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  • Manansala

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    Franceene Banggayan
    578 views3 pages
    The document summarizes and describes several Filipino paintings from the 1940s-1960s including Manansala's "The Beggars" from 1952 which depicts two emaciated women against a dark background capturing the dreariness of poverty, and most of Manansala's works used a transparent cubist style. It also describes Legaspi's "Gadgets II" from 1954 showing half naked men almost engulfed by machines with elongated limbs from hard labor and expressionless faces as they function like machines. Additionally, it mentions "Bar Girls" from 1947 and "The Contrast" from 1940 which exposes dire human conditions amid modernity, and "Genesis" from 1968 by HR Ocampo.

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    The document summarizes and describes several Filipino paintings from the 1940s-1960s including Manansala's "The Beggars" from 1952 which depicts two emaciated women against a dark background capturing the dreariness of poverty, and most of Manansala's works used a transparent cubist style. It also describes Legaspi's "Gadgets II" from 1954 showing half naked men almost engulfed by machines with elongated limbs from hard labor and expressionless faces as they function like machines. Additionally, it mentions "Bar Girls" from 1947 and "The Contrast" from 1940 which exposes dire human conditions amid modernity, and "Genesis" from 1968 by HR Ocampo.

    Copyright:

    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
    Flag for inappropriate content
    578 views3 pages

    Manansala

    Uploaded by

    Franceene Banggayan
    The document summarizes and describes several Filipino paintings from the 1940s-1960s including Manansala's "The Beggars" from 1952 which depicts two emaciated women against a dark background capturing the dreariness of poverty, and most of Manansala's works used a transparent cubist style. It also describes Legaspi's "Gadgets II" from 1954 showing half naked men almost engulfed by machines with elongated limbs from hard labor and expressionless faces as they function like machines. Additionally, it mentions "Bar Girls" from 1947 and "The Contrast" from 1940 which exposes dire human conditions amid modernity, and "Genesis" from 1968 by HR Ocampo.

    Copyright:

    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 3

    Manansala’s The Beggars (1952) consists of the image of two women with emaciated bodies, their

    forlorn faces set against a dark background capturing the dreariness of poverty. Most of the
    Manansala’s paintings are characterized by transparent cubism.

    Tuba Drinkers 1954


    Gadgets II by Cesar Legaspi

    Depicts half naked men almost engulfed in the presence of machines.

    Elongated limbs and exaggerated muscles- hardship of their labor

    Expressionless faces and repetitive actions- robs their humanity as they function like machines

    Bar Girls 1947


    The Contrast HR Ocampo1940

    Exposes dire human conditions amid the backdrop of modernity

    Genesis 1968 HR Ocampo

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