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Summary
For this research paper, I have decided to study the special effects that were used in
the 2009 film “Coraline”. This film incorporated the use of stop-motion animation, but
not the traditional stop-motion we are used to seeing. In this paper, I will be talking
about how stop-motion animation was used in the context of this film and how this
VFX in ‘Coraline’
motion horror film that was written and directed by Henry Selick from Laika and
released by Focus Features. According to Selick, this classic film took 20 months to
shoot, excluding the time spend on pre-production and post-production work. The
The film was based on Neil Gaiman’s 2002 Novel “Coraline”, which is about a girl
named Coraline who moves into a new home, in which she finds a secret door which
leads to an alternate universe that very closely resembles her own. The storyline of
this film is a very unique one, hence, Selick believed that if this film were to be done
in live-action, as it was originally planned, it would not do this film justice. Sources 1
quote that Selick felt as if the film would seem too ‘fake’ if done in live-action; for
example, the scenes in which the black cat was talking or in the scene that had over
500 Scottish terriers seated in a theatre. He also believed that since the film was to
be directed towards a younger audience, live-action would make this film too scary
for children to sit through. Therefore, stop-motion animation was used to create this
film.
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making it seem as though these objects are moving on its own. This is done by
taking many still photos of static objects and putting them together, hence creating
Stop-motion goes back a long way. The creation of stop-motion can be credited to J.
Stuart Blackton. The first film that incorporated the use of stop-motion was 1898's
“The Humpty Dumpty Circus” but this technique became more popular after films
such as “King Kong” (1933) and “Mighty Joe Young” (1949) were released.
create 3D stop-motion. Laika was the first animation house to do this, hence, this is
one form of stop-motion used to create “Coraline”. Another form of animation used in
this film is ‘replacement animation’. Replacement animation is just like regular stop-
motion animation; the only difference is that instead of using one object or ‘puppet’,
many different faces with different expressions are printed of each character.
Within the context of this film, each replacement head was digitally sculpted and then
printed using a 3D printer. 3D printing uses a UV-sensitive resin and support material
that is sprayed down in a layering process that builds objects in 3D space. This is
how each character’s facial expressions were made to seem so realistic, which is
objects. Quoting Brian McLean, director of rapid prototype at Laika, "Henry [Selick]
really wanted [the character] Coraline to be able to be very subtle at times but also
have broad expressions," 2 At that time, no other special effects technique allowed
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this to happen. Hence, this is another reason why stop-motion animation was used
Sources state that 6,333 heads were printed for Coraline alone and up to 20,000
heads were printed for every character in the film. This was done by layering liquid
glue in white powder. These heads were then hand-painted and hand-sanded. When
combined, these heads could create up to more than 200,000 different facial
to build just one puppet. As the smaller parts of the puppet tend to break easily, each
puppet had gone through around 13 pairs of hands. The people in charge of
constructing the puppets were so detailed when it came to creating these puppets for
the film and the evidence is that Coraline’s puppet had 42 different wigs. The
puppet’s hair was created using everyday products such as ‘Got2be glued hair
cement’, which allowed animators to make the hair movement look realistic.
Aside from 3D printing different heads for each character, Laika went to the extent of
hiring a professional knitter, Althea Crome, to hand-knit all the sweaters that were
worn by Coraline in the film. In an interview 3, Crome said that it had taken her
anywhere between 6 weeks to 6 months to design and knit a sweater. She also
mentioned that the needles she used to knit these sweaters were as small and fine
Puppets weren’t the only objects they had to create for the film. Miniature versions of
the “Pink Palace” and the forest had to be built for the animators to be able to shoot
a scene. Not to mention that two versions of the same set had to be built; one for the
‘real world’ and one for the ‘other world’. When it came to filming this movie, matte
painting was also incorporated. One example of a scene that added the use matte
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painting was when Coraline and her family drove up to the “Pink Palace” at the
http://coraline.wikia.com/wiki/Pink_Palace_Apartments
https://www.alamy.com/stock-photo-coraline-animator-chris-tootell-readies-coraline-
to-cross-a-snowy-157169569.html
According to representatives at Laika 4, ‘The Fantastic Garden’ was the hardest set
to build for the film. Hundreds of flowers were handcrafted and most of them had
their own light source. These flowers had to be build in a way that they could be
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https://www.laika.com/our-films/coraline/videos
Animation rigger Oliver Jones shared an example of how he created some of these
flowers in an interview 5. Jones used parts of a dog toy to enable the flower to open
and close realistically. Thin sheets of foam were used to create the petals and the
leaves.
iconic film which is still many peoples favourite. “Coraline” set the standard for stop-
motion films all around the world and has inspired many filmmakers to delve into the
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References
Stopmo. (2016, June 4). The History of Stop Motion – In A Nutshell. Retrieved from
http://stopmotionmagazine.net/history-stop-motion-nutshell/
2
Giardina, C. (2016, February 12). 'Coraline' Makers Reveal How They Sculpted
screen/coraline-makers-reveal-how-they-863155
from https://www.lomography.com/magazine/119725-stop-motion-animation-coraline
https://en.wikipedia.org/wiki/Coraline_(film)
4
Laika. (n.d.). Coraline. Retrieved from https://www.laika.com/our-films/coraline
1
Vivona, V. (2017, October 4). 15 Things You NEVER Knew About Coraline.
Nakaya, R. (2016). Laika’s Head of Puppetry explains how stop motion puppets are
explains-how-stop-motion-puppets-are-made
https://bermudaonion.net/2009/03/06/the-making-of-coraline/
McLean, T. J. (2008, September 16). On the Set with 'Coraline': Where the Motion
where-motion-doesnt-stop
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from http://digg.com/video/3d-printing-stop-motion-laika
LAIKA Studios. (2017, July 11). LAIKA | Coraline | Creating Worlds. Retrieved from
https://www.youtube.com/watch?v=In-OqrC5GJs
Kdlmd243. (2009, July 8). The Making of Coraline - It's Alive. Retrieved from
https://www.youtube.com/watch?v=XUqMfKbV4ho
Academy Originals. (2016, April 18). Credited As: Head of Puppetry. Retrieved from
https://www.youtube.com/watch?v=kll7aLqgDpE&t=219s
Focus Features. (2008, December 19). "Coraline" - The Biggest Smallest Movie.
3/5
LAIKA Studios. (2017, July 11). LAIKA | Coraline | Behind the Scenes. Retrieved
from https://www.youtube.com/watch?v=jXqqd0ZBEMA