Lord Byron:

George Gordon Byron (1788-1824), more popularly known as Lord Byron,

remains perhaps the most fascinating English poet of the Romantic Age.
Notorious for his many sexual escapades, aristocratic excesses, huge
debts, Bryon led most of his youth in a flamboyant fashion, indulging in
many extravaganzas. Later, Byron went into a self-imposed exile and
traveled all across Europe, lived in Italy for seven years, and then died
while championing the cause of liberty by fighting the Greek War of
Independence for which the Greeks revere him as national hero. Calvinist by
religion and a free-thinker by nature, Byron’s writings reflect an eagerness
for liberty, freedom from oppression, self-revelation of human nature,
disgust for society and man, and a secret guilt- which was probably a
personal expression of his own nature. The image of Byronic Hero-
handsome, defiant, cynical, melancholy, an outcast – fascinates us to this
date and stands as an embodiment of Romanticism. His most celebrated
works are ‘Don Juan’ and ‘Childe Harold’s Pilgrimage’, lengthy narrative
poems, and ‘She Walks In Beauty’, a short lyric. His god-like beauty,
scandalous personality and emotion-stirring writings, altogether made him
the most popular and dynamic figure of the Romantic Age.

Summary:

The poem is a part of Lord Byron’s long narrative poem ‘Childe Harold’s
Pilgrimage’ that Byron composed during his travels to Portugal,
Mediterranean Sea and Aegean Sea from 1809 to 1811 and was published
in between 1812 and 1818. ‘Childe Harold’ is partly auto-biographical and
recollects his experiences during his travel to distant lands away from
society and man. A sense of deep melancholy and disillusionment from
society runs through all the Cantos of the poem, perhaps gained from
Byron’s experience from the Post-Revolutionary and Napoleonic Wars and
the poet’s self-imposed exile.

“There is a pleasure in the pathless woods” is a small stanza from ‘Childe

Harold’, Canto IV, Verse 178. Individually, it is memorable as one of the
best short poems of Byron. The poem describes a weary young traveler
who is thoroughly disenchanted with human society- its artificiality and
hypocrisy, and thus travels wide and across in the forlorn lands to find
pleasure in nature. The poet finds recluse in the serenity of ‘Nature’, in
the ‘rupture’ of the ‘lonely shore’, in the ‘music’ of the ‘deep sea’, in his many
solitary intercourse with the nature that is still untouched of human
demoralization. However, the poet entirely doesn’t abandon his love for
man and society, ‘I love not man the less’ but shows a deep distaste for it
and asserts that his many ‘interviews’ with nature has opened the spiritual
window of his inner conscience that was lying latent until now and has
untied him with the ‘Universe’, to become one and same with the cosmos-
an experience that he can neither completely ‘express’ nor ‘conceal’.

Literary Technique and Style:

The lines are written in Spenserian stanza, the rhyme scheme Byron used
to compose ‘Childe Harold’. The poem has nine lines, the first eight of
which are in iambic pentameter and the last line is iambic hexameter or
“alexandrine” with an extra foot. The rhyme scheme of the poem
is ABABBCBCC. There is a twist in the last lines that describes the poet’s
feeling of the moment, the effect that the beauty of nature has over him
surpasses all human language.

Lord George Gordon Byron's poem "Apostrophe to the Ocean" is

actually one long literary device called an apostrophe. Not to be
confused with the punctuation mark, an apostrophe is a form of figurative
language similar to personification, but the difference is that in an
apostrophe, the writer or speaker is addressing the inanimate object or
abstract concept as if it were an actual present character. Byron's
poem is one long apostrophe in which the speaker praises the
ocean as if it were a real person who can listen to his praises. In
praising the ocean, the speaker remarks on its beauty and even its
dangers and its terrors . Even though the ocean is something mankind
has learned to sail upon, the ocean actually controls mankind, leading to
many shipwrecks and deaths: "The wrecks are all thy deed."

The title of the poem, There is Pleasure in the Pathless

Woods — derived from the first line, since this was not written as a
solitary poem — is telling enough on its own. To say there is
pleasure in a pathless woods is to say there is a certain kind of joy in
walking the path that others do not. When someone is walking on a
forest trail, anyone else can be on the same trail. But leaving the
trail for a different path is making a conscious decision to be alone
and to enjoy it. And in the very next line, the concepts of rapture
and loneliness are juxtaposed with one another — loneliness is
supposed to be a sorrowful feeling, but the narrator is finding
intense joy in it.
The poem is written in the “Spenserian Stanza”, the verse form of
Edmund Spenser’s Elizabethan epic, The Faerie Queene. Spenserian
Stanzas are perhaps the most self-consciously literary form to use,
consisting of eight iambic pentameter lines followed by one alexandrine
(which is a 12-syllable iambic line).