Professional Documents
Culture Documents
LEARN
herringbone
with a twist p. 42
TECHNIQUE WORKSHOP
Design curves
and flourishes
in CRAW p. 22 Mix bead sizes to
create this sensational
look, p. 42.
PROJECTS
ON OUR
22 Creating organic shapes COVER
in CRAW
by Alla Maslennikova
Spinning
in orbit
30 Lotus flower necklace by Cary Bruner
by Julia Gerlach
34 Vintage rosettes
bracelet
by Szidonia Petki
82 Basics
90 Spotlight
ibella Beads
48
by Julia Gerlach
72
Make snap-on
buttons for an
interchangeable look!
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Waukesha, WI 53187-1612. Periodicals postage paid at Waukesha, Wisconsin, and additional offices. Postmaster: Send address changes to
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38
22
78
46
68
We fully
test our
projects
62
FROM THE EDITOR
Editor, Bead&Button
editor@beadandbutton.com
PRECIOSA PipTM
PRECIOSA TwinTM DESIGN BY HELENA CHMELÍKOVÁ
B&B’s Guide to
beading contests
A
t one point or another,
many beaders start to
consider entering beading
contests. Such competitions
are a great way to gain
recognition for your work and credibility
within the community. Prizes and brag-
ging rights offer more reasons for enter- Juried contests include an award chosen by the public,
ing. But perhaps the best reason for In a juried competition, a panel of as in the People’s Choice award in the
entering a competition is to stretch judges selects finalists from all the annual BeadDreams competition. There
yourself creatively and set goals for entries (not all pieces are juried in), may or may not be an entry fee.
advancing your own artistic vision. and the contestants are usually required A few examples of juried competitions:
Competitions can range widely from to send their pieces to the organization • BeadDreams is a juried competition
fun, casual online design challenges for final judging. Usually prizes are held every year by Bead&Button maga-
to formal juried contests with prizes awarded and finalists are displayed zine. Finalists are displayed at the
and exhibits. Whatever your interest either in an exhibit or published (elec- Bead&Button Show in Milwaukee. Prizes
or experience level, a contest could tronically or in print), or both. Judging in 10 categories range from beads
be an exciting way to take your beading panels usually work for the organizing and supplies to gift certificates to cash.
to the next level. body, but they may bring in guest Top winning entries are published in
judges as well. Juried contests often Bead&Button magazine (see p. 16 to
BeadDreams 2015 finalists shown above by (from left to right): Kathy King, Robin Butzke, Svetlana Kossman.
October 2015 11
BEAD SOUP
Enter to win!
see this year’s winners!), and all contest Seeing as October is Visit Your Local Bead Shop month, Bead&Button
finalists are published on our website and Bead Style magazines are co-hosting the Visit Your Local Bead
at www.BeadAndButton.com. Visit Shop Contest. To enter, design jewelry with supplies from your local
www.BeadAndButton.com/BeadDreams bead shop, and post your work at www.BeadAndButton.com/
for more information on finalists and beadshopcontest. Entries will be accepted throughout October and
how to enter BeadDreams 2016. online public voting will occur November 1–November 14. Winning entries
• Fire Mountain Gems and Beads holds will be published in either Bead&Button or Bead Style magazine.
regular contests, usually based on a
given material, such as crystals or seed
beads. Prizes come in the form of gift Unjuried contests and rules, prizes, and expectations vary.
certificates to Fire Mountain. Winning Unjuried competitions accept all sub- One unusual contest is the Battle of the
entries are also published in various ad, missions into the contest, and they are Beadsmith, which is a brackets-style
catalog, and web environments. Visit usually a bit more casual. There may be competition hosted by bead supplier
www.firemountaingemsandbeads.com a panel of judges, but just as often, win- The Beadsmith. Participants are paired
to learn more. ners are decided by public vote. Most in “battles,” and battle watchers vote
• In the Fashion Colorworks contest, of the time, unjuried contests require for their favorite piece in each battle.
sponsored by Zoya Gutina of My Lovely that you submit one or more photos Each winner advances to the next
Beads, entrants create a piece based of your work but usually the piece itself battle, and the process continues until
on pre-selected color triads developed doesn’t have to be sent anywhere. a single winner remains.
by color specialists Pantone. Prizes in the
three categories include gift certificates Other contests Competitions can be very rewarding
from sponsors and publication in the Bead societies, shops, and online groups and fun, and they can really stretch your
My Lovely Beads newsletter. Learn more host contests too, such as design chal- creativity. Keep an eye out for the right
at www.mylovelybeads.com/contest. lenges, round robin events, or blog hops, options for you.
Findings
. . . from the Bead&Button Show!
Beads f Crisscross cubes: A 4 mm
Ask for these new options cube with offset holes that
at your local bead shop. cross through the cube.
12 www.BeadAndButton.com
New on the SURVEY SAYS
k Previously available only in 300 m five colors — beige, black, grey, red, and
spools, size D K.O. thread is now on 30 m white. Find it at www.whimbeads.com
l
cards. Find it at www.beadcats.com. and www.beadsbyblanche.com.
l Thread Magic is a new hypo allergenic o Made from recycled factory sari rem-
m
thread conditioner in a handy container nants in India, silk sari ribbon is torn into
that allows you to easily run your thread narrow strips and then sewn together
through it. Available at local bead shops. end to end into one continuous strand
by various women’s cooperatives. Sari
m If you love making beaded orna- silk is great to incorporate within organic
ments, this new ornament loom will style jewelry. It comes in a wide range
simplify the job for you. This small loom of vibrant colors, and is available at
makes circular beaded bands to fit www.leilaniarts.net. n
13
BEAD SOUP
Design challenge
Not all design challenges are based on specific supplies. Sometimes it could be a theme, a literary
character, or just about anything else. When we heard that Preciosa was hosting a design contest
around four “Afternoon Tea Party”color palettes they recently created (along with color experts at
Pantone), we decided to play along, each selecting a different color palette.
(These ideas are for your inspiration; instructions are not available.)
Julia
Mmmm . . . “Chocolate
raspberry cheesecake”. . .
what a wonderful combi-
Cassie Bonnie Boblin Connie nation — both in terms of
I immediately imagined (B&B reader) I loved the colors in the “Citrus flavor and color! For my
a flowing cascade of When I saw the colors punch” palette. The flat backs piece, I linked chocolate-
crystals when I saw the in the “Cupcake and chatons were included, colored wood rings with
Preciosa’s “Fruity sun- sweetness” palette, so I thought I would step small red beads for a
dae” palette. I grabbed I knew I had to create away from stitching this time, long necklace. I added
my 22-gauge steel wire something in a roman- and try something a little creamy-white faceted
and started attaching tic style. I started by different. With epoxy clay and pearls to some of the links
crystals randomly to creating a bezel findings from Nunn Designs, and raspberry-hued resin
a 11⁄8-in. (2.9 cm) steel around the white opal I came up with a simple yet flowers to others, nestling
wire frame that was chaton. Since I love sparkling pendant and Preciosa crystals into the
formed using a man- metallics, I used beads matching ring. flower centers.
drel. To help complete that picked up the
the design, I added copper tone as the
dangling crystals for base for my bracelet.
extra sparkle. Edgy
yet elegant!
14 www.BeadAndButton.com
We have kits! Buy the
kit!
S PIKES NE FU N E A R E
WAV B R AC
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Want one-stop shop- L IN LS L LA E
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B&B Extra
Subscribers — download
your October issue of
B&B Extra on October 1 at
www.BeadAndButton.com/extra.
ton.com
www.BeadAndBut
in
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Follow us online es,
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surveys. October 2015 15
YOUR WORK BeadDreams
BEST IN SHOW
Celebrating excellence Runner
in bead artistry
Congratulations to all the finalists and winners
Up
of our annual BeadDreams competition!
Hailing from all around the globe, these
talented artists competed for prizes totaling
$12,400 in 10 categories: Seed Bead Jewelry,
Finished Jewelry, Polymer Clay, Metal Clay,
Ms. Maddie’s Fabulous Florals, Crystal Jewelry,
Handmade Beads or Buttons, Lampwork/
Glass, Objects or Accessories, and Wirework.
Special thanks to the prize sponsors:
Fire Mountain Gems and Beads, Beadalon,
Rio Grande, Create Your Style with Swarovski
Elements, Art Clay World USA, Ms. Maddie’s
Bloom and the Berelowitz Family, Rings &
Things, Wild Things Beads, Beaducation, and
SoftFlex Company. Thanks also to Fusion Beads
for sponsoring the display cases for the exhibit
of these pieces at the Bead&Button Show in
Milwaukee, Wisconsin, this past June.
Shown on these pages are the 1st place
winners in each category plus the Best in
Show, Runner-Up Best in Show, and People’s
Choice winners. To see all the finalists, go to
www.BeadAndButton.com/BeadDreams.
FINISHED JEWELRY
Prize category sponsored by Rio Grande
PEOPLE’S
CHOICE
Prize category
sponsored by
Fire Mountain
Gems and Beads
Xena
Monica Vinci,
Italy
People’s
Choice
16
Best in
Show
Fearless
Andrea Grzabka,
California
October 2015 17
YOUR WORK
Briar Rose
Marsha Wiest-Hines, Minnesota
18 www.BeadAndButton.com
OBJECTS OR ACCESSORIES
Prize category sponsored by Rings & Things
WIREWORK
Prize category sponsored
by Beaducation
Galaxy
Kaska Firor, Ohio
October 2015 19
YOUR WORK
METAL CLAY
Prize category sponsored by Art Clay World USA
Collected Memories
Patrik Kusek, California
HANDMADE BUTTONS
OR BEADS
Prize category sponsored
by Wild Things Beads
20 www.BeadAndButton.com
TECHNIQUE WORKSHOP
Creating organic
shapes in
CRAW
Learn the tricks to making flourishes and
branches in cubic right-angle weave
(CRAW), and then use your new-found
skills to make a statement necklace.
by Alla Maslennikova
22 www.BeadAndButton.com
c cc
c cc Difficulty rating
cc c
bb b
a aa
bb b
Materials
necklace 20 in. (51 cm)
a aa
• cabochons
FIGURE 1 FIGURE 2 FIGURE 3 FIGURE 4 FIGURE 5 - 1 40 x 25 mm long oval or
rectangle, kyanite
- 1 18 x 13 mm oval or
rectangle, kyanite
150 seed bead - 2 18 x 13 mm ovals, paua
bb b shell
color A
- 4 10 x 8 mm ovals, mother-
color D of-pearl
• round white pearls
FIGURE 6 FIGURE 7 FIGURE 8 - 4 7 mm
a aa
- 4 6 mm
through the beadwork so FIGURE 9 - 6 4–5 mm
your needles exit opposite c cc - 9 3.5–4 mm
sides of the other D in the - 4 3 mm
previous cube, and stitch bb b - 4 2 mm
an adjacent cube (photo c). • 150 seed beads
This cube will share three a aa - 5 g color A (Toho 773, steel
adjacent side beads with blue-lined crystal)
the other cube in this row. - 15 g color B (Miyuki 1105,
4 To complete the split, work silvery gray-lined crystal)
in CRAW off of each cube. FIGURE 10 FIGURE 11 - 3 g color C (Miyuki 1521,
Do not share side beads light beige-lined crystal)
between cubes (photo d). - 3 g color D (Miyuki 1522,
golden beige-lined crystal)
Joins • 1 hook clasp
To join two strips, align them • chain
where you want the join to - 2 in. (5 cm) 3 mm link
be. Exit an edge bead on cable chain (small link)
one strip, sew through the - 1 in. (2.5 cm) 6 mm link
corresponding edge bead cable chain (medium link)
on the other strip, and sew a b • 4 in. (10 cm) 22-gauge wire
through the edge bead on • 1 2-in. (5 cm) head pin,
the first strip again. Repeat, 22-gauge
sewing through an adjacent • 3 3 mm jump rings
edge bead in the second • 2 5 mm oval jump rings
strip (photo e). Retrace the • leather or Ultrasuede
thread path through the • beading foundation or felt
join a couple of times. • transparent monofilament
line, 2 lb. test
Accent beads • Fireline, 6 lb. test
Exit an edge bead where you • beading needles, #11
want to add an accent bead c d • 2 pairs of chainnose, bent-
between two strips. On both nose, or flatnose pliers
needles, pick up an accent • roundnose pliers
bead, and sew through the • wire cutters
corresponding edge bead
on the other strip (photo f).
Retrace the thread path. e f
October 2015 23
g h i
24 www.BeadAndButton.com
Basics, p. 82
• peyote stitch: tubular
• ending and adding thread
• overhand knot
Alla Maslennikova
j k l is an award-winning
beader from
Moscow. See her
1st place BeadDreams 2015
necklace,“Bouquet for Mime of
Cologne” on p. 16. Contact Alla
at beadladyru@gmail.com or visit
www.beadlady.ru to see more of
her work.
m n o
p q r
October 2015 25
u v w
to the template to attach a to the remaining cabs, to make another pearl unit. hook clasp. Using another
12 x 8 mm cab at the points attach them to the neck 4 On a head pin, string 3 mm jump ring, attach the
where branches 1 and 2 and straps as in step 10 of “Left a 4 mm pearl, and make other pearl unit to the medi-
branches 2 and 3 overlap. neck strap.” If needed, use a plain loop. um-link chain. Use the final
a pearl on each side of the 5 Cut two 1-in. (2.5 cm) 3 mm jump ring to attach
Right neck strap upper cab (photo u). pieces of small-link chain the pearl dangle to the end
and assembly 3 Cut a 2-in. (5 cm) piece and one 1-in. (2.5 cm) piece of the medium-link chain
1 Repeat all the steps of “Left of 22-gauge wire, and make of medium-link chain. (photo v).
neck strap,” but work all the a plain loop: Make a right- 6 Open a loop of a pearl 8 Open an oval jump ring,
curves in the opposite direc- angle bend about 3⁄8 in. unit, and attach it to one end and attach one chain to the
tions so this neck strap is a (1 cm) from one end. Grasp of a small-link chain. Repeat end loop on a neck strap
mirror image of the first one. the tip of the wire with round- with the other pearl unit and (photo w). Repeat with the
Sew the two neck straps nose pliers, and rotate the small-link chain. other chain and the remain-
together in the center with wire to make a loop. String 7 Open a 3 mm jump ring, ing neck strap. w
a couple of joining stitches. a 4 mm pearl, and make and use it to attach the other
2 Using the Fireline attached another plain loop. Repeat loop of a pearl unit to the
Ƭ
26 www.BeadAndButton.com
2015
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in the Northeast
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October 2015 27
THE BUSINESS OF BEADING Getting published
Build your
business
through
publishing
Share tutorials in magazines to build
credibility and name recognition.
by Leslie Rogalski
I
hear so many beaders say they bine stitches, mix media, or simplify a the gorgeous illustrations we see in print,
wouldn’t even consider submitting to method? Make sure you are not just so shots should be very clear, well lit,
a magazine because magazines only repeating something learned in a class and close up. Using bead colors that
publish designs from “famous” bead- or from another magazine project! It is photograph well also helps (black
ers. This is so not true! Many editors okay to be inspired by another design, and clear often do not).
spend a lot of time searching for new but make sure you credit that artist. And Look at published step-by-step proj-
designs from new artists. But you don’t since there may be simultaneous cre- ects. They start from the very beginning
have to wait to be discovered. Follow ations by like-minded beaders, editors — as in, how much thread on the needle
these tips on presenting a good design may say sorry, we have something similar. and how long a tail to leave. Include
with proper instructions and you, too, Don’t take it personally — it happens. everything and let the editors edit.
could see your name in print. Remember you are teaching someone
Be thorough else — they don’t know anything yet.
Know the magazine You may or may not need to send Refer to the step photos and your notes
Above all, know what is published in a manuscript (instructions if it’s a project) as your guide. Be sure to keep the
your targeted magazine. It sounds like as part of your submission but if your step number and the photo number
a no-brainer, but don’t send a wire cuff submission is accepted, a manuscript will matched. Write step 1, and simply
project to a bead magazine unless the be required. Make sure you’re prepared put “PHOTO 1” or “FIGURE 1” after it.
magazine features wire designs. for that eventuality by writing your tutorial Be ready to recreate a piece at least
Every magazine has submission before you submit it for consideration. twice. The first time, don’t worry about a
guidelines and contact information on My favorite method for tracking finished piece. Track what you do as you
their websites. Do they want the actual project development refine the design. Making it
piece or just good photos first? What are (and to help remember in stages is the perfect way
they looking for? An editorial calendar what I did!) is to stitch a to practice, and ultimately
may be posted listing specific styles, step, place it on a piece to write good instructions.
themes, and deadlines. And remember of paper, scribble what’s The final design is made
that magazines also like non-project being shown, and take for creating clear step shots
ideas such as artist profiles, product a picture. This instantly and eventually the actual
reviews, tips, and other topics related shows which shot is for piece to send to the editors.
to our experience as jewelry makers. which step, which is Besides knowing how
handy when you have you made it, you should
Be original lots of step shots that look Keep track of your design also know exactly what
Your submission must offer something similar! The magazine staff in progress: put your work went into it. Know specifics
new. Have you come up with a unique may give your photos to a down, jot notes about what for everything: product
way to stitch a new bead shape, com- staff illustrator who draws you did, and snap a photo. numbers (if applicable),
28 www.BeadAndButton.com
how many seed beads? have you been beading? How did you
To figure out how many grams you use in a piece: As you’re get interested? Do you teach? Sell your
working, pour out a small specific amount to start, say 2 grams. work? Do you knit or work in wire, too?
If you need more beads, keep track, writing the additional Where do you live? Remember to send
amounts in your notes. Subtract the weight of the leftovers from a nice photo of yourself.
the total to know how many grams you used in the piece.
Market savvy
Getting published in a bead magazine
colors, quantities (in grams for seed “romance” of the story, including what is a good way to boost your “street
beads — see sidebar, above), and inspired it, how did its name come creds” as a viable commodity in the
other tools needed (thread, size about, what technique is used, etc. bead world, especially if you want to
of beading needle, findings, etc.). Please, test your instructions and teach or sell your design kits. It also looks
Note your source for every bead with proofread your work. Have someone else great to have a magazine with your
the vendor/shop name and website proofread, too. Typoes, grammer and design on display in a class or at
where the materials can be purchased. spelling errrs are not perfeshionnal. a retail craft show!
If you bought them a long time ago, Once you have the tutorial written, See you in print! w
verify that they’re still available. Beads a finished piece, and step shots, you are
are not a standardized commodity, and ready to submit. If guidelines say to send Leslie Rogalski is a bead and
something that was easily found five a photo rather than a finished piece, jewelry artist, designer, editor,
years ago may be unavailable now. take a full shot and several detail shots and teacher. She has appeared
on a plain background. Don’t use fancy in many publications and on the
Be smart props. Send a couple of your step shots, public television show “Beads,
Each magazine has their own style, so too, and maybe the first page of your Baubles, and Jewels.” She also has a Craftsy
keep your document simple. Don’t use text so they see how you write. class, “Essential Seed Bead Techniques,”
fancy formatting. Use one font, one size. Every published project shares an and is the creative director for BeadSmith.
The editor will put your submission in artist bio. Keep yours about beading, Follow her Sleepless Beader Facebook page
their style. Include a brief description, the art, and interesting life tidbits. How long and visit her shop at www.sleeplessbeader.com.
1
2
3
4
5
6
Printed in China
#68182 • $12.99
14 15 16
Ash Wednesday
Lincoln’s Birthday
00:00 x.m.
17 18 19 20 2BKBB
CHEVRON CHAIN Buy the
kit!
Lotus
flower
Kits for this necklace
is available at
www.JewelryAndBeadingStore.com
and participating bead shops.
necklace To find a shop near you, visit
www.BeadShopFinder.com.
Stitch a quick and stylish
pendant with Czech glass
and seed beads.
Difficulty rating
by Julia Gerlach
Materials
necklace 24 in. (61 cm) with
2 x 1-in. (5 x 2.5 cm) pendant
• 8 7 x 5 mm teardrop beads (blue zircon)
• 3 3.8 x 7.8 mm pewter drops (antique
brass)
• 4 mm Czech glass round beads
- 7 color A (alabaster pastel lime)
- 1 color B (shiny pumpkin)
• 4 3 mm Czech glass round beads
(shiny pea green)
• 10 2 mm Czech glass round beads
(shiny turquoise blue)
• 17 80 seed beads (silver-lined light
peridot opal)
• 59 110 seed beads (antique bronze)
• 2 4 mm 22-gauge jump rings
1 Attach a stop bead to 1 yd. (.9 m) a 3 mm, and a teardrop (narrow end (antique brass)
of thread, leaving a 6-in. (15 cm) tail. first). Sew through the fifth 110 below the • 24 in. (61 cm) 2 mm oval-link chain
2 Pick up a 2 mm round bead, an 110 previous A 4 mm (figure 2, a–b). (antique brass)
seed bead, a 3 mm round bead, a 6 Pick up an 80, an A 4 mm, an 80, an • beading needles, #12
7 x 5 mm teardrop bead (narrow end 110, and a teardrop (wide end first), and • Fireline, 8 lb. test
first), an 110, an 80 seed bead, a color A sew back through the 3 mm, 110 and • 2 pairs of bentnose, flatnose, and/or
4 mm round bead, an 80, an 110, and 2 mm added in the previous step (b–c). chainnose pliers
a teardrop (wide end first). Sew back 7 Repeat steps 3–6 twice (c–d).
through the first three beads picked 8 Sew through the next 110, two 80s, and
up in this step (figure 1, a–b). two 110s at the top of the beadwork Basics, p. 82
3 Pick up an 110, two 80s, an A 4 mm, (figure 3, a–b). Pick up an 110, and sew • ending and adding thread
and four 110s, and sew through the 110 through the two 110s your thread just • opening and closing loops and
below the previous teardrop (b–c). exited, and continue through the next jump rings
4 Pick up three 110s, a 2 mm, a pewter two 80s and two 110s (b–c).
drop, a 2 mm, and seven 110s, and 9 Pick up an 110, and sew though the
sew back through the 110 closest to two 110s your thread just exited, and Julia Gerlach is the editor of
the A 4 mm as well as the A 4 mm continue through the next two 80s, 110, Bead&Button. Contact her at
and the following 80 (c–d). and 2 mm (c–d). jgerlach@beadandbutton.com.
5 Pick up an 80, an 110, a 2 mm, an 110, 10 Sew through the beadwork to exit
30 www.BeadAndButton.com
d d a
c
c b
a a
b
c b
October 2015 31
SECOND LOOK
Designing
sensory
delight
Go beyond color and
composition for a design
that looks as good
as it feels.
by Margie Deeb
The Original lariat the journey is a choppy one, of the leaves and flowers, making them
Disappointed by her lariat necklace broken up by highly contrasting colors. lush and soft.
(above, left), Mortira Natasha vanPelt Such high contrast forces the eye to The sensory appeal of jewelry is often
wrote “...elements of some of my favorite hop, as if on stepping stones, from aqua overlooked by designers. It’s more subtle
successful designs are there, and yet... to cobalt to black. These highly contrast- than getting color and composition just
blech.” Immediately, I saw several related ing colors also make the strand so busy right. Yet you can see the possibilities
issues that could be resolved with one and dense that it competes with the that open up when you’re mindful of it.
major change. tassels for attention. With these simple changes the entire
Notice all the points. The repetitious piece can become a touchable, sensu-
v-shapes of the strand, the leaves, and The Solution ous delight. w
the petals are all sharp points. Though When the strand is a single, unified color
not physically harmful, this visual sharp- (above, right), it’s articulated points dis- Margie Deeb is an artist, designer,
ness is not inviting. We’re drawn to solve. We now see a long, fluid strand. color expert, and author. She has
jewelry that has a sensuous appeal, A single color also lightens the strand written The Beader’s Guide to
that appears as if it will feel as beautiful so it complements rather than com- Jewelry Design, the award-
to the skin as it looks to the eye. petes with the tassels. Our visual journey winning book The Beader’s Color
Another issue is lack of fluidity. The is a smooth one. Palette, and The Beader’s Guide to Color,
purpose of the lariat style is to draw the I would also consider adding several plus numerous articles and publications.
eye vertically along the strand down to aqua fringe. More fringe will plump up Contact her at www.margiedeeb.com.
the tassels, elongating the torso. In this the tassels, reduce the visual sharpness
32 www.BeadAndButton.com
BEAD WEAVING
Vintage
rosettes bracelet
Rivoli component 2 Pick up a 3 mm bicone crystal, and in the same direction, to form a picot
1 On 2 yd. (1.8 m) of thread, pick up sew through the open hole of the next (figure 2, a–b). Continue through the
a repeating pattern of a SuperDuo and SuperDuo (c–d). Repeat this stitch 11 next SuperDuo and 3 mm (b–c). Repeat
a color A 150 seed bead 12 times. Sew times to complete the round. Retrace this stitch 11 times, and sew through the
through the beads again to form a ring the thread path (not shown in figure for first three beads added in the first picot,
(not shown in figure for clarity), leaving clarity), exiting the first 3 mm added exiting the A (c–d).
a 6-in. (15 cm) tail. Retrace the thread (d–e). End the tail. 4 Pick up a B, a SuperDuo, and a B,
path once more (figure 1, a–b), and 3 Pick up two color B 150 seed beads, and sew through the A in the next picot
sew through the open hole of the an A, and two Bs, and sew through (figure 3, a–b). Repeat this stitch 11
SuperDuo your thread is exiting (b–c). the 3 mm your thread is exiting, going times to complete the round, and
34 www.BeadAndButton.com
d
a
e c b
d b
a
c
Difficulty rating
Materials
bracelet 71 ⁄8 in. (18.1 cm)
• 3 14 mm rivolis (Swarovski, crystal
lilac shadow)
FIGURE 1 FIGURE 2 • 6 g 2.5 x 5 mm SuperDuo beads (bronze)
• bicone crystals (Swarovski, crystal lilac
f shadow)
2.5 x 5 mm SuperDuo bead d c - 54 4 mm
e b
a - 64 3 mm
150 seed bead, color A
• 12 110 seed beads (Miyuki 2006, matte
3 mm bicone crystal metallic dark bronze)
• 150 seed beads
150 seed bead, color B - 1 g color A (Miyuki 457, dark metallic
bronze)
- 3 g color B (Miyuki 2006, matte metallic
dark bronze)
14 mm rivoli • 1 ball and socket clasp (brass)
• 2 4–6 mm jump rings (brass)
• Fireline, 4 lb. or 6 lb. test
• beading needles, #11 or #12
4 mm bicone crystal
October 2015 35
e
d
d
b g
a c
f
b
f
FIGURE 4 e d FIGURE 6
b
a c
FIGURE 5
retrace the thread path (not shown in 8 Pick up a B, a 4 mm bicone crystal, Repeat this stitch five times to complete
figure for clarity). Continue through the and a B, and sew through the A in the round (b–c), and continue through
first B and SuperDuo added (b–c), and the next picot (e–f). Repeat this stitch the beadwork as shown to exit the third
sew through the open hole of the same 11 times to complete the round, and A from the connection point on the out-
SuperDuo (c–d). Tighten the thread so retrace the thread path (not shown in side edge and the next B (c–d).
the beadwork begins to cup. figure for clarity). Sew through the first
5 Pick up an A, and sew through the B, 4 mm, and B added (f–g). Clasp connection
open hole of the next SuperDuo (d–e). 1 Pick up two Bs, a 3 mm, an 110 seed
Repeat this stitch 11 times to complete Crystal component bead, a 3 mm, and two Bs, skip the next
the round (e–f), but do not pull the 1 Continuing with the thread from the B, 4 mm, and B, and sew through the
thread tight. Place the 14 mm rivoli face rivoli component, pick up a B, an A, and following B (figure 7).
down in the beadwork. Pull the thread two Bs, and then pick up a repeating 2 Sew through the beadwork to exit the
tight to close the beadwork around the pattern of a 4 mm, two Bs, an A, and 110 just added (figure 8, a–b). Pick up
rivoli, and retrace the thread path again two Bs four times. Pick up a 4 mm, two five 110s, and sew through the 110 your
to tighten. Exit a SuperDuo. Bs, an A, and a B, and sew through the thread is exiting to form a loop (b–c).
6 Sew through the other hole of the B, 4 mm, and B your thread exited at the Continue through the first 110 just
same SuperDuo, the next B, and the start of the step to form a ring (figure 5, added (c–d).
following A (figure 4, a–b). The figure a–b). Continue through the first B and A 3 Pick up an A, and sew through the
shows just the beads visible from the added (b–c). next 110 in the loop (d–e). Repeat this
backside of the beadwork. 2 Pick up three Bs, an A, and three Bs, stitch three times, and sew through
7 Pick up three Bs, an A, and three Bs, and sew through the next A in the ring the next 110 (e–f). Sew through the
and sew through the next A to form a to form an arch (c–d). Repeat this stitch surrounding beadwork, and retrace
picot (b–c). Repeat this stitch 11 times five times to complete the round (d–e). the thread path through the loop.
to complete the round (c–d). Continue Continue through the first four beads End the thread. This completes one
through the first four beads in the first added in the first arch to exit an A (e–f). end component.
picot, exiting the A (d–e). 3 Pick up a B, a 3 mm, and a B, and sew
through the A in the next arch added
in the previous round (figure 6, a–b).
36 www.BeadAndButton.com
e
d
c b
a
f b
a
c
d
Do it all again an end section, sew through a B, 4 mm, 4 Attach 1 yd. (.9 m) of thread to the
Repeat all the steps for “Rivoli com- and B on the opposite side from where center rivoli component, exiting the B,
ponent,” “Crystal component,” and the crystal component is attached 4 mm, and B opposite the crystal com-
“Clasp connection” to make another (figure 9, a–b). Pick up the same beads ponent connection. Repeat steps 2–3
end section. you just added, and sew through the to attach the center rivoli component
B, 4 mm, and B your thread exited at to the other end section.
Center rivoli component the start of the step (b–c). Continue 5 Open a 6 mm jump ring, and attach
1 Repeat all the steps of “Rivoli com- through the next B and A (c–d). one half of the clasp to the small loop
ponent” to make a third component. 3 Repeat steps 2–3 of “Crystal com- on an end section. Repeat on the other
2 Pick up a B, an A, two Bs, a 4 mm, two ponent,” and end the working thread. end of the bracelet. w
Bs, an A, two Bs, a 4 mm, two Bs, an A,
and a B. On the rivoli component of
October 2015 37
RIGHT-ANGLE WEAVE / BEAD WEAVING
38 www.BeadAndButton.com
Neck strap through the same peanut eight crystals surrounding
1 On a comfortable length your thread exited at the the ring of peanuts (b–c).
of thread, pick up four pea- start of this stitch and the Sew through the next A
nut beads, and sew through next A and 3 mm just added and 3 mm at the top of Difficulty rating
them again to form a ring, (b–c). Retrace the thread the ring (c–d).
leaving a 6-in. (15 cm) tail. path to cinch up the beads. 7 Sew through the beadwork
Continue through the next 3 Pick up an A, a peanut, to exit the outer side bead
three peanuts (figure 1, a–b). and an A, sew through of the last RAW stitch on the
2 Working in right-angle the 3 mm your thread neck strap as shown (d–e). Materials
weave (RAW), pick up three exited at the start of this Work five RAW stitches using necklace 16 in. (41 cm)
peanuts, sew through the step, and continue through peanuts. • 9 8 mm round beads (synthetic
peanut your thread exited the following A and peanut 8 Work as in steps 1–7 to moonstone, matte blue/gray)
at the beginning of this step, just added (figure 3). make a strap with a total • 14 g 2 x 4 mm peanut beads
and continue through the 4 Pick up seven peanuts of nine components. (457A, copper metallic)
first two peanuts just added and an 8 mm bead, and 9 Work an additional 30 • 72 3 mm bicone crystals
(b–c). Sew through the sew through the peanut your RAW stitches using peanuts (Swarovski, crystal silver
beads in this stitch again to thread exited at the begin- to complete the neck strap. shadow)
cinch up the beads. Work an ning of this step. Continue • 1 g 80 seed beads (Miyuki
additional 34 RAW stitches, through the seven peanuts Clasp 2028, matte sea foam luster)
cinching up each stitch. End just added (figure 4, a–b). 1 With the working thread, • 2 g 110 seed beads (Miyuki
and add thread as needed. 5 Pick up eight peanuts, and pick up nine As and the loop 2028, matte sea foam luster)
sew through the peanut at of the toggle ring, and sew • 1 g 150 seed beads, color A
Components the top of the 8 mm to form back through the peanut to (Toho 221, bronze)
1 With the strip of beadwork a ring (b–c). Sew through form a loop on this side of • 1 g 150 seed beads, color B
horizontal, sew through the the ring of 16 peanuts, and the peanut (figure 6, a–b). (Miyuki 2028, matte sea foam
last stitch to exit the bottom continue through the next Pull the thread tight. luster)
peanut (figure 2, a–b). This peanut (c–d). 2 Pick up nine As, and the • Fireline, 6 lb. test
will put you in position to 6 Pick up an A, a 3 mm, and same toggle loop, and sew • beading needles, #11 or #12
add a component. an A, skip a peanut, and sew back through the peanut to • 1 toggle clasp
2 Pick up a color A 150 through the following peanut form a loop on this side of
seed bead, a 3 mm bicone (figure 5, a–b). Repeat this the peanut (b–c). Pull the
crystal, and an A, and sew stitch six times for a total of thread tight. Basics, p. 82
• right-angle weave: flat strip
• ending and adding thread
2 x 4 mm peanut bead
(top view)
a Alice Kharon has
150 seed bead, color A been beading for
c b
10 years and spe-
3 mm bicone bead
b cializes in wearable
a c
contemporary jewelry. Contact her
FIGURE 1 FIGURE 2 FIGURE 3 8 mm round bead at alice.kharon@yahoo.com.
a
b
b
October 2015 39
make it
longer
Embellishment
1 With the working thread, To add length, work
pick up an 110, and sew an additional even
through the next top peanut number of RAW
in the neck strap (c–d). stitches on each end
Repeat this stitch for the of the necklace, and
length of the neck strap embellish with size
using an even tension. At 110 seed beads only.
the end of the strap, pick up Eight stitches will
an 110, and sew through the add approximately
end bead of the first stitch. 1¼ in. (3.2 cm) of
2 Repeat steps 1–2 of “Clasp” length.
to add the toggle bar.
3 To embellish the bottom
row, pick up an 110, and sew component attached to it.
through the following bottom Pick up a color B 150 seed
peanut in the neck strap. bead, and sew through the
Repeat this stitch twice. Pick next peanut. Repeat this
up an 80, and sew through stitch once.
the next peanut. Pull the 6 Repeat step 5 eight times.
thread tight. 7 Repeat step 3 eight times,
4 Repeat step 3 seven times. and then finish embellishing
5 Pick up an 110, and sew the neck strap by working
through the following peanut. three more stitches with 110s.
Repeat this stitch twice. The End both the working thread
next peanut should have a and tail. w
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October 2015 41
COVER STORY
TUBULAR HERRINGBONE
STITCH / BEAD WEAVING
ing
n
Spin
bit
i r
n o
42 www.BeadAndButton.com
Difficulty rating
Materials
a lavender necklace 16 in.
(41 cm) with 11 ⁄8 in. (2.9 cm)
pendant
Pendant • 1 14 mm rivoli (Swarovski,
1 On a comfortable length tanzanite)
of thread, string a stop bead, • 23 3 mm bicone crystals
leaving an 8-in. (20 cm) tail. (Swarovski, light Colorado topaz)
Pick up a 60 seed bead, an • 20 g 60 seed beads (Toho Y103,
80 seed bead, an 110 seed hybrid stone pink)
bead, and an 80, and sew • 15 g 80 seed beads (Miyuki 250,
through the 60 again. Pull b crystal AB)
the thread tight to form the • 3 g 110 seed beads (Miyuki
beads into a ring (photo a). F356, purple oil)
2 Pick up a 60 and an 80, • 1 g 150 seed beads (Miyuki 250,
and sew through the follow- crystal AB)
ing 80 and 110 (photo b) • 4 10 x 8 mm bead caps
3 Pick up an 110 and an 80, • 1 toggle clasp
and sew through the next 80. • Fireline, 6 lb. test
Skip the following 60, and sew • beading needles, #12
through the next 60 added
in step 2 (photo c). Keeping pink/amber necklace
the tension tight, shape the colors
beads with your fingers into c d • 14 mm rivoli (Swarovski, vitral
a tube with four columns medium)
with the same bead type in • 3 mm bicone crystals (Swarovski,
each column (photo d). topaz)
4 Pick up a 60 and an 80, • 60 seed beads (Miyuki 257,
and sew down through the transparent topaz AB)
next 80 in the previous round • 80 seed beads (Miyuki 264,
(photo e), and continue up raspberry-lined crystal AB)
through the following 110 • 110 seed beads (Miyuki 457,
(photo f). metallic dark bronze)
5 Pick up an 110 and an 80, • 150 seed beads (Toho 221,
and sew down through the bronze)
next 80 in the previous round,
and continue up through the green pendant colors
60 added in the new round e f • 14 mm rivoli (Swarovski, crystal
(photo g). verde)
6 Work as in steps 4–5 20 • 3 mm bicone crystals (Swarovski,
more times for a total of bronze shade)
23 rounds. End and add • 60 seed beads (Toho Y182,
thread as needed. opaque olive luster green)
7 Join the tube into a ring • 80 seed beads (Toho 1704,
as follows: gilded marble lavender)
• With the working thread, • 110 seed beads (Miyuki 318i,
make sure the beadwork green tourmaline amber)
isn’t twisted, and sew through • 150 seed beads (Miyuki F460i,
the 60 on the opposite end green bronze matte)
(photo h).
• Sew back through the 80 in g h
an adjacent column on the
October 2015 43
same end of the tube, and at the beginning of this step,
continue through the corre- and continue through the
sponding 80 on the opposite following 80 to form a new
end of the tube (photo i). picot (b–c). Repeat this step
• Sew up through the 110 around the ring of 80s, end-
in the adjacent column ing when there is one 80 left
on this end of the tube, for a total of 22 picots.
and continue through the 11 Sew up through the end
corresponding 110 on the 150 in the first picot. Pick up
opposite end of the tube a 150, and sew down through
(photo j). the end 150 in the last picot
• Sew down through the 80 in (figure 2, a–b). Continue
the remaining column, and through the 80 your thread
continue through the corre- exited at the beginning of
sponding 80 on the opposite this step, the next 150, and
end of the tube (photo k). the 150 just added (b–c).
Pull the thread tight. 12 Place the rivoli face down
8 Sew through the bead- inside the bezel, and sew
work to exit an 110, and sew through the center 150s of
through the round of 110s the picots (photo l). Pull
to cinch up the beads. Sew the thread tight to cinch
through the beadwork to exit the beads, and retrace the
for a simpler look an 80 in an adjacent round.
9 Pick up three 150 seed
thread path of the ring of
150s twice to secure the rivoli.
Instead of making neck straps, string the pendant
on satin cord, or add additional 150s when making beads, sew through the 80 13 Sew through the bead-
the bail, and slide the pendant on a chain. your thread exited at the work to exit an 80 on the front
beginning of this step to of the bezel. Pick up a 3 mm
form a picot, and continue bicone crystal and a 150. Sew
Print all the materials for the projects in this through the following 80 back through the 3 mm, and
issue at www.BeadAndButton.com/resources. (figure 1, a–b). continue through the follow-
10 Pick up two 150s, sew ing 80 (figure 3, a–b). Repeat
down through the first 150 this step around the ring of
added in the previous picot 80s for a total of 23 bicone
and the 80 your thread exited embellishments (b–c).
i j k l
60 seed bead
80 seed bead
c 110 seed bead
b b
a a 150 seed bead
c
a
b
14 mm rivoli
c
44 www.BeadAndButton.com
cream/topaz pendant
14 To make a bail: Sew when cinched. End and three 110s or 150s, half the colors
through the beadwork to add thread as needed. toggle clasp, and three 110s • 14 mm rivoli (Swarovski, golden
exit a 60, pick up six 150s, 2 With the working thread or 150s. Sew back through shadow)
and sew through the same exiting the end 60, sew the 60, the bead cap, and • 3 mm bicone crystals
60 again to form a loop. through the beadwork to the 60 your thread exited at (Swarovski, golden shadow)
Retrace the thread path exit the second-to-last 110 the start of this step. Retrace • 60 seed beads (Miyuki 577,
to reinforce the connection. with the needle pointing the thread path to reinforce dyed butter cream silver-lined
End the working thread, toward the tail. Sew through the connection. alabaster)
remove the stop bead, the entire column of 110s, 5 Remove the stop bead, • 80 seed beads (Miyuki 457L,
and end the tail. and exit the end 110. Gently and attach a needle to the metallic light bronze)
pull the thread tight to cinch tail. Work as in step 4, but sew • 110 seed beads (Miyuki F460S,
Neck straps the beads, which will form through the bail on the pen- purple frosted iris matte)
1 Work as in steps 1–5 of distinct spirals. Make a few dant instead of the toggle • 150 seed beads (Toho 465A,
“Pendant” for your desired half-hitch knots to secure loop. End the tail. crystal-lined bright gold)
length. Gentle spirals will the spiral shape. 6 Work as in steps 1–5 to
naturally form as the tube 3 Sew through the bead- make a second neck strap. w Materials are available at
is stitched. The length will work to exit an end 60 with Bead Haven in Las Vegas
shorten when the columns the needle facing the other Cary Bruner works at (702) 233-2450 or
are cinched after steps 2 end. If your working thread and teaches at Bead www.beadhaven.com
and 3, so for a 16-in. (41 cm) is shorter than 18 in. (46 cm), Haven in Las Vegas.
necklace, make each neck end the thread and add a She finds that
strap approximately 11 in. new one. Sew through the patience comes Basics, p. 82
(28 cm) long when laid out entire column of 60s with naturally when she remembers • herringbone stitch: tubular
flat without stretching the your thread exiting the end her own humble start. Email her at • ending and adding thread
spirals. Depending on the 60 to cinch up the beads. creationsbycary@aol.com or visit • half-hitch knot
thread tension, this will result 4 With the working thread, www.creationsbycary.etsy.com. • attaching a stop bead
in a 7-in. (18 cm) neck strap pick up a bead cap, a 60,
Milwaukee, Wisconsin
Wisconsin Center
Connect with students and teachers from all over the world.
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P26340
October 2015 45
ARTIST PROFILE Melanie Potter
Following her
beaded bliss A former software manager, Melanie Potter took a leap
of faith — and landed on her beady feet.
In 1999, Melanie Potter was living the such a unique stitch, very organic. It makes
American Dream: a job in high tech, the most gorgeous petals. I love that about
a home on the central coast of California, it.” She is a master at creating pieces that
a wonderful family. When she had time, are lacy, yet substantial; delicate, yet strong.
she satisfied her creative urges by painting
watercolors, or — on a more practical level Retreats to move forward
— couture sewing. The next step on Potter’s new course was
Fast-forward 16 years and Potter is still liv- Beads on the Vine — she didn’t know it at
ing the dream, but it’s her own dream now. the time, but it proved to be one giant step
She’s a noted bead artist, designer, teacher, for Beadkind. “I was still working as a pro-
and founder of Beads on the Vine, an gram manager in the software business
extremely successful beading retreat that then,” she says. “I just thought it would be
pairs world-class teachers with the beautiful fun to bring teachers here to California’s
surroundings of the San Luis Obispo wine Central Coast.”
country. She’s also a bead businesswoman; Fourteen years later, the retreat is still
her website www.schoolofbeadwork.com going strong, attracting top instructors such
carries kits for her own designs and those as this year’s teachers — Cynthia Rutledge,
of Carol Wilcox Wells. And Potter was recently Laura McCabe, and Maggie Meister —
selected to teach the 2016 Bead&Button and beaders from all over the country. Who
Show Master Class in bead stitching. wouldn’t want to spend three days at a win-
ery enjoying gourmet lunches and sipping
Beady beginning the local product? And beading, of course!
To hear her tell it, the path leading Potter More importantly, Beads on the Vine
toward her own vision of beaded bliss was paved the way to Potter’s next destination
well paved. The first flagstone on Potter’s new on her journey: teaching. In addition to three
life path was laid by her daughter, Christina. new pieces by the guest instructors, Potter
“Christina took a class when she was 12 began offering her own designs at her
and made a pair of earrings — with 150 retreats. They proved so popular, she says,
seed beads. I was amazed.” Potter laughs, that “people started demanding I teach one
clearly still proud of her daughter’s ability. every year.” The call for her skills spread far
“I asked her to show me what she did, beyond Beads on a Vine, and in 2003 she
and that’s how I started.” quit her job at the software company.
Potter also proved adept One of the most important guides Potter
with beads and began to had during her early development as a
The “Palazzo
create her own designs. professional beader was Carol Wilcox Wells,
Lanterna”
She adopted chevron whom she met when she invited Wells to
pendant
stitch as her go-to teach at Beads on the Vine.
was inspired
stitch. “I thought “She was a wonderful mentor,” Potter
by 15th century Italian
there was a lot of says. “She’s very wise and kind, and she
lanterns still found on
potential in it,” was definitely a great influence.” The two
historical buildings.
she says. “It’s women joined forces to create the School
46 www.BeadAndButton.com
also considers her students an invaluable
resource. “For one thing, they’re always
extremely sweet.” They’re also eager test
beaders, and Potter appreciates their help.
“Sometimes the only way to find problems
with a design is to have someone else
make it,” she says.
of Beadwork website to sell the kits they had
created for the retreat. Wells is now in semi- People pleaser
retirement — ”She’s beading more for galler- Potter also takes comments to heart when
ies, which was always a dream for her” — designing new pieces. “I’ve been trying
but School of Beadwork still sells her kits. some new things,” she says. “I like to go my
“I would love to bring on other artists,” own way, but I know a lot of my students
Potter says, but she feels she doesn’t current- like peyote, and I also want to please my
ly have the resources to expand while still audience.” Her “Archipelago” pendant
maintaining the high quality of School of is certainly a crowd-pleaser; it’s
Beadwork’s kits and customer support. And a solid-looking, geometric piece,
by focusing on her own designs, she can inspired by a tortoise’s shell but
guarantee her customers will get expert jazzed up with crystals. “Swing of
help if they need it. Things,” her latest Beads on the
Now that Potter is truly on the path to Vine design, is another example of her more
beaded bliss, life has settled into a new sort structured direction, this time melded with
of routine. Instead of sitting in meetings, she her beloved chevron chain. “The necklace
teaches classes. Instead of software dead- is very structured, with a lot of peyote, but
lines, she has publication deadlines. it’s also very organic. It’s like a marriage of
“I say I have my winters off,” she says, “but the two styles.”
winters are for new designs and pattern After a decade-and-a-half of hard work,
writing.” After her winter “slow” time, Potter the path Potter is following is no longer new,
ramps up kit production in preparation for but she hasn’t slowed down. “As long as I’m
a summer and fall spent crisscrossing the still enjoying the process I’ll keep going,” she
U.S. to teach. Her husband, Scott, helps keep says. She pauses. “With drawing, I study the
the business running smoothly. Daughter world, and I try to make the drawing in its
Christina also helped for several years likeness. With beading, I usually just see
before launching her own business as a where I’m going. I get little happy accidents
“
craft baker. “She would bead all the samples that turn into something pretty amazing.”
that I couldn’t get to myself,” Potter says. She That’s what happens when you follow the
Top: Potter recently taught “Swing
(thread) path to beaded bliss. w
of Things” at Beads on the Vine.
Middle: “Flora” features chevron
Sometimes Lori Ann White is a freelance writer whose
favorite topics are beads, physics, and
chain flowers on a lattice panel.
Below: Potter’s “Bejeweled Garland
the only martial arts — sometimes in that order.
Contact her at www.lori-ann-white.com.
Choker” was a Bead&Button project
in June, 2012.
way to find To see Melanie’s
a design is
”
to have
someone
else make it.
October 2015 47
47
TWISTED TUBULAR HERRINGBONE STITCH
gle
t w st ban
ate
elic
D d s
be s
but the y ma
mall angle w ing.
b
may to wear erwhelm
ke
ith a
bea sy t ov
The xible, ea hat’s no
a fle ly focal t Shai
k
spar ed by Ora
n
desig
Twisted herringbone herringbone stitch using 150s stack (figure 5 a–b). Continue through the following 150 to
tube until the beadwork is ¾ in. up through the two 150s in form a picot (figure 7, a–b).
1 On a comfortable length (1.9 cm) shorter than the the previous stack, the 3 mm Repeat this stitch twice to
of thread, pick up four 150 circumference of the widest above it, the 150 and 3 mm complete the round, and sew
seed beads leaving an 18-in. part of your hand. just added, the next two 150s through the next 150 in the
(46 cm) tail. Sew through all in the same stack, and up ring, exiting on the inside
four beads again to form Embellishment through the two 150s in the of the tube (b–c). Note: For
two stacks next to each 1 Pick up a 3 mm fire-polished following stack (b–c). clarity, the embellishment
other with their holes parallel bead, a 150, and a 3 mm, 4 Repeat steps 2–3 once around the tube in figures
(figure 1). and sew down through more. 7–8 is shown with only the
2 Pick up two 150s, sew the next two 150s, and up 5 Sew up through the first last round of 150s.
through the two 150s in through the following two 3 mm added (figure 6, a–b). 7 Pick up five 150s, skip the
the previous stack, and con- 150s in the herringbone rope Pick up a 150, and sew down next 150 in the ring, and sew
tinue through the two 150s (figure 4, a–b). through the previous 3 mm through the following 150
just added (figure 2, a–b). 2 Pick up a 3 mm and 150, and the next two 150s in the (figure 8, a–b). Repeat this
Repeat this stitch three more and sew down through the same stack (b–c). Continue stitch twice to complete the
time to make a ladder with last 3 mm added and the up through the next two 150s round, and step up through
six stacks (b–c). two 150s below it (b–c). in the following stack, the the first three 150s added in
3 To form the ladder into a Continue up through the first 3 mm, and the 150 just this round (b–c). Make sure
ring, sew up through the first next two 150s and the 3 mm added (c–d). This will form this round of beadwork sits
stack, down through the last just added (c–d). a ring of 150s on top of the inside the previous round.
stack added, and up through 3 Pick up a 150 and a 3 mm, fire-polished beads. 8 Pick up a 3 mm bicone
the first stack again (figure 3). and sew down through the 6 Pick up five 150s, skip the crystal, and sew through the
4 Work in twisted tubular next two 150s in the following next 150 in the ring, and sew center 150 in the next picot
48 www.BeadAndButton.com
b
a c Difficulty rating
FIGURE 1 FIGURE 2
d
Materials
a b bangle 2½ in. (6.4 cm) inner
diameter
• 3 3 mm bicone crystals
c (Swarovski, turquoise AB2X)
• 12 3 mm fire-polished beads
(3FC854-F, full coated metallic
FIGURE 3 FIGURE 4 gold; www.shipwreckbeads.com)
• 6 g 150 seed beads (Toho PF558,
aluminum)
d • Fireline, 4 lb. or 6 lb. test
a
b • beading needles, #12 or #13
c
150 seed bead a
Basics, p. 82
3 mm fire-polished bead • herringbone stitch: twisted tubular
b c • ladder stitch: making a ladder and
3 mm bicone crystal forming a ring
• ending and adding thread
FIGURE 5 FIGURE 6
October 2015 49
Visit your local October 2015 is
Visit Your Local
Bead Shop month!
Please support these advertisers – the bead shops,
and the companies that supply products to the shops!
Nichole Starman
June 2015
Ŵ62&You
FOR VOTING US #1
VISIT US IN STORE & ONLINE
TAKE 20% OFF YOUR
NEXT PURCHASE*
ONLINE CODE: LOVE
www.BeadandButton.com
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TO ADVERTISE
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50 www.BeadAndButton.com
Enchanted Earrings
Kit
$65
October 2015 51
Shop CALIFORNIA•El Segundo (near LAX)
Stop in & experience Bead Heaven on Earth. Friendly service
& all the newest beading trends at the best prices. New Delica
selection. Conveniently located just south of LAX. Classes and
COLORADO•Fairplay
Wide selection of beads & supplies.
Raku & lampwork beads made on site.
Daily 9:00am to 5:00pm. Vendors Wanted for Show.
FLORIDA•Cape Coral
Unique Bead Store with complimentary coffee & soothing
music. Miyuki seed beads, Swarovski crystals, Czech glass,
semi-precious stones, Tagua beads, Greek leather, tools &
Directory
SHOP DIRECTORY ads are $354 for six consecutive
parties. M, Tu & F 11-5; W & Th 11-7; Sat 10-4. Closed Sun.
www.bead-topia.com
BEADTOPIA
319 Richmond St. 310-322-0077
Fairplay Bead & Fiber Show, August 8 & 9, 2015
www.backroombeads.com
SOUTH PARK POTTERY & BACKROOM BEADS
417 Front Street 719-836-2698
findings. Handcrafted jewelry/gifts. Classes & birthday parties.
www.beadedenvisions.com
BEADED ENVISIONS
130 Del Prado Blvd., Ste. 7 239-673-6096
issues, payable in advance, or $65 per issue (billed to CALIFORNIA•Fresno COLORADO•Fairplay FLORIDA•Clearwater (Indian Rocks Beach)
established accounts for one year minimum). Color
available for $10 per issue. Street address must be listed Located in the Pavilion West shopping center. Wide selection of beads & supplies. Full service bead store offering a unique selection of beads,
in the ad. No mention of mail order or wholesale business Featuring unique beads, crystals, gemstones, Raku & lampwork beads made on site. findings, wire, tools, buttons, books and seaside gifts.
permitted. Sterling silver, tools, books and a lot more. Daily 9:00am to 5:00pm. Vendors Wanted for Show. Classes/Parties/Workspace. Custom torch-fired enamels.
Send your ad to: Bead&Button Shop Directory We have everything to bring out the bead artist in you. Fairplay Bead & Fiber Show, August 8 & 9, 2015
beadartistry@sbcglobal.net www.backroombeads.com www.island-cove.com
P.O. Box 1612, Waukesha, WI 53187-1612
or call 1-888-558-1544, Ext. 815. BEAD ARTISTRY SOUTH PARK POTTERY & BACKROOM BEADS ISLAND COVE BEADS & GALLERY
2059 W. Bullard 559-435-6605 417 Front Street 719-836-2698 1519 Gulf Blvd., Ste. 4 727-510-1657
ALABAMA•Daphne CALIFORNIA•Grover Beach COLORADO•Littleton FLORIDA•Davie (Ft. Lauderdale area)
Located on the Eastern Shore of Mobile Bay. Lots of Japanese From beading classes to unique gifts and fabulous fashion Voted the best bead store in So. FL. Largest selection of
seeds, Czech glass, shaped 2-hole, Swarovski, gemstones, Glass beads, semi-precious stone, Swarovski crystal, seed jewelry, we have something for everyone. One of the largest natural stones, freshwater pearls, Bali & Thai silver, crystals,
pearls, tools, findings and more. Sail in, get inispired. beads, findings, silver, tools, wire, lampworking classes & bead stores in Denver metro area! 10% of every sale donated Czech glass & seed beads. Extensive classes with patient
Classes anytime. Open daily 10-6, Sunday 11-4 supplies, direct importer. to a charity you choose. Tues - Sat 10:00am-6:00pm teachers. Centrally located. New 3,200 sq. ft. facility.
Find us on Facebook www.jewellsbeads.com www.thecrazymerchant.com
BEAD HARBOR JEWELL'S BEADS THE CRAZY MERCHANT, INC. BEAD NEED
27955 US Hwy. 98, Ste. M 251-210-6679 1443 W. Grand Ave. 805-473-1541 1700 West Belleview Ave. 303-761-6100 5735 S. University Drive 954-880-0880
ALABAMA•Helena (min. from Birmingham) CALIFORNIA•Lodi (5 min. from Hwy. 99) COLORADO•Wheat Ridge FLORIDA•Deerfield Beach
Escape the stresses of everyday life & create at The Bead Biz. Beading experience in the heart of Lodi Wine Country. Everything for the Bead Weaver’s needs! Friendly, helpful South Florida’s newest full service, friendly bead store.
Japanese seed beads, Delicas and Toho’s. Austrian crystals Vast assortment of Beads, Stringing supplies, Findings staff here 7 days a week. Czech & Japanese seed beads, Classes in beading, metalsmithing, Dichroic glass and much
and great prices on gemstones. Supplies for all your bead & more for your unique jewelry making. Classes, parties, semi-precious, Swarovski, metal beads & charms, findings, more. Full line of Miyuki seed beads, Swarovski crystals, semi-
needs. Tues-Fri 11-6, Sat 10-6, Sun 1:30-5:30, closed Mon. & Fun. Family owned, offering a Bead Friendly atmosphere. chain, tools & much more! Catalog, map & more info online. precious stones, Czech glass, etc. Open Tuesday - Saturday
www.thebeadbiz.com www.bunchesofbeads.com www.ornabead.com
THE BEAD BIZ BUNCHES OF BEADS ORNAMENTAL BEADS LLC BEADS R US PLUS
3745 Helena Rd., Ste. 100 205-621-2426 100 W. Pine St. 209-367-1207 5712 West 38th Avenue 303-567-2222 2247 West Hillsboro Blvd. 954-573-7797
ARIZONA•Mesa CALIFORNIA•Newbury Park CONNECTICUT•Cheshire FLORIDA•Ft. Myers
Visit our beautiful showroom! We specialize in Swarovski crys- Ventura County’s largest selection of beads & beading books; We specialize in hard to find gemstones in natural state. Rare We honor your creativity!
tals & pearls, naturals & Delicas. Best seed bead selection in Seed, Delica, vintage glass, Czech glass, Swarovski crystal, focal beads, 2 hole beads, druzy, crystal points, agates, gem- From beginner to full blown artist, we are S.W. Florida’s
the state. Known for original kits & classes. Events include Pearls & gemstones, charms, findings, Sterling & gold-filled. stone nuggets geodes, African trade beads, Tibetan & Indian bead paradise! Classes and parties available.
guest teachers, trunk shows, Beadathon & Savvy Sunday. Classes with nationally known teachers. Open Tues - Sun. Mala. Classes, open studio.Coupon “BeadandButton10” Volume buying welcome. Check out our eye candy.
www.2-old-beadies.com www.creativecastle.com www.KanduBeads.com
CREATIVE DESTINATION CREATIVE CASTLE KANDUBEADS BAB’S BEAD WAREHOUSE
1660 S. Alma School Rd, Ste. 108 480-755-4367 2321 Michael Dr. 805-499-1377 116 Elm St. 203-439-8689 16205 S. Tamiami Trail, #4 239-432-1778
ARIZONA•Phoenix & Scottsdale CALIFORNIA•Redding CONNECTICUT•Fairfield FLORIDA•Hudson
Best selection of quality gemstones, Tierra Cast, Total sensory overload! Largest bead shop in Northern CA. Fabulous gemstones, pearls & lampwork at full-service store With a warm and inviting atmosphere, Laura’s Beads is a
seed beads, chain, metals, SS, GF, Swarovski, pearls, Japanese & Czech seed beads, Czech glass, hemp & macrame with parties, inspiring classes & special events. The newest place to gather, learn and create. Specializing in bead
leather, jewelry making kits and more. Classes daily. supplies. Findings, semi-precious, TierraCast, bone, feathers, Beadworks, becoming known for its studio space & creative weaving, we offer a wide range of classes and are stocked
www.beadworldinc.com leather. Huge selection of chain, tools, wire, classes & more. parties. Proud resource for beginner & expert beaders alike. with a gorgeous selection of beads, findings and supplies.
BEAD WORLD, INC. Coupon Code: MAGAZINE for 20% off most items www.beadworksfairfield.com www.laurasbeads.com
6068 North 16th St. 602-240-BEAD (2323) BEADMAN Find Us On Facebook! BEADWORKS® LAURA’S BEADS
8764 E. Shea Blvd. 480-948-BEAD (2323) 2619 Park Marina Dr. 530-243-8808 1700 Post Rd. 203-955-1550 8143 State Road 52 727-495-0803
ARIZONA•Phoenix & Scottsdale CALIFORNIA•Sacramento CONNECTICUT•Manchester FLORIDA•Key West
Best selection of quality gemstones, Tierra Cast, Findings (pewter & sterling silver), Swarovski & Chinese Wide selection of natural stones, pewter, cultured sea glass
seed beads, chain, metals, SS, GF, Swarovski, pearls, Largest selection of Japanese seed beads. Over 900 colors. crystals, gemstones, lampwork beads, gemstones, cabochons. & pearls, plus findings & beading supplies for designers &
leather, jewelry making kits and more. Classes daily. Delicas, stone, pearls, crystals, lampwork, trade beads, Seeking hand-made beads & jewelry for sale on consignment. hobbyists alike. Call for class schedule, make & take jewelry
www.beadworldinc.com charms, wood, bone and more. See our full size ad. Classes. M/T 10-5, W 11-7:30, Th 11-8, F 11-7, Sat 10-4, Sun 11-1 every day. Jewelry & glass beads by owners & others.
BEAD WORLD, INC. www.ubeaditsacremento.com www.thesilverchest.com www.KeyWestBeadStore.com
6068 North 16th St. 602-240-BEAD (2323) U BEAD IT THE SILVER CHEST, INC. IMPOSSIBLE THINGS BEAD EMPORIUM & STUDIO
8764 E. Shea Blvd. 480-948-BEAD (2323) 2525 Yorktown Ave. 916-488-2323 789 Main Street 860-896-5909 531 Whitehead St. 305-294-3500
ARIZONA•Sedona CALIFORNIA•San Diego CONNECTICUT•Montville FLORIDA•Lighthouse Point (Pompano)
Tools & supplies for the bead artist! A great San Diego bead store by the beach. We have a unique Nature’s Art Village has over 5 million BEADS and counting! South Florida’s friendliest bead store. Tons of semi-precious,
Sedona’s largest selection of beads and findings. and complete collection of everything for the bead enthusiast Plus semi-precious stones, crystals, Miyuki Seeds, complete pearls, Czech, Swarovski, sterling, tools and supplies.
Classes & private lessons. at any level. All varieties of beads, chain, wire, findings, wire wrapping supplies, hot new classes & Expert Staff! Original lampwork beads. Classes and kits.
Mon. - Sat. 10-5; Sun. closed. books, tools & more. Wed - Sat 10:30-7, Sun 11-6 Open 7 days, 10am-6pm. Check out our website for store location and class schedules.
www.sedonabeadgarden.com www.theblackbead.net www.NaturesArtVillage.com www.BeadandArt.com
THE BEAD GARDEN OF SEDONA THE BLACK BEAD ABSOLUTE BEAD SHOP at Nature’s Art Village BEAD & ART
3150 W. SR. 89A 928-282-7334 5003 Newport Ave. 619-222-2115 1650 Route 85 860-443-4367 5034 N. Federal Hwy. 954-418-3390
ARIZONA•Tucson CALIFORNIA•San Jose CONNECTICUT•Niantic FLORIDA•Ocala
Huge Showroom! Everything you need to bead: Semi, vintage Purveyor of unique beads, buttons, trims & treasures, Family owned and operated. Beads, findings & stringing New 3,000 Sq. Ft. Location in Market Street.
beads & buttons & crystal, copper, seed beads, findings, worldly offerings to beginners, inspired, & collectors. material of all kinds. Birthday/private parties and events. Offering the area’s best selection of Miyuki & Toho seed
fabulous twiddeleydoos, single beads to bulk quantities. Close Workshops-parties-gifts-supplies. Classes, free open studio, consignment art and gifts. beads, Swarovski, Czech glass, GS, findings & more.
to I-10, RV Parking. Call for directions. Mon. - Sat. 10-5. Tu, W, F & Sat. 10-6; Th 10-8; Sun 11-4. Mon- Sat 10-6, Thurs 10-8, Sun 11-5 See our class & events schedule online.
www.sewbeadazzled.com www.thistlebeads.com www.thebeadstrand.com
A BEAD CARNIVAL SEW BEADAZZLED THISTLE BEADS, LLC THE BEAD STRAND
3301 E Pennsylvania St. Toll Free 877-696-9490 1068 Lincoln Ave. 408-293-2232 55 Pennsylvania Ave. 860-739-6552 4414 SW College Rd., Ste. 1510 352-620-2323
ARKANSAS•Fayetteville CALIFORNIA•Solvang CONNECTICUT•Norwalk (Historic Sono) FLORIDA•Orlando
Nestled in the Ozarks in beautiful downtown Fayetteville Formerly Kandra’s Beads Globetrotting buyers provide unparalleled selection of Precious Largest selection of watch faces, Swarovski crystals &
Since 1991 NWA’s largest full service bead store, A full service bead store. Incredible selection of Japanese seed & Semi-precious Gemstones, Pearls, Swarovski, Czech, Lamp- gemstone beads from around the world. Incl. Bali & gold-filled
crystals, gemstones, import clothing & unique gifts. beads! Lots of wonderful beads and great classes. work, 14K & 18K, Basics & Findings galore. Landmark for the silver findings, books, tools, beadalon. All level beaders &
Tues - Fri 10-5; Sat 9-5; Closed Sun & Mon Open 7 days a week. bead enthusiast & novice alike. Parties & Inspiring Classes! beadshops welcome. Mon - Sat 10-7, Sun 11-6
Like us on Facebook Follow us on Instagram www.miesbeads.com www.beadworksnorwalk.com www.beadalgo.com
DARK STAR VISUALS MIE’S BEADS BEADWORKS® BEAD TIME
106 N. Block Ave. 479-443-2323 1539 Misison Dr., Suite A 805-686-8804 139 Washington St. 203-852-9194 8335 S. John Young Pkwy. 407-226-3151
CALIFORNIA•Arroyo Grande CALIFORNIA•Stockton DISTRICT OF COLUMBIA•Washington FLORIDA•Orlando (College Park)
Full service bead store. Large selection of seed beads and You’ll love our huge Swarovski selection; stone, pearls, One stop bead store from basics to exotic & extraordinary. Bead Bar - Full Service Bead Stores - Central Florida’s
Swarovski crystals and pearls. We also offer a great selection pressed glass and seed beads all sizes. Czech & Japanese Gemstones, organics, all metals, crystals, seed beads, glass. favorite since 1991. Huge inventory, talented staff, great
of classes. Open Tues-Sat 10:00am-5:00pm, Closed Sun and including Delicas. Instruction available; beginner to advanced. Stringing materials, findings, wire, chain, tools, books, classes. customer service, very competitive prices. A Beader’s Delight.
Mon. www.joyofbeading.net. Check us out at: Friendly staff in an organized and inspiring environment. A must see in Orlando. Online catalog. Newsletter.
www.beaddreams.biz www.beadazzled.com www.beadbar.com
THE JOY OF BEADING BEAD DREAMS (around the corner on Dorris Place) BEADAZZLED Where Beads & Inspiration Meet! BEAD BAR® FULL SERVICE BEAD STORES
1054 E. Grand Ave., Suite A 805-489-6544 2103 Pacific Ave. 209-464-2323 1507 Connecticut Ave. NW 202-265-2323 1319 Edgewater Dr. 407-426-8826
CALIFORNIA•Concord CALIFORNIA•Tehachapi FLORIDA•Boca Raton FLORIDA•Orlando (Maitland)
Beads to thread, wire & just admire As an artist owned store, you won’t be disappointed by the Our beautiful showroom is well stocked with the latest trends Orlando’s premier teaching center and full service bead store.
All for beading to your heart’s desire pricing and selection of beads. Unique glass and Polymer in beads, crystals, gemstones, findings, styles and colors. Japanese seed beads, Swarovski products, gemstones, pearls,
Family owned since 2003 beads as well as 2 holed beads, stones, clothing and coffee! Small classes make for more individual attention. Conveniently thunder polished crystals, fine metals and mixed metal
Customized workshops available. Closed Tuesdays. located in Central Boca Raton. Open Mon-Sat 10am-6pm findings and chain. Kits and a special order catalog available.
www.justbeaditconcord.com www.klewexpressions.com irismoon.com or bocabeads.com www.BeadStoreOrlando.com
JUST BEAD IT! SPIRITED BEAD & KLEW’S GALLERY IRIS MOON’S BOCA BEADS® BEADS ETC. 407-339-BEAD
2051 Harrison Street, Ste. C 925-682-6493 435 West J St. 661-823-1930 21073 Powerline Rd., Ste. 35 561-477-8760 110 N Orlando Ave. (2323)
52 Bead&Button | www.BeadAndButton.com
FLORIDA•Palm Bay GEORGIA•Watkinsville (Athens) ILLINOIS•Peoria MAINE•Augusta
A full-service store ready to meet all your beading needs. Artisan & focal beads, Czech beads & buttons, vintage beads, The only full-service bead store in the Peoria area. Our customers say we are the “Best Little Bead Shop in ME”.
Offering basic-adv. classes & parties for all ages. Swarovski, TierraCast, WireLace, WireKnitz & SilverSilk, We offer pearls, semi-precious, silver, crystal, seed beads Friendly, helpful atmosphere. Large selection of silver,
Shop, bead & have fun in our showroom filled Miyuki, Venetian beads, Hill Tribe, Kazuri, trade beads, and much more. Tell us what you need and we'll get it! Swarovski, glass, bone, stones, seed beads, tools & supplies.
with selections from around the world. pearls & stone. Classes. Check the website for shop hours. Mon-Sat 10am-6pm. Check our website for class schedule. Classes & parties. Bridal & repairs. Tue-Fri 10-5; Sat 10-3.
www.islandbeadcompany.com www.gonewiththebead.com www.freetobead.com www.beadsonthekennebec.com
ISLAND BEAD CO. GONE WITH THE BEAD FREE TO BEAD BEADS ON THE KENNEBEC
1308 Malabar Rd. SE, Unit 1 321-752-6545 16 N. Main St. (entrance at back) 706-769-2012 3301 N. Prospect Rd. 309-682-BEAD (2323) 333 Water St. 207-622-1666
FLORIDA•West Palm Beach ILLINOIS•Des Plaines (Near O’Hare) IOWA•Iowa City MICHIGAN•Farmington (Downtown)
One of S. FL’s oldest bead stores. Wholesale to the public. Best selection & prices! Swarovski®, stone, pearls. Low prices • Friendly service • Unique selection.
Large selection of Swarovski crystal, flat backs, S/S, G/F, Czech glass & 2-hole beads. Japanese, Czech seeds. Since 1987. Broad range of stone, glass, seed beads, A wide variety of beads & components including semiprecious
pewter, gemstones, pearls, wire, tools, hand-blown glass & GF, SS, base metal findings, beads & 200+ chains. Swarovski, pearls, metal & organics. Proven instruction- stones & Czech glass to artist pieces, seed beads, designer
seed beads. Over 150 beading classes. Open 7 days a week. Leather, tools, friendly help. Mon - Sat 10-6; Tues til 8. creative environment. Monthly specials. Open 7 days a week. brass lines & more. Ask for your free “Bead Addiction” card!
www.gemstonebeadimports.com www.bodaciousbeadschicago.com www.beadologyiowa.com www.facebook.com/beadbohemia
GEMSTONE & BEAD IMPORTS bodacious beads BEADOLOGY IOWA BEAD BOHEMIA
4603 Okeechobee Blvd., #117 561-687-3663 1942 River Road 847-699-7959 220 E. Washington St. 319-338-1566 33321 Grand River Ave. 248-474-9264
October 2015 53
MICHIGAN•Ypsilanti Twp. NEW HAMPSHIRE•Exeter NEW YORK•Rochester OREGON•Depoe Bay
Supporting the artist inside of you! Huge collection of Seed & Huge selection of semi-precious & precious gemstone beads. Bangles, baubles & bright shinny beads for any bead & 2,000 sq. ft. of beads: Over 2,500 seed bead choices,
Czech Beads. Pearls, stones, Swarovski. Lampwork & Polymer Swarovski, Czech & Kazuri beads. Wide selection of seed jewelry lover! Friendly, warm, creative atmosphere. Extensive thousands of strings of stone, crystal, glass, pearls, wood,
Clay by MI & National Artists. Classes, kits, books & so much beads from top manufacturers. Diverse choice of findings, selection of semi precious, pearls, seed beads, Hill Tribe Silver, & shell, plus everything else you need.
more. Tue - Fri 10-6; Sat 10-5, Closed Sun & Mon chain and wire. Custom cutting & drilling. Classes. tools & findings. New items weekly. Classes & parties. Open 10-5. 2 miles north of town on 101.
www.StonyCreekBead.blogspot.com for directions www.SanterresStones.com www.beadbreakout.com (Easy access from Rte 590) www.roots-beads.hostedbywebstore.com
STONY CREEK BEAD SANTERRE’S STONES ‘N STUFF BEAD BREAKOUT ROOT’S BEADS
2060 Whittaker Rd. 734-544-0904 42 Water St. 603-773-9393 2314 Monroe Avenue 585-271-2340 3150 Fogarty Ave. 541-764-5040
MISSOURI•Springfield NEW JERSEY•Bergenfield (Only miles from NYC) OHIO•Cincinnati (Harrison) PENNSYLVANIA•Allentown
Inspire yourself with a creative environment created by Visit East Coast’s premier bead shop. 3,000+ colors/styles “The West side’s original Bead Shop”. Create your own Biggest Little Bead Shop in PA.
artist and bead enthusiasts alike. Explore our 2,500 sq. ft. of Japanese seed beads, glass, crystal, semi-precious, jewelry from our ever-growing selection of Swarovski crystal, Full selection of crystals, seed beads, findings,
selection of irresistible stones, crystals, seed beads and lampwork & more. Classes by local & nationally known semi-precious strands, glass, metals, pendants, lampwork, clay tools, make-it take-it projects.
everything else you could desire. artists. Extensive inventory for unlimited possibilities! beads & tools. 1-on-1 project assistance, classes & parties too. Classes by local and nationally known teachers.
www.springfieldleather.com www.beadsbyblanche.com www.followyourbeadedbliss.com www.katsbeadboutique.com
SPRINGFIELD LEATHER & TOUCHSTONE BEADS BEADS BY BLANCHE BEADED BLISS Always Follow Your Bliss KAT’S BEAD BOUTIQUE
1463 S Glenstone 417-881-0223 106 N. Washington Ave. 201-385-6225 1151 Stone Drive, #E-5 513-202-1706 725 North 19th St. 610-432-7545
NEW HAMPSHIRE•Epping NEW YORK•Queens (Ozone Park) OREGON•Bend (downtown) SOUTH CAROLINA•Hilton Head Island
Huge selection of top quality beads, beading supplies, and Largest selection outside Manhattan. Classes. Swarovski, Treasures from pearls, beads & findings found around the
chain. Miyuki & Toho seed beads, Swarovski, Preciosa, Czech, Precisoa, pearls, thunder & fire polish, 1000’s of semi-prec More Beads Than You Can Imagine! globe, to lampwork beads made right here in the Lowcountry!
Pearls, Lampwork, Gemstones & more. Classes & Parties. strands, Myuki, Delicas, Toho, hanks, pendants, cabs, donuts, Open 7 days a week. Call for hours and directions. Delica, Swarovski, Softflex & many trusted brands. Owner
Plenty of parking. Handicap accessible. Awesome Staff!! findings, chain all mtls & finishes. Tools, books. Open 7 Days Steve Mardell teaches wirework, beading, lampwork & more.
www.JustBeadingAround.com www.ladyjanecraftcenter.com (Belt Pkwy, Exit 17) www.azillionbeads.net www.hightidebeads.com
JUST BEADING AROUND BEAD SHOP at Lady Jane Craft Center AZILLION BEADS HIGH TIDE BEADS
275 Calef Highway (Rte 125) 603-734-4322 137-20 Crossbay Blvd. 718-835-7651 910 NW Harriman St., #100 541-617-8854 32 Palmetto Bay Road, Ste. A7 843-686-4367
54 Bead&Button | www.BeadAndButton.com
SOUTH CAROLINA•Mt. Pleasant VIRGINIA•Falls Church WASHINGTON•Spokane WISCONSIN•Stoughton (Madison Area)
6 mi. from Charleston. Y’all will love our prices & selection of One stop bead store from basics to exotic & extraordinary. 3,400 sq. ft. of the finest bead selection and supplies in the Unique beads, charms & findings. Locally-made clay beads,
semi-preciouus gemstones, Swarovski, Sterling, Czech glass, Gemstones, organics, all metals, crystals, seed beads, glass. area. Friendly atmosphere and staff. Beyond Beads with ancient & large-hole beads. Tons of leather & chain! Wide
shell, freshwater pearls, books, metals and more. Beginners Stringing materials, findings, wire, chain, tools, books, classes. unique clothes, accessories and unique gifts. Offering 3 selection of fun kits. DIY creative space. Metal stamping.
assisted. Designers thrilled. Volume discounts. Visit us on FB. Friendly staff in an organized & inspiring environment. classes per week. Open daily. Always your true north. Classes too! Only 15 minutes from Madison or I-90.
www.countrybumpkinarts.com www.beadazzled.com www.beyondbeadsnorth.com www.diakonosdesigns.com
BEADS & BRUSHSTROKES BY COUNTRY BUMPKIN ARTS BEADAZZLED,Where Beads & Inspiration Meet! BEYOND BEADS NORTH DIAKONOS DESIGNS-FAITH INSPIRED ART
918-C Lansing Dr. 843-884-8808 444 W. Broad St. 703-848-2323 7452 N. Division St. 509-482-0674 187 E. Main Street 608-873-0210
1-888-799-0311
www.classactdesigns.com
Wholesale & Retail Sales
classactdesigns1@gmail.com
6520 Platt Avenue #605 West Hills, CA 91307
All items cast in the USA • Wholesale only • 800-995-9188 • Equatoria@outlook.com Native American Designs
56 www.BeadAndButton.com
Ask for Preciosa crystal in your local beadstore.
A glowing layer of gold enhances the color of the bead beneath. Add warmth and shimmer to
your designs with the new Sueded Gold finish, exclusively manufactured by Starman.
MSG2006: Amethyst MSG7010: Roseline MSG9008: Ruby MSG9004: Hyacinth MSG1023: Smoky Topaz MSG5023: Olivine
MSG5014: Emerald MSG6023: Teal MSG6008: Capri Blue MSG3005: Sapphire MSG3009: Cobalt
ALUMINUM WIRE
Wire is soft tempered and is ideal
for creating wire wrapped designs
WIRE KNITTER TOOL
FINDINGS FORMS Try different stitches to create
various patterns
PATENT PENDING
Use these clever fixed peg jigs COILING GIZMOS
to make your own wire clasps,
ear wires, and connectors
SAW FRAME WITH 36 BLADES PATENTED
Everything you need to start cutting metal Crank wire to make
sheet, large gauge wire, wood, and plastics coiled springs & beads
www.BeadAndButton.com
“Quick ‘n Easy” Accessories!
Ask For Us At
D
Your Local Bead Store
beading.
Lead Free Pewter ~ Made in the USA Bead retailers, contact for more
information on opening an account.
EU Nickel Compliant ~ Original Designs
1.800.233.1703
W W W. T I E R R A C A S T. C O M
October 2015 61
Reversible
BEAD WEAVING / CRAW
Component base a crystal, and a 150, a–b), and continue through the
1 On 3 yd. (2.7 m) of thread, pick up and sew through the remaining 150s in the inner ring,
a 3 mm pearl, a 150 seed bead, a 3 mm crystal your thread using a tight tension (b–c). Continue
bicone crystal, a 150, a crystal, and a exited at the start through the beadwork as shown to
150. Sew through the beads again (not of the step. Continue exit a 3 mm pearl (c–d). This creates
shown in figure for clarity) to form a ring, through the next four a circle unit.
leaving a 10–in. (25 cm) tail. Continue beads to exit the fol- 7 Pick up two 150s, a 3 mm pearl, and
through the beadwork to exit the first lowing crystal (c–d). a 150, and sew through the pearl your
crystal added (figure 1, a–b). 4 Repeat steps 2–3 (d–e). thread just exited to form the start of
2 Pick up a 150, a crystal, a 150, a 3 mm 5 Pick up a 150, and sew through the a pearl strip (figure 3, a–b). Continue
pearl, and a 150, and sew through the next crystal added in step 1 (e–f). Pick through the next two 150s and pearl
crystal your thread exited at the start up a 150, a 3 mm pearl, and a 150, and just added (b–c).
of this step. Continue through the first sew through the crystal your thread 8 Pick up a 150, a 3 mm pearl, and
150 and crystal added (b–c). exited at the start of this step (f–g). two 150s, sew through the pearl your
3 Pick up a 150, a 3 mm pearl, a 150, 6 Sew through the next 150 (figure 2, thread exited at the start of this step,
62 www.BeadAndButton.com
radiance
Difficulty rating
Materials
necklace 22 in. (56 cm)
• crystal pearls (Swarovski,
iridescent green)
- 8 4 mm
- 307 3 mm
Double your options with this reversible necklace
• 297 3 mm bicone crystals
that goes from a little bling on one side to “wow”
(Swarovski, indicolite AB2X)
on the other. • seed beads (Miyuki 457L,
metallic light bronze)
- 15 g 110
designed by Donna Sutton - 30 g 150
• 1 clasp
• Fireline, 6 lb. or 8 lb. test
• beading needles, #11 or #12
Basics, p. 82
• Ending and adding thread
d
c
d Donna Sutton was
a
b introduced to the
a f
world of beads in
2010 and found it
b g b to be the perfect
c e c a
medium for expressing her
d
creativity and imagination. Kits
for this necklace are available at
www.dragonflydreamdesign.etsy.
com or contact Donna at dragon
FIGURE 1 FIGURE 2 FIGURE 3 flydreamdesign@hotmail.com.
October 2015 63
a
a c
c
d
b
b
c a
c a
b a c
b c b
a b
and continue through the next unit (figure 6, a–b). Make sure there is to complete the second side of the
150 and pearl just added (c–d). one pearl in the circle unit between the CRAW unit.
9 Repeat steps 7–8 twice and step 7 two pearl strips. Pick up two 150s, and 3 Pick up a 150 and 110, and sew down
once more to add five more 3 mm sew through the pearl your thread exited through the 150 added in the previous
pearls to the pearl strip. at the start of this step (b–c). Continue step (figure 9, a–b) and the 150 your
10 Make another circle unit: Pick up through the beadwork to exit the two thread exited at the start of this step,
a 150, a crystal, a 150, a crystal, and a 150s just added (c–d). and continue up through the 150 just
150, and sew through the 3 mm pearl added (b–c) to form the third side of
your thread exited at the start of this CRAW embellishment the CRAW unit.
step. Continue through the next 150 and 1 Pick up a 150, an 110 seed bead, 4 Pick up an 110, and sew down through
crystal (figure 4). Repeat steps 2–3 twice, and a 150, and sew through the two the nearest 150 on the first side of the
and then finish the circle unit as in step 5. 150s your thread exited at the start CRAW unit (figure 10, a–b), through the
11 Sew through the inner ring of 150s of this step. Continue through the first 3 mm pearl, up through the 150 added
and through the beadwork as shown 150 added (figure 7) to form the first on the third side, and through the 110
to exit the second pearl past the side of this cubic right-angle weave just added (b–c) to complete the last
connection of the circle unit, with the (CRAW) unit. side of the CRAW unit. The 110s form the
needle pointing toward the connection 2 Pick up an 110 and a 150, and sew top of the CRAW unit.
(figure 5, a–b). through the next pearl in the pearl strip 5 Sew through the 110 on the first side,
12 Repeat step 8 to form the start of with the needle pointing toward the and continue through the remaining
another pearl strip (b–c), then repeat outside edge of the strip (figure 8, a–b). top 110s, exiting the 110 on the first side
steps 7–8 twice and step 7 once more Continue up through the 150 your thread (figure 11, a–b). Continue down through
to add five more new 3 mm pearls. exited at the start of this step, the 110 the next 150 and the following two 150s
13 Pick up a 150, and sew through the and 150 just added, and the next 150 on the outer edge of the pearl strip
corresponding pearl in the first circle on the inside of the component (b–c) (b–c). Note: For clarity, not all 150s on
64 www.BeadAndButton.com
Print all the materials for
the projects in this issue at
www.BeadAndButton.com/resources.
e
c a
b c
d
i b
g h d
e
a
f
FIGURE 12 FIGURE 13
3 mm pearl
150 seed bead
FIGURE 14
the CRAW unit are shown in the figure. 150, and sew through the crystal your Circle unit embellishment
6 Repeat steps 1–3, and then work as thread exited at the start of this step. 1 Making sure you’re working on the
in step 4 but sew through the next 110 Continue through the next two 150s CRAW side of the component, pick up
from the previous CRAW unit instead of and crystal (c–d). four 150s, skip the nearest crystal, and
picking up a new one. Repeat step 5. 4 Repeat step 2 (d–e). sew through the adjacent 150 in the
7 Work as in step 6 five more times 5 Pick up a 150, and sew through inside ring of the circle unit (b–c). Pick
to create a CRAW unit on each pearl the nearest pearl (e–f). Pick up a 150, up four 150s, and sew through the pearl
in the pearl strip, but after sewing a crystal, and a 150, and sew through your thread exited at the start of this
through the 110s in the last unit, sew the crystal your thread exited at the step (c–d). Continue through the next
through the beadwork to exit the start of this step. Continue through the two 150s and pearl on the outside edge
center pearl between the two pearl 150, the pearl, the 150, and the crystal of the circle unit (d–e). Repeat these
strips (figure 12, point a). just added (f–g). stitches five times for the remainder
6 Repeat steps 2–3 (g–h). of the pearls in the circle unit.
Crystal center 7 Pick up a 150, and sew through 2 Sew through the next two 150s on
1 Pick up a 150, a crystal, a 150, a crystal, the next crystal. Pick up two 150s, sew the outside edge of the circle unit, the
and a 150, and sew through the pearl through the crystal your thread exited following 3 mm pearl, and the two 150s
your thread exited at the start of this at the start of this step, and continue on the outside edge of the pearl strip,
step. Continue through the next 150 and through the following 150 (h–i). (figure 14).
crystal (a–b). 8 Sew through the eight 150s in the cen- 3 Repeat steps 1–7 of “CRAW embellish-
2 Pick up a 150, a crystal, and two 150s, ter to form a ring, and continue through ment” for this pearl strip.
sew through the crystal your thread exited the next crystal, 150, and center pearl 4 Repeat step 1 to embellish the other
at the start of this step, and continue (figure 13, a–b). circle unit. End the working thread, but
through the next 150 and crystal (b–c). not the tail.
3 Pick up two 150s, a crystal, and a 5 Repeat all the steps for “Component
October 2015 65
c
d
e
d b
b c
b
f g
a
a
e c
a
c
b
a e
c
d
d
a
b
FIGURE 18 FIGURE 19
base,” “CRAW embellishment,” Crystal of this step. Continue through the four this step. Continue through the two
center,” and “Circle unit embellishment” beads just added (c–d). 150s and crystal (b–c).
to make 12 components for a 22-in. 5 Pick up a 150, a 3 mm pearl, and two 11 Pick up a 150, a crystal, a 150, 4 mm
(56 cm) necklace or 10 components 150s, and sew through the crystal your pearl, and a 150, and sew through the
for an 18-in. (46 cm) necklace. thread exited at the start of this step. crystal your thread exited at the start of
Continue through the 150 and pearl this step. Continue through the next 150,
Pendant just added (d–e). and crystal (c–d).
1 Make a circle unit as in steps 1–6 6 Work as in steps 7–8 of “Component 12 Work a pearl strip with four 3 mm
of “Component base,” but substitute base” to complete another pearl strip pearls (d–e).
a 4 mm pearl for the 150, 3 mm pearl, with three 3 mm pearls (e–f). 13 Pick up two 150s, and sew through
and 150 added in step 5. Exit the 3 mm 7 Connect the pearl strip to the circle the nearest 150 between the top two
pearl to the left of the 4 mm pearl at unit: Pick up two 150s, and sew through crystals. Pick up a 150, and sew through
the end of step 6 (figure 15, point a). the 3 mm pearl to the right of the 4 mm the pearl and two 150s just added (e–f).
2 Make a pearl strip as in steps 7–8 of pearl as shown. Pick up a 150, and sew 14 Work as in steps 1–6 of “CRAW
“Component base,” but add only three through the pearl your thread exited at embellishment” to embellish this pearl
3 mm pearls (a–b). the start of this step (f–g). strip and the remaining pearl strips in
3 Pick up a 150, a crystal, and two 8 Sew back through the beadwork the pendant. End the working thread
150s, and sew through the pearl your to exit the 150 to the right of the top and tail.
thread exited at the start of this step. crystal as shown (figure 16, point a).
Continue through the 150 and crystal 9 Work a pearl strip with four 3 mm Joining the components
just added (b–c). pearls (a–b). 1 With the tail from a component base
4 Pick up a 150, a crystal, a 150, a crys- 10 Pick up two 150s, a crystal, and (and the CRAW side of the base facing
tal, and a 150, and sew through the a 150, and sew through the pearl down), sew through the beadwork so
crystal your thread exited at the start your thread exited at the start of the tail is exiting an end pearl in the
66 www.BeadAndButton.com
Jewelry Making
Tools and Supplies
the 4 mm pearl at the top of the pen-
dant, making sure the CRAW side of www.ToolsGS.com
the pendant and neck strap is facing 800.295.3050
down (a–b). Rochester, NY USA
3 Pick up a 150, a crystal, a 150, a 4 mm
pearl, and a 150, and sew through the
end pearl on the other neck strap (the
end component without a tail thread), 7KH2ULJLQDO
%HDG&OXEV
making sure the CRAW side is facing
circle unit (figure 17, point a). Pick down (b–c).
up a 150, a crystal, and a 150, and sew 4 Pick up a 150, a 4 mm pearl, a 150,
through the end pearl on a new com- and a crystal, and sew back through
ponent base (with the CRAW side fac- the first 150 added in the previous step, %HDGVRIWKH0RQWK&OXEV
ing down) on the end opposite the tail the 4 mm pearl on the pendant, and
When it comes to beads, we want them all!
thread (a–b). Pick up a 150, a crystal, the following 150 (c–d). Pick up a crys- And our Monthly Clubs allow you to have it!
and a 150, and sew through the pearl tal, a 150, a 4 mm pearl, and a 150, Each month you’ll receive a new assortment of
your thread exited at the start of this and sew through the end pearl (d–e). color coordinated beads from your chosen
step (b–c). Repeat these stitches once 5 Repeat steps 2–3 to add another club, delivered right to your door!
Packaged in your favorite Flip Top Tubes, with
more between these two components layer, and end the thread. FREE storage boxes to hold your collection!
to add another layer, and end this tail. See our mention in the August 2015 issue of
2 Repeat step 1 to connect four more Clasp Bead & Button’s “Bead Soup”
components (for a total of six) to make 1 With the tail from an end component
one neck strap for a 22-in. (56 cm) on a neck strap, sew through the bead- Crystal Bonus! Sign up for a new club and receive a
special Swarovski Crystal gift FREE
necklace (or connect a total of five work to exit an end pearl in the circle with your first club shipment
for an 18-in./46 cm necklace). Repeat unit. Pick up four 150s, and sew throughChoose from these popular
these steps to make another neck strap. the loop of a clasp (figure 19, a–b).
ĞĂĚƐŽĨƚŚĞDŽŶƚŚ™ ůƵďƐ͗
Pick up four 150s, and sew back through
Pendant connection the same side of the pearl to form *NEW* 2-Hole Beads of the Month™
Swarovski Crystals of the Month™
E
1 Add 18 in. (46 cm) of thread to the a loop on this side of the pearl (b–c).
OX
end component on a neck strap that Repeat these stitches to add a loop Rotating Club of the Month™
of 150s on the other side of the pearl
R
end pearl in the circle unit (figure 18, (c–d). Retrace the thread path of the Delicas of the Month™
LQ 7K
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October 2015 67
BEAD WEAVING
Pyramids
of Nubia
bracelet
68 www.BeadAndButton.com
Difficulty rating
3.8 x 1 mm O-bead
Marina Montagut renewed
f her interest in beadwork
6 x 6 mm Kheops bead seven years ago when she
e b purchased a ring kit at a shop
in France. From then on, she
a g sought out bead shops wherever she
d
c traveled. She’s a member of the Florida West
b h Coast Bead Society, and she says that the
a friends she makes through beading are the
i most important result of her art. Contact
Marina at marinabeads@hotmail.com, or
search for “Marinabeads” on Facebook to
c
see more of her work.
FIGURE 1 FIGURE 2
October 2015 69
through the beadwork as shown to create a set
join the components (b–c). Retrace Make matching earrings by making
the thread path to reinforce the join, a component, but add picots to
and end the thread. every Kheops, and then make a
2 Work as in step 1 to add the remain- loop to attach an earring finding.
ing components to the base using
the working thread from each newly
added component. Instead of ending
the thread on the last component,
sew through the beadwork to exit
the end Kheops without a picot to
get into position to add the clasp.
c b
Clasp
1 With the working thread from an end a
component, pick up six color B 110 seed
beads, the loop of the toggle ring, and
six Bs, and sew back through the other
hole of the same Kheops bead. Retrace
the thread path to reinforce the join,
and end the thread.
2 With the working thread from the FIGURE 3
component on the opposite end, work
as in step 1, but pick up eight Bs on
each side of the toggle bar. w Print all the materials for the projects in this issue
at www.BeadAndButton.com/resources.
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Laughlin, Nevada from our CzechMates collection
2200 Casino Dr for your DIY projects.
January 14-21, 2016
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March 11, 12, 13, 2016
55th Annual Association Show
Kansas City International Exhibit Hall
Overland Park, KS
June 3, 4, 5, 2016
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Overland Park Convention Center
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Fossils, Amber, Opal, Cabochon, Mineral
Specimens, Carvings, Rings, Diamonds,
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and much, much more
70 www.BeadAndButton.com
Snappy
NETTING
safari
ring
Show off your wild side with animal print buttons
that snap into place on a netted ring band.
Ring band bead in the previous row 3 Continue working as in on the opposite edge (d–e).
The ring band is made to (b–c). Repeat this stitch three rows 3 and 4 until the band Retrace the thread path
measure and the instructions times, sewing back through fits around your finger. At the through the connection.
include details to make a the ninth, fifth, and first beads end of the final row, the work- 5 Sew through the beadwork
1-in. (2.5 cm) tall band or a in the previous row (c–d). ing thread and tail should to exit a pair of beads on
shorter 5⁄8-in. (1.6 cm) band. Row 3: Pick up four 100s, and be on the opposite edges one edge. Pick up a 100,
sew back through the middle of the band. and sew through the next
Tall band (1 in./2.5 cm) bead in the last group of 4 To join the ends, pick up pair of edge beads. Repeat
1 On 2 yd. (1.8 m) of thread, three beads added in the two 100s, and sew through this stitch around the band
pick up 23 100 seed beads. previous step (figure 2, a–b). the middle bead in the next (figure 5). Using the tail,
Leaving a 10-in. (25 cm) tail, Pick up three 100s, and sew set of three beads on the repeat this step on the other
sew back through the 17th through the middle bead opposite end (figure 4, edge. End the tail but not
bead to create a loop at the in the next group of three a–b). Pick up a 100, and the working thread.
end of the row (figure 1, a–b). beads (b–c). Repeat this sew through the next middle 6 Sew through the beadwork
2 Work in netting: stitch three times to com- bead on the other end (b–c). to exit near the center of the
Row 2: Pick up three 100s, plete the row (c–d). Repeat this stitch eight times band. Sew through a hole in
skip the next three beads Row 4: Work as in row 3, (c–d). Pick up two 100s, the female half of the snap,
in the strand, and sew back working in the opposite and sew back through and sew through an adja-
through the next (the 13th) direction (figure 3). the nearest middle bead cent bead in the band.
72 www.BeadAndButton.com
Following the existing thread a
paths in the band, attach the
d c b
snap half to the band by sew-
ing through the remaining
holes in the snap and adjacent FIGURE 1 Difficulty rating
beads in the band. Retrace
the thread paths several times
to secure, and end the thread. a
October 2015 73
Wire Jewelry
from Start
to Finish
Learn to make every part of wirework
necklaces, including chains, pendants,
bails, and clasps. Every component is
interchangeable for lots of different looks!
#67851 • $21.99
32
Add embellishment
Projects
Kimberly Sciaraffa Berlin
#64568 • $19.95
2BKBB
Wirework Fall 2015 is filled with 20 ALL-NEW
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• Double your design possibilities with reversible
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• Add visual interest to wire with fiber, gemstones,
and chain.
• Find inspiration for your next project in our
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Act now to
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Available in print or digital format.
P25888
TOHO BEADS proudly presents
Semi-Glazed Finish
12 New Colors of Professional Quality Seed Beads
in both Semi-Glazed and Semi-Glazed Rainbow
'Desert Cactus
Diorama' by Rochelle
Peterson inspired by
the rustic earth-
tone colors in the
Semi-Glazed series
Available in Sizes 11° and 8°, this partially matted, lightly textured finish brings out an earthy glow.
Enlarged Images of Size 11° beads. All 12 colors also available with Rainbow.
Create scalloped
earrings that resemble the
light, graceful, and elegant
designs of the Edwardian Era.
Component 110s, and sew through the three 110s, and sew through the open
1 On 1 yd. (.9 m) of thread, pick up two open hole of the following hole of the following SuperDuo (b–c).
4 mm fire-polished beads, an 110 seed SuperDuo (b–c). Pick up three 110s, 4 Pick up three 110s, skip the next two
bead, a SuperDuo bead, an 110, two a SuperDuo, and six 110s, skip the 110s, and sew through the following five
4 mms, an 110, two 4 mms, an 110, a next three beads, and sew through 110s (c–d). Sew through the beadwork
SuperDuo, an 110, two 4 mms, and an the following 110. Retrace the thread as shown (d–e).
110, and sew through the beads again path, and sew through the two 4 mms, 5 Pick up three 110s, and sew through
to form a ring (not shown in illustration 110, SuperDuo, 110, two 4 mms, and the open hole of the next SuperDuo
for clarity). Leaving a 6-in. (15 cm) tail, five 110s (c–d). (e–f). Pick up three 110s, a SuperDuo,
tie a square knot, and sew through the 3 Pick up three 110s, and sew through and three 110s, and sew through the
next two 4 mms, 110, SuperDuo, 110, two the open hole of the next SuperDuo open hole of the following SuperDuo.
4 mms, and 110 (figure 1, a–b). (figure 2, a–b). Pick up three 110s, a Pick up three 110s, skip the next 110, and
2 Pick up six 110s, a SuperDuo, and three SuperDuo, five 110s, a SuperDuo, and sew through the following two 110s (f–g).
78 www.BeadAndButton.com
Difficulty rating
4 mm fire-polished bead
FIGURE 3 Basics, p. 82
• ending and adding thread
• square knot
October 2015 79
Huge Variety
of Materials
& Techniques
Earrings are fast, easy, low-investment and
FUN! Using simple techniques and familiar
materials, anyone can make fashionable,
handmade earrings. Many of the 100+
projects come together in just half an hour!
Possibilities!
Learn bead stitching the
easy, rewarding way!
Alyxander
Thomasin Thomasin Alyxander’s
$22.99 component-based approach
#67861 • teaches you to stitch 26 different
small elements, then connect them together
to create 22 beautiful necklaces,
bracelets, and earrings.
• Seed beads.
• Crystals.
• Fire-polished beads.
• Shaped beads.
2BKBB
BASICS
THREAD AND KNOTS Attaching a stop bead Tubular
Conditioning thread Use a stop bead 1 Work a row of ladder stitch (see “Ladder
Use beeswax or microcrystalline wax to secure beads stitch: Making a ladder”) to the desired
(not candle wax or paraffin) or Thread temporarily when you length using an even number of beads.
Heaven to condition nylon beading begin stitching: Pick up Form it into a ring to create the first round
thread and Fireline. Wax smooths nylon the stop bead, leaving the desired length (see “Ladder stitch: Forming a ring”).
fibers and adds tackiness that will tail. Sew through the stop bead again in Your thread should exit the top of a bead.
stiffen your beadwork slightly. Thread the same direction, making sure you don’t 2 Pick up two beads, and sew down
Heaven adds a static charge that split the thread inside the bead. If desired, through the next bead in the previous
causes the thread to repel itself, so sew through the bead one more time for round (a–b). Sew up through the following
don’t use it with doubled thread. Both added security. bead. Repeat to complete the round
conditioners help thread resist wear. (b–c), and step up through the next bead
To condition, stretch nylon thread to STITCHES in the previous round
remove the curl (you don’t need to HERRINGBONE STITCH and the first bead
d
stretch Fireline). Place the thread or Flat strip added in the new
Fireline on top of the conditioner, hold 1 Work the first row in ladder stitch (see round (c–d). a
it in place with your thumb or finger, and “Ladder stitch: Making a ladder”) to the 3 Continue adding
pull the thread through the conditioner. desired length using an even number two beads per stitch. b c
of beads, and exit the top of the last As you work, snug
Ending and adding thread bead added. up the beads to form
To end a thread, sew back through the last 2 Pick up two beads, and sew down a tube, and step up at
few rows or rounds of beadwork, following through the next bead in the previous the end of each round
the thread path of the stitch and tying two row (a–b) and up through the following until your rope is the
or three half-hitch knots (see “Half-hitch bead in the previous row. Repeat (b–c) desired length.
knot”) between beads as you go. Sew across the first row.
through a few beads after the last knot, Twisted tubular
and trim the thread. 1 Work step 1 of “Herringbone stitch:
a
To add a thread, sew into the beadwork Tubular.”
several rows or rounds prior to the point c b 2 Work two rounds as in steps 2 and 3
where the last bead was added, leaving of “Herringbone stitch: Tubular.”
a short tail. Follow the thread path of 3 To turn to start the next row, sew back 3 To begin creating the twist in the tube,
the stitch, tying a few half-hitch knots through the last bead of the pair just work the next round as follows: Pick up two
between beads as you go, and exit where added (a–b). beads, sew down through one bead in the
the last stitch ended. Trim the short tail. next stack, and then sew up through two
beads in the following stack (a–b). Repeat
Half-hitch knot b c this stitch to complete the round, adding
Pass the needle under the a two beads per stitch, but step up through
thread bridge between two three beads instead of two in the last
beads, and pull gently until repeat (b–c). Snug up the beads.
a loop forms. Cross back 4 To work the next row, pick up two beads, 4 Continue working rounds as in step 3
over the thread between sew down through the next bead in the until your rope is the desired length.
the beads, sew through previous row and up through the following The twist will begin to appear after the
the loop, and pull gently bead (b–c). Continue adding pairs of sixth round.
to draw the knot into beads across the row.
the beadwork. To turn without having thread show on c
the edge, pick up an accent or smaller
Square knot bead before you sew back through the a
1 Cross one end last bead of the pair you just added, or
of the thread over work the “Concealed turn” below.
and under the other
end. Pull both ends Concealed turn b
to tighten the first To hide the thread on the edge without
half of the knot. adding a turn bead, sew up through the
2 Cross the first end second-to-last bead in the previous row,
of the thread over and continue through the last bead
and under the other added (a–b). Continue in herringbone
end. Pull both ends across the row (b–c). This turn changes the
to tighten the knot. angle of the edge beads, making the edge
stacks look a bit different than the others.
Overhand knot
Make a loop with
b c LADDER STITCH
the thread. Pull the Making a ladder
tail through the 1 Pick up two beads, and sew through
loop, and tighten. a them both again, positioning the beads
82 www.BeadAndButton.com
side by side so that their a b Flat odd-count Circular
holes are parallel (a–b). Odd-count peyote is the same as even- Circular peyote is also worked in continuous
2 Add subsequent count peyote, except for the turn on odd- rounds like tubular peyote, but the rounds
beads by picking up c numbered rows, where the last bead of stay flat and radiate outward from the cen-
one bead, sewing the row can’t be attached in the usual ter as a result of increases or using larger
through the previous bead, and then way because there is no up-bead to beads. If the rounds do not increase, the
sewing through the new bead (b–c). sew through. edges will curve upward.
Continue for the desired length ladder. 1 Begin as for flat even-count peyote,
This technique produces uneven tension, but pick up an odd number of beads. Zipping up
which you can correct Work row 3 as in even-count, stopping or joining
by zigzagging back before adding the last bead. To join two pieces of
through the beads in 2 Work a figure-8 turn at the end of flat peyote invisibly,
the opposite direction. row 3: Sew through the first bead picked match up the two
up in step 1 (bead #1). Pick up the pieces so the end
Forming a ring last bead of the row you’re working rows fit together. “Zip
With your thread exiting the last bead on (bead #8), up” the pieces by
8 7
in the ladder, sew through the first and sew through zigzagging through
bead of the ladder, and then sew beads #2, #3, #7, the up-beads on
through the last bead again. #2, #1, and #8. both ends.
You can work 2
PEYOTE STITCH the figure-8 turn 1 3 RIGHT-ANGLE WEAVE
Flat even-count at the end of Flat strip
1 Pick up an even number of beads, each odd-numbered row, but this will 1 Pick up four beads, and
leaving the desired length tail (a–b). cause this edge to be stiffer than the tie them into a ring with a
These beads will shift to form the first other. Instead, in subsequent odd- square knot (see “Square
two rows as numbered rows, pick up the last bead knot”), leaving the desired
e
the third row c of the row, sew under the thread bridge length tail. Sew through the
d
is added. between the last first three beads again. This
b
2 To begin row 3, a two edge beads, is the first stitch of the strip.
pick up a bead, skip the last bead added and sew back 2 Pick up three beads.
in the previous step, and sew back through through the last Sew through the last c
the next bead, working toward the tail bead added to bead in the previous
(b–c). For each stitch, pick up a bead, begin the next row. stitch (a–b), and con- b
a
skip a bead in the previous row, and sew tinue through the first
through the next bead until you reach the Tubular two beads picked up
first bead picked up in step 1 (c–d). The Tubular peyote stitch follows the same in this stitch (b–c).
beads added in this row are higher than stitching pattern as flat peyote, but instead 3 Continue working
the previous rows and are referred to as of sewing back and forth, work in rounds. as in step 2, adding
“up-beads.” 1 Pick up an even number of beads, and three beads per
3 For each stitch in subsequent rows, pick tie them into a ring with a square knot (see stitch (alternate
up a bead, and sew through the next up- “Square knot”), leaving the desired length the direction of the
bead in the previous row (d–e). To count tail. If desired, slide the ring onto a dowel. thread path for each one), until
peyote stitch rows, add the total number 2 Sew through the the first row is the desired length.
of beads along both straight edges. first bead in the ring.
Pick up a bead, skip Forming a strip into a ring
Two-drop a bead in the ring, Exit the end bead of the last stitch, pick
Work two-drop peyote stitch the same and sew through the up a bead, and sew through the end
way as basic flat peyote, but treat pairs next bead. Repeat to bead of the first stitch. Pick up a bead,
of beads as if they were single beads. complete the round. and sew through the end bead of the
Knot
1 To work in even-count two-drop peyote, 3 To step up to start last stitch.
pick up an even number of beads that is the next round, sew
divisible by four. For odd-count two-drop through the first bead
peyote, pick up an even number of beads added in this round (a–b).
that is divisible by two and an odd number. 4 Pick up a
2 To begin row 3, pick up two beads, skip bead, and sew
the last two beads added in step 1, and through the next Adding rows
Round 4
sew back through the next two beads. bead in round 3 Round 3 1 After you’ve made a strip of right-angle
Repeat this stitch across the row. (b–c). Repeat c weave (which will be row 1), sew through
b
3 For subsequent rows, pick up and sew this stitch to a the last stitch of row 1, exiting an edge
through two beads per stitch. Work each complete the bead along one side.
turn the same as in regular flat peyote, round. Round 1
Round 2
using the odd-count turn if you are working 5 Repeat steps
an odd-count pattern. 3 and 4 for the
desired length tube.
October 2015 83
BASICS
c
2 Pick up three beads, STRINGING AND WIREWORK Wrapped loop
and sew through the b Crimping 1 Using chainnose pli-
edge bead a Use crimp beads to secure flexible bead- ers, make a right-angle
your thread ing wire. Slide the crimp bead into place, bend in the wire about
exited in the and squeeze it firmly with chainnose 2 mm above a bead
previous step pliers to flatten it. Or, for or other component
(a–b) and the first new bead (b–c). a more finished look, or at least 1¼ in.
3 Pick up two beads, use crimping pliers: (3.2 cm) from the
and sew back 1 Position the crimp end of a piece of wire.
through the b a bead in the hole that 2 Position the jaws
next edge c is closest to the handle of the roundnose
bead in the of the crimping pliers. pliers in the bend.
previous row 2 Holding the wires The closer to the tip
and the bead apart, squeeze the of the pliers that you
your thread pliers to compress the work, the smaller the
exited at the crimp bead, making loop will be.
start of this step (a–b). Continue through sure one wire is on 3 Curve the short
the two new beads and the following each side of the dent. end of the wire over
edge bead in the previous row (b–c). 3 Place the crimp the top jaw of the
4 Pick up two beads, and sew through bead in the front hole roundnose pliers.
the last two beads your thread exited in of the pliers, and posi- 4 Reposition the pliers
the previous stitch and the first new bead. tion it so the dent is so the lower jaw fits
5 Work as in steps 3 and 4 for the rest facing the tips of the snugly in the loop.
of the row. Add more rows as desired. pliers. Squeeze the pliers Curve the wire down-
to fold the crimp in half. ward around the bot-
4 Tug on the wires to ensure tom jaw of the pliers.
that the crimp bead is secure. This is the first half of
a wrapped loop.
Opening and 5 To complete the
closing loops and wraps, grasp the top
jump rings of the loop with one
1 Hold a loop or a pair of pliers.
Tubular jump ring with two pairs 6 With another pair
1 Work a flat strip of right-angle weave that of pliers, such as chain- of pliers, wrap the wire
is one stitch shorter than needed for the nose, flatnose, or bent- around the stem two
desired circumference of the tube. Form nose pliers. or three times. Trim the
the strip into a ring, exiting an edge bead 2 To open the loop excess wire, and gently
in the connecting stitch. or jump ring, bring the press the cut end
2 Add rounds as you would rows, picking tips of one pair of pliers close to the wraps with
up three beads in the first stitch, two beads toward you, and push chainnose pliers. w
in the subsequent stitches, and one bead the tips of the other pair
in the final stitch to join the first and last away from you.
stitches in the round. 3 Reverse step 2 to close
the open loop or jump ring.
2BKBB
WWW.LINDARICHMOND.COM
Thank you
Readers
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the fine businesses
in the Galleria.
Happy Shopping!
Leslee Frumin
KITS AND CLASSES IN
beads, metals & Swarovski Elements
949-456-0718
www.lesleefrumin.com
86 www.BeadAndButton.com
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iness!
11 years in bus
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Your Mark
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Made in
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the USA
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800-876-4328 / Fax 972-222-0646
info@paragonweb.com / www.paragonweb.com
www.CHARMFACTORY.com
ADVERTISE
WITH US! Stitch an easy bracelet in under 2 hours!
NEW
PRODUCTS
from the Tucson
bead shows
p. 13
14 years spreading the love of beads
New designs
Atlanta/Norcross, GA - Sept 25th, 26th, 27th
using classic
techniques
Havana, FL - October 3rd & 4th
Make this radiant
pendant and more! DeLand, FL - October 10th & 11th
Explore a
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Cellini stitch p. 74
Two layers of
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Learn an easy way to
start bead crochet p. 48
Discover tubular
Ft. Myers, FL - October 31st & November 1st
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Our guide to flexible beading wire p. 11
Meet bead entrepreneur Beki Haley p. 46
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or call 800-533-6644
P23128
Monday – Friday, 8:30 a.m. – 4:30 p.m. CT. • Outside the U.S. and Canada call 262-796-8776, ext. 661. 2BKBB
October 2015 87
Classes
Class BEADING DREAMS
We welcome beginners! We offer classes in stringing, wire wrapping,
Metal Clay, cold connections, fiber crafts and more for beginner through
advanced beaders. We also offer private lessons that can be scheduled
ADVERTISE HERE
To advertise in the Bead&Button Class Directory, please
call 888-558-1544.
Directory
at your convenience, just call for details! Contact Lori Schneider ext. 546 for more information about
DATES: Classes ongoing at Beading Dreams year-round this great advertising opportunity.
5629 W. Lovers Ln Dallas, TX 75209 (214)366-1112 beadingdreams@gmail.com www.BeadAndButton.com
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Specializing in a large variety of seed beads and cut beads both focal beads; pendant stones. DiWolf jewelry from casual to for design and color ideas. 20% off one time coupon:
Czech and Japanese. designer, all unique. BBOCT2015
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bead earr
ings p.77
MAKE IT TONIGHT
Subscribe today!
BUY
THIS
KIT!
Styleasy made
THIS KIT!
LEARN a new twist See p. 73
for details
on an old favor
e kly
Create spar summer p.24
in this dynamic
bracelet
ite
p. 30
bracelets for
Our guide
cupchain
WEAR IT 3
to
WAYS
p.11
Go to http://Subscribe.BeadAndButton.com. Use cup
chain to
make a
tennis-style
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necklace
Reversible CRAFT SHOWS
88 www.BeadAndButton.com
Society Directory
Society GREAT LAKES BEADWORKERS GUILD
Meets 6:30pm on 3rd Tuesdays (Jan - Nov), First Presbyterian
Church, 1669 W. Maple, Birmingham, MI. Sponsors numerous
workshops & programs annually. BEAD BONANZA SALE with 50
THE BEAD SOCIETY OF LOS ANGELES
Offering GRANTS for bead research April and November. Visit
www.beadsocietyLA.org for more information. Yearly membership
offers you access to monthly meetings with guest speakers, field
BEAD SOCIETY OF GREATER WASHINGTON NATIONAL BUTTON SOCIETY TORONTO BEAD SOCIETY
Meets 7PM on 2nd Thursday. Chevy Chase Community Center, If you love vintage and antique buttons, learn more through NBS Monthly meetings held September to June.
Connecticut Ave. & McKinley St. NW, WDC 20015. membership. Explore the website for membership, show information, Ryerson University - Jorgenson Hall, 380 Victoria St.,
Semi-Annual Bead Bazaar: November 14-15, 2015 at Bohrer Park, publications and links to state societies. Toronto, Canada. Classes, lectures, displays. Bead & Jewellery
Gaithersburg, MD. Discount Tickets: bazaarbsgw@hotmail.com Contact: Susan Porter, Membership Chair Fairs held Spring and Fall. Please check website for schedules.
PO Box 42519, Washington, DC 20015 All are welcome!
202-624-4500 www.torontobeadsociety.org
www.bsgw.org or info@bsgw.org PH: 760-789-4133 or email: snoozin8@cox.net
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Issue 127
urs!
JUNE 2015
Renew your
NEW
PRODUC
Change of
from the
Tucs
TS
bead show on
p. 13 s
P lu s!
Advertiser's Index
GENERAL Class Act Designs ............................. 56 Just Beading Around ........................ 51 TOOLS GS....................................... 67
A Grain of Sand ............................... 26 Clover Mfg. Co. Ltd......................... 61 Linda Richmond .............................. 86 Unicorne Beads, Inc.......................... 41
Accent Bead Designs .................. 86, 87 CraftOptics ...................................... 40 Long Island Bead Festival ................ 86 Weave Got Maille ............................ 61
Antelope Beads ................................ 10 Craftsy ............................................. 33 Matubo Beads .................................... 8 Wirework Fall 2015. ........................ 76
Apoxie Sculpt ................................... 86 Crazy Crow Trading Post................. 86 Monsterslayer, Inc ............................ 50 Wynwoods Gallery & Studio ........... 41
Art Jewelry magazine ....................... 41 Doreenbeads.com ............................. 31 Nina Designs ..................................... 40
Artbeads.com ..................................... 7 Down The Street Bead Show, The .... 87 OttLite ............................................... 26 SHOPS
Balonis, Marcia ................................ 86 Dreamtime Creations ....................... 56 Pandahall.com .................................. 75
CALIFORNIA
Bead Buddy ...................................... 27 Equatoria ......................................... 56 Paragon Industries, Inc. .................... 87 Baubles & Beads ............................. 51
Bead Style magazine ......................... 41 Fandangle Bead Store ....................... 87 Potomac Bead Company .................... 3
FLORIDA
Bead&Button Books .. 29, 74, 80, 81, 85 Filigree & Me .................................. 87 Preciosa ........................................ 9, 57 Beads Gone Wild ............................. 51
Bead&Button Binders ...................... 87 Fire Mountain Gems ........................ 92 Prima Bead ....................................... 86 Laura's Beads .................................. 50
Bead&Button Kits ............................ 40 Frumin Leslee ................................... 86 Rosaryworkshop.com ...................... 86
NEVADA
Bead&Button magazine ................... 51 Fusion Beads .................................... 70 Royalwood Ltd ................................ 87 Bead Jungle ..................................... 51
Bead&Button Show 2016 ................ 45 Gem & Lapidary Wholesalers .......... 10 Rutledge, Cynthia ............................ 41
NEW MEXICO
Beadaholique.................................... 10 Goodybeads.com.............................. 37 Santerre's Stones 'N Stuff ................. 51 Monsterslayer ................................. 50
Beadalon .......................................... 60 Green Girl Studios ........................... 41 Shipwreck Beads ................................ 2
NORTH CAROLINA
Beadcats/Universal Synergetics ......... 86 Happy Mango Beads.......................... 3 Shows of Integrity ............................ 70
Ain't Miss Bead Haven.................... 51
Beads of the Month Club ................. 67 Har-Man Importing Corp .................. 8 SilverSilk .......................................... 37
Beadsmith ........................................ 59 TEXAS
Heart of California Bead Expo ........ 20 Soft Flex ........................................... 71
Beading Dreams .............................. 50
beadsRfun.com ................................ 87 Horsman .......................................... 21 Sonoran Beads ................................. 37
Beaducation ....................................... 3 Ibella Beads ...................................... 50 Starman, Inc. .................................... 58 CANADA
BeadFX ........................................... 50
Best Bead Show & Bead Mercantile Innovative Bead Expos, The ............. 27 T-Beads ............................................ 41
Shows.............................................. 20 Iris Moon, Inc. ................................. 50 Tamara Scott Designs ....................... 56
Blue Buddha Boutique...................... 56 Jesse James & Co., Inc ..................... 86 Thread A Bead ................................. 27 The Advertiser Index is provided as a service to
Bead&Button magazine readers. The magazine is not
Charm Factory ................................. 87 John Bead Corp. .............................. 91 TierraCast ........................................ 61 responsible for omissions or for typographical errors
Choi, Anne ....................................... 41 John F. Allen & Son, Inc. ................. 61 To Bead True Blue .............................. 3 in names or page numbers.
We believe that our readers are as important as our advertisers. If you do not receive your merchandise or a reply from an advertiser within a reasonable period, please contact us. Provide details about what you ordered and the amount you
paid. If no action is obtained after we forward your complaint to the advertiser, we will not accept further advertising from them. Bead&Button magazine, 21027 Crossroads Circle, Waukesha, WI 53187
October 2015 89
SPOTLIGHT
America’s
favorite
bead shop
In October, 2014, ibella BEADS of St. Louis, Missouri, was voted
the top bead shop in the U.S. in our Favorite Bead Shop Contest.
Owner Carl Strasser shares his thoughts on the experience.
Q: What do you think people love about your shop? Q: As your prize for winning our Favorite Bead Shop contest,
A: When customers visit our store for the first time what we you went to New York City for a $5000 shopping spree at
often hear is “WOW, I’ve never seen a bead store like this!” CJS Sales. How was that experience?
They love our inspiring designs, extensive products, competitive A: Carl & Elyse Schimel of CJS were incredible hosts to Micky
pricing, and most important, our creative staff who help them (ibella BEADS’ purchasing manager) and me. Their store is
turn their ideas into reality. Regardless of style or experience the best hidden gem of New York. Seeing the wall-to-wall
level, we have something for everyone. Our specialty is our stacked boxes was like Christmas morning. Each piece was
passion for customer service and turning your visit to our something new and inspiring for our customers to create
store into an inspiring experience. with. If you can’t find components you need in their store,
you won’t find them in the United States.
Q: How long has ibella BEADS been around, and what
made you decide to get into the bead business? Q: How has winning the Favorite Bead Shop contest
A: Our company started in 1980 as “National Supply.” In affected you and the store?
February of 2012, we were re-branded as “ibella BEADS” A: Winning this contest was a dream come true
with a new mission of what a bead shop should for us, our employees, and our customers.
be. Along with a new name came a custom- To think that we received the most votes
built huge new location (the largest in out of 700 bead shops in the country
our area), complete with a private was truly humbling, and we are
party/class room, free work stations completely indebted to our cus-
for our customers, a new website, a tomers. We continue to strive to
bead bar, and wall-to-wall SPARKLE! improve our customers’ experi-
Having the opportunity to help ence each day. Since winning,
our customers realize their creative we’ve seen a new wave of
passion in a one-stop-shop is what customers, both in-store and
motivates us the most. on our website. It has been an
unbelievable opportunity for our
company, and we’re so thankful
to our customers, Bead&Button
magazine, and CJS Sales. w
90
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