Expressionism in architecture occurred somewhat later than in other
arts (around 1913), although the idea of glass and steel architecture was promoted earlier (in the mid-19th century). Evidently, there is a similarity between expressionism (Glass Pavilion designed by Bruno Taut and Crystal Crown designed by Hans Poelzig) and Gothic architecture which has emerged out of deep respect to the Gothic dematerialized being and medieval architecture, as an expression of the epoch imbued with the spirit and metaphysics. Prominent examples of expressiveness in architecture are works created during the Gothic and Baroque periods, periods of Czech Cubism, the Secession and Expressionism, up to the contemporary examples of hi-tech and deconstruction. However, besides the listed examples, there is an entire field of architectural creativity which, in terms of expression, is not that much obvious because it is based on thoughtful and phenomenal expression (Vasilski, 2008). Such form of expression has a great unuttered power which remains hampered by the frameworks of the material. Examples of such creativity may be found in movements of conceptualism, symbolism and minimalism