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TH E I N DU CTI O N OF H YP N O S I S ,
S P H E N O M E N A, I T S D A N G E R S A N D VA L U E
R . H A RR Y V I N C E N T
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WTI H NTY I L L U S T R ATI O N S
T WE
S H O WIN G XP E RI M N T S
E E
LON D ON
K EGAN PA U L T R EN C H T R U B N E R
, ,
CO .
, LT D .
, ,
R H A R R Y VI N C E N T
. .
P AG E
C HAP T E R I .
TH E G E NESIS OF H YP NOTISM
C HAP T E R I I .
C HAP TE R III .
M E NTA L A C TI O N
C HAP T E R IV .
C HAP T E R V .
TH E P H E N O M E NA OF H YPN OSIS
C HAP T E R VI .
DAN C ER S OF II Y P N O I ’‘
ISM
C HAP T E R VII .
TII E V A L U ES OF H YP N O I IS M
’ ‘
C HAP T E R V I II .
THE “
T R ANS F E R E X P E R I M E NTS
C HAP T E R IX .
H YPN OSIS I N A NI MA LS
APP E N D I X
I L L U S T R A T IO N S .
I ,F ASC INATI O N
II T H E S U GGE STI O N O F F I G HTI N G
.
ID E A O F A LO ST
”
V A B S E N C E O F A B I L ITY T O S P ELL
.
VI .I NT O X I C ATI O N
A N H E AV E N L Y V ISI O N
“
VI I .
-
V II I “
.T OO THA C H E
IX M I R TH
.
X GR I E F
.
XI C HAN G E D P E R SO NA L ITY
.
XI I W R ITI N G A S A L ITT LE G I R L
.
XIV P E R SO NA L ITY
XV W R ITIN G U N D E R S U GGE STI O N O F I NT O X I C ATI O N
.
XV I F R O G C AT A L E P S ED
.
X V I I F R O G C A T AL E P S E D
.
X V I I I S NA K E CA TA L E P S ED
.
XIX T O A D C A T AL E P S ED
.
XX L I Z A R D CAT AL EP S E D
. .
AU T H O R S QU OT E D AN D R E FE RR E D To .
A U G U STI N E S T D e Civit t e D ei , . a .
A N D R Y R pp o t s C m m iss i e 1 7 84
.
’
a r ae o a r s. .
B AI LL Y P R R pp o t s Com m i i es 1 7 84
, . . a r
’
ae ssa r . .
B ER I L L O N D r ED G A R
’
R ev ue de l Hy p t i m e
, O c t 1 8 90 . no s . . .
BE R NH E IM P ro f H D e la gg t i ,
t des pp li t ion a
. . su es on e s es a ca s
1 8 90 .
B IN E T (E T F ER E) L i ma l m ag et is me P a ri s E n gli s h tran s .
’
an n
’
. .
l a ti on Lon don 3 rd e d 1 8 91
.
, .
, .
B O U I LL A R D R pp o t ’es . 1 83 7 a r a .
B U R D I N (j e un e ) (E T D U B O IS ) H is t oi re A caa m ique a u M ag n et is mo
!
’f ’ '
. e
a n i m a l et c P a ri s 1 8 9 1 , .
, .
B U R C K HA R D T R evu e a e l Hypn ot is m e A ug 1 88 8
’ ’
. . . .
BU R G G R A V J G Cu r M bo u m m ag et ica
, . 161 1 . a or r n . .
B U R O T P r o f R ev e de l Hyp ot is m e D ec 1 88 8
, . u
’
n . . .
C A R P E NT E R D r M en t l P /y s iology
, . a z .
’
CA V E N T O N . R apport a es Com m is s a i res . 1 83 7 .
M ag net i s m a n d Hy p n ot is m Tb e F or u m , . 1 8 90 , e t c .
C LO QU E T . R pp
a or t a
’
es Com m is s a i res 1 83 7 . .
7 84
' ’
C O U R M ELLE S D r F o v eau d e Hy p ot is m ,
L on don 1 8 92 . n . , .
D A R C ET
’ ’
R pp o t a es C m m is s i es
. 1 7 84
a r o a r . .
D E L B CE U F P r o f J
’
R evu e de l lfy p ot i s m e
, . . n .
’
D ELE U Z E J P F
’
,H is t oi e C rit i q u e a u M agn et is m o
. .
im l . r an a .
P a ri s 1 8 1 3 , .
D I GB Y S ir KE N EL M
, Of t he cu e of wou n ds by t he powder of y m . r s
’
D U M O N TP AL L l ER D r A R ev e d e l Hyp n ot i m e Aug 1 8 90 , . u s . . .
F ER E (ET B I N E T ) L a n i ma l Al g n et i m e Pa ri s 1 88 7 .
’
a
‘
s .
,
.
F O I S S A C R pport et d is cu s s io s de Z A cad em ie R oy a le s u r te M g
.
’
a s n a
n t is m e
‘
e im l P ri s 1 8 3 3 an a . a , .
F O R EL P r o f A D e Hyp t i m u s S t utt ga rt 1 8 90
, . . r no s .
, .
F O U QU I E R R pp ort de l A c dem ie R aj a le 1 8 3 3
’
. a a
’
/ . .
G L O CE N I U S, R OD . Tract . de Al ag n et . v u ln . c u ra t . M a rb urgi,
1 60 8 .
’
G U E R SE N T . R app ort de l A cad e‘m ie R oy a le 1 83 3 . .
G U R N E Y ED M U N D P o eedi
, . r c
g s of S oc iety f or P sy cli ica l R es ea rc/z
n .
G U R Y S J Comp di u m Tl
, . . en z eolo z a e lil ora lis
g .
H AM M O N D D S pi it u li m ,
r . r a s an d N erv ou s D era ng em e nt .
H E H L M A X I MI L IAN S J T
, , . . a b u la e S ola res , et c .
, et c . 1 7 63 .
’
ITA R D . R app ort de I A cad em ie R oy a le 1 83 3 . .
’
J U SSIEU , A L DE R appor t de l u n des com m is s a ires ,
. . . et c . P ri s a ,
1 7 84 .
Bri s t o l 1 8 9 1 , .
KI R CH ER A S J ,
.
, . . Adagn es s ive de A rte M ag n et ica . C o lo n ia e ,
16 43 , et c . , e tc .
K R A F FT E B I N G P r o f-
L AV O ISI E R R pp o t des C m m is s a i es 1 7 8 4
. a r o r . .
L E HM K U H L A S J T/eol g ia M o a lis , .
, . . z o r .
N e w Ed , 1 8 8 9 . .
L I EG O I S D e la s ugg es t ion , et c
. a ri s , 1 8 8 8 . P .
1 7 72 .
A U T HO R S QU O T E D AN D R EFE R R E D To . x iii
L U YS ,
Dr . Cli n i ca l L ect u res Hyp n ot is m
on Tb e R ecen t D is coveri es .
M AJ A U L T . R a
pport des Com m is s a ires . 1 7 84 .
M A N DU YT . do . 1 7 84 .
M A R C R pp t de l A cademie R oy le
. a or
’ ‘
a . 1 833 .
M A R TI A L B ook I I I . .
M A X W ELL D e M dici a M ag et i . F r an kf rt 1 6 7 9 e n n ca . o ,
.
M ES M ER D e i fl .
p l et m et 1 7 66 M moir s u r l
,
n ex u an aru , c .
, . e a
d e u ve t e d m g ét i m
co n im l
r P ri s 1 7 7 9 P eci lz i t origu
a a n s e a a . a , . r s s e
d f it
es el t if s u m g n et i m
a s r im l P ri 1 7 8 1 Gen er l
a a a
’
s e an a . a s, . a
E pl ti
x f M gn t i m C a rl s ruh 1 8 1 5 t c
an a o ns o a e s . e, , e .
.
, . n n .
Lo do 1 8 91 n n , .
M O NT GE R O N L Ve it e d M i a l . a r es r c es .
M O TT E R pp t de l A adem i R y ale 1 8 3 3
.
’
a or c
‘
e o . .
M U SSY R pp o t de l A dem i R y le 1 8 3 3
.
’
a r ca e o a . .
M YER S F W H P , di g s f t i S i ty f o P y li i ca l R es e cli
. . . rocee n o le oc e r s c ar .
OCH O R OW I CZ D e l S gg es t i o m en t l P ri s 1 88 7 Tr an s l ati on
. a u n a e . a , . .
N e w Y o rk 1 8 90 , .
O S G O O D D r B t on M edi l a d S u g i lj u a l J un e 1 8 90
, . os ca n r ca o rn . .
P A R A C ELS U S Cu M o b u m M g . ra r or a n et i ca . 1 6 1 1 , et c .
P ELLE TI E R R pp o t a C m m i i
’
. a r es o s s a res . 1 83 7 .
P O M P O N AT I U S . D e I n ca n t a t i on i b u s . 1 657 .
I H ET Pr f
R C , o . CH . R evu e P /z ilos op lz iq u e . M rch a 1 88 4 .
S O LO N .
'
1n rv017 x a t eis éa vrov '
.
S O LO W ,
Dr J U L I US . N ew York M edica l j ou rn a l . M ar c h 1 4t h
1 89 1 .
S P E N C E R H E R B E R T P ri , . n ci
p les f
o P sy c/i olog l.
S TAN LE Y H i t y of P /I ilo . s or so
p lzy . 1 666 .
S T U R L U R SO N , S N O R R O H i s t ory o
f S ca n d i n a vi a n K i ng s . .
S UL TON I U S Vesp a s vi z . . .
T O U R E TT E , G I L L Es D E
’
L lzy p n ot z s m e LA .
'
p oi n t de vu e me‘d i co leg a l -
. P a ri s , 1 887 .
i
x v TH E ELEM EN T S OF HY P N O T I SM .
T U CK E Y , Dr C . Lo n do n ,
1 8 91 . The
1 89 2 .
V AN H EL M O N T . D e M agn et vu ln
. . c u ra t i on e P ari s ,
. 1 62 1 .
V O ISIN D r A N ovem be r 1 88 8
’
, . R evue de l Hyp n ot i s me . .
T H E G EN ESI S OF HYPN O T IS M .
s ee m to hav e e nd e avour e d to r e nd e r it of u s e to
th e m .
“
h e art b e e n gladd e n e d by his l at e st fi nd than he ,
“ ” “
proc ee d e d to add som e busi n e ss that his e nt e r
”
tainm e nt might b e still more e ffe ctiv e and i n a ,
l e thargy .
’
ol dAiy ns !
wol m 6 f ve
ya y i yue ra t bitx yo s
‘ ‘ ‘
c
‘ ‘
.
,
s 3! I s/ l I
K O UK a v 7 1 9
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Ava a t r '
mrt a (pa p ua n a do ve
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a
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TO V Ira /ca t s vova o m t x v
' '
/i evo v a pya
‘
Aea t s '
7 s
r e fin e m e nt has a c u rious re fe r e nc e to t he s u bj e ct
, .
1 i n rofln ls é v
xa t e II 5 9 6 2 S t an l ey (H is t ory of P hilos op hy
a vr o
'
, . .
1 66 6 ) gi ve s t he fo ll o wi n g tr an s l a ti on
Th m ll t h rt e s m ti m i a es d r g u s so e es n c re a s e a n a e
M r th ll t f phy i
o e an a g ar o s c c a n as s u a e
S m tim h f y f t h w r t di
o e e t e ur o e o s sea se
T h h d b y g t l t k i g wi ll pp
e an , en e s ro n . a e as e .
M n um q ue d o c t a m s p arg it o m n ib u s m e m bri s
a
— B oo k I II Ep 8 2 . . . .
fe m in a s in S c ythi a q u ae v oc an t u r B it hy a e , p ro d it A po llo id es , n
n a t u r ae ; q u o ru m n o t a s t ra d it in a lt e r o o c u l o ge m i n am p u p illa m i n
lt
a e r o e q i euffi gi e m e t c H i s t N a t
, lib
”
v ii c 2 — .P li n y al s o rec o m
. . . . . .
XXViii e c . 6 .
T H E GEN ESI S OF HYPN O T I S M .
5
spiritus e t a n im ae facultat e .
“ ’
touch wa s sti ll i n vog u e i n Qu ee n A n n e s tim e .
3
D e C iv i t a t e D i M ign e Pa tres L ti n i T 41 S t A ug V ol v
e . . a . . . n .
PP
4 H i s t ory of S c an d i n avi Ki n gs
an . S n orro S t u rlu rs o n .
6 TH E ELEM EN T S OF HYP N O T I S M .
S om e of t he m ost famous m e n of t he d ay w e re at
work on t he subj e ct and notwithstanding t he strang e ,
Rod G lo c e n iu s
.
2
A than asi u s Kirch e r Van H e l
3
, ,
4
m ont S ir K e n e lm D igby G u l M axw e ll J G
5 6
. .
, , .
,
7 8
B u rgg ra v S e bastian VVird ig and oth e rs i ncl ud ing
, , ,
1
D e I n ca n t a t i on i bu s . B as il ,
1 65 7 .
2
Trac t d e M ag n et . . vu ln . c u ra t . M a rb urgi, 1 60 8 .
3
A th a s i u Kirc h e r S J on e o f t he gre t es t s ch ol a rs o f t he
na s , . a
M iddle A ge M g es s i ve d A t e M g et i a
s . a n C o lo i e 1 64 3 e r a n c . n a , .
M ag e t ic um N a t u r ae R egn u m
n A mst 1 66 7 &c &c F . .
, .
, . or
J é s us .
(Br us e l s
”
S ee A p pen d ix
s , .
V an H e l m o n t D e M g et V l . u t i on e P ris 1 6 2 1 &c
a n . un . c ra . a , .
5
S ir K en e l m D igby “ O f t h c ure o f w o un ds by t he p o wd e r o f
. e
s y m p thy L o d n 1 6 60
”
a . n o ,
6
G u lielm us M a xw e ll D e M e d i c i n a M gn e ti c . F ran kf a a. .
1 679 . S e e A p p en d ix .
7
J G
. B u g .
g a v C u r M
r o b o
r u m M agn e ti c
.
q u a ve r a Th eo
a r r a
p h r as t i (P a c e ls i ? )raM u m i s ig ifi ca t u 1 6 1 1 a n r.
”
.
9
S eb as ti an W irdig “
N o va M ed i c i n a S p irit uum
. H am b 1 6 7 3 .
”
. .
TH E G EN ESI S OF HYPN O T I SM ‘
.
7
” 1
by m e ans of an e vaporatio n thrown outwards .
1
P o s ibil e
s q uod h o m o hab ea t t a l e m dis p os it ion e m
es t a pu d me
q uale m d is c im us S ic c on t in g it t a l e s h o m i n es q ui hab ea n t hujus m od i
.
O p e an t ur t a li s virt u s e xit a d ac t u m
r , e t affi c it s ng u i n e m e t s p irit uu m
a
C a p iv p. . .
4
4 .
2
I n c red ibil e n on es t e ti am s a it at em p os s e p roduci
, n ad e xtra
an i ma t alit s e i mag inan t e e t d es i d e r an t e d e aegrit udin e
”
ab . Ca p i v . .
P 51 .
8 THE ELE M EN T S OF H YPN O T I S M .
H e d i e d i n 1 64 4 .
”
wh e th e r by attraction or re pulsion .
1
M a ti s m us q ui a p as s i m vige t p rae t e r n om en n il n o vi c o n
gn e , , ,
2
S ic voc it a m us earn o cc ult a m c o a p t a t io n e m q ua ab s en s in ab s e n s
p e r in flu u m ag it s i ve t rahe n d o ve l im p e lle n d o fi a t
”
x .
T H E G EN ESI S OF HY PN O T I S M .
9
’
a m uch mor e d e cid e d position whilst M axw e ll s
”
spiritus vitalis i ndi cat e s a gre at d e v e lopm e nt ,
’
an d i n fact was t he l egi ti mat e p r e cursor of M e sm e r s
”
d octrin e of t he un iv e rsal fl u id .
”
ass e rtions and with cont e mptibl e argum e nts
, .
2
r e ports of t he P sychical R e s e arch S oci e ty t he works ,
O f D r H ack Tuk e
3
and D r Carp e nt e r 4tog eth e r with
, ,
l
Bin e t et F éré, An i m al M g eti a n sm. 3 rd ed p 3 . . .
2
S e e R e po rt s of Co m m itt ee o M n es m e ri s m a so l p ap e r s by M y e rs
an d G ur ey n .
3
I flu
n en c e o f Mi t he n d up o n t he B ody , et c .
4 M en t a l P hy i o l gys o
”
.
IO T H E ELEM EN T S OF HY PN O T I S M .
n e rv e s
. Th e s e n e rv e s a re light d e licat e m att e r ;
,
F ath e r H e hl a J e suit 1
Th e s e cu r e s w e r e sup p os e d
,
.
2
plat e s and m agn e ts s p e c ia lly p re p a re d for t he purpos e .
fi e d hims e lf of t he g e nuin e n e ss of t he cu r e s he ,
e nt e r e d u pon a s e ri e s of i nd e p e nd e n t e xp e ri m e nts .
1
M a xi m ili n H ehl P r o fes s o r of A s tron om y t V i en was b rn t
a , a n a, o a
C h m it z in H u g ry i t he y e r 1 7 2 0
e n n D u ri n g t he y e r 1 7 4
a n 5 an d a . a
6 he s s i s t ed F th e r J F r c o i s t he h ead o f t he J s u it s
’
1 74 a a b e r va
. an ,
e O s
t ry t V i
o a H e th en w t t
en n a . C l u s en b g i Tr n il ia to en o a er n a s van
t e c h m ath m ti c s a d was r ec ll ed s o m e y e rs ft e rw r ds t o V i a
a e a ,
n a a a a en n ,
wh re he be c m e t he c hi f s tron o m e r F r m 1 7 5 7 t o 1 7 86 he
e a e a . o
D i s h A m b sad o r a t V i n ) he s e t ut fo L p l d i A p ril 1 7 6 8
an as en a ,
o r a an n
t o b e r ve t he tr an s it o f V n u s
o s d h vi n g a c c o m p li h e d his O bj ec t e , an a s ,
r e t u r d t o V i en n in 1 7 7 0 H e d i ed on t he 1 4th f A p ril 1 7 92
ne a . o .
A m gs t his w o rk s e
on ar
1 7 63 .
s ui s
”
et 1 76 3
. .
o b s e rva t io n e tran s it us V e n e ri s an n i 1 7 6 9 , et c , , .
2
U po n t he val ue o f t he m i n e ra l m agn e t in t he cur e o f S i c k n es s an d
d i s eas e n u m e r o us ea rly au th o r s h d writt en I t s u s e s e e m s t o h a ve a .
s o m e o f t he c hi e f w o rk s
t e llt n V e r s u c h e Al t o n a 1 7 7 5
”
e .
, .
H ein s iu s
“
B ey t ag e z u m e i n en V e rs u c h e n w e l c h e m it k u n s t
'
. r
L e ips .1 77 6 “
S amm l un g de n eus t en ged ruc kt e n un d ges c hri e be n en
. r
m t i o n i c i q u a d a
g in t a fe rre s e p t im aru m a P hilia t ro d e W oc h e r c r
u a ti ”
.
Fr eib urg 1 7 7 8 , .
T H E G E N ES I S OF HYPN O T I S M . I 3
nominat e d hi m as a m e mb e r T he pu blication of
.
’
r e ports o f M e sm e r s cas e s i n t he n e wspap e rs ro u s e d
Vi e nna to a high pitch of e xci t e m e nt O n e of t he .
N ot on ly t he p e opl e b u t t he co u rt w e re to b e s ee n
at his l ev é e s an d his s e anc e s M e sm e r at first c u r e d
.
’
Vi e nna had i nd e e d b ee n rous e d by M e sm e r s
work but from t he first he was t he obj e ct of gr e at
,
i n 1 7 7 8 he l e ft Vi e nn a and w e n t to P aris .
”
cl e arly e xplain e d M e sm e r cam e to P aris
, This .
“
his f amous baqu e t or tub This s e e ms to hav e .
d escrib e s i t as follows
I n t he c e ntr e of a larg e room stoo d an oak tub ,
fou r or fi ve fe e t i n d i am e t e r an d o n e foot d ee p ; it
was clos e d by a li d mad e i n two pi e c e s and e nclos e d
i n anoth e r tub or buck et A t t he bottom of t he
.
’
b e at high pr e ssur e The tub was fill e d with wat e r
.
,
t io n a l wat e r
. T he l id was p e rforat e d to allow O f t he
’
appli e d to t he di ffe r e nt parts of t he pati e nts bodi e s .
’
s ee m e d to incr e as e t he p ati ents convulsive mov e
1 6 TH E E LEM EN T S OF HYPN O T I S M .
“
A noth e r room was padd e d and pr e s ent e d a ,
’
O p e rat e with t he gr e at cu r re nt crossing and
‘
,
1
t he o n e in which M e sm e r p u blish e d a pap e r clai m ,
1
M m oire s u la d é c ou ve rt e du M agn é ti sm e an i mal P ari s 1 7 7 9
e r .
, .
T H E G EN ES I S OF HYPN O T I SM . I 7
propositions
3 This
. r e ciprocal action is subj e ct to m e chanical
but as y et u nknown l aws .
,
‘
B
1 8 TH E ELE M EN T S OF HY PN O T IS M .
”
ani mal m agn e tism .
I I T he action an d vi rtu e of
. ani m al m agn e tism ,
1 4I ts action
. tak e s plac e at a r e mot e distanc e ,
1 5 It
. is l ik e light in cr e as e d an d r e fl e ct e d by
, ,
m irrors .
1 6 I t i s communicat e d
. propagat e d and i ncr e as e d
, ,
by so u nd .
c e n t ra t e d an d transport e d
,
.
p e rf e ct and
, h e can p rovok e and di r e ct salutary
cris e s S O as to hav e th e m com p l e t e ly u nd e r his
control .
u ti lity of t he rm c r le I s e e k to e stablish
p p .
T he t e mporary succ e ss at Vi e nn a s ee m e d li k e ly to
b e t u rn ed into a lasting o n e at P aris N ot only did .
assure d wh e n he m ad e a conv e rt o f o n e of t he gr e at e st
sci e ntists of t he d ay— d E s lo n t he fi rst physician t o
’
,
’
t he Comt e d A rt O iS S o gre at w e re t he d e mands
.
w e re to b e s ee n con n e ct e d to t he tr e e i n t he hop e
of cu re—a ho p e u nd e r th e s e alt e re d ci rcumstanc e s
, ,
’
angry r e cri mi nation was all that cam e of M e sm e r s
att e mpt t o obtai n a C ommitt ee O f I nv e stigation .
’
The F acu lty of M e dicin e at d E s lo n s re q u es t
’
, ,
’ ’
A t d E s lo n s in stigation M e s m e r publish e d a ,
Pa ri s , 1 78 1.
T HE GE N ES I S OF HYPN O T ISM . 2 3
of m e mb e rs of t he F aculty of M e dicin e of t he ,
’
to M e sm e r s claims The t wo comm issions p re
.
com missions .
2
follows -
“
T he com mission e rs have asc e rtai n e d that t he
animal magn e ti c fluid is not p e rc e ptibl e by any of
t he s e ns e s ; that it has n o action e ith e r on th e m ,
n o t e s e t de r e m a rq u es c ritiq ues s ur t o ut es le s o b s e r va ti o s e t e
pe i n x r
en c e fa it es jus q u c e j o ur pa C B u rd in j u e e t Fred D u b i s
s
’
a r .
, e n . o
P ri s 1 841 a , .
2
R ppo rt d e s C o m m i s s ir es d e la f c u lt é de M edec i e e t d e
a a a n
a im l
n a P ari s 1 7 84
.
, .
TH E G EN ES I S OF HY PN O T I S M .
2 5
S ib me dc
- “
B F R A N K LI N M A A U L T L E R O Y
.
, ,
’
SALLIN BAI LLY D A R C E T
, ,
DE ,
BO R Y G U I LLO T I N L A V OISIE R
, ,
.
P A R IS , r1 t h o f A ug u s t
F rom t he
r e port it will b e s ee n that t he comm is
s io n e rs consid e r e d t he im agination r e sponsibl e for
S ci e nc e s an d t he F ac u lty of M e d ici n e w e r e as
follows 1
“ ”
or of t he flui d to whi ch th e y hav e ascrib e d
c e rtain pow e rs an d e ffe cts and that con ,
1
R a pp o rt des C o mm i s s air es d e la S oc i e t e R o yal
'
e de M edec in e .
Pari s , 1 78 4.
2 8 TH E ELE M E N T S OF HYPN O T I SM .
highly s e nsitiv e .
a n i m a l m ag n et is m adds to al l t he d rawbacks
now pr e s e nt e d to t he pu bli c u nd e r t he n am e of
a n i m a l m ag n et is m si nc e t he apparatus and e ffe cts
,
(S ign e d ) P O I S S O N I E R , C A1 L L E,
M A N D U YT, A N DR Y .
P A R IS , 1 6t h o
f A ug us t 1 78 4
.
T H E G EN ES I S OF HY PN O T I S M . 2 9
withdrawal of L au r e nt d e J u s s ie u t he gr e at botanist , ,
”
h e at or as he t e rm e d i t l at e r
, ani malis e d e l e ctri c ,
fl u id .
“
Con clus ion —T he th e o ry of magn e tism cannot
b e admitt e d u ntil it is d e v e lop e d and su p port e d
by solid proof T he e xp e rim e nts m ad e to v e ri fy t he
.
1
rt
R a ppo d es c o m m i s s a ir es c h a rgé s
’
de l un p ar le R oi
’
d e l exam en
du magn é ti s m e an i m al P aris 1 7 84
.
, .
30 T H E ELEM EN T S OF HY PN O T I SM .
A L DE JU SSI EU
. . .
r e tu rn e d to G e rmany .
H e di e d and was bu ri e d i n M o rs b u rg in 1 8 1 5 .
T H E GEN ES I S OF HY PN O T IS M .
3 1
s ee m to hav e b ee n li mit e d to th es e .
”
him a good d e al .I thank you s ir said M e sm e r
, , ,
’
broth e r don t le t this m ak e you un e asy H e r e a re
, .
“
I do n ot wish to j oi n t he cont e mpti bl e gro u p
’
of M e sm e r s profe ssion al sland e r e rs H e is d e ad .
H y pn o ti s m p 6
1
, . .
32 THE E LEM E N T S OF HYPN O T I S M .
’
s e cr e t of i t O th e rs b e li e v e d that t he pati e nt s m e r e
.
”
b y a whol e s e ri e s of books about m od e rn hypnotism .
1
B es i des th os e a lready q uo t ed t he fo ll owi n g are s o me of t he c hi e f
,
p ubli c a ti o n s o f t he pe ri o d on t he s bj ec t u
l a c ad ém ie et d e la fa cu lt é d e m é d ec i n e e t d e la s o c i é t é r o y al e d e
’
m é de c i n e A n on P ari s 1 7 84
”
. . .
, ,
C es t la r é p o n s e la p l u s s ag e et la p l u s c on c l uan t e qu on ait fa it e
’ ’
a ux r a
pp o rt s ; e ll e es t r é di gé e a vec un e e t rém e c l a rt é
’
Il n y a x .
’
a u cun e i d é e s s t em a t iq u e :
y on n y a p e r o it
g p as la m o i n dr e tr ac e
’
J e s u i s s u r p ri s q u e ll e n a it p as
’ ’ ’
d e x agéra t io n ou d en t hou s ias m e .
l e ff c ac it é de c e t age n t D e l e uz e H i s t o ir e Critique du
’ ”
et i . .
M agn é ti s m e an i m al P a rt ii p 5 9
.
”
.
, . .
C on s i d er a ti o n s s u r le M agn é ti s m e an i m a l s u r la th é o ri e d u m o n d e
e t d es ét res o r gan i s é s p ar M B e r gas s e L a H ay e 1 7 84
”
.
, .
, .
L a C o l o s s e a ux p i ed s d a rgil e p ar M W e ville rs
’
1 7 84
”
.
, . .
t o m u c h k een s a r c as m .
’ ’
O b s e r vati on s s ur le M agn e t i s m e an im al , par M . d E s lo n .
Pa ri s 1 7 80
, .
’
“
Le ttr e de M d E s lo d oc t eu r r é ge t de la fac u lt é de m é dec i n e
. n ,
n
d e P ri s p r em i e r m é d ec i n d e m on s e i gn eu r le c o m t e d A t o is ;
’
a ,
r a
’
L ettr e s ur le M g é ti s me a i m al o l on e x ami e l c fo rm it é des
a n n , n n a on
o p i i on s d es p eu p l es a c i en s e t m o d e r e s d es s avan t s e t n o t mm e t
n n n , a n
d e M B ailly avec c e ll e d e M M es m e r et n l on c om p r e s e s m ém s
’
.
, . o a e
p i i on s u r pp o rt d es c o mm i s s air es ; a d r es s é e a M B ailly d ”
o n a a . e
’
l ac d ém ie d es s c i e c s p ar M G a l a rd d e M o n tj o y e P ri
”
a et c n e , .
, . . a s,
1 78 4 .
D o u t es p r ov i n c i a l p r o p os é s a M M les m é d ec i n s c o m
’
d un , .
-
m is s aires et c
,
”
L y o n 1 7 84
.
, .
gé n é r a l a u p a rl e m e n t d e G r en o bl e
”
.
“
A n aly s e rai s on n é d es r ap po rt s des c om m i s s a ires et c p ar J , .
, .
“
R éfle x ion s i m pa rti a l es s ur le M agn é ti s m e an i m al fa it es a p rés la ,
s a t io n a l m ann e r of proc e du r e .
“
in t he somnambulic stat e thought transfe r e nc e ,
“ ”
cl ai rvoyanc e an d oth e r i mpossibl e pow e rs w e re
,
to b e found i n t he subj e ct .
’
tho u sands of cas e s which cam e und e r M esm e r s
notic e th e r e w e r e no p ati e nts who fe ll i nto t he stat e of
somnamb u lism ; at t he sam e tim e M e sm e r thoroughly ,
’
hi ms e lf at his wi t s e n d to know how to att e nd to t he
wants of all his pati e nts T he sci e ntifi c world was
.
r e fre shing sl e e p 1 .
w e r e e ffe ct e d .
’
M e sm e r s pupil wa s still a v e ry long way from t he
truth but he had mad e a gr e at advanc e on his
,
’
mast e r s syst e m . I t is ad mitt e d by al l that d e
P uys egur was as hon e st as t he day and no d oubt ,
e fforts .
’
which e nt e r e d i nto d e P uy s ég u r s th e ory pr e s e nt ed ,
D e t ail s d es c u r es o p e ée s é B u an c y Cl o q uet S o i s s on s 1 7 84
1 ’
r z . .
, .
TH E LA T E R H I S T O R Y OF HYPN O T I S M .
39
’
wond e rs w e r e p e rform e d a d li b it u m P é t é t in s nam e .
1
H i s t o ire c ritique ’
d u M agn e t is m e an i m al J P F
. . . . D e l eu z e . 2
v ol s . P ri s 1 8 1 3
a ,
.
T H E LA T E R H IS T O R Y OF HYPN O T I S M .
4
I
t he s u bj e ct at t he B e rlin Un iv e rsity .
’
h u rry and it was only aft e r fi v e y e ars r e s e arch that
,
i n J u n e 1 8 3 1 th ey pre s e nt e d th e i r r e port 1 .
CO N C L U SION S .
p a s s es a re t he
,
m e ans e mploy e d to pl ac e
t he pati e nt .
1
A c ad em y w r fr i d t p ri t thi s r e po rt an d c o s e q ue tly
The e e a a o n , n n
n o o ffi c i l t e xt is ia xi t c e T he c o c l us i on s re t ak en fro m
n e s en . n a
R app o rt e t D i s c u s s i on s d e l A c de m ie R o y l e s u le M gn é ti s m
“ ’
a a , r a e
n im al M P F o i s ac P ri s 1 8 3 3 A tran s l ti o of t he r p o rt
”
a . . . s . a , . a n e ,
m de by J C C lqu h u (E d i
a . . o o s a y s th t it wa s t k e
n n . fr m a a n o
a lith ograph ed c op y s pp li ed t o t he m em b e rs o f t he A c d m y
u a e .
H us s o a l s o p ubli s h d l t r w o rk c t i n i n g t he r e port f t he
n , , e a e a on a o
c om m i s s i o n a n d an a c ou t f th e ir m ee ti gs
c n o n .
44 T H E ELE M EN T S OF HYP N O T I S M .
t ion,
i n t ern a l p revis ion or wh e n it prod u c e s
,
r e fe rr e d to any oth e r ca u s e .
45
scruti ny t he most rigid pre cau tions an d n u m e r
,
i llusi on
.
1 3 S l ee p
.
p roduc e d with mor e or l e ss prompti tud e is
a r e al but not a constant e flec t of m agn e tism .
e mploy e d to occasion it .
1 6 I n g e n e ral
. chang es m or e or l e ss r e markabl e
, , ,
part of t he orbit .
()
c S om e ti m e s t he pow e r of sm e lling app e ars to
O f sm e ll .
( )
d T he gr e at e r nu mb e r of t he somnambulists
17 . M agn e tism is as in t e ns e an d as sp ee di ly fe lt at
a distanc e of s ix fee t a s of S I X I nch es and t he ,
T H E LA T E R H I S T O R Y OF H YPN O T I S M .
47
ph e n om e n a d ev e lop e d a re t he sam e i n both
cas e s .
2 0 W e hav e i nvariably s e e n
. t he ordinary sl ee p ,
which is t he r e p os e of t he organs of s e ns e of ,
somnambulism .
2 2 Upon
. awaking th e y said th e y had totally
forgott e n t he ci rcumstanc e s whi ch took plac e
d u ring t he som nambulism an d n e v e r re coll ect e d
th e m F or this fact we can hav e n o oth e r
.
2 4W e hav e s e e n
. two somnambu lists who dis
t in g u is he d with th e ir e y e s clos e d t he obj e cts
, ,
mor e or l e ss d e cid e d r e li e f — v iz o n e t he .
, ,
of long standi ng .
north e rn count ri e s .
50 T H E ELEM EN T S OF H YPN O T I S M .
(S ign e d ) B O U R D O I S D E LA M O TT E P res i ,
d en t ; F O U QU I E R G U E N E A U D E
,
M U SSY G U E R S E N T H U SSO N
'
, , ,
I TA R D J J L E R O U x M A R C
, . .
, ,
T H I LLAY E .
N ot e — M M D O U B LE and M AGEN D I E
.
di d n ot consid e r th e ms e lv e s e n
titl e d to sign t he r e port as th e y
had n ot assist e d i n making t he
”
e xp e rim e nts .
i nt e nsify t he
g e n e ral d oubt and wond e r T he con .
’ ’
p u blish e d on J u ly 1 7 1 8 3 7 and th e y mad e a res u me
, ,
F I R S T CO N C L U S IO N .
n a m b u lis m .
S E C ON D CO N C L U SIO N .
T H I R D CON C L U SIO N .
1
l . e .
, a bou t th
‘
ai o f an i n ch .
T HE LA T E R H I S T O R Y OF HYPNO T I SM .
55
F O U R T H C ON C L U S IO N .
F IF T H CO N C L U SI ON .
s ee m e d to h e ar wh e n he positiv e ly d id n ot want he r
’
to h ear ; so that from t he su bj e ct s ass e rtions t he
, ,
i n he r i n compl e t e o p position to t he wi l l of t he
,
magn e tis e r .
S IX T H C ON C L U S ION .
th e y u tt e rly fai l e d .
S E V E N T H CO N C L U S ION .
a bandag e O bj e cts pr e s e nt e d to he r
,
.
’
A cad e my s i nv e stigati on an hitch occu rr e d with t e
gard to t he bandag e T he com mitt e e wou ld not a c
.
abl e to r e ad a word .
, ,
1
an d r e cognis e s t he truth .
1
Th os e re ad er s who thi n k thi s a n e xag ge ra t e d v i e w m ay fi n d it s
u n h app y c o n firm a ti on by a r e fe r e n c e t o t he hi s t o ry o f t he r e c e ti o n s
p
ac c orde d t o H a r ve y s d oc tri n e o f t he c ir c u l a ti on o f t he bl o od
’
,
’
S i m ps o n s d i s c o very of c hl or o fo r m J en n er s i n trodu c ti on o f vacc i n a
’
,
ti on an d s o m e o th e r o f t he gr eat d i s co ve ri es
, .
64 TH E ELEM EN T S OF HY PN O T I S M .
P er e pr e ach e d a s e rm on in 1 8 4
L a c o rd a ire 6
at N Ot re D am e e ulogisi ng m agn e tism as a pow e r
,
fu l l at t he e n d of thi s chapt e r .
ia s t D u P ot e t cam e to L ondon wh e r e he m e t
, , ,
e ve r ,
soon pass e d a r e solution agai nst i ts u s e in
t he hospital an d E llio t s o n at onc e r e sign e d
, T he .
“ ” “ ”
Clai rvoyanc e and P hr e n ology w e r e his con
stant stock in trad e whilst he r egularly e mploy e d
- -
“ ”
t he two sist e rs O k e y i n his O p e rations No .
t ifi c
. Braid e nt e r e d upon his i nv e stigation a com
p le t e sc e pti c I n. 1 8 41 he att e nd e d a d e monstration ,
E
66 THE ELEM E N T S OF HYPN O T I S M .
’
t he op e rator s e xplan ation that t he m e ans of t he
t he s u bj e cts w e r e u n abl e to op e n th e i r e y e s He .
ag e n cy was u nn e c e ssary
,
.
2 .
That t he s tat e was a s u p e r n ormal physiological
-
on t he n e rvous syst e m .
’
thought probabl e that E llio t s o n s e xp e ri e nc e fright
e n e d B raid from att e m pti ng to at all hastily forc e
b e of t he gr e at e st val u e i n cas e s wh e r e t he a d
m inistration o f t he u sual an ae sth et ics wou ld b e
d ang e rous or in e xp e di e nt .
’
oth e rs publi s h e d e xtracts from Braid s writings i n
,
’
tri e d e xp e r im e nts sugg e st e d by Braid s writings
, ,
’
fo u nd th ey confi rm e d Braid s con clusions H e pub .
S om m e i l e t d es Etats A n al ogu e s e t c A t t he ti m e
”
, .
’
This combi n e d possibly with Charcot s e xp e ri m e nts
, ,
“
it s study with L ié b a u lt publish e d his work
,
D e la
T H E LA T E R H I S T O R Y OF HY PN O T I S M .
7I
’
nations of L ié b a ult and his follow e rs whilst Charcot s
, ,
’
school d e spit e t he l e ad e r s e mi n e nc e i n his own branch
, ,
1
T he Roman d e cr ee runs as follows -
“
A t t he g e n e ral co n gr e gation of t he H oly Roman
I nquisition h e ld i n t he conv e n t S ancta M ari a
(abov e M i n e rva) t he Cardin als and I nquisitors
, ,
1
E pi t ol E c yc lic a S R om I q uis it i is ad om es E p i p
s a n . . n on n s co os
ad e r s u s m ag e ti s m i ab u s us Vi de C m p e d i um T heo l g i
”
v n . o n o ae
M o rali s. G u ry .
T HE LA T E R H I S T O R Y OF HY PN O T I S M .
73
t he pr e s e n t e ncyclical l e tt e r to al l t he bishops i n
ord e r that its abus e s m ay b e r e pre ss e d F or i t i s .
“
The H oly S e e wh e n consu lt e d in p artic u lar
,
, , ,
’
i ll egal and h e re tical .
“
A ltho u gh this d e cr e e s u fli c ie n t ly e xplai ns wha t
is l awfu l or u n la wful in t he u s e or ab u s e of mag
n e t is m hu man p e rv e rsity is such that m en who hav e
,
, ,
’
that t o which t he nam e hyp notism has b ee n giv e n
nam e ly a wond e rful art so that by m e ans of t he fi x e d
,
et c . m ay b e e asily c u r e d
,
.
1
Theo lo gia M or ali s . A Leh m k uhl
.
, S .
J .
T HE LA T E R H I S T O R Y OF HYPN O T I SM 77
I s t he s t a t e th e n i llicit
Y o u hav e t he d e privation of r e ason and a stat e i n
which y o u r ev e al t he most privat e matt e r and i n ,
a re fo u nd to b e m e r e d e lusions .
79
’
F r L ehm k u hl s arg u m e nt howe v e r gains rath e r
.
, ,
M EN T AL A C T IO N .
T he i n fl uen c e o f e n vir o n m e n t —T he O p p os it e in flu e n c e —T he
n ec e s s ity o f p r e d i s p os iti o n —The h a r m on y o f t he r e as on a n d
e m o ti o n —T he b a s i s o f r e s on —U n ity o f i m p r e s s i on s —M en t a l
a
o f t he s l e e p i n g s t a t e The n t u r e O f t he d r e a m i n g s t a t e
a
o w e r d ue t o c o m bi n ed ac ti on o f th e s e —T he i n t ell e c t an d
p
s e n s a ti o s
n — Brai d s e x p e ri m en t s —O th e r illus trati on s —D r W igan
’
an important part .
F
82 TH E ELE MEN T S OF HY PN O T I S M .
Th u s t he e d u cation of t he child u nl e ss i t b e ,
t he whol e brain .
A s w e study t he ph e nom e na O f wh at is t e rm e d
s u gg e stion we s e e t he i mportanc e of cl e arly
,
fu nctions .
T he d e gr e e of i nfl u e n c e which is e x e rt e d ov e r t he
b ody by t he m i nd n e c e ssari ly vari e s larg e ly i n t he
p e rson of d ull h e avy and stupid d isposition its
, ,
t he stat e of n orm al sl e e p .
S om e ti m e s how e v e r t he pr e s e n c e of e xt e rn al
, ,
M EN TA L A C T I ON .
9
“
wh e n sitting in his arm chai r do z e s is bro u ght
-
m ov e m e nt of t he b e ll wi r e which pre c e d e s it T he
-
.
”
n e ss p roc e e ding from he r infan t charg e .
Thus i n o rd inary sl e e p th e re is O ft e n pr e s e n t a
,
tim e s n on e xist e nt
-
.
mor e or l e ss compl e t e .
phas e s of dre am s
2 . D r e am s r e m e m b e r e d o n waking .
r e cognis e d d u ri ng t he d r e am its e l f .
“
A yo u ng lady wh e n at school fr e q u e ntly b e gan
, ,
fe c t ly i ns e nsibl e
. A lo u d n ois e would awak e he r ,
”
l e ading q u e sti ons .
r e m e mb e r e d on t he n e xt occasion .
“
cl e arly this fact A s e rvant maid rath e r giv e n
.
-
”
of t he stat e i n which it had b e e n s e cre t e d .
will r e m e m b e r th e m all .
e xtant ,
r e cord e d by D r A b e rcombi e on t he
a u thority of D r J am e s G re gory and quot e d by ,
’
T he co u rs e of this i nd ivid ual s d r e ams could b e co m
says ,
I cannot b u t thi nk that B e rnh e i m has
som e what e xagg e rat e d t he clos e n e ss of t he an alogy
”
b e tw e e n hypn otic and n atural sl e e p an d u nqu e s tion
,
97
u nd e rstood as t he brai n T he n atu r e and t he pow e r
.
”
pre s e n t s e nsorial impr e ssions or i mag e s of t he i d e as .
G
9 8 TH E E LEM E N T S OF HY PN O T I S M .
i f i t b e p ro p e rly u nd e rstood b u t it m u st b e r e m e m
b e r e d that t he e ffe ct i s as r e al an d j ust as mu ch a
fact wh e n t he n e rv e curre nts a re s e nt from t he brai n
t o a p articular p art of t he body as wh e n th es e ,
“ ”
r e aso n I pr e fe r t he t e rm I d e ati on to that of
“ ”
I magination sin c e t he latt e r word by its fre qu e nt
, ,
1 00 T HE ELE M EN T S O F H YPN O T I S M .
sugge stion .
physical syst e m
, .
i nsist e nc e bu t y e ar by y e ar e ngraft e d o n t he m i nd
, , , .
Thus th e r e s e e m s to b e i n t he hu m an organ is m a
,
h
t e oth e r ration al volition al and d e li b e rativ e
,
1
Th e y
,
.
of t he will i s n ot fe lt i t m ay n ev e rth e l e ss b e n ec e s
, , ,
“ ”
sary to and acting i n th e s e a utomatic acts S u ch
, ,
.
im p u ls e of t he m om e nt t o b e ch e ck e d t he n e xt,
to t he tabl e .
“
a s e nsation oft e n d escrib e d as pricking but ,
“
J ohn H unt e r said I am confid e nt that I can fi x
,
”
g e stion p er s e i n p e rsons of e l e ctric o r s e nsitiv e
n atu r e r e sulti ng i n p artial o r compl e t e i nhibition of
,
wh e n he d r e w t he m agn e t from t he fi ng e rs to t he
wrist i t was g e n e rally fol low e d by a chang e O f
,
”
for e w eak e xcitation of t he sam e n e rv e c e ntr e s
,
-
.
do e s t he i n t e l l e ct poss e ss an d u s e an e normous
i nflu e nc e ov e r t he s e nsations and volu n tary actions ,
p ara t io n s m ad e to bl e e d him Wh en a.
p r e t e nc e
“
is mor e r e al an d D r H am mon d d e scri b e s i t as
,
a
”
p aralysis of t he wi ll .
com p r eh e nsion .
1
La V é rit é des M irac l es q uo t ed by H am mon d
, , op . c it .
Quo t ed by H am m o n d O p c it , . .
I I2 T H E ELEM EN T S OF HY PN O T I S M .
p aroxys ms . T he
nuns of L o n d o n a re a notabl e cas e .
”
I n th e s e tim e s d e moni acal poss e ssion was b e li e v e d
i n as of not i nfr e qu e nt occurr e n c e and i n fact
, , , ,
The n at u r e of t he ph e n om e na is shown i n a
s e ri e s of c u rious qu e stions put to t he Un iv e rsity of
M ontp e lli e r by F r S ant e rr e
. .
2 Wh e th e r t he quickn e ss of t he motion of t he h e ad
.
p oss e ssi on
3 Wh. e th e r a s udd e n sw e lling of t he tong ue t he ,
poss e ssion
5 Wh e th e r t he i m mobi lity of t he whol e body which
.
happ e ns to t he pr e t e nd e d poss e ss e d by t he ,
’
h e ar e r m ay b e an e vid e n c e of t he h e are r s fi n e
,
in s u ch I t i s n o i nfre qu e n t e xp e ri e n c e to h e ar
.
“ ”
th e y quit e lost th e ms e lv e s and o n e has only to ,
s e ct i n M orocco an d s om e of th e m w e r e to b e s ee n
,
de scription O f an e y e witn e ss -
“
Th e s e A I s s o u a n s bring o n th e ms e lv e s a sort o f
' ‘
Th e s e A Is s o u a n s o n e by o n e e xhibit e d s u ch sp e ci
‘
, ,
“
The A I s s o u an wi ll t e ar and l ac e rat e his skin
''
”
bit e with u ndisguis e d s atisfaction 1
.
p e rson s of morbi d i nt e ll e ct .
1
F ov eau d e Cou r m ell es . Hyp n ot is m , p . 1 69.
12 0 T H E ELE M EN T S OF HY P N O T I S M .
p e w ,
an abl e bod i e d
-
fr e sh h e althy cou ntryman
, , bu t
i n a mom e nt whi l e he s e e m e d t o think of nothing
,
viol e ntly s e i z e d as he Wh e n he fe ll M r B— ll
.
,
oft e n fe e ls t he wi nd of i t .
“
A mong t he chi ld r e n who fe lt t he arrows of t he
A l mighty I s aw a st u rdy boy about e ight y e ars
, ,
’
walk to M r B eve ridg e s hous e I fo u n d i t full of
, ,
s et o n a chair and ,
aft e r sighing awhil e sudd e n ly
, ,
’
how I lov e H i m M e anti m e I s aw a thin pal e
.
,
, ,
’
of t he blood of Christ ! A s he spok e G o d s et ,
mi l e s to h e ar M r B and was to l e av e t he n e xt
m orning ; which he d id with a glad h e art t e lling ,
”
wom e n to h e l p th e m i n p raising G o d .
“
by what th ey call t he j e rks for two w e e ks at
a tim e d uri ng t he whol e of which p e riod t he h e ad
,
“ ”
woman who h ad b e e n j e rk e d for thr e e w e eks
had he r fac e frightful ly swol l e n and he r e y e s ,
“
D ir e ctly aft e r t he j e rks S he b egan t o talk i n
u nknown tongu es and conti n u e d at short i nt e rvals
, , ,
”
t he d u mb d e vils 1
.
1 M en t a l S u
gg es ti o n p 2 0
, .
1 2 6 TH E ELEM EN T S OF HYPN O T I S M .
’
my fri e nd s habi t , wh e n he paid clos e st att e nti on
to t he gam e to whistl e an ai r fro m M adam e ‘
’
A ngot .I was abou t to accompany hi m by
b e ating tim e on t he tabl e ; bu t this ti m e he
‘
’
P ro p hé t e .
’
said I to my associat e s
L ist e n , we a re going
‘
hi m to p ass from “
L e P roph et e to L a F i ll e
“
d e M adam e A ngot .
“
F i rst I b e gan t o d ru m t he m arch ; th e n pro ,
’
‘
M ad am e A ngot E v e ryon e bu rst out l aughing
. .
’ “
again said I an d go b ack to L e
, ,
‘
“
A nd straightway we h ad M ey e rb e e r onc e more
”
with a sp eci al fugu e .
p ass e rs b y wil
-
l casually look rou nd ; m or e will stop
C H A P TE R I V .
m e th o ds o f i n d u c i g hy p os i s T he M es m e i c Br i d s —Pas s es
— n — n
’
r a
’—
e — a
’— ’—
B rge r s Fas c i n ti o n L as egue s F a ri s M ag e t s D r ugs a n
t he P a ri s s c h oo l .
”
biology an d t he l ik e w e r e i n capabl e of any s e rious
, ,
, ,
.
,
hypnosis .
O f th e m .
1
on e s pri ncipally us e d .
1
It m ay b e w e ll t o d e fi n e s e ve ra l t e r m s whi c h will b e fr eq u en tly
u s ed in t he c o u r s e o f thi s b o o k I h av e c a re fully avoi d ed a ll t ec h n i c a l
.
brevity an d c l e r n es s a .
c ll hy p n os i s I t d en i es th a t th e re is n y tr uth in t he th eo ri es
“
a e d . a
k wn o n as a n i l ag ti
m a m n e s m “
m e s m e ri s m ,
”
et c a n d is fo un d e d
, .
,
o n t he th eo ry th a t t he s t a t e is S i m p ly a s u p e r n o r m a l c o n d iti o n o f t he
-
br i n
a .
m es m e ri c s l ee p I t is ad m itt ed th a t t he t e r m hy pn o s i s m ean i n g
.
, ,
as it d oes Sleep d oe s n o t a d e q ua t e ly r e p r e s e n t b y it s d e ri va ti o n
“ -
, ,
t he s t at e p r od uc e d s in ce m an y who are un d o u bt ed ly hy n o ti s ed a re
, p
1 30 T HE ELEM EN T S OF HY PN O T I S M .
T HE M ESM E R I C M E T HO D S A s we h av e s een i n .
’
B R AI D S M E T HO D Brai d plac e d som e obj e ct .
p e rfe c tly i
c o n s c o us an d r e m e m b e r o n r e t u rn i n g t o t he n o r m a l s t at e
, ,
e ve rythi n g th a t ha s oc c u rr ed d u ri n
g t he ti m e th e y w e r e in hy p n o s i s .
ad e q u a t e ly r e p r e s e t t he c o n d iti o n i n d uc e d
n a n d s o l o n g as we c l ea rly
u n d e r s t a n d wh a t i s m e a n t by t he t e r m hy pn o s i s we c an a ffo r d t o ,
e s s e n ti a l c h a r a c t e ri s ti c o f t he hy p n os i s is n o t s l ee b u t a n hei ght e ed n
p ,
t he p ti e t by t he hy p o ti s t e ith e r i w o r d s writi n g o r in a y m
a n n er n , , n an n
“
m a t is m et c ,
T he Cu rativ e M agn e tic P ass for
.
,
”
S pi nal Com plaints e t c This is of cou rs e pu re
, .
, ,
’
BE R GE R S M E T HO D P rofessor O skar B e rg e r of .
“ ”
z on e s hy p n og en es a n d a conti nuous sti mulus
,
of i n many cas e s .
“ ”
favou rit e o n e of t he m e sm e ri c profe ssors The .
’
su bj e ct is tol d to ga z e st e adily i nto t he op e rator s
ey e s
. I t fr e qu e ntly happ e ns that i n a short spac e of
tim e t he subj e ct will i mitat e e v e ry m ov e m e n t of t he
op e rator al l t he whil e k ee ping his e y e s firmly fix e d
,
’
L AS E G U E S M E T HO D D r Ch . L a s eg u e a
.
,
’
F A R IA S M E T HO D T he A bb e F ari a us e d to con
.
was produc e d .
of ordinary sl ee p an d i t s e e ms an u nn e c e ssary
,
’
L U YS M I R OI R RO T A T I F This i s an ing e nio u s
.
’
n e e d t he hypnotist s p e rsonal att e nti on whi lst th e re ,
b e i nflu e nc e d en m a s s e and th e s e co u ld b e hy p n o
,
of s ugg e sti on .
’
L ié b a u lt s own lips that he wa s fi rst attract e d t o t he
’
subj e ct by r e ad ing B raid s works and he has con ,
1 38 TH E ELEM EN T S OF HYPN O T I S M .
s t an t ly
ad mitt e d that t he N ancy syst e m is i nd e bt e d
to B rai d for its r e al g e n e sis I n con n e ction with .
T he m e thod i n comm on u s e at N an cy is as
follows
T he pati e nt is comfortably s e at e d i n an e asy
chai r with his back to t he light and t he op e rator
, ,
’
hand som e fe w i nch e s from t he pati e nt s e y e s T he .
“ ”
p ati e n t Y ou a re b e gi nning to fee l d rowsy
,
Y ou r ,
”
sight i s ge tting d im e t c e t c whilst i n oth e r cas e s
,
.
,
.
,
and th e n s e e k to i n cr e as e t he sl ee pin e ss by s u g
g e stions which a re m ad e as t he sym ptoms b egi n
,
t o d e v e lop th e ms e lv e s .
’
this m e thod of N ancy tak e s Braid s syst e m of
1 4
0 T H E ELE M EN T S OF HY PN O T I SM .
T he
forcibl e op e n ing of t he e y e s will som e tim e s
awak e n t he pati e nt I d o n ot u s e mys e lf any of .
, ,
1
i nsist e d o n .
1
A r eco r ded by D r J uli us S ol o w (N ew Yorh M edica l
ca s e is
u n al M a rc h 14 A y ou n g m an w as hy p n o ti s ed by a
j o r , ,
tr em bli n g o f t he a r ms an d he began t o s hi ve r H e th e n fe ll on t he
, .
fl o o r j um p ed u p be c am e m e rry l augh e d j ok ed an d s an g ; th en
, , , , ,
v i o l e n t c o n vu l s i o n s s e t i fo ll o w ed by l os s o f s p eec h ; c a t al e ps y n ext
n ,
s u p e r ve n e d an d t he wh o l e b o d y e x c ep t t he a r m s b ec am e ri g i d
, , Fo r , .
t wo d ay s c o n vu l s i o n s l o s s o f s p e e c h a n d c a t a l e p s y r ec u rr e d ve ry
, , ,
n o t m u c h i m p r o ve d b ut a ft e r thi s t he s e ve r e s y m p t o m s b e gan t o g i ve
way t o o u tb u r s t s o f a lt e r n a t e s i n gi n g an d l am e n ti n g an d a ft e r an o th e r ,
p e ri o d of tw e l ve d ay s d u ri n g whi c h ti m e his t e mp e r a t u r e w en t u p t o
,
he r ec o ve r e d .
T H E I N D U C T I ON O F HY PNOSI S . 1
41
Wh e n onc e i t is fou nd that t he p ati e nt do e s n ot
awak e n i n ob e di e nc e to t he f u rt her
O p e rator ,
no
a t t emp t s t o w a he hi m s hou ld b e m a d e b u t an e x ,
or i f o n e cannot b e fo u nd t he s u bj e ct should b e
,
, ,
1
4
2 T H E E LE M EN T S OF HYPNO T I S M .
is t he cas e .
body is contradict e d by t he e xp e ri e n c e of e v e ry
,
2 hypnotist .
valu e .
RE U T S L S OF E x p E R I M E N Ts 1012 PE R SO N S .
1
D r o w s i n es s
L i gh t S leep
D ee p S l ee p
P r o fo un d S l e ep
L i gh t S o m n a mb uli s m
D e e p S o m n amb uli s m
U n a ffe c t ed
can b e s e nt to sl ee p in s ix sittings .
”
hypnotis e m e if you can e x p r e ssion on his fac e
- - - -
1
S ee p . 1 6 fo r s t ages
4 .
2
Thro ugh ou t thi s bo o k t he wo rd , pa ti en t
”
is us e d as t he an o n t ym
o f o pe r a t o r i e on e o p e r a t ed up o n
, . .
, .
K
1 4
6 TH E ELEM EN T S OF HY PN O T I S M .
stag e s
I . T he “
al e rt stag e .
“
2 . The d e e p stag e .
4 S ugg
. e stiv e catal e psy mor e pronounc ed .
5 S ugg
. e stiv e contractu r e s m ay b e i nd uc e d .
6 A utomati c ob e d i e nc e
. .
n ot possi bl e .
8 L oss of m e m ory
. S light possibility of
.
hypnotically .
9 L oss of m e mo ry
. H y p n otic and post
.
u e st ion
q .
’
M Be a u n is p r ep are d an analysis of L iéb a u lt s
.
D p
ee L ig ht D ro w s i U n af
Sl p
ee . Sl p
ee . n e ss . fe c t e d .
Up to 7 y ea r s
F ro m
.
7 to 1 4
1 4t o 2 1
2 1 to 2 8
2 8 to 3 5
a) 3 5 10 42 as
n 42 t o 49 n
n 49 t o 56
56 10 63
O er
v 63
h av e n ot b e e n asl ee p at al l an d a re qu it e positiv e ,
t he n e c e ssary troubl e .
’
and for t he prop e r u nd e rstan ding of Charcot s th e ory
I h e re app e nd an e xtract from his writings
I The Ca t a lep t ic S t a t e —This m ay b e prod u c e d
. .
as i t w e r e fasci nat e d
, T he e y e s are op e n t he ga z e
.
,
prod u c e d i n t he l imbs by m e an s of r e p e at e d
p e rcussion of t he t e ndons Th e s e contractu r e s
.
,
wh e th e r prod uc e d by e xcit e m e nt of t he n e rv e s
o r m uscl e s o r by p e rcussion of t he t e ndons a re
, ,
“
3 Tl
. i e S t a t e f
o A rt fi
z cz a l S om
'
n a m b u lis m — This
stat e m ay i n som e su bj e cts b e im m e diat e ly pro
, ,
,
‘
“
I t i s di fficult to analys e t he v e ry compl e x
ph e nom e n a which a re p re s e nt e d u n d e r this form .
'
s eu do ca t a le p tzc
p
-
.
“
Theski n i s ins e nsibl e to p ain but this is com ,
“
I n t he cas e of a su b j e ct in a stat e of s o m n a m
b u lis m a slight pr e ssu r e on t he corn e a mad e by
, ,
“
Charcot who ad m it that r e su lts d i ffe ring from
,
”
b e ginning of 1 8 93 e ntitl e d T he N e w M e sm e rism
, ,
1
Op . c it .
, p . it ali c s are m i n e
1 00 . T he .
2
A s I wa s c o rr e c ti n g t he p r o o fs o f thi s c h ap t e r a t N an c y t he , ,
n ew s was br ought t o m e o f t he d ea th o f D C h a rc o t I t is p e rh ap s
r .
, ,
p r o m i n e n t ad vo c a c y o f th e s e vi e w s a n d th a t his fo ll o w e r s a e
, r
r es p o n s ibl e for m an y o f t he l at e r d e ve l o pm e n t s .
T H E I N D U C T ION OF HYPNOS I S . [5 7
1 ”
tr e atm e nt an d hav e adopt e d it int o th e i r practic e
,
.
w orthy .
1
Ps y ch o Th e rap eu ti c s
-
. Lon don , 3r
d ed . 1 8 9 1 , p .
53 .
1 60 THE E LE M EN T S OF HY PN O T I S M .
n ot e d t he ph e nom e na of t he stat e wh e n no e xt e rn al
sugg e stion is m ad e or i nflu e nc e e x e rt e d on t he
,
B e tw e e n this e as e of m ov e m e nt an d t he incapacity
to m ov e th e r e a re m any transitional stag es I f t he
, .
slightly i ncre as e d .
r e g u larity 1 .
1
Vide l bo ra t e trac i n gs a n d t abl es I n
e a C o n tribu to s pe ri me n t al e
’
a ll a F i s i o s i c olo ia d e ll I n o ti s m o M o r s elli e T anz i
”
p g p . .
T H E PHENOM EN A OF HYPN OS I S .
-
I n t he d ee p est hypnosis it is fr e qu e ntly found
th at t he e y e s are not qu it e clos e d bu t that th e r e
,
c los e
,
t he e y e ball tu rn s u pwards and r e m ai ns i n
‘
a s li ht com r e ssio n of t he lips ; but fr e qu e ntly t he
g p
o n t ra c t io n of t he muscl e s is s o obvious that t he
“
c annot O p e n you r mouth or Y ou cannot b e nd
,
”
your arm is su ffi ci e n t to pre v e nt t he acti on b e ing
,
p e rform e d .
1 62 T H E ELEM EN T S OF HY PNO T I S M .
oth e r n am e s i mitation,
fascination
,
and ,
’
t he hypnotist by ga z ing fix e dly i nto his subj e ct s
,
’
( s ee F .ig I ) b e pl ac e d b e for e t he subj e ct s e y e s he
, ,
“
be fascin at e d by t he stick u nl e ss he fully ,
’
I f t he hy p notic s arms b e rotat e d or his hands s e t ,
.
,
1
D r M o ll (o p c it p 8 0 ) e x p l ai n s t he t e r m s “ v l un t ry
. . . an d o a
r fl ex
e .
W e u d rs t d by r e fl e x ti on o f t he m us c l es th a t p rti c ul ar c tio
n e an ac a a n
whi c h is i d uc ed by e x c it ti on f s e so ry n e v with o u t t he c o
n a o a n r e,
it c l os es ; thi s c l os i n g i r e fl ex b eca us e it i i vo l un t a ry W h e on
s , s n . n
a n o th r o cc as i o n t he ey e is vo l u t rily c l o s e d thi
e is n o r e fl e x b u t a
n a , s
vo l un t ry m o e m en t
a v .
THE PH ENOM ENA OF HY PN OS I S . 1 69
’
way forthcoming w e hav e i t on Charcot s own
,
it is a pi e c e of cak e I nd e e d almost e v e ry s e ns e
.
,
“
plainly said that hypnotis m cannot b e g e n e rally
1 7 2 T H E E LEM EN T S OF HYPNO T I S M .
M e mory according to ,
m ay b e sai d to M oll ,
1
To a s u bj e ct q u it e ignorant of G r e e k I r e p e at e d ,
’ ’
Ka i K a r a y o I T es T ct 7 r7\0ia e 7 ri T ip
'
t he s e nt e nc e : / ‘
!
1
Op . c it . , p . 12 3 .
T H E PH EN OM ENA OF HY PN OS I S . 1 73
T he q u e stion wh e th e r t he chain of m e mo ry in ,
’
I n d e e p e r stag e s t he m e mory is l ost un l e ss ft e r , ,
.
”
Oar . This s e nt e nc e his broth e r on awak e ning
, , ,
“
u ntil H e id e nhai n m e ntion e d t he word schw e ig e .
“
such q u e stion as D id you s ay anything about s o
”
and so ?
I n t he d e e p est stat e s m e m o ry is e ntir e ly lost t he ,
he m ani fe s ts t he gr e at e st s u rpris e .
t he s u bj e ct b e hypnotis e d a s e cond ti m e he wi ll ,
Th e r e is no m e mory of acts d on e i n t he s o m n a m
b u li c stat e b e caus e that associ ation of c e ntr e s an d
,
, , ,
b e r e m e mb e r e d b u t sc e n e s of e v e ry d ay life a re
,
-
1
M 011 told a pati e nt to rais e t he l e ft leg ; as he
gav e t he command he i nvolu ntarily took hold of t he
’
pati e nt s right hand Wh e n i n a l at e r hypnosis he
.
, ,
1
Op . c it . , p . 12 9
.
TH E P H EN OMENA OF HY PN OS I S . 1 77
A noth e r i nstanc e of t he hypnotic m e mory O ft e n
occu rs during hallucinations Thus if a s u bj e ct
.
,
s ee n i n t he ph e n om e non of F a ls e M em ory If it b e .
s u gg e st e d to a subj e ct that he ha s b ee n to A m e ri ca ,
. .
, ,
“ ”
wa s t he Whit e H ous e which he s aw i n N e w ,
Y ork .
’
l e ction of any p e riod of t he subj e ct s li fe m ay b e
compl e t e ly d e stroy e d T he subj e ct can b e m ad e to
.
”
had anything to e at to day O n waking he will
-
.
,
to e a t
.
”
tiq u es
, and to which I hav e giv e n t he t e rm
”
partic u lar inhibition .
pr e v e nt e d .
mad e .
I f he r e tai n t he i d e a of t he word or l e tt e r he is ,
dialogu e e nsu e d
Eg o N ow will you pl e as e r e p e at this s e nt e nc e
.
, ,
”
M ary h ad a littl e lamb ?
S u bject S /ze had a littl e l amb
. .
E P l e as e r e p e at t he s e nt e nc e as I q u ot e d it
. .
”
S (aft e r a p aus e ) P olly had a littl e lamb
. .
“
E Wi ll you b e s o good as to s ay
. M a ry had a ,
littl e lamb 1
S (indignantly) W e ll I told you S he had a littl e
.
,
lamb .
(R e d u c ed o n e -
f rth )
ou .
M S
’
M
a.
FIG .
—
4 T/z e
. i dea f
o
“
a los t .
(R e d uc e d one -
f rt h
ou .
)
To B hut an —B t w
e e en pp . 1 82 an d 1 83 . T o fa c e Fig .
3 .
1 84 TH E E LEM EN T S OF HYPNO T I S M .
1
c in a t io n or i llusion m ay b e i nd u c e d any id e a ,
b e com e i ntoxicat e d (F ig 6 ) he m ay s e e t he .
b e impr e ss e d with j oy (F ig or t he r e v e rs e (F ig . .
1
S en s e d l us i o s a e d i vi ded i t o h ll uc i n ati n s a d ill us i on s The
e n r n a o n .
fir s t is t he p e r ep ti o o f an o bj ec t wh e re in re lity th e re is n o thi g
c n a n
t he s ec o n d is t he f l s e i t e r p r t ti on o f
a e xi ti g
n xt e r l O bj ec t
e a an s n e na .
I f fo e x m p l a boo k b e t k fo cat
, r a e, bl ow o n t he t bl e fo
a en r a , or a a r
t he firi g f n c n o
o awe t lk o fa n ill us i o b ut if a c t b e s e en
n, a an n, a
wh e r e th e re is n o thi n g w e c ll it a h all uc i ti on W e h ve th u
, a n na . a s
t d o with
o h ll uc i ati on wh en an e xt e l o bj ec t c us es a p e rc ep
an a n rn a a
ti on by m ea s o f as s oc i ti
n A c h ir in whi c h a p rti c ul a r p e rs o
a on . a a n
has o ft e n s a t m y by ,s oc i a ti o
a c ll up a as i m ge o f th t p e r s on ;
n a n a a
thi s is an h ll u c i ti on c ll e d up by an e xt e r l o bj ec t (M o ll )
a na a na .
2
I t is n t c l i m d th t t h ill us tra ti on s app en ded e in y way
o a e a e ar an
p r o o fs o f t he hy pn s i as t he a ttit u d e n d e x p r es s i o c ould o f c o ur se
o s, a n , ,
b e as s u m e d with o u t it s id F or t he e x p r es s i o s
a . h o w eve r a s ub n ,
”
,
FIG .
5 .
—A l!5 en ce of A oi li ty t o Sp ell .
(Fo r n o r m a l writi n
g, s ee fa c s i m il e , p age
(R e d u c ed one -
f rt h )
ou .
TH E P HEN O M EN A OF HY PNOS I S . 1 85
”
u p to t en an d you will wak e wh e n you g et to fi ve
, .
“
to a subj e ct Wh e n y o u com e t o s ee m e this day
,
1 86 TH E ELEM EN T S OF HYP N O T I SM .
’
Thus an hypn otic is told at fou r O clock that wh e n
, , , ,
“
fo llowing I s ay to t he subj e ct
-
Wh en I g e t up ,
’ 1
v e ry angry I wak e hi m an d we conv e rs e amicably
.
b u t at t he e n d of thi s tim e I r e c e iv e d a l e tt e r
“ ”
add r e ss e d H arry R Vinc e nt . .
p e riods .
“
to a subj e ct Y ou wil l com e to m e on S e pt e mb e r
,
2 0 t h and fin d m e standi ng on my h e ad T he .
“
he cam e and la u ghing ask e d
,
si nc e wh e n h ad
, ,
”
I b e com e an acrobat .
follows .
“
I I s ay to A who is hypnotis e d
.
, Wh e n y o u ,
et c
.
,and all th e s e s u gg e stions he acc e pts To .
stag e s .
a H ypnosis
. .
B Waking stat e
. .
y A condition
. i n which h e ob e ys t he pos t
hypnoti c and is O p e n to fu rth e r s ugg e stion
, .
’
D e lb oeu f s propo s ition that to mak e a post hypnotic -
”
tabl e y o u wi ll b e un abl e to r e m e m b e r you r n a rrie
,
.
hypnosis .
that wh e n he a wak e s i f A sp e ak to hi m he wi ll
m ak e a grimac e at hi m if B sp e ak to hi m he will
put out hi s tongu e .
A sp e aks to hi m i m m e di at e ly he m ak e s a grim ac e ,
”
n ow ? H e i nsists that he m ad e no gri mac e .
T I I E P H EN O M E NA OF HYP N O S I S . 1 91
conn e ct e d .
s u gg e st to E th at he wi l l play t he p ian o as
1 9 2 T H E ELEM EN T S OF HYPN O T I S M .
com e s to hi s m i nd m uch as a d r e am do e s i n a fe w
hours his m e mory of t he act is sti l l fe e bl e r in a day ,
A st riking e xp e ri m e nt was on c e m ad e by F or e l .
’
H e said to a nu rs e Wh e n e v e r y o u s ay S i r to t he
,
“ ”
Sir .
1
thi s c l as s ifi c a ti on o f t he s t a t es in p o s t hy pn o ti s m 1 h ave in grea t
In -
m an n e f fo ll o w ed M o ll .O p c it p 1 4
. .
, 4et ea
. . s .
2
Vi de P r o ceed i n gs o f t he S o c i e ty fo r P s y c hi c a l R e s e a r c h .
T H E PH EN OM ENA O F HYP N OSIS . 1 93
n o t ic stag e s w e a re t he b e tt e r a b l e to u nd e rstan d
,
O f t he hall u cinations .
M me A . a r e sp e ctabl e m atron u nd e rw e nt ,
t he following m e tamorphos e s — A s a p ea s a n t S he .
“
r u bb e d he r e y e s and str e tch e d h e rs e lf What
’
O clock is it ? F our i n t he morning ! S he d rags
”
“
he r fe e t as i f w e aring sabots I mu st g e t u p and go
.
, ,
”
with my work A s a n a ct res s
. H e r fac e s o harsh
.
,
N
19 4 TH E ELEM EN T S OF HYPNO T I S M .
”
and bri ng a p r e s e nt with you A s A rclz é is /i op of .
’
wish to b e d isturb e d Y es this is N e w Y e ar s
.
,
”
bl e ss h i m . S he pr e s e nts an i magi n ary ri ng for t he
chi ld to kiss an d thro u ghout this sc e n e s he m ak e s
,
1
R e vue P hil o s phiq ue M a r c h
o . 1 88 4 .
1 9 6 TH E E LEM E N T S OF HY PNO T I SM .
“ ”
d e scri bing t he n os e a s t he n a s a liu m p im p o liu m .
hypnotic stat e .
“ ”
to m e lt till he fi nally sank to t he grou nd i n an
,
amorphous m ass .
FIG . I 1 .
— N or7n a l
(R ed u c ed on e -
fo rth )
u .
T H E PH EN OM ENA OF HYPN OS I S . 1 97
’
I f it b e s u gg e st e d that t he O p e rator s hand is a
pistol o n his clicki ng his fi ng e r t he subj e ct wil l put
, ,
T he followi ng i nstanc e of a fr e qu e nt ph e no
m e non in post hypnotic s u gg e stion is notabl e
-
I .
that s he h ad no sho e s on .
I m m e diat e ly on waking s he hu dd l e d h e rs e lf u p
,
i n t he chai r an d d re w he r fe e t O ff t he floor Wh e n .
“
ask e d t he r e ason s he s aid th e r e was som e thi ng
,
“ ”
was s he said pi ns
,
this variation slight i n its e lf
, ,
”
study O f sugg e stion i s most sci e ntific an d scholarly ,
1
u tt e ran c e i s com pl e t e ly e ffac e d
, .
r e cord t he facts .
’
1
Bi n e t et F ere , op . c it .
, p . 2 09 .
T H E PH EN OM E N A OF HY PN OS I S . 1 99
“ ”
i n a bath and prod u c e d
,
goos e skin by this -
m e ans.
’
did he add r e ss m e by t he fri e n d s nam e bu t aft e r ,
s he awok e F ,
plac e d hi m s e lf b e for e he r b u t s he ,
d id n ot look at hi m and wh e n he e xt e nd e d hi s
,
r e tu rn to you r room F .
”
p lac e d hi ms e lf b e for e
t he door T he subj e ct aros e sai d good m orni ng
.
, ,
r e fus e d to go n e ar t he door .
W e th e n pl ac e d it on F ’
s h e ad and words ,
’
cannot e xpr e ss t he subj e ct s s urpris e s i nc e it a p ,
.
1
insu ffi ci e nt t he e x p l an ation might b e .
I th e n ask e d hi m to r e ad th e m o u t to m e b eginning ,
he gav e as 1 04 A sk e d to add t he I s t 4
. t h and 10 , ,
Bi e t e t F er e o p c it p 3 05
1
n
, . .
,
. ‘
T HE P H EN OM EN A OF HY PN OS I S . 2 03
t he incr e as e of faculty .
“ ”
I n r e p e ating th e m he l e ft out 9 and gav e t he
,
Wh e n s u ch facts as th e s e a re s e e n i n hypnosis ,
t he le s s is a pu r e ly physiologi cal o n e
, I f t he p i e c e .
’
t he conn e ction h e ld i n t he su bj e ct s m ind b e twe e n
, ,
particular sh e e t of pap e r Th e s e m e an s of id e n t i .
“ ”
fi c at io n hav e b e e n t e rm e d poi nts of r e cognition .
s e lf .
“
W e pl ac e a blank card 0 11 a bl ank sh ee t of
pap e r and with a bl unt point e r which d o e s n ot
, , ,
” 1
which pr e cis e ly cov e rs t he card .
’
1
L es hy p o tiq u e hy s t é riq u es c o s i d ér é es c om m e s ujet s d é p erie n ce
n s n x ,
etc. Ch F e e P ri 1 88 3
. r . a s, .
2 06 TH E E LE MEN T S OF HYPN O T IS M .
u nd e r hypn osis .
who co u ld n ot s ee t he sp e ak e r i m m e d i at e ly d e t e ct e d ,
abs e nt .
t he n umb e r an d w e all i n tu rn or ou t o f t u rn
, , , ,
“ ”
whi s p e r e d t he word both e r T he ord e r was .
my voic e .
1
DrT k y (op c it p
uc e . .
, . 1 69 ) sa ys :
“
S eve ra l m ed i c l m en a who
w e re pre s en t a t a r ecen t pe rfo r m an c e as s u r e m e th t th e y a s aw
2 08 TH E ELE M E N T S OF HYP N O T I S M .
H e tak e s u p t he fi rs t O bj e ct sm e lls i t an d th e n , ,
in o e d o s e an d th a t th e y w a t c h e d for e ffe c t s an d fo u n d n o n e
n ,
T he .
a l m os t p o i s on o u s q ua titi es o f p a r a f
n fi n O il k e r o s i n e an d o th er n aus e o us
, ,
c o m p ou n d s with ou t p r o du c i n g a n y r es u lt .
2 10 T H E E LEM EN T S OF HY PN O T I SM .
” “
h e avy ,
fe e ls lik e m e tal on a book b e ing
“
s ubstitut e d he d e scri b e s i t as
,
not s o h e avy ,
“ ”
som e thing ro u gh e t c e t c ,
.
, .
H a llucin a t ion s f
o colou r m ay develop p b en om en a o f
c/z rom a t ic con t ra s t as rea d il
y as , an d w i t /i even
“
I n ord e r to u nd e rstan d t he m e ani n g of this fact ,
’ ’
S oc iet e d e B iolog ie in ju ly 1 8 8 2 .
“
A card which is half whit e and half gr ee n on
o n e sid e and wholly whit e on t he oth e r is m ark e d
, ,
T HE PH EN OM EN A OF HY PN OS I S . 2 1 1
1
T he tro ve rs y o n thi s q u es ti o n is a ve ry i m p o rt n t on e b ut it is
c on a ,
t o o l ab o r a t e t o b e d e a lt with h e r e
e The p o i n t is wh e th e r th e r e b e
.
an a f fec ti o n o f t he a p pa r t u s O f vi s i o n t he r e ti n a an d t he o p ti c n e r ve
a , ,
o r wh e th e r t he i m age b e a s ubj e c ti ve o n e a w a k en e d a s a m e m o ry
t he vi s u l c e n tr e a n d e vo k ed by t he s u bj e c t s i n t e ll ec t
’
in a The .
ex pe ri m e n t s o f P a ri n au d w o ul d S h o w th a t t he a lt e r a ti o n w as o f t he
fo r me r d e s c ri p ti o n b t B e r h e i m has m ad e an e lab o rat e s e ri es o f
, u n
e x p e ri m en t s d e m o n s tr a ti n
g th a t t he i m age is a p sy cl i c l an d n o t z a
v i s i on , has n o O bj ec ti ve r e a lity fo ll o w s n o o p ti c a l l a ws
, b u t is ,
c h a p t e r vi .
2 1 2 T H E ELEM EN T S OF HYP N O T I S M .
M u s cu la r S en s e
. I f a s u bj e ct b e told he is
hold ing a hat in his hands he wi ll b e un abl e to clos e
th e m witho u t u sing forc e by r e ason of t he r e sistanc e
,
Wh e n y o u wak e u p y o u wi ll fi nd t he s u n is shining
”
brightly and that t he w e ath e r is p e rfe ct
,
I go to .
“
his l e ft e ar an d s ay Wh e n y o u wak e u p y o u wil l
,
”
d ay . O n waki ng t he r e s u lt i s v e ry e vid e nt and it
, ,
is t he m or e i mportant a s it is I b e li e v e almost , ,
i mpossibl e to b e s im u l at e d for t he o n e s id e of t he
,
2 1 4 T H E E LEM EN T S O F HY PN O T I SM .
“
final ly la u gh e d saying
“
,
Y ou must h av e b e e n
,
“
W e s e e this e v e ry d ay i n ord in ary life an d par ,
g u s t i b us n on es t d isp u t a n d u m it is u s e l e ss to argu e
about ou r tast e s b e caus e th e y a re n ot guid e d by
,
t he hypnotist watching hi m ; no o n e e ls e to u ch e s
’
cr e e ps into t he subj e ct s m i nd that he is i n to u ch
with t he op e rator alon e .
rais e d .
“ ”
who call e d A tt e ntion ! H is arm s i mm e di at e ly
2 1 8 TH E ELE M EN T S OF HY PN O T I S M .
“ ”
t he i ll usion of r e sistanc e .
hypnosis has b e e n i nd u c e d .
it is som e ti m e s q u it e i mpossi bl e to p e rs u ad e hi m
that he ha s b e e n i n t he l e ast d e gr e e hypnotis e d .
“ ’
u nd e r t he influ e nc e Y ou kno w Vin c e nt I m not
, , ,
’
hypnotis e d you co u ld n t pre v e nt m e doi ng anythi ng .
”
b e li e v e that he was si m u lating Wh e n 1 am asl ee p
.
,
“
he said ,
I fe ign a u tomatism altho u gh I b e li e v e
,
”
b egins.
me . T he ord e r w a s not ob ey e d .
ph e nom e na .
2 2 2 T H E E LE M EN T S OF HY PN O T I S M .
“ ”
t he whol e thing is to s ay t he l e ast
,
qu e stion abl e
,
.
o n e d ay that I am poss e ss e d of t he d e vi l of
hypnotis m ! To arg u e with su ch p e opl e would of ,
go i n t he n am e of t he L ord J e s us an d to command ,
t he d e vi l to d e part .
, ,
“
T he young lady thi nks i t is wrong and t he old ,
“
m an thinks i t o u ght to b e put a stop t o
“
H um e i n his H istory of E ngland ha s tol d u s
, ,
’
his own account aft e r thi rty y e ars obs e rvation of
,
subs e qu e nt to hypnotism
,
.
’
r e su lts in t he w e ak e ning of t he s ubj e ct s i nt e llig e nc e
and brain pow e r .
“
had i nd uc e d hyp n osis ov e r tim e s he said I
, ,
’
thirty y e ars conti nuou s practi c e of hypn otism says ,
b ee n e nti re ly i n vai n .
,
.
,
1
I h ave alre d y r fe rr ed t t ti ve ly t o t he ge era l q u e ti o of
a e ,
en a ,
n s n
r e fu s e d to acc e pt t he d e fe nc e p u t forward an d ,
“
D r Kings bury sums this u p w e ll by sayi ng NO ,
allow h e rs e lf to b e hypnotis e d e xc e pt i n t he
pr e s e nc e of o n e o r more witn e ss e s of whom s he
” 1
ap p rov e s .
an d F or e l .
1
Tb e P ra ct ice f
o H yp n ot i c S ugges t ion , p . 1 19.
2 30 T H E ELEM EN T S OF HYP N O T I S M .
W e blow on H E—
’
. y e s who aft e r awaking
s e , , ,
give it u p .
“
A t a c e rtai n mom e nt ou r fri e nd B who h as
b e e n warn e d of t he way he will b e gr ee t e d e nt e rs ,
t he ward H E
. allows hi m to approach and
.
,
’
What we say to H E
, .you hav e ki ll e d ‘
so ,
but I had also m any oth e rs ; b e sid e s he was ,
doom e d to d ie by my han d
D r L uys of t he Chari ty H ospital P aris i n o n e , ,
”
of his Clinical L e ct u r e s o n H ypnotism says ,
“ ’
I was care fu l to plac e in t he su bj e ct s hand a
pi e c e of pap e r i nst e ad o f a d agg e r or a r e volv e r ;
b u t it is e vid e nt that i f th e y had h e ld v e ritabl e
,
”
a tragic e nding .
want of r e ality .
morals .
i t s ee ms as i f th e r e w e re a v e ry sm al l class who
could b e i nd u c e d to co m m it a r e al cri m e .
asc e rtain e d .
“
3 . N ev e r giv e to t he hypnotis e d s u bj e ct witho u t
,
THE V AL U ES OF HY P N O T I S M .
T he wor d “
s uggesti o n —N a t u r e o f m i n d affe c t e d— N e r vou s d i s eas es
C as e s o f D r B e r n h e i m —D u m o t p a lli e r — B c k ha d t —V o i s i n
'
n u r
V a n E ed en — Bi n o t — V elan d e r— O s ood —V n R en t e
ghe m an d
‘
g a r
-
T
V a n E e de —D e lb o eu f—L l o yd T uc k e y —Ki n gs b u ry — F e lk in
n
N a t u re of c u r es e ffec t ed .
’
c e rtainty T he bet e n oi re of al l writ e rs o n this s ubj e ct
.
,
i magination .
“ ”
S ugg e sti on i s j ust n ow t he fashion abl e t e rm
us e d by a nu mb e r of ordi n ary m e dical m e n who ,
“ ”
hint offe r e d ; by s u gg e stion i n hypnotis m we
m e an an i mpr e ssion m ad e on t he m ind whi ch will
r e sult i n an i m m e d i at e adaptation o f t he brai n
and al l it controls to that i mpr e ssion Th e r e i s
.
,
“
s u gg e stion i n t he waki ng an d i n t he hypnotic
stat e . Us e d i n t he waki ng i t is g e n e rally only
,
2 38 TH E E LEM EN T S OF HY PN O T I S M .
“
B e rnh e im i n hi s now famous tre atis e S ugg e stiv e
,
”
Th e rap e utics d e vot e s a larg e part of his work to
,
A .
-
0rg a n i c d is eas es f
o t b e n ervous sy s t em : 10
.
toms N o cu re. .
THE V AL U ES OF HYPN O T I SM . 2 39
han d Cu re
. .
B .
— Hy s t erica l d is ea s es 17 .
,
-
an ae sth e si a Cu re . .
1 4 H yst e rical
. s e nsitivo s e nsorial he m ia n ze s t hes ia -
.
C .
— N eu rop a t lt ic aff ec t ion s 18 .
N e rvo u s aphon ia Cu re . .
h e ad . Cu re .
N e rvo u s aphon ia Cu re . .
,
.
p rovem en t .
N e u ropathic pains Cu re . .
E pigastric pains Cu re . .
P ains in t he right le g Cu re . .
tr e mor C u re . .
dis e as e Cu re . .
2 42 THE ELEM EN T S OF HY PN O T I S M .
62 . D ynami c
psychical p arapl egia Cu re . .
F G a s t ro i n t es t in a l afi
-
ec t i on s 4 .
of t he l e gs I mp rovem en t
. .
I mp rovem en t .
G . Va riou s p a inf ul a
fi ec t ion s 12 .
E pigastric pai n Cu re . .
I nt e rscapular pain Cu re . .
I nt e rcostal pain Cu re . .
Thoracic pain G ra d u a l cu re
. .
P ainful s p ot i n t he s id e Cu re . .
P ai ns i n t he e pitrochl e ar m uscl e s Cu re . .
THE V AL U ES OF HYP N O T IS M .
43
79.P ai n i n t he shou ld e r an d u pp e r right l i mb from
e ffort Cu re . .
H .
-
R /i eu m a t ic a
fi ect ion s 19 .
G ra d u a l cu re .
t ot a l cu re .
94 G onorrh e al
. rhe umatism . G ra d ua l c u re .
2 44 T HE E LE M EN T S O F HYPN O T I S M .
m a t is m Cu re . .
pains Cu re
. .
, .
I —N eu ra lg ia s 5 .
D r L l oyd
Tuck e y has compil e d a list of som e
typical cas e s fro m which I tak e som e e xampl e s
I H yst
. e rical con tractu r e of t he leg 2
Cu red . .
3
2 A ggravat e d hypochondriasis
. Cu red . .
4
3 A c u t e pu e rp e ral m ania
. Cu red . .
1
B e rn h e i m o p c it p 404et s eq
, . .
, . .
2
D um o t p a lli e r (P hys i c i a n t o t he H o t e l D i e u P a ri s )
n R evu e d e , .
l H yp n o ti s m e A p ril 1 8 90
’
. .
3
B uc k hardt (s up e ri n t en d en t o f t he as yl u m a t P réfargi er) R e vue .
d e l H y pn o ti s m e
’
A u g 1 88 8 . . .
1
B uc k hard t I b id
‘
. .
5
B u c k hard t , loc . c it .
2 46 THE ELE M EN T S OF HYP N O T I S M .
’
Dr T u c k ey s
own work h as b e e n so i mportan t
that my quotations wou ld b e v e ry i ncom pl e t e did .
d e bt e d to hi m for t he troubl e an d ti m e S p e nt in
showi ng m e hi s own m e thods A s e l e ction from .
I Torticollis e t c
. Cu red
,
. .
3 P aroxysm al sn e e z ing
. Cu red . .
6 S pin al i rritation
. Cu red . .
. .
8 S ymptoms d e p e nd e nt o n mitral d is e as e
. Cu r ed .
9 N octu rnal en e u re s is
. Cu red . .
1 0 Chronic rh e u matis m
. Cu red . .
12 A m e norrh oe a
. Cu red . .
1 4 D i psoman ia
. Cu red . .
15 Tobacco habi t
. Cu red . .
1 6 N e urasth e nia
. Cu red . .
18 N e r vous p rostratio n
. Cu red . .
1 9 E xtr e m e an ae mia
. Cu red . .
1
Se e a l s o
“
T he V l ue o f H y pn o ti s m in Chr on i c A l c o h o li s m
a .
T uck e y L on do 1 8 9 2
. n, .
THE V AL U E S O F HYPN O T I S M . 2 47
I also app en d a few cas e s from thos e re cord e d by
D r K in g s b u ry .
l
throat Cu red . .
5 M en orrhagi a
. Cu red . .
6 I n e bri e ty
. Cu red . .
7 S tamm e ring
. Cu red . .
9 Rh e u m atism i n t he hip
. Cu red . .
1 0 Chronic
. an aemi c h e ad ach e with i nsom nia ,
.
tion Cu red
. .
”
15 . Brain fog -
Cu red . .
16 N e urasth e nia
. Cu red . .
17 S ub acut e rh e u matism
.
-
Cu red . .
18 H e patic pain
. Cu red . .
1 9 N e urasth e nia
. Cu red . .
“ ”
2 0 . P u lsating spi n e Cu red . .
2 1 D ysm e norrh e a
. Cu red . .
2 2 P ainfu l varioc e l e
. Cu red . .
1
P rac ti c e of H y pn oti c S ugges ti o n . Bri s t o l , 1 8 91 .
2 48 TH E E LEM EN T S OF HY PN O T I S M .
2
3 . Cocain e and morphi a man ia . Cu red f or a
’
2 6 . I n e bri e ty (t e n y e ars d uration ) Cu red . .
1
S o m an y thi s ki n d h ave b e en c hro n i c l ed by va ri o us
c as e s of
a u th o riti es th a t w e r e i t n ot fo r t he r e pu t a ti o n o f t he writ e rs it
, ,
w o u l d b e di ffi c ult t o b e li eve s m e of t he s t a t em en t s 1 qu o t e Dr o .
Ki gs b u ry s d e s c ri p ti on o f t he c as e
n
’
g r e t es t an xi e ty o wi n g t o t he m o s t u n ac c ou t a bl e p a r o xy s m s o f
a ,
n
m an n e r p l an ho w t o i n fli c t b o d ily p a i n o n o th e r s F o r e x a m p l e s he .
,
ab d o m en with a ll t he s tr e n g th s he c o u l d m u s t e r A t o th e r ti m es s he .
wo ul d lie a w ak e fo r h o u r s a ll t he whil e fe i gn i g s l ee p an d wh en he r
, n ,
m o th e r was as l eep s he w o u l d l ea ve he r o wn b ed an d c li m b o n t o
, ,
th a t of he r m o th e r an d ki c k he r o n t he br eas t as h a rd a s s he c ou l d
, .
As a r e s u lt o f o n e o f th es e m i dn i ght a tt ac k s t he m o th e r had a ,
d i e t et c,
b u t a ll t o n o p u rp os e
.
, S he b e c am e m o r e vi o l e n t an d
.
c all o u s a n d ab s o l u t e ly d i s o b e d i en t
, .
H e p a r en t s th o u ght he r
r
p o s s es s e d o f a d e vil an d d r ead e d her ,
g r o wi n g u p fe a ri n g th a t s he w ou ld e n d in a n a s yl u m o r on t he
, ,
ga ll o w s .
fo r o th e r s .
2
50 T H E E LE MEN T S OF HYPN O T I SM .
’
amou nt of work and e nj oy life .
.
,
“
TH E TR A N SF ER EXPER IMENTS .
“ ”
e n titl e d T he R e c e nt D iscov e ri e s i n H ypn otism
,
.
“ ”
by m e ans of a m agn e t t he d is e as e is transfe rr e d
from t he pati e nt who is awak e to t he hypnotis e d
s u bj e ct who b e for e s he i s awak e n e d i s fre e d by
,
“ ”
m e ans a d iscov e ry for m any y e ars ago som e thing
, , ,
e xp e ri e n c e d for a ti m e by t he m e sm e rist .
T he i n flu e n c e of t he m agn e t i n t he curi ng o f
d is e as e was fi rm ly b e li e v e d i n by m any of t he
anci e nts H ippocrat e s strongly ad vocat e d its u s e
.
,
2 52
2 54 TH E E LEM EN T S OF HY PN O T I S M .
e xplanati on .
I . T he
subj e cts a re all hyst e rical .
at t he laboratory .
t he hos p ital .
a s s u m ed to b e transfe rr e d i f i t b e n ot a visibl e
“ ”
Thus a pati e nt s uffe ring from paralysi s agitans
“ ”
m ay hav e h is a ffe cti on t ransfe rr e d to t he
s u bj e ct who will ad opt t he m ost viol e nt palsy ;
,
1
Vide Ki n gs bury ,
op . c it . , p . 1 47
.
“ ”
TH E T R AN S F E R EX PE R I M EN T S . 2 55
’
A n oth e r of L uys th e ori e s i s that t he m agn e t can
p rod u c e e m otion al e ffe cts The argu m e n t is that
.
,
e motions a re e xcit e d .
“
I f y o u pr e s e nt t he n ort li pol e of a magn e tic rod
to a subj e ct i n a stat e of l e thargy you arous e i n ,
”
m e nts of rep u ls i on app e ar .
”
t u n a t e ly how e v e r a larg e N almost an i nch high
‘
, , , ,
.
,
pol e.
’
R e ich e nbach s subj e cts fo u nd that t he colours of
“ ”
t he odylic light at t he n ort lt p ol e w e r e blue an d ,
y ellow at t he s ou t /t .
i ntoxication e t c et c
, .
,
.
“ ”
copy of a ch e ap kin d for s e v e ral n e wspap e rs
, , .
“ ”
transfe r e nc e i f t he wat e r b e touch e d or t he d oll
,
as t he cas e m ay b e i s l e ft alon e ,
H e r e again .
The
subj e ct was n o w i ntrodu c e d and b e ing ,
upo n hi m .
HYP N OS IS I N A N I MALS .
h e ns . F r Ki rch e r (1 6 4
. 6 ) was t he fi rst to m ak e
any sci e nti fic e xp e ri m e nts on t he su bj e ct He .
p lac e d th e m on t he grou nd an d h e th e n ,
dr e w a
chalk lin e from th e i r b e aks with t he r e s u lt that t he
,
b e m ad e to s it o r to transfe r he r n e st by m e ans
of a w e ll known e xp e di e nt The h e ad i s plac e d
-
.
sl e e p ; o n waki ng t he he n wi ll r e m ai n cont e nt e d ly
,
a re
m e nts .
b ee n e xtract ed .
b e s e i z ed
. This has b e e n quot e d as an hypnosis .
gl ad to b e r e l e as e d i m m e diat e ly start e d o ff i n t he
,
p rop e r di r e ction
,
and t h e d riv e r on that j ou,
rn e y ,
FI G . 19 .
—To
ad Ca t a leps ed (p .
HYPNOS I S I N AN I MALS . 2 61
, .
,
.
“
t he hypnosis of ani mals e xc e pt a s a possibl e ,
e xplanation of t he ph e nom e n a d u e i n t he m an to
“
C oncl usio 2 A ni m a ex tra corp us propri um c o mm un it er
.
,
”
s ic dict um o p e ra t u r ,
.
“
C oncl us io 3 Ab o m ni corpor e rad u corporal e s fluun t
.
,
C oncl us io 4 “
R adii hi q ui ex an im alium c orp orib us
.
,
O p e ra t io n e s d is p en s an t ur .
“
C oncl u s io 5 . E x cr e m ent a corporu m
spiritu s an im alium
”
s p e c ie i si ve a b e ad e m an i m a
prop agat ur .
“
C onclu s io 6 .I nter corp us e t e x cr e m enta a corpore pro
c ede n t ia c o n c a t en a t io
, q uaed a m es t s p irit u m sive
ra d io ru m lic et ex cre m enta lo n gis s im e s ep aren t u r
, ,
“
C oncl u s io 7 V it alit a s ha e c t am d iu d urat q ua m diu
.
,
“
C oncl usio 8 U n a parte corporis affe cta si ve spiritu
.
,
“
C oncl u s io I o U b i m agis nud us e s t spiritus ib i c it ius
.
”
a ffi c it ur .
“
C oncl u s io I I . In e x cre m en t is , sa nguin e e t c non t am
,
.
,
SOME WR I T I N GS ON H YP N O T IS M AND K I N DR E D S U BJ E C T S .
’
B EAU N IS . D u S om n a mb u lis me P revogu e . P aris, 1 886 .
. et res .
1 8 84 .
B E L FI O R E . N apl es , 1 887 .
’
B ER I L L O N p oin t a e vue p éaagogi ou e
'
. La s ugg es t ion an ,
B ER NH E I M . D e la s ugg es t ion , et c .
,
P ari s , 1 88 7 (L on d on ,
B E SS E . D
’
e l lzy p n ot is me tlzerap eu t iou e . M ontp elli er , 1 888 .
B I N ET .La p sy c/
’
z olog ie a u ra is on n emen t , reclt ercb es ex
p eri
’
m en t a les p a r l lzy n ot is me Pa s , 1 8 8 6
p . ri .
s ta n d p un b t . S to c khol m , 1 88 7 N e w Y ork , 1 8 90 .
’
B O TT E Y L e mag n et is me a n ima l
. P ari s , 1 8 8 4 . .
P ari s , 1 888 .
BR U G E L M A N N . Ib er
L den H yp n ot is mu s u n d s ein e Verw er
t u ng i n der P r a x is N e uwi ed , 1 8 8 9
. .
’ ’
BR U L LA R D Con s id era tion s gén éra les
. sur l et a t byp n ot igue .
N an c y, 1 8 8 6 .
1 88 6 .
C O LAS ’
. L byp n ot is me et la volon té . P ari s , 1 88 5 .
C O S TE
’
. L i n con s cien t , et c . P ari s , 1 88 8 .
CU L LER R E M ag n ét is me et byp n ot is me
. P ari s , 1 8 8 5 . .
P ari s , 1 88 7 .
K R A FFT E B I N G -
. E in e ex p eri men t elle S t u dio au f dem
G eb iet des H yp n ot is m us . S tuttgart, 1 88 7 ; N ew
Y ork, 1 8 90 .
L ADAME
’ ’
. L lzy p n ot is me et la medecin e léga le . L yon ,
1 888 .
’ ’ ’
L A FFO R G U E . Con t rib u t ion d l ei n de médico leg a le de l lzy -
p
n ot is n ze . B ord eaux ,
1 887 .
’
L I EBA U LT . D u s ommeil et des et a t s a n a log u es con s idérés a u
’
p oin t de vu e de l a ct on i du mora l s ur le p lty s igu e .
P a ris, 1 888 .
L U T I ER ET H AV AA S . H yp n ot is me et lzyp n ot is ées . La
s ugges t ion cr i m in elle . P ari s , 1 88 7 .
L EH M A N N D ie H yp n os e L iep s ic , 1 8 9 1
. . .
M AA C K Z u r E i nf ii lz r u n g i n da s S t u di u m d es H yp n o
.
M O LL D er Ifypn ot is m u s . B e rlin ,
1 8 90 L ondon , 1 891 .
M Y E R S (A T ) . . Tb e li fe his t ory o f a ca s e f
o double or
N I C O LL H yp n ot ic S ugg es t ion
. L ondon , 1 8 9 1 . .
I
P TR E S . L econ s ,
cli n iq u es s ur
’
l Afi/s terie ct
’
l Hyp n ot is me .
P aris , 1 891 .
P R EYE R . D er H yp n ot is m us . V i enna , 1 8 90 .
APPEN D IX . 2 69
RIC H ET .
’
L Izom me et
’
l in t ellzgen ce . P ari s , 1 8 84 .
RO U S . Hyp n ot is me ct res
p on s a bilit e
'
. M ontpelli er,
1 88 7 .
’
R O U X FR E I S S I N E N G L Izy n ot is me da n s p rt s a vec
p s es ra
p o
°
.
S ALLIS . D er t ieris cb e
M ag n et is m us un d s ein e G en es e
!
.
B e lin r , 1 88 7 .
S C H L EI S N E R Ifyp n ot is men s .
f
s a m un ds f a rlzge B etydn in g .
K jOb en havn , 1 8 8 8 .
S C H R E N C K N O TZ I N G -
. E in B eit rag z ur t b erap eut is clz en
Verwert un g des I Iyp n ot is m u s L eip s i g , 1 8 8 5 . .
S ICA
’ ’
RD Con t rib u t ion ct l ét ude de l Izypn ot zlsme et de la
‘
.
T HOM AS
L es p roces dc s orcellerie cl la
. s ugg es t ion Izyp n ot iou e
N anc y, 1 8 8 7 .
’
T O U R ETT E . L byp n ot is me et les ét a ts a n a log ues on
p oin t
dc vue m éd ico lég a l P ari s , 1 8 8 7
-
. .
TU C K EY . P sy cb o Tb erap eu t ics -
. L o n don , 1 8 91 . Tb c
Va lu e f
o IIyp n ot is m in Cb ron ic A lcolt olis m . L ondon ,
1 8 92 .
TU K E ,
H AC K . S leep -
Wa lking and I b p n ot is m . L ondon ,
1 8 84 .
en t zjn e Z oe as s ing
p i n de g en ees b u n de A m s te r dam ,
.
1 887 .
T H E ELE M EN T S OF HYPN O T I SM .
UND EED E N d l
'
1 889 .
’
V E RD U Co
. n t r ib u t o a llo s t u dio dell i
p n ot is m o com e a g en t e
’
VO ISI N . D e la t /zerap eu t igu e s ugges t ive clz ez les a lién es .
D ATE