Professional Documents
Culture Documents
ARCHITECTURE
HISTORY
• Vijayanagara (1336- 1570)
• Harihara I to Rama Raya
• Golden era of Vijayanagar dynasty - under
the rule of Krishnadeva Raya
• Victory of Muslim rulers of Bijapur ,
Golconda, Ahmedanagar, Bidar over Rama
Raya in 1565- this followed by savage
destruction by the victors for the next 6
months that Hampi could never again
restablish its lost glory
GEOGRAPHY AND GEOLOGY
• Location -Hampi on the banks of
Tungabhadra river
• Building material was available on the site-
accounts for many piers of the temple being
monolithic
• Two types of rock was available- granite ,dark
green chlorite stone
• Granite-more crude and rugged cut appearance
• Dark green chlorite stone-sharply cut and
skilfully modelled
• Most of the important structures and ruins of
Vijayanagara are located in two -the Royal Centre
and the Sacred Centre.
• The Royal Centre in the southwest part of the site
- palaces, baths, pavilions, royal stables, and
temples for ceremonial use.
• The Sacred Centre is situated on the northern
edge of the city along the banks of the holy
Tungabhadra River
FEATURES
•Modest structures of low height
•Spans large areas and courtyards are present
•Huge compound walls
•Use of granite, dark green chlorite, brick
•Intricately decorated temples
•Pillars having- horse capitals, different shapes,
pillars decorated by small pillars
•Drops made more interesting
•Shrines-Amman shrines,kalyana mandapa
PILLARS
PILLARS COMPRISING
OF DIFFERENT SHAPES
PILLAR WITH
SUPERIMPOSED FACADE
DROPS MADE MORE INTERESTING
2
1
He is flanked by an
attendant paying homage
on the left, and another
attendant, on the right,
holding two hard-to-
identify items; perhaps a
sword or staff in his
right hand, and a spear
or banner in his left.
Among other images on the temple wall is
this well-known relief of baby Krishna.
Panel of Hanuman
This charming relief of
the monkey general is
located just outside the
temple enclosure. Contrary
to appearances, he is not
waving goodbye to the
visitors. His right hand is
upraised in a gesture of
smiting (Architecture and
Art of Southern India, p. 157)
while his left hand holds an
uprooted branch. The holes
drilled into the panel are
for the attachment of
garlands.
The slab was cut from
another location and moved
here; a similar relief is
displayed in the on-site
This link with royalty is expressed in the reliefs covering the outer face of the compound walls
inside which the temple itself stands.
They portray the processions of elephants, horses with attendants, military contingents, and
dancing women, exactly as in the Mahanavami
AQUEDUCT
• An aqueduct runs through much of
the Royal Enclosure and into the
Great Tank where water was
brought for special events.
• Water was Probably manually fed
to it during its operational days.
• Larger blocks of rectangular
granite were used at the lower
levels and the block size gradually
reduces as it goes up.
QUEENS
BATH
•The Bath is 15m square
and 1.8m deep and
surrounded by delicately
decorated arched corridors
and projecting balconies.
• The carved stucco
ornamentation on the
ceilings and vaults above
each of the arched bays is
characteristic of Islamic
architecture
Stepped tank
.
.
LOTUS MAHAL
ELEPHANT STABLES
The stables comprise a long line of eleven chambers, all with lofty
arched doorways opening onto a large open space.
This must have served as a maidan, or parade ground for the
imperial troops and animals.
Domes on corner squinches roof exactly in the manner of a Muslim
tomb.
Thankyou