1.

-Encierra los verbos en la siguiente I wanted to do an album with the sounds

canción.
[Intro: Giorgio Moroder]
When I was fifteen, sixteen, when I really
started to play guitar
I definitely wanted to become a musician
It was almost impossible because, it was,
the dream was so big
That I didn't see any chance because
I was living in a little town; I was studying
And when I finally broke away from
school and became a musician
I thought, "Well, now I may have a little
bit of a chance"
Because all I really wanted to do is music
And not only play music, but compose
music
At that time, in Germany, in '69-'70, they
had already discotheques
So, I would take my car
Would go to a discotheque, sing maybe
30 minutes
I think I had about seven, eight songs
I would partially sleep in the car
Because I didn't want to drive home and
that helped me for about
Almost two years to survive in the
beginning
of the '50s
The sounds of the '60s, of the '70s
And then have a sound of the future
And I said, "Wait a second, I know the
synthesizer
Why don't I use the synthesizer
which is the sound of the future?"
And I didn't have any idea what to do
But I knew I needed a click so we put a
click on the 24 track
Which then was synced to the Moog
Modular
I knew that could be a sound of the future
But I didn't realize how much the impact
would be
My name is Giovanni Giorgio
But everybody calls me Giorgio
[Interlude]
[Bridge: Giorgio Moroder]
Once you free your mind about a concept
of
Harmony and of music being "correct"
You can do whatever you want
So, nobody told me what to do
And there was no preconception of what
to do

Daft Punk uses a monologue by famed Italian producer and dance music pioneer Giorgio
Moroder timed with precision over a new beat to describe their process and the essence,
evolution and condition of dance music.

Spotify's "Fake" Ambient Artists Make Good Music, Actually

The faceless composers filling playlists for the streaming giant are actually a lot better than
the tradition of corporate mood music that preceded them.
Free Radicals is THUMP's column dedicated to experimental electronic music. Each
month, we take a look at the trends emerging from the frayed fringes of the dancefloor and
why they're meaningful.
Over the last couple of weeks, reports from the New York Times, Vulture, and Music
Business Worldwide have brought to light a strange practice at Spotify. Digging into a
number of playlists themed more around mood than genre—with names like "Deep Sleep"
and "Peaceful Piano"—reporters discovered them to include a number of artists who only
had a track or two to their name, and maintained little-to-no presence on the internet
outside of Spotify.