PRO VLA II

PROFESSIONAL TWO CHANNEL OPTO/TUBE LEVELING AMPLIFIER

USER’S MANUAL
 IMPORTANT SAFETY INSTRUCTIONS – READ FIRST

This symbol, wherever it appears, This symbol, wherever it appears, alerts

alerts you to the presence of uninsulated you to important operating and maintenance
dangerous voltage inside the enclosure. Voltage instructions in the accompanying literature.
that may be sufficient to constitute a risk of shock. Please read manual.

Read instructions:
Retain these safety and operating instructions for future reference. Heed all warnings printed here and on the equipment.
Follow the operating instructions printed in this user guide.

Do not open:
Aside from two vacuum tubes, there are no user serviceable parts inside. Refer any service work to qualified technical
personnel only.

Power sources:
Only connect the unit to mains power of the type marked on the rear panel. The power source must provide a good
ground connection.

Power cord:
Use the power cord with sealed mains plug appropriate for your local mains supply as provided with the equipment. If the
provided plug does not fit into your outlet consult your service agent. Route the power cord so that it is not likely to be
walked on, stretched or pinched by items placed upon or against.

Grounding:
Do not defeat the grounding and polarization means of the power cord plug. Do not remove or tamper with the ground
connection on the power cord.

Ventilation:
Do not obstruct the ventilation slots or position the unit where the air required for ventilation is impeded. If the unit is to be
operated in a rack, case or other furniture, ensure that it is constructed to allow adequate ventilation.

Moisture:
To reduce the risk of fire or electrical shock do not expose the unit to rain, moisture or use in damp or wet conditions. Do
not place a container of liquid on it, which may spill into any openings.

Heat:
Do not locate the unit in a place close to excessive heat or direct sunlight, as this could be a fire hazard. Locate the unit
away from any equipment, which produces heat such as: power supplies, power amplifiers and heaters.

Environment:
Protect from excessive dirt, dust, heat, and vibration when operating and storing. Avoid tobacco ash, drink spillage and
smoke, especially that associated with smoke machines.

Handling:
To prevent damage to the controls and cosmetics avoid rough handling and excessive vibration. Protect the controls from
damage during transit. Use adequate padding if you need to ship the unit. To avoid injury to yourself or damage to the
equipment take care when lifting, moving or carrying the unit.

Servicing:
Switch off the equipment and unplug the power cord immediately if it is exposed to moisture, spilled liquid, objects fallen
into opening, or the power cord or plug becomes damaged during a lightning storm or if smoke odor or noise is noted.
Refer servicing to qualified technical personnel only.

Installation:
Install the unit in accordance with the instructions printed in the user manual.

II
 PRO VLA II
PROFESSIONAL TWO CHANNEL OPTO/TUBE LEVELING AMPLIFIER

IMPORTANT SAFETY INSTRUCTIONS – READ FIRST...................................................................................................... II

INTRODUCTION..................................................................................................................................................................... 1
INSTALLATION ...................................................................................................................................................................... 2
Unpacking .............................................................................................................................................................................................. 2
AC Power Hookup.................................................................................................................................................................................. 2
Audio Connections ................................................................................................................................................................................. 2
FRONT PANEL CONTROLS and INDICATORS .................................................................................................................. 3
POWER.................................................................................................................................................................................................. 3
INPUT THRESHOLD Control ................................................................................................................................................................. 3
RATIO Control........................................................................................................................................................................................ 3
OUTPUT LEVEL Control ........................................................................................................................................................................ 4
ATTACK Control..................................................................................................................................................................................... 4
RELEASE Control .................................................................................................................................................................................. 5
GAIN REDUCTION LED Meter .............................................................................................................................................................. 5
BYPASS Switch ..................................................................................................................................................................................... 5
VU Meter ................................................................................................................................................................................................ 5
VU METER SOURCE Switch ................................................................................................................................................................. 5
Meter Trim .............................................................................................................................................................................................. 5
LED OUTPUT LEVEL Meter .................................................................................................................................................................. 6
LINK Switch............................................................................................................................................................................................ 6
REAR PANEL I/O ................................................................................................................................................................... 7
Balanced Inputs...................................................................................................................................................................................... 7
Balanced Outputs................................................................................................................................................................................... 8
I/O LEVEL Switch................................................................................................................................................................................... 8
APPLICATIONS...................................................................................................................................................................... 9
Compressor/ Limiter ............................................................................................................................................................................... 9
Stereo Mix and Mastering....................................................................................................................................................................... 9
Vocal and Instrument Leveling ............................................................................................................................................................... 9
WARRANTY INFORMATION............................................................................................................................................... 10
Limited Warranty .................................................................................................................................................................................. 10
Exclusions ............................................................................................................................................................................................ 10
SERVICE............................................................................................................................................................................... 11
SPECIFICATIONS ................................................................................................................................................................ 12

LIST OF FIGURES

FIGURE 1 – Channel 1 Controls .......................................................................................................................................... 4

FIGURE 2 – LED Output Meter and Link Switch ................................................................................................................ 6
FIGURE 3 – Rear Panel ......................................................................................................................................................... 8

III
INTRODUCTION
Thank you for purchasing Applied Research and Technology’s Pro VLA II. Offering a superb level of
sound quality, the Pro VLA II has a unique design that will enhance the sonic textures of your audio
system for years to come. The Pro VLA II is one of the finest audio compressors available. Developed
in partnership with studio and live-sound engineers, the Pro VLA II possesses a “sound” that is not
available from any other compressor on the market - at any price! Unlike typical compressors which
use solid state feed-forward circuitry to control level detection, the Pro VLA II is very musical. The
nature of its operation is much like the way your eye adjusts to light. Just as your eye transparently
adjusts to changes in light, the Pro VLA II adjusts to changes in signal level.
The Pro VLA II was designed and constructed with the absolute best components, assuring a lifetime
of quiet, reliable performance.

The Pro VLA II offers:

• Two channel opto-isolator/tube-based leveling amplifier
• Stereo linking of channels
• Master Volume and Balance control in Link Mode
• Hand selected 12AT7 Tubes
• OPTO - Analog Optical Isolators (AOI)
• Non-VCA design = transparent, classic sound
• VU metering of input and output levels
• LED metering of output level with peak-hold function
• XLR balanced inputs and outputs
• 1/4” TRS active balanced inputs and outputs
• Variable Threshold & Ratio controls
• Variable Attack and Release controls
• Variable Output Level rotary controls
• 10 segment Gain Reduction LED array
• 10Hz to 100KHz Frequency Response (+/-0.5dB)
• >100dB Dynamic Range
• Low noise (-99dBm ‘A’ weighted EIN)
• Internal power supply
• 3 year parts and labor warranty

1
INSTALLATION

The ART Pro VLA II may be used in a wide variety of applications and environments. In a rack-
mountable, all-steel enclosure, the unit is designed for continuous professional use. Mounting location
is not critical, however for greater performance reliability we recommend that you not place the unit
on top of power amps, or other sources of heat and/or strong magnetic fields. The tube circuitry
needs about a minute to “warm up” and stabilize from a cold power up.

Unpacking
Your Pro VLA II was packed with care at the factory. The shipping carton was designed to protect it
during initial shipment. Please retain this carton for use in transporting the Pro VLA II when it is not
installed in a rack, or in the unlikely event that you need to return your Pro VLA II for servicing. The
shipping carton should contain:
- The Pro VLA II
- The owner’s manual
- IEC Power Cord

AC Power Hookup
The Pro VLA II has an internal power supply designed to operate at 100 to 125VAC, 50 to 60Hz.
Units manufactured for use outside of the United States of America have been modified to comply
with the required electrical specifications. Under no circumstances should the power cable be altered.
If the cable becomes cut or damaged, discontinue its use and have it replaced before operating the
Pro VLA II.
The power source must provide a good ground connection, and the ground pin on the mains plug
should never be defeated.

Audio Connections

Audio connections to and from the Pro VLA II are:

Balanced input: [XLR] Pin 2 = Hot (+), Pin 3 = Cold (-), Pin 1 = Ground
[1/4”] Tip = Hot (+), Ring = Cold (-), Sleeve = Ground

Balanced output: [XLR] Pin 2 = Hot (+), Pin 3 = Cold (-), Pin 1 = Ground
[1/4”] Tip = Hot (+), Ring = Cold (-), Sleeve = Ground

Unbalanced 1/4-inch cables may be used with no damage to the Pro VLA II. We recommend using
only high-quality cables equipped with the appropriate connectors.

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FRONT PANEL CONTROLS and INDICATORS

POWER
The POWER switch turns the power on and off to the unit. The Pro VLA II should be turned “on” with
all monitor levels turned down to protect against any “thumping” caused by power up. Likewise, the
Pro VLA II should be turned “off” after turning all monitor levels down.
When the POWER switch is turned on, the VU meters will light. LEDs will light if its associated switch
is in the “in” position. Power on the Pro VLA II before any monitoring outputs or power amps are
turned on.
Like all tube-based equipment, the Pro VLA II needs to warm up to operating temperature. The
12AT7 tubes will reach operating temperature within one to three minutes. During this warm-up
period you may experience sound variations due to the bias of the tubes stabilizing. This is normal
and the Pro VLA II will provide consistent results once the warm-up period is over.
If the Pro VLA II fails to power up when the POWER switch is turned on, check to see that its power
cord is plugged into an active outlet. If the unit still fails to operate properly, turn it off and unplug it.
Then consult your dealer or the ART Customer Service Department.

INPUT THRESHOLD Control

The INPUT THRESHOLD control sets the point at which the Pro VLA II will act on a signal. Turning
this control counter-clockwise lowers the threshold (adding more compression to a signal). Turning
this control clockwise raises the threshold.
Proper setting of the INPUT THRESHOLD control is dependent on the input signal. The output of a
guitar can be –20dB to –10dB, whereas the level from an insert on a mixing console can be –10dB to
+15dB. The easiest way to set the INPUT THRESHOLD control is to start with the control fully
clockwise. Slowly turn the control counter-clockwise (lowering the threshold) until the yellow (0) LED
light on the Gain Reduction meter begins to light. Next adjust the control (either lower or higher) for
the desired amount of compression. Use the Gain Reduction meter as a visual guide to the amount of
compression applied.

RATIO Control
The RATIO Control selects the “amount” of compression applied to the input signal once that signal
reaches or exceeds the threshold. This compression amount is expressed as a ratio of input to
output. For example if a 4:1 compression ratio is chosen, for every 4dB over the threshold the input
signal rises, the output level only rises by 1dB. In this case if the input signal increased 12dB over the
threshold, the output level would only rise by 3dB.
In general, compression ratios of 10:1 and greater are considered “limiting”. The range of the RATIO
control is (2:1) to (20:1). The Pro VLA II may be used as either a compressor or a limiter with all of the
following:
- Multi track recorder, DAT machine, hard disk recorder, or analog recorder.
- In a mixer’s channel insert points.
- Between a microphone preamp and signal processors.
- Between preamplified electronic musical instruments (synthesizers, guitars, bass, samplers,
acoustic instruments with pickups) and other line-level equipment.
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 FIGURE 1 – Channel 1 Controls

OUTPUT LEVEL Control

The OUTPUT LEVEL control serves two functions.
The CH1 knob always controls the output level of CH1, but can also serve as a “MASTER” output
level when the Link Mode is active. The fully counter-clockwise position of the knob mutes the output.
The CH2 OUTPUT LEVEL control operates as a standard CH2 level control or as a “BALANCE”
control when the Link Mode is active. In Link Mode when the BALANCE control is turned fully
counter-clockwise the CH1 output is fully on and CH2 output is fully muted. When centered, both
channels have equal gain. When turned fully clockwise the CH2 output is fully on and CH1 output is
fully muted.

ATTACK Control
The ATTACK control sets the time it takes the Compressor/Limiter to respond to increases in signal
level (by reducing gain). You can use this control to shape the “front end” of the dynamics envelope.
One example is to listen to a snare hit and adjust the ATTACK control. A short attack makes the
snare sound “thin”. As the attack time goes longer (the knob is turned clockwise) you should hear
more of the thump in the compressed snare. The downside is that this creates an overshoot, (or
“transient”), the length of which is the time set by the ATTACK control.
Overshoots less than 1 msec. are very hard to hear even when they are clipped. If the ATTACK is set
too fast, the gain may be reduced too much and thereby create a “pumping” sound1.

1
“Pumping” in a Compressor/Limiter sounds like the signal is muted when it shouldn’t be.

4
RELEASE Control
The RELEASE control sets the time the Compressor/Limiter takes to increase the gain after the input
level drops.
Longer settings maintain the dynamics of the input signal, while shorter settings reduce the dynamics.
Shorter settings will also increase the apparent reverberation, and at extreme gain reduction settings,
lead to “breathing” artifacts2

GAIN REDUCTION LED Meter

The GAIN REDUCTION meter displays the Pro VLA II attenuation action. The meter covers a very
large range while offering high resolution. The Yellow (0) LED illuminates when the input signal
reaches or exceeds the compressor detector threshold setting (INPUT THRESHOLD control).

BYPASS Switch
The Pro VLA II BYPASS switch physically connects the input jack to the output jack on each
respective channel (also known as a hardwire bypass). The switch is lit when the unit is bypassed
(unless power is off, yet the analog signal still passes from input to output).

VU Meter
The input or output levels of the Pro VLA II can be monitored by the analog VU meter. The VU
METER switch selects the source of the audio for this meter. The ballistics characteristic of the meter
provides an accurate indication of the average signal level. If you need peak level info (critical in
digital systems) use the central stereo LED bar graph OUTPUT LEVEL meter.

VU METER SOURCE Switch

This switch selects either the input or output signal as a source for the analog VU meter, and lights
when the input signal is selected. This function allows the user to compare the input vs. output level.

This switch does not affect the LED bar graph meter’s audio source.

Meter Trim
The Meter Trim is used to adjust the Meter’s “0” point when. This may change if the unit is NOT
mounted with the front panel perpendicular to the floor. Using a small flat-blade screwdriver you can
mechanically fine-tune the meter indicator position if, for example, it does not rest at the leftmost
position when the unit is OFF.
Adjustments for feedback readings, when the unit is in use, are internal and are not user serviceable.
2
“Breathing” is the sound of the Compressor/Limiter turning up the gain so quickly you can hear breathing noises
between words during vocal processing.

5
 FIGURE 2 – LED Output Meter and Link Switch

LED OUTPUT LEVEL Meter

This meter displays both average and peak levels of the output signal. The LED labels indicate how
far the output is away from full maximum output in dB.
In each bar graph, a single LED is held on for a little over one second, displaying the peak level.
Some peaks may not be audible, but can cause clipping in equipment following the Pro VLA II.
Average levels are indicated by a histogram style display. The average levels displayed are similar to
the VU meter when it is set to monitor the output level.
“0” on the meter corresponds to an output level of +16dBu when the I/O level switch is in the +4
mode. When in the “-10” mode, this level becomes +6dBu.

LINK Switch
The two channels of the Pro VLA II can be configured for stereo operation by depressing the LINK
switch. Link Mode ties the output attenuation of both channels together onto the CH1 OUTPUT
LEVEL knob, and moves all control over “Attack” and “Release” times to the CH1 set of controls. The
CH2 OUTPUT LEVEL control becomes an output balance control. Link Mode ensures that each
channel of the stereo input signal is processed identically to prevent any shifting or distortion of the
stereo image.
Bypass and meter-source select switch functions remain unchanged in “link” mode.

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REAR PANEL I/O

The Pro VLA II XLR connectors follow the AES standard of:
Pin 1 = Ground, Pin 2 = Hot (+), Pin 3 = Cold (-).

The balanced 1/4-inch phone jacks are typical TRS connections:

Tip - Hot (+), Ring - Cold (-), Sleeve - Ground.

Balanced Inputs
The Pro VLA II provides both an XLR and 1/4-inch input jack. Both jacks are balanced. The 1/4-inch
jack can be used with unbalanced signals by simply plugging in an unbalanced cable.
The inputs are designed for use with line level signals ranging from –30dBm to +20dBm. While it is
possible to plug an instrument directly into the Pro VLA II, it is desirable to run the instrument into a
preamp ahead of the Pro VLA II. This will provide a stronger signal and will keep noise to a minimum.
Microphones must connect through a microphone preamplifier (like the ART PROMPA) before
connecting into the Pro VLA II.
The input impedance of the input 10K Ohms.
NOTE: The Pro VLA II has a passive (hardwire) bypass. This means that the bypass works even if
the power is OFF.

7
 FIGURE 3 – Rear Panel

Balanced Outputs
The analog output of the Pro VLA II is available on both a 1/4-inch TRS balanced jack and an XLR
jack. This output is active pseudo balanced. The output has a 100 Ohm impedance into a balanced or
unbalanced load.
The LED and analog VU meter monitor the level present at this output. “0” VU on the analog VU
meter corresponds to +4dBu (about 1.23 Volts RMS). “0” on the LED bar graph OUTPUT LEVEL
meter corresponds to an output level of +16dBu into a balanced load.

I/O LEVEL Switch

The Pro VLA II can be optimized for either “professional” (+4dBu) or “consumer” (-10dBV) I/O levels.
When the switch is depressed the unit is in “professional” levels mode. This shifts the levels such that
“0” VU on the meter corresponds with +4dBu on the input or output.
When set to the “-10” mode, “0” VU corresponds to about –10dBV.
NOTE: +4dBu is equivalent to +4dBm into a 600 Ohm balanced load.

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APPLICATIONS

Compressor/ Limiter
The main application of the Pro VLA II is to control the dynamic range of an audio signal. Plug a line
level (post preamplifier or other gain stage) source into either input, and set the threshold and output
controls to provide the desired amount of compression to the input signal.

Stereo Mix and Mastering

Because of its low noise and excellent tonal qualities, the Pro VLA II is ideal for processing mixes
when recording to DAT, hard disk or analog recording devices. Used as a mastering device, the Pro
VLA II is capable of adding warmth and impact to the overall signal level. Pro VLA II is ideal for live
use as well.

Vocal and Instrument Leveling

The musical nature of the Pro VLA II makes it ideal for use on a wide range of instruments and
vocals. Place the Pro VLA II into a channel insert, after a preamplifier, or in line with the direct output
of a mixer channel. Adjust the controls of the Pro VLA II to achieve the desired amount of
compression.

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WARRANTY INFORMATION

Limited Warranty

Applied Research and Technology will provide warranty and service for this unit in accordance with
the following warrants:

Applied Research and Technology, (ART) warrants to the original purchaser that this product and the
components thereof will be free from defects in workmanship and materials for a period of three
years from the date of purchase. Applied Research and Technology will, without charge, repair or
replace, at its option, defective product or component parts upon prepaid delivery to the factory
service department or authorized service center, accompanied by proof of purchase date in the form
of a valid sales receipt.

Exclusions

This warranty does not apply in the event of misuse or abuse of the product or as a result of
unauthorized alterations or repairs. This warranty is void if the serial number is altered, defaced, or
removed.

ART reserves the right to make changes in design or make additions to or improvements upon this
product without any obligation to install the same on products previously manufactured.

ART shall not be liable for any consequential damages, including without limitation damages resulting
from loss of use. Some states do not allow limitations of incidental or consequential damages, so the
above limitation or exclusion may not apply to you. This warranty gives you specific rights and you
may have other rights, which vary from state to state.

For units purchased outside the United States, an authorized distributor of Applied Research and
Technology will provide service.

10
SERVICE
The following information is provided in the unlikely event that your unit requires service.

1. Be sure that the unit is the cause of the problem. Check to make sure the unit has power, all
cables are connected correctly, and the cables themselves are in working condition. You may
want to consult with your dealer for assistance in troubleshooting or testing your particular
configuration.

2. If you believe that the ART unit is at fault, go to www.artproaudio.com.

3. Select “Support”, then “Return Authorization Request” to request a return authorization number.

4. If you are returning the unit for service, pack the unit in its original carton or a reasonable
substitute. The original packaging may not be suitable as a shipping carton, so consider putting
the packaged unit in another box for shipping. Print the RA number clearly on the outside of the
shipping box. Print your return shipping address on the outside of the box.

5. Include, with your unit, a note with the RA number and your contact information, including a return
shipping address (we cannot ship to a P.O. box) and a daytime phone number, and a description
of the problem, preferably attached to the top of the unit. Also include a copy of your purchase
receipt.

Fill in the following information for your reference:

Date of purchase: _________________________

Purchased from: __________________________

Serial Number: ___________________________

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SPECIFICATIONS
Input Impedance
Balanced/Unbalanced 10K Ohms
Maximum Levels
Range Switch +4dBu/-10dBV selectable
Inputs +20dBu (in +4dBu mode) / +10dBV (in –10dBV mode)
Output +20dBu (R load > 10K, 0.1%THD)
Output Gain +20dB max
Frequency Response 10Hz to 100KHz (+/- 0.5dB)
Dynamic Range >100dB (20-20KHz)
THD @ 0dBm Out: <0.1% (typical)
Equivalent Input Noise (EIN)
+4dBu mode -99dBu ('A' weighted)
-10 dBV mode -107dBu ('A' weighted)
Attack Time 0.25msec. to 50msec. variable
Release Time 150msec. to 3 sec, variable
Slope Variable: 2:1 to 20:1
Max. Attenuation 30dB
Power Requirements USA – 105 to 125 VAC / 60 Hz Export units configured for
country of destination.
Dimensions (HWD) 3.50-inch x 19.0-inch x 9.17-inch
88.9mm x 482.6mm x 232.9mm
Weight 10.5 lbs. / 4.76kg

Note: 0 dBu = 0.775 VRMS, 0 dBV = 1 VRMS

ART maintains a policy of constant product improvement. ART reserves the right to make changes in design,
or make additions to, or improvements upon, this product without any obligation to install same on products
previously manufactured. Therefore, specifications are subject to change without notice.

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 www.artproaudio.com
E-mail: support@artproaudio.com

© 2016 Applied Research & Technology

PRO VLA II 213-5004-105

PROFESSIONAL TWO CHANNEL OPTO/TUBE LEVELING AMPLIFIER