 6 6 6 6
P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Bridge
Gtr. 3: w/ Riff D (3 times)
C5 D5
We’ve been de - ceived
6 6 6 6 6 6 6 6
P.M.
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
E5
by el - e - gant speech
6 6 6 6 6 6 6 6
P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
C5 A5
whose on - ly con - cern is mere dis - trac -
6 6 6 6
6 6 6 6
P.M.
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
8
Gtr. 1 tacet
E5 μ
- tion. De - fend - er!
Gtr. 6 (dist.)
mf
P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Interlude
Gtr. 6 tacet
E5
Gtr. 1
Rhy. Fig. 5
P.M.
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Gtr. 3
steady gliss.
19
Gtr. 1
End Rhy. Fig. 5
P.M.
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Bridge
Gtr. 1: w/ Rhy. Fig. 5
Gtr. 3: w/ Riff C
E5
*
Drained, spent, de - ter - mined, in - tent. Now you’ve earned the right to be
*Gang vocals, next 5 meas.
9
Verse
Gtr. 3: w/ Riff A (1st 2 meas., 2 times)
E5 Em7 E5 Em7
heard.
3. I will fol - low to the grave a man who’s
Coda 2
D.S. al Coda 2
E5 E5
Gtr. 1
(cont. in notation)
will - ing to die. I am will - ing to
Gtr. 1 Gtr. 3
P.M.
9 9 9 9 9
X X X X
2 2 2 2 2 7 7 7 7 7
0 0 0 0 0 0 0 12 19
Outro
Gtr. 3 tacet
E5
die. De - fend - er!
Gtr. 1
P.M.
2
0
Gtr. 6
P.M.
2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Gtr. 1: w/ Rhy. Fig. 5
Gtr. 6 tacet
10
from As I Lay Dying - Awakened
My Only Home
Words and Music by Timothy Lambesis, Phillip Joseph Sgrosso, Josh Gilbert, Samuel Hipa and Jordan Mancino
D5 A5 F5 C5 G5 E5 B5 D5 V
7fr 5fr 9fr 5fr
111 111 134 111 111 111 134
Drop D tuning, down 1 step:
(low to high) C-G-C-F-A-D
Intro
Moderately q = 115
**D5
*Gtr. 1
(dist.)
f
Gtr. 2 (dist.)
f
8
0 0 0 7 8 10 0
5
0 0 0 0 5 7 8 3 0
0 5
0 0 5 7 0
5
0 0 0 8 5 7 3 5
*Doubled throughout
**See top of page for chord diagrams pertaining to rhythm slashes.
(cont. in notation)
8 5 0 5 5
0 0 0 7 8 10 0 0 0 0 0 5 7 8 3 0 0 0 3 7 0 0 7 0 8 5 7
Verse
Gtr. 2 tacet
μ(Dm)
1. Like a swarm of flies
Gtr. 1
Riff A
8 5 0 5 5
0 0 0 7 8 10 0 0 0 0 0 5 7 8 3 0 0 0 5 7 0 0 0 0 8 5 7 3 5
Copyright © 2012 Frickin’ Thunfisch Music
All Rights Administered by BMG Rights Management (US) LLC
All Rights Reserved Used by Permission
1
col - lid - ing with a mov - ing wind - shield,
End Riff A
8 5 0 5 5
0 0 0 7 8 10 0 0 0 0 0 5 7 8 3 0 0 0 3 7 0 0 7 0 8 5 7 7 3
Gtr. 1: w/ Riff A
so are our lives on this nev - er - end - ing road.
Pre-Chorus
μ F5 D5 μ C5 D5 μ F5 G5 F5 C
I have left be - hind my mark
Gtr. 1 Rhy. Fig. 1 End Rhy. Fig. 1
P.M.
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
3 0 3 2 2
3 0 3 5 3 5 5 3 3 3
0 0 0 0 0 0 0 0 0 0 0 5 0 7 0 0 0 0 0 0 3 5 0 5 3 0 0
Gtr. 2: w/ Rhy. Fig. 1 (2 times)
μ F5 D5 μ C5 D5 μ F5 G5 F5 C μ F5 D5 μ C5 D5 μ F5 G5 F5 C
on - ly to be lat - er washed a - way. And was con - sumed with the al - lure
μ F5 D5 μ C F5 μ F5 G5 F5 μ
des - pite the in - ev - i - ta - ble de - cay.
Gtr. 1
P.M.
(cont. in slashes)
P.M. P.M. P.M. P.M. P.M. P.M.
3 0 2 3
3 0 3 3 3 5 5 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 5 0 5 3 0 19
2
Chorus
D5 A5 F5
Rhy. Fig. 2
Gtr. 1
When did the road that I’m on be - come my on - ly home?
Gtr. 2 Riff B
7 7 10 9 10 12 10 14 10
Gtr. 3 Riff B1
(dist.)
mf
P.M.
6 6 6 6 6 10 10 10 10 10
9 9 9 9 9
7 7 7 7 7 10 10 10 10 10
5 5 5 5 5 7 7 7 7 7 8 8 8 8 8
7 7 7 7 7
Gtr. 4
Riff B2
(dist.)
mf
P.M.
7 7 7 7 7 10 10 10 10 10
7 7 7 7 7 7 7 7 7 7 10 10 10 10 10
5 5 5 5 5 7 7 7 7 7 8 8 8 8 8
7 7 7 7 7
C5 G5 D5
When did this be - come the one place I
9 10 10 5 7 9 10 7 9 10 9 10
P.M.
5 5 5 5 5 11 11 11 11 11 6 6 6 6 6
5 5 5 5 5 12 12 12 12 12 7 7 7 7 7
3 3 3 3 3 10 10 10 10 10 5 5 5 5 5
P.M.
5 5 5 5 5 12 12 12 12 12 7 7 7 7 7
5 5 5 5 5 12 12 12 12 12 7 7 7 7 7
3 3 3 3 3 10 10 10 10 10 5 5 5 5 5
3
F5 C5 μ(Dm)
End Rhy. Fig. 2
tru - ly know? I tru - ly know.
End Riff B Riff C End Riff C
grad. bend
1
1/4
6 5
10 10 5 5 7 7 7
7
End Riff B1 Riff C1 End Riff C1
P.M.
10 10 10 10 10 5 5 5 5 5 6 6 6 6 6
10 10 10 10 10 5 5 5 5 5 7 7 7 7 7
8 8 8 8 8 3 3 3 3 3 5 5 5 5 5
End Riff B2 Riff C2 End Riff C2
P.M.
10 10 10 10 10 5 5 5 5 5 7 7 7 7 7
10 10 10 10 10 5 5 5 5 5 7 7 7 7 7
8 8 8 8 8 3 3 3 3 3 5 5 5 5 5
Interlude Verse
Gtr. 1: w/ Riff A Gtr. 1: w/ Riff A
Gtrs. 2, 3 & 4 tacet
μ(Dm) μ(Dm)
2. A journeymaking us like weeds, wherethewindstealsour splendor.
Pre-Chorus
Double-time feel
Gtr. 1: w/ Rhy. Fig. 1 (3 times)
μ F5 D5 μ C5 D5 μ F5 G5 F5 C μ F5 D5 μ C5 D5
But spreads it to the dis - tant fields des - pite our frag - ile im - per -
End double-time feel Half-time feel
μ F5 G5 F5 C μ F5 D5 μ C5 D5 μ F5 G5 F5 C
fec - tions. Yet shak - ing walls and wear - ing wheels
4
End half-time feel
μ F5 D5 μ C F5 μ
can nev - er cap - ture my heart the way you do.
Gtr. 1
P.M. P.M. P.M. P.M. P.M.
3 0 2 3
3 0 3 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Chorus
Gtr. 1: w/ Rhy. Fig. 2 (2 times)
Gtrs. 2, 3 & 4: w/ Riffs B, B1 & B2 (2 times)
D5 A5 F5 C5
When did the road that I’m on be - come my on - ly home?
My on - ly home.
G5 D5 F5 C5
When did this be - come the one place I tru - ly know?
D5 A5 F5 C5
When did the road that I’m on be - come my on - ly home?
My on - ly home.
Gtrs. 2, 3 & 4: w/ Riffs C, C1 & C2
G5 D5 F5 C5 μ(Dm)
When did this be - come the one place I tru - ly know?
Interlude
Double-time feel
μ(D5)
Yeah!
Gtr. 1
P.M. P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
5
I am miss -ing what makes me whole.
P.M. P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Guitar Solo
μ(D5)
8va
_1
Gtr. 2
3
3 6
w/ bar
_1
1/2
22 22 20 20 18 20 18 18 14 17 17 14 14 14 10 11 10
22 16 16 16 13 13 11 10 8 10
17 14 12
Gtr. 1
Riff D
P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
loco
End double-time feel
8va
6
6
6 6
1 w/ bar
20 20 3 10 11 10 10
10 18 13 13 11 13 11 10 11 10 10
12 12 12 12 11 12 11 11
13 13 12 13 10 12
End Riff D
P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
6
Gtr. 1: w/ Riff D
Yeow!
Gtr. 2
*w/ octave pedal
grad. bend 1
10 10 10
*Set for one octave higher.
Gtr. 5 (dist.)
f
6
8 10 8 7 10 11 10 7
7 7 7 11 8 7 8 7 7 11
5 7 8 8 7 5 7 5 8 10
5 6 6 5
Gtr. 2 tacet
Gtr. 5
P.M.
11
10 11 10 13 15 15 13 11 10 10 11 10 10 11 10 7 7
12 11 12 11 7 8 8 12 8 5 7
8 7 10
Bridge
Half-time feel
D5
**
I am miss - ing what makes me whole,
8va
Gtr. 5
Harm.
w/ bar w/ bar
***
5 5 2.3 (2.3)
-6
***Harmonic located three-tenths the distance between 2nd & 3rd frets.
Gtr. 1
P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
**Gang vocals.
7
End half-time feel
Gtr. 5 tacet
*
I am miss - ing what makes me whole.
Gtr. 1
P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
*As before
Chorus
Gtr. 1 tacet
E5 D5 G5 D5
When did the road that I’m on be - come my on - ly home?
Riff E
Gtr. 2
9 9 12 11 12 14 12 14 16 12 11 12 12 7
Gtr. 6 (clean)
mf
9 7 12 7
9 7 12 7
7 5 10 5
A5 E5 G5 D5
Gtr. 1
**
When did this be - come the one place I tru - ly know?
Gtr. 7 (dist.) 8va
mf
15 14
Gtr. 2
End Riff E
8 7
9 11 12 9 11 12 12 12 7 7
9
Gtr. 6
14 9 12 7
14 9 12 7
12 7 10 5
**Vol. swell
8
Interlude
Gtr. 2: w/ Riff E
Gtr. 6 tacet
E5 B5
Rhy. Fig. 3
Gtr. 1
Riff F2
Gtr. 7 8va
12 12 15 14 15 17
Riff F
Gtr. 3
P.M.
8 8 8 8 8
11 11 11 11 11
9 9 9 9 9
7 7 7 7 7 9 9 9 9 9
9 9 9 9 9
Riff F1
Gtr. 4
P.M.
9 9 9 9 9
9 9 9 9 9 9 9 9 9 9
7 7 7 7 7 9 9 9 9 9
9 9 9 9 9
G5 D5 V
8va
15 17 19 15 14 15 15 10
P.M.
12 12 12 12 12 7 7 7 7 7
12 12 12 12 12 7 7 7 7 7
10 10 10 10 10 5 5 5 5 5
P.M.
12 12 12 12 12 7 7 7 7 7
12 12 12 12 12 7 7 7 7 7
10 10 10 10 10 5 5 5 5 5
9
A5 E5
8va
12 14 15 12 14 15
P.M.
13 13 13 13 13 8 8 8 8 8
14 14 14 14 14 9 9 9 9 9
12 12 12 12 12 7 7 7 7 7
P.M.
14 14 14 14 14 9 9 9 9 9
14 14 14 14 14 9 9 9 9 9
12 12 12 12 12 7 7 7 7 7
G5 D5 V
End Rhy. Fig. 3
Yeah!
End Riff F2
8va
15 15 10 10 15 14
12
End Riff F
P.M.
12 12 12 12 12 7 7 7 7 7
12 12 12 12 12 7 7 7 7 7
10 10 10 10 10 5 5 5 5 5
End Riff F1
P.M.
12 12 12 12 12 7 7 7 7 7
12 12 12 12 12 7 7 7 7 7
10 10 10 10 10 5 5 5 5 5
10
Outro-Chorus
Gtr. 1: w/ Rhy. Fig. 3 (2 times)
Gtr. 2: w/ Riff E (1 3/4 times)
Gtrs. 3, 4 & 7: w/ Riffs F, F1 & F2 (2 times)
E5 B5 G5 D5
When did the road that I’m on be - come my on - ly home?
My on - ly home.
A5 E5 G5 D5
When did this be - come the one place I tru - ly know?
E5 B5 G5
When did the road that I’m on be - come my on - ly home?
(Oh.
D5 A5 E5
When did this be - come the one place I
My on - ly home.
Oh.)
G5 D5 E5
Gtr. 1
tru - ly know?
Gtr. 7
Gtr. 2
Gtr. 2
divisi
12
8 7
12 12 7 7 9
9
11
from As I Lay Dying - Awakened
No Lungs to Breathe
Words and Music by Timothy Lambesis, Phillip Joseph Sgrosso, Josh Gilbert, Samuel Hipa and Jordan Mancino
Drop D tuning, down 1/2 step:
(low to high) Db-Ab-Db-Gb-Bb-Eb
Intro
Very fast q = 201
*Dm Bb Dm C
Gtr. 1
(dist.) Riff A
mf
P.M.
12
12 8 8 12 12 8 8 13 12 8 8 12 10 10 8 7 7 8 10
12 0 12 0 12 0 12 12 0 12 10
*Chord symbols reflect implied harmony.
Dm Bb Dm C
End Riff A
P.M.
12 10
12 8 8 12 12 8 8 13 12 8 8 12 10 8 8 10 12
12 0 12 0 12 0 12 12 0 12 10
Half-time feel
Gtr. 1: w/ Riff A
Dm Bb Dm C
Gtrs. 2 & 3 (dist.)
Riff B
f
P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
End half-time feel
Dm Bb Dm C
End Riff B
P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Copyright © 2012 Frickin’ Thunfisch Music
All Rights Administered by BMG Rights Management (US) LLC
All Rights Reserved Used by Permission
1
Gtrs. 2 & 3 tacet
Dm μ
Gtr. 4 (dist.)
mf
P.M. P.M. P.M. P.M.
0
0 0 0 0 0 0 0 0
14 15 0 15 0 0 0 0 0 0 0 0 0
Gtr. 1
P.M. P.M. P.M. P.M.
0
0 0 0 0 0 0 0 0
10 12 0 12 0 0 0 0 0 0 0 0 0
Verse
Gtrs. 1 & 4 tacet
Dm Bb5 C5 Dm C
1. I fought who I am in - side
Gtr. 2
Rhy. Fig. 1 End Rhy. Fig. 1
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
0 0 0 0 0 0 0 8 0 10 0 0 0 0 0 0 0 0 0 0
14 15 0 15 0 0 0 0 0 0 0 0 8 0 10 0 14 15 0 15 0 0 0 0 0 0 0 0 15 14 0 0
Gtr. 3
Rhy. Fig. 1A End Rhy. Fig. 1A
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
0 0 0 0 0 0 0 8 0 10 0 0 0 0 0 0 0 0 0 0
10 12 0 12 0 0 0 0 0 0 0 0 8 0 10 0 10 12 0 12 0 0 0 0 0 0 0 0 12 10 0 0
Gtrs. 2 & 3: w/ Rhy. Figs. 1 & 1A
Dm Bb5 C5 Dm C
un - til I want - ed I want - ed to die.
2
Dm Bb5 C5 Dm C
In - stead of find - ing bal - ance, I found hat - red. Con - sumed by fail - ures and ig - nor - ing my own strengths.
Gtr. 2
Rhy. Fig. 2
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
0 0 0 0 0 0 0 8 0 10 0 0 0 0 0 0 0 0
14 15 0 15 0 0 0 0 0 0 0 0 8 0 10 0 14 15 0 15 0 0 0 0 0 0 0 0 0 15 14 0 0
Gtr. 3
Rhy. Fig. 2A
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
0 0 0 0 0 0 0 8 0 10 0 0 0 0 0 0 0 0
10 12 0 12 0 0 0 0 0 0 0 0 8 0 10 0 10 12 0 12 0 0 0 0 0 0 0 0 0 12 10 0 0
Dm Bb5 C5 Dm C
Pushed out to sea with - out the legs to swim.
End Rhy. Fig. 2
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
0 0 0 0 0 0 0 8 0 10 0 0 0 0 0 0 0 0
14 15 0 15 0 0 0 0 0 0 0 0 8 0 10 0 14 15 0 15 0 0 0 0 0 0 0 0 0 15 14 0 0
End Rhy. Fig. 2A
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
0 0 0 0 0 0 0 8 0 10 0 0 0 0 0 0 0 0
10 12 0 12 0 0 0 0 0 0 0 0 8 0 10 0 10 12 0 12 0 0 0 0 0 0 0 0 0 12 10 0 0
3
Pre-Chorus
2nd time, Lead Voc.: w/ Voc. Fill 1
Bb C
Or strand - ed in the des - ert
All I can do is con - tain self - ish - ness
Gtr. 5 (dist.)
Riff C End Riff C
f
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
0 0 2 2 0 2 2 0 0 2 2 0 2 2
0 0 3 0 3 5 2 0 0 2 2 3 2 3 5 3 2 2
Gtr. 6 (dist.)
Riff C1 End Riff C1
f
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
2 2 3 3 0 0 2 2 3 3 2 2 3 3 0 0 2 2 3 3
1 1 1 3 1 1 3 3 3 3 3 3
Gtrs. 2 & 3
Rhy. Fig. 3
P.M. P.M.
8 10
8 10
8 8 8 8 8 10 10 10 10 10
Gtrs. 5 & 6: w/ Riffs C & C1 2nd time, Gtrs. 2 & 3: w/ Rhy. Fill 1
Bb C
with no lungs to breathe!
and un - veil what lit - tle pow - er we may have.
Gtrs. 2 & 3 End Rhy. Fig. 3
P.M. P.M. P.S.
XX XX XX
8 10
8 10 X
8 8 8 8 8 10 10 10 10 10 X
Voc. Fill 1
Rhy. Fill 1
Gtrs. 2 & 3
P.M. steady gliss.
10
10
10 10 10 10 10 10 19
4
Chorus
Half-time feel
3rd time, Gtr. 7: w/ Fill 1
Dm
with no lungs to breathe,
with no lungs to breathe,
Gtr. 1
Riff D
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
3
8 5 5 0 0 5 5 0 5 0 5 8 5 5 0 0 5 5 0
0 0 0 0 0 0 0 0 8 7 5 7
Gtrs. 2 & 3
Rhy. Fig. 4
P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
I had al - most lost ev - ’ry - thing.
End Riff D
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
3
5 0 8 5 0 5 5 0 5 0 5 8 5 5 0 0 5 5 0
0 0 0 0 0 0 0 0 8 7 8 10
End Rhy. Fig. 4
P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Fill 1 8va
Gtr. 7
grad. bend
P.H.
1
10 10 10
5
To Coda 1
To Coda 2
Gtr. 1: w/ Riff D
Gtrs. 2 & 3: w/ Rhy. Fig. 4
With no lungs to breathe, I had al - most lost
With no lungs to breathe,
End half-time feel
Gtrs. 5 & 6: w/ Riffs C & C1
Bb C
ev - ’ry - thing. How can I be ex - pect - ed to read - i - ly be con - tent
Gtrs. 2 & 3
P.M.
8 10
0 0 0 0 0 0 0 0 0 0 8 10
0 0 0 0 0 0 0 0 0 0 15 8 10
Gtr. 1: w/ Riff D (1st 4 meas.) Gtrs. 2 & 3 tacet
Dm
with a view of life that has re - ject - ed
Riff E End Riff E
P.M.
0 0 0 0 0
Gtrs. 2 & 3: w/ Riff E
the bas - is of what has helped me to sur -
Gtr. 1
P.M. P.M. P.M. P.M. P.M. P.M.
3
5 0 8 5 0 5 5 0 5 0 5 8 5 5 0 0 5
0 0 0 0 0 0 8 7 8 10
6
Interlude
Half-time feel
Gtr. 1: w/ Riff A
Gtrs. 2 & 3: w/ Riff B
Dm Bb Dm C
vive?
End half-time feel
Dm Bb Dm C
...what has helped me to sur -
Verse
Dm Bb5 C5 Dm C
vive,...
2. ...and re - placed them with pre - cepts rath - er than in - struc - tion?
Gtr. 2
Rhy. Fig. 5 End Rhy. Fig. 5
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
0 0 0 0 0 8 0 10 0 0 0 0 0 0 0 0
14 15 0 15 0 0 0 0 0 0 0 0 0 8 0 10 0 14 15 0 15 0 0 0 0 0 0 0 0 0 15 14 0 0
Gtr. 3
Rhy. Fig. 5A End Rhy. Fig. 5A
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
0 0 0 0 0 8 0 10 0 0 0 0 0 0 0 0
10 12 0 12 0 0 0 0 0 0 0 0 0 8 0 10 0 10 12 0 12 0 0 0 0 0 0 0 0 0 12 10 0 0
D.S. al Coda 1
Gtrs. 2 & 3: w/ Rhy. Figs. 5 & 5A
Dm Bb5 C5 Dm C
Full rule is an il - lu - sion.
Il - lu - sion.
7
Coda 1
Interlude
Gtr. 1 tacet
D5 C
ev - ’ry - thing.
Ev - ’ry - thing.
Gtr. 2
Riff F
P.M.
12 12 12 12 12 12 12 12 10 10 10 10 10 10 10 10
0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0
Gtr. 4
Gtr. 1
Riff G
P.M. P.M. P.M. P.M.
0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2
8 5 5 0 0 5 5 0
0 0 0 0 8 7 8 10
Gtr. 3
P.M.
0 0 0 0 0 0 0 0 0 0 0 0 3
0 0 0 0 0 0 0 0 0 0 0 0 0
F G5 Am7 Bb5
5 5 5 5
7 7 7 7 7 7 7 7 5 5 5 5 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
3 3 3 3 3 3 3 3 5 5 5 5 5 5 5 5 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 10 10 7 8
8
Bridge
Gtr. 2: w/ Riff F (3 times)
D5 F5
Tear - ing a - way
Gtr. 7 (slight dist.)
Riff H End Riff H
let ring
mf
let ring
11
14 12 14
15
Gtr. 1
Gtr. 2
End Riff F Riff I
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 12 12 12 12 12 12 12 12 10 10 10 10 10 10 10 10
Gtr. 4
3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Gtr. 3
8 0 3 3
Gtr. 7 tacet
Am C5 Csus4 Bb
my flesh be - fore
Gtr. 1
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 12 12 12 12 12 12 12 12
Gtr. 4
2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3
5 5 5 5 3 3 3 3
Gtr. 3
7 7 10 12
9
Gtr. 7: w/ Riff H
A7(no3rd)
tak - ing the time to un - der - stand it.
End Riff I
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
End Riff G
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
12 14
Gtr. 4: w/ Riff G
Gtr. 1 tacet
D5 Am F C5
A mir - a - cle may not be the an -
Gtr. 3
0 0 0 0 0 0 0 0 7 7 7 7 7 7 7 7 3 3 3 3 3 3 3 3 10 10 10 10 7 7 7 7
Bb5
- swer,...
Tear - ing a - way my flesh...
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
10
Gtr. 1: w/ Riff I
D5 F5 Am C5 Csus4
...when an - chor - ing first on what I have:...
0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 7 7 7 7 7 7 7 7 10 10 10 10 10 10 10 10
Bb
...be - fore tak - ing the time to un - der - stand it.
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
End half-time feel
Dm Bb5 C5 Dm μ
...the a - bil - i - ty to change.
Gtr. 4
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
0
0 0 0 0 0 0 0 8 0 10 0 0 0 0 0 0 0 0 0
14 15 0 15 0 0 0 0 0 0 0 0 8 0 10 0 14 15 0 15 0 0 0 0 0 0 0 0 0
Gtr. 1
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
0
0 0 0 0 0 0 0 8 0 10 0 0 0 0 0 0 0 0 0
10 12 0 12 0 0 0 0 0 0 0 0 8 0 10 0 10 12 0 12 0 0 0 0 0 0 0 0 0
Gtrs. 2 & 3
P.M. P.M.
0
8 0 10 0 0
8 0 10 0 10 12 0
11
Guitar Solo
Gtrs. 2 & 3: w/ Rhy. Figs. 1 & 1A (2 times)
Gtrs. 1 & 4 tacet
Dm Bb5 C5 Dm C
8va
Gtr. 7
grad. bend
P.M.
1 1 1 1
10 11 10 11 11 13 12 10 12 10 8 10
13 13 13 8 10 10 13 13
10 12
Dm Bb5 C5 Dm
loco
8va
loco
w/ bar w/ bar
P.H.
+1 +2
10 10 12 13 12 10 10
10 13 10 10 13 13 10 13 10 10 10 13 10 13 13 13 10 13 12 12
12 10 12 12 10 12 12 10 10
Gtrs. 2 & 3: w/ Rhy. Figs. 2 & 2A
C Dm Bb5 C5 Dm C
w/ bar w/ bar
w/ bar w/ bar
P.H.
13
+1 1/2 +1 1/2 1/4 1 hold bend
13 13
15 18 18 15 15 10 13 10 13 13 13 10 8 8 10
10 7 7 7 7 7 10
10
loco
Dm Bb5 C5 Dm C
8va
8va
P.H.
1 1/2
13 12 15 17 20
10 8 8 10 10 8 8 10 8 10 13 13 10 13 15 15 15 15 15 18
10 7 10
Pre-Chorus
Gtrs. 2 & 3: w/ Rhy. Fig. 3
Gtrs. 5 & 6: w/ Riffs C & C1
Bb C
Like be - ing strand - ed in the des - ert
8va
3 3 3
3
1
20 20 17 20 17 15 17 15 15 15 17
18 18 15 18
12
Bb
with no lungs to breathe.
loco
8va
3
1 1
20 17 15 17 15 15
18 15 18 18 15 15 18 15 18 18 18 18 15 15
17 17 17 17
Coda 2
D.S.S. al Coda 2
Gtr. 1: w/ Riff D (last 2 meas.)
C
ev - ’ry - thing.
Ev - ’ry -
loco
8va
Gtr. 7
3
P.H.
1/2 1/4
15 13 15 13
17 17 14 12 10 12 12 10 12 10 7
12 12 10
Gtrs. 2 & 3
steady gliss.
P.S.
P.M. P.M.
XX 19
10
10 X 0 0 0 0 0 0 0 0 0 0 0
10 10 10 10 10 X 0 0 0 0 0 0 0 0 0 0 0
13
Outro
Gtr. 1: w/ Riff D (1st 4 meas.)
D5
thing.
Gtr. 5
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
X X X X X X X X X X X X X X X X X X X
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
Gtrs. 2 & 3
P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
I had al - most lost ev - ’ry - thing.
Gtr. 5
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
X X X X X X X X X X X X X X X X X X X X X X
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
Gtr. 1
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
3
5 0 8 5 0 5 5 0 5 0 5 8 5 5 0 0 5 5 0
0 0 0 0 0 0 0 0 8 7
Gtrs. 2 & 3
P.M.
0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
14
from As I Lay Dying - Awakened
Overcome
Words and Music by Timothy Lambesis, Phillip Joseph Sgrosso, Josh Gilbert, Samuel Hipa and Jordan Mancino
Drop D tuning, down 1/2 step:
(low to high) Db-Ab-Db-Gb-Bb-Eb
Intro
Moderately q = 120
**Dm(add4)
Riff A End Riff A
*Gtrs. 1 & 2
mf
let ring throughout
0
6 6 6 6 6
0 0 0 0 0 0 0 0
7 7 7 7 7 7 7
5 5 5 5 5 5 5
0 0 0 0
*Gtr. 1 (acous.); Gtr. 2 (elec.) w/ clean tone.
**Chord symbols reflect implied harmony.
Gtrs. 1 & 2: w/ Riff A
Gtr. 5 (elec.)
mf
w/ dist.
20 20
Gtr. 3
(elec.)
3
mf
w/ dist.
1/2
15 15 17 18 18 17 17 18 17 15 17 17
Gtr. 4 (elec.)
mf
w/ dist.
1/2
17 17
Copyright © 2012 Frickin’ Thunfisch Music
All Rights Administered by BMG Rights Management (US) LLC
All Rights Reserved Used by Permission
1
Gm13(no3rd)
Gtr. 5
1
18 18 18 17 17 17
Gtrs.
3&4
1
15 15 15 13 13 13
Gtrs. 1 & 2
0 0 0 0
6 6 6 6 6 6 6 6
7 7 7 7 7 7 7 7
7 7 7 7
5 5 5 5
5 5 5 5
Gtr. 1: w/ Riff A
Dm(add4)
8va
Gtr. 5
1
15 17 20
17 18
8va
Gtr. 3
1
15 17 20 20 20 20 17 17
17 18 20
8va
Gtr. 4
1
13 15 17 18 20
Gtr. 2
0 0 0 0
6 6 6 6 6 6 6 6
7 7 7 7 7 7 7 7
7 7 7 7
5 5 5 5
0 0 0 0
2
Gtrs. 2, 4 & 5 tacet
Bb A7
8va loco
Gtr. 3
3 3 3
1 1/2
1 1/2
20 20 20 20 20 18 20 17 18 17 17 17 15 18 17 15 10
12 10
Gtr. 1
0
6 6 5
7 7 7 7 6 6
8 8 8 8 5 5
8 8 8 7 7
8 8 7
Gtrs. 6 & 7 (elec.)
f
w/ dist.
8 7
8 7
D5
6
10 13 10
10 13 13 13 10 13 10
12 12 10 12 10
12 12 12 10 12
5
6 6
5 5
7 7
7 0
7 0
7 0
3
Verse
Very fast q = 175
Gtrs. 1 & 3 tacet
Bb5 C5/G D5
1. All these mo - ments of pain
Gtr. 8
Rhy. Fig. 1A End Rhy. Fig. 1A
(elec.)
f
w/ dist.
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
7 7 7 7 7
7 7 7 X X X X X
5 5 5 3 3 3 3 5 5 5 5 5 5 5 5
8 8 8 8 8 8 8 8 5 5 5 5 5 5 5 5 0 0 0 0 0 0 0 0
Gtrs. Rhy. Fig. 1 End Rhy. Fig. 1
6&7
P.M. P.M.
10 10 10 10 10
3 3 5 5 0 X X X X X
1 1 3 3 0 8 8 8 8 8
5 0 0 0
Bb5 C5/G D5
must add up to some - thing.
P.M. P.M. P.M. P.M.
P.M. P.M. P.M. P.M. P.M.
6 6 6
7 7 7 7 7 X X X
5 5 5 3 3 3 3 5 5 5 5 5 4 4 4 0
8 8 8 8 8 8 8 8 5 5 5 5 5 5 5 5 0 0 0 0 0 0 0
6 6 6 6
3 3 5 5 0 X X X X
1 1 3 3 0 4 4 4 4
5 0
Gtrs. 6 & 7: w/ Rhy. Fig. 1
Gtr. 8: w/ Rhy. Fig. 1A
Bb5 C5/G D5
Our bod - ies have been trained to keep it all in,
4
Bb5 A5
but our hearts still hold
Gtr. 8
P.M. P.M. P.M. P.M.
5 5 5 4 4
8 8 8 8 8 8 8 8 7 7 7 7 7
Gtrs. 6 & 7
P.M.
2 2
3 2 2
1 0 0 0
Gtr. 8 tacet
D5
on.
Gtr. 7
Riff B1
P.M. P.M. P.M.
5 0 8 8 7 7 5 5 3 3 5 5
0 0 0 0 7 8 0 0 0 0 5 7 0 0 0 0 0 0 0 0
Gtr. 6
Riff B
P.M. P.M. P.M.
5 0 8 8 7 7 5 5 3 3 5 5
0 0 0 0 7 8 0 0 0 0 5 7 0 0 0 0 0 0 0 0
5
Bb5 C5
End Riff B1
P.M. P.M. P.M.
8
10 8 6 6 8 10
9
5 0
0 0 0 0 7 8 8 8 8 8 8 10 10 10 10 10 10 10 10 10 10 10
End Riff B
P.M. P.M. P.M.
8
10 9 7 7 9 10
10
5 0
0 0 0 0 7 8 8 8 8 8 8 10 10 10 10 10 10 10 10 10 10 10
Half-time feel
Gtrs. 6 & 7: w/ Riffs B & B1 (2 1/2 times)
D5 Bb5 C5 D5
Still! Some say to re -
Bb5 C5 D5
lease it, for - get a - bout your past. In - stead we count the cost, it’s
End half-time feel
Bb5 C5
part of us.
Riff C1 End Riff C1
Gtr. 7
P.M. P.M. P.M.
10 8
10 9 10 9
12 10
5 0
0 0 0 0 7 8 8 8 8 8 8 10 10 10 10 10 10 10 10 10 10 10
Gtr. 6 Riff C End Riff C
P.M. P.M. P.M.
10 9
12 10 12 10
5 0 12 10
0 0 0 0 7 8 8 8 8 8 8 10 10 10 10 10 10 10 10 10 10 10
6
D5
That does - n’t mean that we can - not move on.
Gtrs.
6&7
Riff D
P.M. P.M. P.M. P.M. P.M. P.M.
7 5 3 5
5 8 8 7 5 7 3
12 0 0 0 0 0 0 0 8 0 0 0 0 0 0 0 5 0 0 0 0 0 0 0
It’s just a mem - o - ry of what we once were.
End Riff D
P.M. P.M. P.M. P.M. P.M. P.M.
7 5 3
5 5 8 8 7 5
0 0 0 0 0 0 0 8 0 0 0 0 0 0 3 5 0 0 0 0 0 0 0 5 19
Chorus
Half-time feel
Bb5 C5/G D5 F5
No mat - ter what it is we’ve faced,
Riff E
Gtr. 4 loco
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
14 12 10 9 10 10 9 10 14 12 10 9 10 10 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Riff E1
loco
Gtr. 5
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
10 9 7 5 7 7 5 7 10 9 7 5 7 7 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Gtrs. 6 & 7
Rhy. Fig. 2
3 3 5 5 0
1 1 3 3 0 3
5 0 3
7
Bb5 C5/G D5 C5/G
it’s now part of us.
Part of
End Riff E
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
14 12 10 9 10 10 9 10 14 12 10 9 10 10 12
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
End Riff E1
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
10 9 7 5 7 7 5 7 10 9 7 5 7 7 9
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
End Rhy. Fig. 2
3 3 5 5 0
1 1 3 3 0 3
5 0 5
Gtrs. 4 & 5 tacet
Gtrs. 6 & 7: w/ Riffs B & B1 (1 1/2 times)
D5 Bb5 C5
us!
End half-time feel
Gtrs. 6 & 7: w/ Riffs C & C1
D5 Bb5 C5
We can o - ver - come!
Verse
Gtrs. 6 & 7: w/ Riff D
D5
2. Why rid of fuel that can make us strong -
- er when prop - er - ly put be - hind us,
8
put be - hind us?
Gtr. 7
P.M. P.M. P.M. P.M. P.M.
10 8 7 8
8 12 10 8 10 7
0 0 0 0 0 0 0
Gtr. 6
P.M. P.M. P.M. P.M.
7 5 3 5
8 8 7 5 7 3
0 0 0 0 0 0 0
Gtrs. 6 & 7: w/ Rhy. Fig. 1 (1 1/2 times)
Gtr. 8: w/ Rhy. Fig. 1A (1 1/2 times)
Bb5 C5/G D5
And in the same way that ev - ’ry - thing good in life
Bb5 C5/G
can be tak - en a - way,
D5
so can all this pain.
Gtrs. 6, 7 & 8
P.S.
X X X
0
0
0 X
9
Chorus
Half-time feel
Gtr. 4: w/ Riff E (2 times)
Gtr. 5: w/ Riff E1
Gtrs. 6 & 7: w/ Rhy. Fig. 2 (2 times)
Gtr. 8 tacet
2nd time, Gtr. 9: w/ Fill 1
Bb5 C5/G D5 F5
No mat - ter what it is we’ve faced,
Bb5 C5/G D5 C5/G
it’s now part of us.
Part of
Bb5 C5/G D5 F5
No mat - ter what we’ve faced in this life,
us!
Gtr. 2 Riff F End Riff F
0 0
6 6 6 6 6 6
7 7 7 7 7 7
7 7
To Coda
Gtr. 2: w/ Riff F
Bb5 C5/G D5 C5/G
we can o - ver - come.
Fill 1
8va
Gtr. 9
pp
17
10
Interlude
Gtr. 2: w/ Riff F
D5
Gtr. 6
Riff G End Riff G
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Gtr. 7
0
0
0
Bridge
Gtr. 2: w/ Riff F
Gtr. 6: w/ Riff G
D5
Try - ing to for - get is a bur - den we can nev - er bear!
Gtr. 7
0
0
0
Gtrs. 6 & 7
Riff H End Riff H
P.M. P.M. P.M. P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Gtrs. 6 & 7: w/ Riff H (2 times)
When fac - ing tri - als o - pen - ly,
11
there’s noth - ing left to hide.
Gtrs.
6&7
Rhy. Fig. 3 End Rhy. Fig. 3
P.M. P.M. P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Gtrs. 6 & 7: w/ Rhy. Fig. 3 (3 times)
New paths of strength come a - live. There’s noth - ing
End half-time feel
left to hide. New paths of strength come a -
Interlude
Bb5 G5 D5 F5
live.
(And we can o - ver - come.)
Gtr. 8
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
Gtrs. 6 & 7
3 8 8 5 5 0 3 3
12
Bb5 A5 D5
We can o - ver - come.
8va
Gtr. 5
17 18 18 18 18 18 18 18 18 17 17 17 17 17 17 17 17 17
X X X X X X X X X X X X X X X X X
14 15 15 15 15 15 15 15 15 14 14 14 14 14 14 14 14 14
Gtr. 8
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
X X X X X X X X X X X X X X X X X
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
Gtr. 4
10 11 11 11 11 11 11 11 11 10 10 10 10 10 10 10 10 10
X X X X X X X X X X X X X X X X X
7 8 8 8 8 8 8 8 8 7 7 7 7 7 7 7 7 7
Gtrs. 6 & 7
8 8 5 5 0 3 19
Guitar Solo
Half-time feel
Gtrs. 4, 5 & 8 tacet
Gtrs. 6 & 7: w/ Rhy. Fig. 2 (2 times)
Bb5 C5/G D5
Gtr. 9
(elec.)
3 3 3 3 3
f
w/ dist.
1
10
13 13 13 10 13 13 10 13 10 13 10 10
12 12 10 12 10
12
13
loco
F5 Bb5 C5/G
8va
3 3
3 3 3
T.H.
P.M.
1/2
12 12 12 10 12 12 24 13 12 13 12
10 10
10 10 10
12 12 10 12 12 12
D5 C5/G
8va
loco
3 3 3
3 3
3
7 6
P.H.
T T
10 12 10 3 5 3 5
13 10 6 10 6 5 10 15 10 9
10 5 7
7
Pitch: G
Gtr. 2: w/ Riff F (2 times)
Bb5 C5/G
3 3 3 3
1/2 hold bend T 1/2
T T T
5 17 5 5 3 17 5 3 5 17 17 5 5 3 5 17 5 3 5
D5 F5 Bb5
8va
3 3 3 3 3
3
13
T T 1
8 5 8 10 8 10 13 10 13 15 13 10 17 15 13 10 13 10
10 15 15 18 20
17 19
14
D.S. al Coda
C5/G D5 C5/G
8va
3
1
1
17 20 20 17
18 18 18 20
19
Coda
End half-time feel
Bb5 C5
we can o - ver - come.
We can o - ver - come,
Gtr. 5
8 8 8
8 8 8 10 8 8 10
9 9 9 9 9 9
Gtr. 4
8 10 8 8 8
10 7 10 7 10 7 10 7 7 7 9 9 9 10 9 9 10
7 7 7 7 10 10 10 10 10 10
Gtrs. 6 & 7
3 5
1 3
15
Outro
Quarter-time feel End quarter-time feel
Gtrs. 4 & 5 tacet
Gtrs. 6 & 7: w/ Riffs B & B1
D5 Bb5 C5
Half-time feel
D5
We can o - ver -
Gtrs. 6 & 7
P.M. P.M. P.M.
5 0 8 7 7 5 3 3 5
0 0 7 8 0 0 5 7 0 0 0 0 0
Bb5 C5
come.
Gtr. 7
P.M. P.M.
8
10 8 6 6 8 10
9
5 0 10 10 10 10 10 10
0 0 7 8 8 8 10 10 10 10 10 10
Gtr. 6
P.M. P.M.
8
10 9 7 7 9 10
10
5 0 10 10 10 10 10 10
0 0 7 8 8 8 10 10 10 10 10 10
16
from As I Lay Dying - Awakened
Resilience
Words and Music by Timothy Lambesis, Phillip Joseph Sgrosso, Josh Gilbert, Samuel Hipa and Jordan Mancino
Tune down 1 step:
(low to high) D-G-C-F-A-D
Intro
Moderately fast q = 148
Half-time feel
E5 D5
Gtr. 2
Riff A
(dist.)
mf
let ring throughout
12 12 12 12 12 10 8 7 8
9 9 9 9 7 9 7 7 7 7 7
9 9 9 9 9 7 9
*Gtr. 1
(dist.)
Rhy. Fig. 1
f
7
7
5
5
*Baritone gtr. arr. for standard gtr., doubled throughout.
C5 D5
End Riff A
10 10 10
12 12 12 12 12 10 10 10 10 10
9 9 9 9 7 9 7 7 7 7 7
10 10 10 10 10 7 7 7
End Rhy. Fig. 1
3 5
3 5
Gtr. 1: w/ Rhy. Fig. 1
E5 D5
Riff B
Gtr. 2
12 12 12 12 12 10 8 7 8 10
9 9 9 9 7 9 7 7 7 7
9 9 9 9 9 7 7 9
Copyright © 2012 Frickin’ Thunfisch Music
All Rights Administered by BMG Rights Management (US) LLC
All Rights Reserved Used by Permission
1
End half-time feel
Gtr. 2 tacet
C5 D5 μ
End Riff B
7 7 10 10 10
12 12 12 10 10 10 10 10
9 9 9 9 7 9 7 7 7 7 7
10 10 10 10 10 7 7 7
Verse
Gtr. 1 tacet
**E5
1. Your re - sil - ience...
*Gtr. 3
Riff C End Riff C
P.M. P.M. P.M. P.M. P.M. P.M.
12 0 0 0 0 0 12 0 0 0 0 12 0 0 0 0 12 0 0 0 12 0 0 0 0 0 0 12 0 0 0 0
*Doubled throughout
**Chord symbols reflect implied harmony.
Gtr. 3: w/ Riff C (3 times)
I will nev - er
in - spires me. Fac - ing trag - e - dies...
face.
Your pres - ence is hum - bling.
Half-time feel End half-time feel
Am
To think of all that you...
Riff D End Riff D
Gtr. 3
14 19 14 12 15 12 14 14 14 14
0 15 0 15 0 0 14 0 14 0 0 15 0 19 15 0 0 14 0 19 14 0
2
E5
have o - ver - come.
P.M. P.M. P.M. P.M. P.M. P.M.
12 0 0 0 0 0 12 0 0 0 0 12 0 0 0 0 12 0 0 0 12 0 0 0 0 0 0 12 0 0 0 0
Half-time feel End half-time feel
Am
It took such lit - tle pain...
Riff E End Riff E
14 19 14 15 19 15 14 14 14 14
0 15 0 15 0 0 17 0 17 0 0 15 0 19 15 0 0 14 0 19 14 0
Half-time feel End half-time feel
Gtr. 3: w/ Riff C Gtr. 3: w/ Riff D Gtr. 3: w/ Riff E
E5 Am
*
for our lives to co - a - lesce. Find - ing what I could have found in no one
*w/ echo set for half-note regeneration w/ 3 repeats.
Pre-Chorus
**F5 G E/G# A5 G/B C
else! You bring me through.
You bring me through the dark - ness of my - self
Gtr. 2 Riff F
5 4 9 10 9 9 7 9
X X X X X X X X
3 2 7 8 7 7 5 7
Gtr. 3
Riff F1
3 5 5 5 5 5 5 5 5 6 6 6 6 6 6 6 7 7 7 7 9 10
X X X X X X X X X X X X X X X X X X X X X X
1 3 3 3 3 3 3 3 3 4 4 4 4 4 4 4 5 5 5 5 7 8
**Chord symbols reflect combined harmony.
3
F5 G5 Am G/B Am G
and show me that frail - ty can be turned to strength.
End Riff F
10 7 5 4 5 7 5 4
X X X X X X X X
8 5 3 2 3 5 3 2
End Riff F1
7 7 7 7 7 7 9 7 7 7 7 5 5 5 5
3 5 5 5 5 5 5 5 5 X X X X X X X X X X X X X X X
1 3 3 3 3 3 3 3 3 5 5 5 5 5 5 7 5 5 5 5 3 3 3 3
Chorus
Half-time feel
Am
Suf - fer - ing,
Riff G
15 12 0 15 12 0 0 0 12 15 0 12 15 0 12 15 14 12 0 14 12 0 0 0 12 14 0 12 14 0 12 14
Riff G1
3 3
P.M. P.M.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
4
per - sis - tence.
End Riff G
12 14 0 10 12 0 12 0 10 12 0 12 14 0 0 0 12 14 0 10 12 0 0 0
12 0 12 14 0 0 12 14
End Riff G1
3 3
P.M. P.M.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
End half-time feel
Gtr. 2: w/ Riff G
Gtr. 3: w/ Riff G1 (1st 2 meas., 2 times)
Such sor - row, yet re - sil - ience.
Gtr. 4 (dist.)
f
w/ bar
-9 1/2
Guitar Solo
Gtr. 3: w/ Riff C (2 times)
E5
8va
loco
P.H.
1 1/2
9 10 9 9
9 7 7 7 7 10 9 10 10
1/2
7 8 7 7 8 7 8 10 7 8 10 12 13 12 10 12 10
10 9 10 10 13 10 13 12 12 10
5
Verse
Gtr. 3: w/ Riff C (2 times) Gtr. 4 tacet
E5
2. From the out - side, I’ve de - ceived the world....
8va
pp
P.H.
12
Pitch: F#
Half-time feel End half-time feel Half-time feel
Gtr. 3: w/ Riff D Gtr. 3: w/ Riff C Gtr. 3: w/ Riff E
Am E5 Am
with false brav - er - y, so much
yet you have taught me...
End half-time feel Half-time feel
Gtr. 3: w/ Riff C Gtr. 3: w/ Riff D
E5 Am
more, And some - day you might need...
much more than I can ev - er teach.
End half-time feel
some - one to lean on.
Gtr. 3
14 19 14 15 19 15 14 14 14
0 15 0 15 0 0 17 0 17 0 0 15 0 19 15 0 0 14 0
19
6
Pre-Chorus
Gtrs. 2 & 3: w/ Riffs F & F1 (2 times)
F5 G E/G# A5 G/B C
I can on - ly hope that I’ll have gained the cour - age
I can on - ly hope.
F5 G5 Am G/B Am G
to be there for you in what - ev - er you face.
Half-time feel
F5 G E/G# A5 G/B C
You bring me through the dark - ness of my - self
You bring me through.
F5 G5 Am G/B Am G
and show me that frail - ty can be turned to strength.
Can be turned.
Chorus
Gtr. 2: w/ Riff G (4 times)
Gtr. 3: w/ Riff G1
Am
Suf - fer - ing, per - sis - tence.
Gtr. 3: w/ Riff G (1st 2 meas., 2 times)
Such sor - row, yet re - sil - ience.
Gtr. 4
f
P.S.
X
X
7
Suf - fer - ing,
Riff H
Gtr. 4
8 5 0 8 5 0 0 0 5 8 0 5 8 0 5 8 7 5 0 7 5 0 0 0 5 7 0 5 7 0 5 7
Gtr. 3
3 3
P.M. P.M.
7 7
7 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
per - sis - tence.
End Riff H
10 0 0 10 0 0 0 0 0 0 0 0 12 0 0 12 0 0 0 0 5 5 5 5 5 0 0 0 5 0 5 7
3 3
P.M. P.M.
7 7
7 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
Gtr. 4: w/ Riff H
Such sor - row, yet re - sil - ience.
Gtr. 3
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
8
Interlude
Gtr. 2: w/ Riff A
Gtr. 3 tacet
E5 D5
Gtr. 1
2
2 5
0 5
C5 D5
Rhy. Fig. 2 End Rhy. Fig. 2
P.M. P.M.
3 3 3 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
Bridge
Gtr. 1: w/ Rhy. Fig. 1 (2 3/4 times)
Gtr. 2: w/ Riff B
E5 D5
At times I’m car - ried on the shoul - ders of a child.
C5 D5
I find pow - er in your firm fal - li - bil - i - ty.
E5 D5
My source of hope is that the weak pre - vail,
Gtr. 4
8 7 7 7 7 5 8 7 7 7 7 5
9
C5 D5
and I’m bet - ter a - ble to live be - cause you’re a - live.
8 7 7 7 7 5 8 7 7 7
12
7
12
5
E5 D5
I could not i - mag - ine a world with - out you,
Gtr. 5
(dist.) 8va
14 14 14
f
15 14 14 14 12 15 14 14 19 19 12
Gtr. 4
8 7 7 7 7 5 8 7 7 7
12
7
12
5
Gtr. 1: w/ Rhy. Fig. 2
C5 D5
where I looked you in the eyes and left you to
8va
15
14
14
14
19
14
19
12
15
14
14
19
1920
19
8 7 7 7
12
7
12
5 8 7 7
12
1213
12
10
Outro-Chorus
Gtr. 2: w/ Riff C (3 times)
Gtrs. 4 & 5 tacet
E5
Suf - fer - ing,
die.
Gtr. 3
3
P.M. P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
per - sis - tence.
3
P.M. P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Such sor - row,
3
P.M. P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
yet re - sil - ience.
Gtrs. 2 & 3
3
P.M. P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
11
from As I Lay Dying - Awakened
Tear Out My Eyes
Words and Music by Timothy Lambesis, Phillip Joseph Sgrosso, Josh Gilbert, Samuel Hipa and Jordan Mancino
D5 F5 C5 Bb5 G5 Bb5 VIII A5
5fr 8fr 7fr
111 134 134 111 333 333
Drop D tuning, down 1/2 step:
(low to high) Db-Ab-Db-Gb-Bb-Eb
Intro
Very fast q = 182
*D5
Rhy. Fig. 1 End Rhy. Fig. 1
Gtrs.
1&2
(dist.)
P.M. P.M.
f
Whoa, whoa.
Gtr. 3
Riff A
(dist.)
f
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
7
7
5 8 5 5 8 10 10 8 7 8 7 5 5 5
0 0 0 0 0 7 8 8 10 10 10 10 0 0 0
*See top of page for chord diagrams pertaining to rhythm slashes.
Gtrs. 1 & 2: w/ Rhy. Fig. 1
Whoa, whoa.
End Riff A
Gtr. 3
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
7
7 7
5 8 5 5 8 10 10 8 7 8 7 5 3 5 5
0 0 0 0 0 7 8 8 10 10 10 10 0 0
Copyright © 2012 Frickin’ Thunfisch Music
All Rights Administered by BMG Rights Management (US) LLC
All Rights Reserved Used by Permission
1
μ[D5] [Bb5] [C5] [D5]
Whoa, whoa.
Riff B
Gtr. 3
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
7
7 7 7 10 8 10 7
8 8 10 10 10 10 13 12 12
0 0 0 8 8 8 8 10 10 10 0 0 0 0 0
Gtrs. 1 & 2
P.M.
5 5 5 5 5 5 5 1 1 1 1 1 1 1 1 1 3 3 3 3 3 3 3 5 5 5 5 5 5 5 5 5
[Bb5] [C5] [D5]
Whoa, whoa
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
7
7 7 7 10 8 10
8 8 10 10 10 10 13
0 0 0 8 8 8 8 10 10 10
P.M.
5 5 5 5 5 5 5 1 1 1 1 1 1 1 1 1 3 3 3 3 3 3 3 5
2
[Bb5] C5
End Riff B
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
12 12 12 10 8 8 8 10 12 13 12 10
0 0 0 0 8 12 8 8 10 10 10
P.M.
5 5
5 5 5 5 5 5 5 3 1 1 1 1 1 1 1 3 3 3 3 3
Verse
Half-time feel
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (3 3/4 times)
Gtr. 3: w/ Riff A (2 times)
D5
1. The storm is com - ing and I have a choice: to ac - cept
na - ture or lose my voice. Shall I scream and plead for
noth - ing, or build a roof o - ver my head.
Pre-Chorus
End half-time feel
Gtrs. 1, 2 & 3: w/ Riff B
μ[D5] [Bb5]
I mourn the days that I
Gtr. 4 (dist.)
Gtrs. 1 & 2
Riff C
f
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
19
3
[C5] [D5]
wast - ed
9 9 9 9 9 9 9 9 9 9 9 9 9 9 12 12 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14
[Bb5]
try - ing to change what
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
[C5] [D5]
has been set,
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
[Bb5] [C5]
fight - ing a - gainst my - self.
End Riff C
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 9 9 9 9 9 9 9 9
7 7 7 7 7 7 7 7
4
Chorus
Half-time feel
Gtr. 4 tacet
D5 F5
Rhy. Fig. 2
Gtrs.
1&2
Be - fore I tear, tear out my eyes
Riff D
Gtr. 3
P.M.
7 10 7 9 7 9 7 7 10 7 9 7 9 7
0 7 7 7 7 7 0 7 0 7 7 7 7 7 7
8 8 8
C5 Bb5
End Rhy. Fig. 2
I’ll just ad - mit they’re part of me.
End Riff D
P.M.
10 10
10 12 10 10 12 10 10 8 8 10 8 8 8 10 12
10 10 10 10 10 10 8 8 8 8 8
10 10 10 8
Gtr. 1: w/ Rhy. Fig. 2
Gtr. 3: w/ Riff D
D5 F5
Be - fore I tear, tear out my eyes,
Gtr. 2 Riff E
P.M.
14 12 14 12
12 15 12 15 12 12 15 12 17 15 12 12 15 12 15 12 12 15 12 17 15 12
12 12 12 12 12 12
5
End half-time feel
C5 Bb5
I’ll just ad - mit they’re part of me.
End Riff E
P.M.
14 14
14 15 14 14 15 14 14 12 12 14 12 12 12 14 15
15 15 15 15 15 15 13 13 13 13 13
14 14 14 12
Gtrs. 1 & 2: w/ Rhy. Fig. 1
Gtr. 3: w/ Riff A (1st 4 meas.)
D5
Whoa, whoa.
Verse
Half-time feel
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times)
Gtr. 3: w/ Riff A
D5
2. I’ve la - bled en - e - mies who do not hate me,
End half-time feel
and then claimed friends who could care less.
Pre-Chorus
Gtrs. 1, 2 & 3: w/ Riff B
Gtr. 4: w/ Riff C
μ[D5] [Bb5] [C5] [D5] [Bb5]
All an un - nec - es - sar - y strug - gle. So now I know
[C5] [D5] [Bb5] [C5]
what it means to re - pent, chang - ing ev - ’ry - thing.
6
Chorus
Half-time feel
Gtr. 1: w/ Rhy. Fig. 2 (4 times)
Gtr. 2: w/ Rhy. Fig. 2
Gtr. 3: w/ Riff D (4 times)
D5 F5
Be - fore I tear, tear out my eyes
C5 Bb5
I’ll just ad - mit they’re part of me.
Gtr. 2: w/ Riff E (3 times)
D5 F5
Be - fore I tear, tear out my eyes
My
End half-time feel
C5 Bb5
I’ll just ad - mit they’re part of me.
eyes!
Gtr. 4: w/ Riff C (1st 8 meas., 2 times)
D5 F5
They’re part of
C5 Bb5
me. They’re part of me.
D5 F5
C5 Bb5
I’ll just ad - mit they’re part of me.
7
Interlude
D5 G5 Bb5 VIII A5
Gtrs.
1&2
Gtr. 3
Rhy. Fig. 3 End Rhy. Fig. 3
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
0 0 5 0
7 0 0 0 0 0 0 8 0 0 0 0 0 0 5 7 8 7 0 0 0 0 0 8 0 0 0 0 0 5 8 7
D5
(cont. in notation)
In - stead of fight - ing a - gainst my - self.
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
0 0 5 0
7 0 0 0 0 0 0 8 0 0 0 0 0 0 5 7 8 7 0 0 0 0 0 8 0 0 0 0 0 0
μ[D5]
Gtr. 3
10 10 11 11 10 10 10
7 7 9 9 10 10 7 7 9 9 10 12 9 9 10 12 10 12 12 12 10 12 12 10 9
Gtrs. 1 & 2
P.M. P.M.
5 5
7 0 0 0 0 0 0 0 0 0 0 0 0 0 8 0 0 0 0 0 0 0 0 0 0 0 0 0 7 7
8
10 10 11 11 10 10 10
7 7 9 9 10 10 7 7 9 9 10 12 9 9 10 12 10 12 12 12 10 12 12 10 9
P.M. P.M.
8 8 7 7 0 0 0 0 0 0 0 0 0 0 8 0 0 0 0 0 0 0 0 0 0 0 5 5 8 8 7 7
10 10 11 11 10 10 10
7 7 9 9 10 10 7 7 9 9 10 12 9 9 10 12 10 12 12 12 10 12 12 10 9
P.M. P.M.
5 5
7 0 0 0 0 0 0 0 0 0 0 0 0 0 8 0 0 0 0 0 0 0 0 0 0 0 0 0 7 7
11 10 10
7 7 9 9 10 10 7 7 9 9 10 12 9 9 10 12 12 12 10 12 10 9 10 12
P.M. P.M.
8 8 7 7 0 0 0 0 0 0 0 0 0 0 8 0 0 0 0 0 0 0 0 0 0 0 0 0 17
9
Guitar Solo
Gtrs. 1 & 2: w/ Rhy. Fig. 3 (1 1/2 times) Gtr. 3 tacet
D5
_ 1 /4
_ 1 /4 _ 1 /4
Gtr. 4
P.H.
w/ bar w/ bar w/ bar
_ 1 /4 _ 1 /4 _ 1 /4 2 2
1 1
8 8 5 8 10 10 10
8 8 8 8 10 10 13 13 8
Pitch: G
Gtr. 3
G5 Bb5 A5 D5
Gtr. 4
3 3 3 3
w/ bar
+1
10 10
10 13 10 13 10 10 10 10 13 10 19 20 19 19
12 12 14 12 17 19 17 17 19 19 19 17
14 12 12 12 15 19 19
End half-time feel
8va
Gtr. 4
3
3
1
17 20 17 17 17 20 20 20
20 19 20 19 20
19 17
19
Gtrs. 1 & 2
P.M. P.M. P.M.
0
8 7 0 0 0 0 0 8 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
10
Bridge
Gtr. 4 tacet
D5 Bb5 D5 Bb5 D5 G5 Bb5 A5
I will o - pen my eyes to find who needs me.
Gtrs. 1 & 2
P.M. P.M.
P.M. P.M. P.M. P.M.
0 0 0 0 0 0 0 8 0 0 0 0 0 0 5 0 0 0 0 0 8 0 0 0 0 0 5 8 7
0 0 0 0 0 0 0 8 0 0 0 0 0 0 5 7 8 7 0 0 0 0 0 8 0 0 0 0 0 5 8 7
D5 Bb5 D5 Bb5 D5 G5 Bb5 A5
I am a - wak - ened. I am a - wak - ened.
P.M.
P.M. P.M. P.M. P.M.
7 0 0 0 0 0 0 8 0 0 0 0 0 0 5 0 0 0 0 0 8 0 0 0 0 0 5 8 7
7 0 0 0 0 0 0 8 0 0 0 0 0 0 5 7 8 7 0 0 0 0 0 8 0 0 0 0 0 5 8 7
Interlude
Gtr. 3: w/ Riff D
D5
0
0
μ[C5] [Bb5]
I am a - wak - ened.
f
P.S.
X
X
XX XX XX
11
Chorus
Half-time feel
Gtr. 1: w/ Rhy. Fig. 2 (4 times)
Gtrs. 2 & 3: w/ Riffs D & E (4 times)
D5 F5
Be - fore I tear, tear out my eyes
C5 Bb5
I’ll just ad - mit they’re part of me.
D5 F5
Be - fore I tear, tear out my eyes
My
End half-time feel
C5 Bb5
I’ll just ad - mit they’re part of me.
eyes!
Gtr. 4: w/ Riff C (1st 8 meas.)
D5 F5
Whoa, whoa.
They’re part of
C5 Bb5
I’ll just ad - mit they’re part of me.
me!
D5
Whoa,
Gtr. 4
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
12
F5
whoa.
I am a - wak -
Gtr. 4
12 12 12 12 12 12 12 12 12 12 12 12 12 12 15 15 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
9 9 9 9 9 9 9 9 9 9 9 9 9 9 12 12 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14
C5
I must ad - mit
- ened.
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
Bb5
they’re part of me.
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
13
Outro
Gtr. 4 tacet
D5
Gtrs.
1&2
Gtr. 3
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
X X X X X X X X X X X X X X X X X X X X X X X X
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
Gtrs.
1&2
Gtr. 4
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
Gtr. 3
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
X X X X X X X X X X X X X X X X X X X X X X X X
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
X X X X X X X X X X X X X X X X X
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
14
from As I Lay Dying - Awakened
Washed Away
Words and Music by Timothy Lambesis, Phillip Joseph Sgrosso, Josh Gilbert, Samuel Hipa and Jordan Mancino
Drop D tuning, down 1 step:
(low to high) C-G-C-F-A-D
A
Very slow q. = 44
Dm Am
*Gtr. 1 Riff A
(clean)
mp
w/ chorus
let ring throughout
9 9 9 7
15 15 15 14 12 7 7 10 7
12 12
12 12 12 12 12 7 7 7 7
*Doubled throughout
F C
15 15 15 17 19 14 14 14 12 10
15 15 10 12
15 15 15 15 15 10 10 10 10 10
Dm Am
9 9 9 7
15 15 15 14 12 7 7 10 7
12 12
12 12 12 12 12 7 7 7 7
F C
End Riff A
15 15 15 17 19 14 14 14 12 10
15 15 10 12
15 15 15 15 15 10 10 10 10 10
Copyright © 2012 Frickin’ Thunfisch Music
All Rights Administered by BMG Rights Management (US) LLC
All Rights Reserved Used by Permission
1
Gm A
5 7 7 9
8 8 8 11 11
5 5 7 7 7 7
5 5 5 5 5 7 7 7 7
B
Gtr. 1: w/ Riff A
Dm Am F C
Gtr. 2 (dist.)
mf
7 7 3 3 10 10
X X X
0 0 7 7 3 3 10 10
Dm Am F C
12 12 14 14 3 3 10 10
X X X X
12 12 14 14 3 3 10 10
Segue into “My Only Home”
Gm A Dm
Gtr. 1
5 7 7 9 10
8 8 8 11 11 0
5 5 7 7 7 7 0
5 5 5 5 5 7 7 7 7 0
Gtr. 2
* ff
fdbk.
5 5 7 7 0 0
X X X
5 5 7 7 0 0
Pitch: A
*Vol. swell
2
from As I Lay Dying - Awakened
Wasted Words
Words and Music by Timothy Lambesis, Phillip Joseph Sgrosso, Josh Gilbert, Samuel Hipa and Jordan Mancino
Drop D tuning:
(low to high) D-A-D-G-B-E
Intro
Very fast q = 180
D5
Riff B1
Gtr. 4
(clean) 8va
mf
let ring throughout
17 17 17
15 15
14 14 14
Gtr. 3
(clean) Riff B
mf
let ring throughout
10 10 10
7 7
7 7 7
Gtr. 2
(dist.)
Riff A
mf
0 0 0 0 12 0 0 0 13 12 0 0 0 0 12 0 0 0 0 0 7 0 0 0 8 0 0 0 10 0 0 0
*Gtr. 1
(dist.)
Rhy. Fig. 1
f
P.M.
0
0
0
0
0
0
0
0
0
0
*Doubled throughout
Copyright © 2012 Frickin’ Thunfisch Music
All Rights Administered by BMG Rights Management (US) LLC
All Rights Reserved Used by Permission
1
End Riff B1
8va
18 18 18 18
15 15 15 15
End Riff B
11 11 11 11
7 7 7 7
12 0 0 0 12 0 0 0 13 12 0 0 0 0 12 0 0 0 12 13 16 0 0 0 20 17 0 0 19 16 0 0
P.M.
0 0 0 0 0
0 0 0 0 0
Gtrs. 3 & 4: w/ Riffs B & B1
Gtr. 2
0 0 0 0 12 0 0 0 13 12 0 0 0 0 12 0 0 0 0 0 7 0 0 0 8 0 0 0 10 0 0 0
Gtr. 1
P.M.
0 0 0 0 0
0 0 0 0 0
2
End Riff A
12 0 0 0 7 0 0 0 8 7 0 0 0 0 5 0 0 0 7 0 0 0 7 8 7 0 0 0 4 5 7
End Rhy. Fig. 1
P.M.
0 0 0 0 0
0 0 0 0 0 7 19
Gtr. 2 tacet
μ
0 0 0 0 12 0 0 0 13 12 0 0 0 0 12 0
P.S.
X
X 19
Verse
Double-time feel
Gtr. 1: w/ Riff A
*D5
There are days when sor - row seems nev - er end - ing,
*Chord symbols reflect implied harmony.
End double-time feel
like the count - less roads up - on which I’ve driv - en.
3
Eb5 C5 Eb5
The price of at - tach - ment
Gtr. 1
Rhy. Fig. 2
P.M. P.M. P.M. P.M.
0 0 0 0 6 3 6
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 8 0 0 0 0 0 5 0 0 0 0 8 0 0 0
D5 C5 Eb5 C5 Eb5 D5
in pur - suit of dreams
P.M. P.M. P.M.
5 3 6 3 6 5
7 0 0 0 0 0 0 0 0 0 0 0 0 0 0 5 0 0 0 0 0 8 0 0 5 8 7
C5 Eb5 C5 Eb5
that I so of - ten
P.M. P.M.
0 3 6 3 6
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 5 0 0 0 0 8 0 0 0 0 5 8
D5 F5 D5 Eb5 F#5
can’t seem to re - mem - ber.
End Rhy. Fig. 2
P.M. P.M. P.M. P.M.
5 3 0 0 1 1 4
7 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 0 0 1 0 1 4 0
4
Double-time feel
Gtr. 1: w/ Riff A
D5
Yet there are days when beau - ty can - not be con - tained.
End double-time feel
It e - ven crawls out from un - der or - di - nar - y things.
Pre-Chorus
Quarter-time feel
Gtrs. 3 & 4: w/ Riffs B & B1 (2 times)
D5
A for - eign - er, no place to
Gtr. 1
Rhy. Fig. 3 End Rhy. Fig. 3
P.M. P.M. P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Gtr. 1: w/ Rhy. Fig. 3
go. Hold - ing on, mak - ing the most
End quarter-time feel
of what lit - tle time I have.
Gtr. 5 (dist.)
mf
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
8 10 11 10 8 7 8 7 8 11 10 8 7 8
7 8
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Gtr. 1
* pp
0
0
*Vol. swell
5
Chorus
Half-time feel
Gtr. 5 tacet
2nd time, Gtrs. 11, 12 & 13 tacet
D5
All the wast - ed words I say
Riff C1
Gtr. 7 (dist.)
mf
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
15 15 15 15 15 15 15 15 15 15
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
Gtr. 6
Riff C
(dist.)
mf
7 7 7 8 8 8 10 10 10 11 11 11 10 10 8 8 7 7 7 8 8 8 10 10 10 11 11 11 10 10 8 8
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
4 4 4 5 5 5 7 7 7 8 8 8 7 7 5 5 4 4 4 5 5 5 7 7 7 8 8 8 7 7 5 5
Gtr. 1
Rhy. Fig. 4
f
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Eb5
in all the cit - ies that I left.
End Riff C1
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
15 15 15 15 15 15 15 15 15 15
12 12 12 12 12 12 12 12 12 12 12 12 12 12
13 13 13 13 13 13 13 13
End Riff C
8 8 8 10 10 10 11 11 11 13 13 13 11 11 10 10 8 8 8 10 10 10 11 11 11 13 13 13 11 11 10 10
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
5 5 5 7 7 7 8 8 8 10 10 10 8 8 7 7 5 5 5 7 7 7 8 8 8 10 10 10 8 8 7 7
End Rhy. Fig. 4
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
6
Gtr. 1: w/ Rhy. Fig. 4
Gtrs. 6 & 7: w/ Riffs C & C1
D5
The last act of our pre - cious play
To Coda
End half-time feel
Eb5
must not close with re - gret.
Interlude
Gtr. 1: w/ Rhy. Fig. 1
Gtr. 2: w/ Riff A
Gtrs. 3 & 4: w/ Riffs B & B1 (2 times)
D5
I will not leave wish - ing I had done things dif - ’rent - ly.
Verse
Gtr. 1: w/ Rhy. Fig. 2
D5 Eb5 C5 Eb5 D5 C5 Eb5 C5 Eb5 D5
2. The mo - ments I treas - ure are sel - dom the ones that I plan for.
C5 Eb5 C5 Eb5 D5 F5 D5 Eb5 F#5
And if I knew where pain hid, I might still let it go.
Double-time feel
Gtr. 1: w/ Riff A
D5
So when the au - di - ence has run t’wards the lat - est drift,
End double-time feel
it will be my time to face the life that I have set.
7
Pre-Chorus
Quarter-time feel
Gtr. 1: w/ Rhy. Fig. 3 (1 3/4 times)
Gtrs. 3 & 4: w/ Riffs B & B1 (2 times)
D5
A for - eign - er in my own
End quarter-time feel
home. Hold - ing on, no place to
Chorus
Half-time feel
Gtr. 1: w/ Rhy. Fig. 4 (2 times)
Gtr. 6: w/ Riff C (3 times)
Gtr. 7: w/ Riff C1 (2 times)
D5
All the wast - ed words I say
go.
Eb5
in all the cit - ies that I left.
D5
The last act of our pre - cious play
End half-time feel
Eb5
must not close with re - gret. Re -
Quarter-time feel
Gtr. 1: w/ Rhy. Fig. 3
D5
gret.
Gtr. 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
8
End quarter-time feel
Eb5
All the wast - ed words.
Gtr. 7
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13
Gtr. 1
P.M. P.M. P.M.
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
Interlude
Gtr. 7 tacet
D5
Gtr. 8 (dist.)
mf
P.M. throughout
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Gtr. 2
P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Gtr. 1
0
0
0
9
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
P.M.
0
0 0 0 0
0 0 0 0
Bridge
Half-time feel
Gtrs. 2 & 8 tacet
D5
Some days the line be - tween
Gtr. 9
(dist.)
Riff D
mf
w/ flanger
0 0 0 0 12 0 0 0 13 12 0 0 0 0 10 0 0 0 0 0 7 0 0 0 8 0 0 0 10 0 0 0
Gtr. 1
Rhy. Fig. 5
P.M. P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
10
peace and pain
End Riff D
0 0 10 10 12 0 0 0 13 12 0 0 0 0 10 0 0 0 0 0 7 0 0 0 8 0 0 0 10 0 0 0
End Rhy. Fig. 5
P.M. P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0
Gtr. 1: w/ Rhy. Fig. 5 (3 times)
Gtr. 9: w/ Riff D
seems more like a blur, but I know with cer - tain - ty
I can’t leave wish - ing, I can - not leave,
Gtr. 10 (dist.)
mf
16
0 17 19 0 20 19 0 17 19 0 0 0 20 0 17 19 0 17 19 0 20 19 0 17 19 0 0 0 20 0 19
Gtr. 9
flanger off
0 10 12 0 13 12 0 10 12 0 0 0 13 0 10 12 0 10 12 0 13 12 0 10 12 0 0 0 13 0 16 0
11
I can’t leave wish - ing I’d done things dif - ’rent - ly.
16
0 17 19 0 20 19 0 17 19 0 0 0 20 0 17 19 0 17 19 0 20 19 0 17 19 0 0 0 17 20 19
0 10 12 0 13 12 0 10 12 0 0 0 13 0 10 12 0 10 12 0 13 12 0 10 12 0 0 16 0 10 13 12
End half-time feel
Gtrs. 9 & 10 tacet
μ
Gtr. 12 (dist.)
* pp mp
**w/ octave divider
1/2
10 10 10 13
11
*Vol. swell
**Set for original pitch plus one octave above.
Gtr. 11 (dist.)
***pp mp
†w/ octave divider
1/2
7 7 7 10
7
***Vol. swell
†Set for original pitch plus one octave above.
12
Guitar Solo
D5 Eb5
Ah!
Gtr. 12
f
1/2 1/2
10 10 10 13 15 15 15 11 13
11
Gtr. 11
f
1/2 1/2
7 7 7 10 10 10 8 10
7
Gtr. 6 Riff E
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 10 10 10 10 10 10 10 10 10 13 13 13 13 10 10 12
Rhy. Fig. 6
Gtr. 1
8 8 8 8 8 8 8
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 6 6 6 6 6 6 6
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 1
13
D5 Eb5 C5 D5
1/2 1/2
13 10 10 10 10
11 11 11 12 12
1/2 1/2
10 7 7 7
7 7 7 8 7 5
End Riff E
9 9 9 9 9 9 9 9 9 5 5 5 5 5 5 5 6 6 6 6 6 6 6 6 6 3 3 3 3 5 5 5
End Rhy. Fig. 6
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 3 3 3 3 5 5 5
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 5 5 5 5 7 7 7
Gtr. 1: w/ Rhy. Fig. 6
Gtr. 6: w/ Riff E
D5
Gtr. 12
11 11
Gtr. 11
7 7
Gtr. 13 (dist.)
mp
P.M.
8 8 10 7 8 7 8 7 8 10 7 8 7 7 7 7 7 7 7 7 7
7 7 7
14
Eb5 D5
1/2
7 7 7 5 7 7 14
1/2
2 2 2 0 2 7
P.M.
8 7 7 7 8 7 7 7 8 7 7 7 7 8 10 8 7 8 7 7
8 8 8 7 7
D.S. al Coda
Eb5 C5 D5
10 10 10
11 13
14
8 10 8 11
7 8
P.M.
8 10 8 11 10 11 10 7 7 7 8 7 8
11 8 8
Coda
End half-time feel
Re -
15
Outro
Quarter-time feel
D5 Eb5
gret.
Riff F End Riff F
Gtr. 7
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
15 15 15 15 15
15 15 15 15 15
12 12 12 12 12
12 12 12 12 12 12 12 12 12 12 12 13 13 13 13 13 13
Gtr. 6
15 15 15 15 15 15 15 15 15 15 10 10 10 10 10 10 11 11 11 11 11 11 11 11 11 11 13 13 13 13 13 13
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
12 12 12 12 12 12 12 12 12 12 7 7 7 7 7 7 8 8 8 8 8 8 8 8 8 8 10 10 10 10 10 10
Gtr. 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
End quarter-time feel
Gtr. 7: w/ Riff F
D5 Eb5
All the wast - ed, wast - ed
Gtr. 6
15 15 15 15 15 15 15 15 15 15 10 10 10 10 10 10 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
12 12 12 12 12 12 12 12 12 12 7 7 7 7 7 7 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
Gtr. 1
13 13 13 13
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 1 1 13 13 13 13
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 1 1 13 13 13 13
16
Gtr. 1: w/ Rhy. Fig. 1 (1st 4 meas.)
Gtr. 2: w/ Riff A (1st 4 meas.)
Gtrs. 3 & 4: w/ Riffs B & B1
Gtr. 6 tacet
D5
words.
Gtr. 4 8va
17 17 17
15 15
14 14
Gtr. 3
10 10 10
7 7
7 7
Gtr. 2
0 0 0 0 12 0 0 0 13 12 0 0 0 0 12 0 0 0 0 0 7 0 0 0 8 0 0 0 19
Gtr. 1
P.M.
0 0 0 0 0
0 0 0 0 0
Gtrs. 2, 3 & 4 tacet
Gtr. 1
P.M. P.M.
0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0
17
from As I Lay Dying - Awakened
Whispering Silence
Words and Music by Timothy Lambesis, Phillip Joseph Sgrosso, Josh Gilbert, Samuel Hipa and Jordan Mancino
Drop D tuning, down 1/2 step:
(low to high) Db-Ab-Db-Gb-Bb-Eb
Intro
Fast q = 150
D5 Dsus4
Gtr. 1 (dist.)
* pp mf
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 8 8 8 8 8 8 8
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
*Fade in
D5 G5 Bb5 F5
Gtr. 1 Rhy. Fig. 1 End Rhy. Fig. 1
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
Gtrs. 2 & 3 (dist.)
Rhy. Fig. 1A End Rhy. Fig. 1A
f
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 5 5 5 5 5 5 5 5 5 8 8 8 8 3 3 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 5 5 5 5 5 5 5 5 5 8 8 8 8 3 3 3
Gtr. 1: w/ Rhy. Fig. 1 (2 times)
Gtrs. 2 & 3: w/ Rhy. Fig. 1A (1 3/4 times)
D5 G5 Bb5 F5
Riff A1
Gtr. 5
(dist.)
f
10 12 13 15 13 12 8 10 10 6 6
Gtr. 4
Riff A
(dist.)
f
7 9 10 12 10 9 5 7 7 3 3
Copyright © 2012 Frickin’ Thunfisch Music
All Rights Administered by BMG Rights Management (US) LLC
All Rights Reserved Used by Permission
1
D5 G5
1
10 12 13 15 15 15 13 15 15 12
7 9 10 12 12 12 10 12 12 9
Bb5 F5 D5
End Riff A1
Gtr. 5
1/2 1/2 1/2 1/2
12 12 12 12 12
End Riff A
Gtr. 4
1/2 1/2 1/2 1/2
9 9 9 9 9
Gtrs. 2 & 3
P.S.
5
5
8
8
8
8
8
8
8
8
3
3
3
3
3
3
0
0 X
X X X
2
Verse
Double-time feel
Gtrs. 4 & 5 tacet
D5 Bb D5 Bb5
1. Each lit - tle piece be - gins to stack up,
Gtrs.
Rhy. Fig. 2
2&3
P.M. P.M.
let ring
P.M. P.M. P.M.
7 7 3 8 7 7 3 3
5 5 1 5 5 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
D5 Bb D5 C5
now suf - f’ring un - der the weight of my choic - es.
End Rhy. Fig. 2
P.M. P.M.
let ring
P.M.
7 7 3 8 7 7 5 5 5
5 5 1 5 5 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0
End double-time feel
Gtrs. 2 & 3: w/ Rhy. Fig. 2
D5 Bb D5 Bb5 D5 Bb D5 C5
And I hard - ly rec - og - nize my -
D5 Bb5
self. Some -
Gtr. 4
8 10 11
7
Gtrs.
2&3
Riff B End Riff B
12 12 12 12 12 12 12 12 12 12 12 12 0 0 0 0 12 12 12 12 12 12 12 12 12 12 12 12 8 8 8 8
3
Gtrs. 2 & 3: w/ Riff B (2 times)
D5 Bb5 D5 Bb5
where a - bove the line, there stopped be - ing lines at all.
Gtr. 5 8va
15 17 18
15
Gtr. 4
10 10 8 10 11
7 7
Gtrs. 4 & 5 tacet
D5
(Whis - per - ing si - lence!)
8va
Gtr. 5
17 17
Gtr. 4
10 10
Gtrs.
2&3
Riff C End Riff C
P.M.
12 12 12 12 12 12 12 12 12 12 12 12 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
4
Chorus
Gtr. 1: w/ Rhy. Fig. 1 (4 times)
Gtrs. 2 & 3: w/ Rhy. Fig. 1A (4 times)
2nd time, Gtrs. 4 & 5 tacet
3rd time, Gtrs. 8 & 9 tacet
D5 G5 Bb5 F5 D5
*
Whis - per - ing si - lence, the sub - tle con - tra - dic - tion. Com - pro - mise creeps in,
*3rd time, bkgd. voc. tacet.
1st time, Gtrs. 4 & 5: w/ Riffs A & A1
2nd & 3rd times, Gtrs. 4 & 5: w/ Riffs A & A1 (1st 7 meas.)
G5 Bb5 F5 D5 G5
for - get - ting who I once was.
(Slow - ly chang -
To Coda 1
To Coda 2
Bb5 F5 D5 G5 Bb5 F5
Who I once was.
- ing.) (Who I once was.)
Verse
Double-time feel
Gtrs. 4 & 5: w/ Fill 1
D5 Bb D5 Bb
2. Each mo - ment seemed
Gtr. 2
Gtrs. 2 & 3
let ring
P.M. P.M. P.M. P.M.
7 7 3 8 7 7 3 8
5 5 1 5 5 5 1 5
0 0 0 0 0 0 0 0 0 0 0 0 0 0
Fill 1
Gtr. 5
12
Gtr. 4
5
Gtrs. 2 & 3: w/ Rhy. Fig. 2 (last 3 meas.) Gtrs. 2 & 3: w/ Rhy. Fig. 2
D5 Bb5 D5 Bb D5 C5 D5 Bb D5 Bb5
so small when looked at by it - self, but it adds up
Gtrs. 2 & 3: w/ Riff B
D5 Bb5 D5 C5 D5 Bb5
and it has torn me down. Spoken: All lines are gone.
Gtr. 5 8va
15 17 18
15
Gtr. 4
8 10 11
7
Coda 1
D.S. al Coda 1
Gtrs. 2 & 3: w/ Riff C
D5 Bb5 F5
(Whis - per - ing si - lence!) was.)
Fill 2A End Fill 2A
8va
Gtr. 5
1/2 1/2 1/2
17 12 12 12 12
Fill 2 End Fill 2
Gtr. 4
1/2 1/2 1/2
10
9 9 9 9
6
Bridge
Half-time feel
Bb5 G5
So close to the truth, but still im - pos - si - ble.
Riff D1 End Riff D1
Gtr. 5
1 1
10 12 12 12 12 12 12
12
Gtr. 4 Riff D End Riff D
1/2 1/2
7 9 9 9 9 9 9
8
Gtrs.
2&3
Rhy. Fig. 3 End Rhy. Fig. 3
8 8 8 8 8 8 8 8 8 8 8 8 8 8 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
8 8 8 8 8 8 8 8 8 8 8 8 8 8 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
D5 A5
It was nev - er one thing, and too man - y to try to add up.
1
1
10 11 13 13 13 11 10 10
12 12 12 12 12 12 12
12
1/2
1/2
8 10 10 10 8
9 9 9 9 9 9 10 10 9 10
7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 7 7 7 7 7 7 7 7 7 7 7 7 7 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 7 7 7 7 7 7 7 7 7 7 7 7 7 7
7
Gtrs. 2 & 3: w/ Rhy. Fig. 3
Gtrs. 4 & 5: w/ Riffs D & D1
Bb5 G5
Fueled by faint de - cep - tion, con - flict with - out ac -
End half-time feel
A5 G5 F5 E5
know - ledg - ing op - po - si - tion.
Gtr. 5
8 8 6 8 10
7 12 12
Gtr. 4
1/2
9 9 9 9 7 9 10
7
Gtrs. 2 & 3
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 5 3 2
8
*Dsus4 Gsus2 Bbmaj7
Gtr. 5
pp
10 10
Gtr. 4
pp
7 7
**Gtr. 6 (clean)
mf
let ring throughout
0 0 0 0
7 7 7 7 7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 5 5 5 5
0 0 5 8
**Doubled throughout
Gtrs. 2 & 3
pp
0
*Chord symbols reflect implied harmony.
9
Gtrs. 4 & 5 tacet
D5 G5 Bb5 μ
All be - cause I had tak - en pride in my hid - den lies.
Gtr. 7 (slight dist.)
mf
let ring throughout
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
Gtr. 6
0 0 0
7 7 7 7 7 7 7 7 7 8 8 8 8 8
5 5 5 5 5 5 5 5 5 8 8 8 8 8
0 0 5 8 8 8 8 8
Gtrs. 2 & 3
f
P.M.
8 8 8 8 8
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 5 5 5 5 5 5 5 5 8 8 8 8 8
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 5 5 5 5 5 5 5 5 8 8 8 8 8
Guitar Solo
Quarter-time feel
Gtrs. 6 & 7 tacet
D5 F5
Gtr. 8 (dist.)
f
P.M. slight P.H.
5 6 5 5
5 7 7 7 7 7 7 7 5 5
7 7 5 3 5 3
5 5 5
Gtrs. 2 & 3
P.M.
0 3
0 5 8 7 3
10
G5 D5
_1
w/ bar
P.M. P.M. P.M.
_1
1
8 6 8
7 5 7 7 10 12 9
5 7 7 7 7 12 12 12
P.M.
5 5 0
5 5 0 5 8 7
End quarter-time feel Half-time feel
Bb5 C5 A5 D5 G5 Bb5 A5
8va
loco
P.M.
P.H.
P.M.
10 9 9 7 7 2 9 9 10
12 10 7 12 5 3 3 5 3 2 3 2 12 12
5 8 5 8 12
8 8 10 10 7 0 5 8 7
8 8 10 10 7 20 0 5 8 7
End half-time feel
F5
G5 D5
T 1
10 12 13 12 10 10 12 13 17 13 12 10 12 10 10
10 10 13 13 13 13 10 13
9 10 14 10 9 10 9 9 10
12 12 8 12
3 5 0
3 5 0
11
G5 Bb5 A5 Bb5 C5 A5
8va
3 3 3 3
1/2 1
15 17 15 15 20 17 17 20 17
15 13 13 15 17 17 15 15 17 15 17 18 15 17 18 18 17 15 17 18 20 18 20
14 17 14 15 14 15 17 14 15 17
0 5 8 7 8 8 8 8 8 8 8 10 10 10 10 10 7 7 7 7
0 5 8 7 8 8 8 8 8 8 8 10 10 10 10 10 7 7 7 7
D.S. al Coda 2
Gtrs. 2 & 3 tacet
Dsus4
8va
Gtr. 8
mp
1
20 20
Gtr. 9 (clean)
mp *w/ delay
let ring throughout
0 0
7 7 7 7
5 5 5 5 5
0 0
*Set for eighth-note regeneration w/ 3 repeats.
Coda 2
Half-time feel
Gtrs. 4 & 5: w/ Fills 2 & 2A Gtr. 1: w/ Rhy. Fig. 1 (2 times)
Gtrs. 2 & 3: w/ Rhy. Fig. 1A (2 times)
Gtrs. 4 & 5: w/ Riffs A & A1
Bb5 F5 D5 G5
It was nev - er one
was.)
Bb5 F5 D5 G5 Bb5 F5
thing, and too man - y to try to add up.
12
D5
All be - cause I had tak - en pride
Gtr. 5
pp
12
Gtr. 4
pp
Gtrs. 2 & 3
P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Outro
Gtrs. 4 & 5 tacet
D5
in my hid - den lies!
Gtrs. 2 & 3
P.M. P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Play 8 times & fade
P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
13
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