1.

1 Campo Armónico Mayor y sus Tensiones

A continuación, encontrará cada uno de los acordes diatónicos de C mayor, mas sus
tensiones diatónicas. Siguiendo el ejemplo del acorde Imaj7, realice lo siguiente:

1- Identificar las tensiones diatónicas de cada acorde. (b9,9,#9, 11,#11, b13,13)

2- Identificar dentro de las tensiones cual o cuales de ellas son disponibles o a evitar
armónicamente.

3-
Name Formar la escala resultante para cada acorde Major Key - Avall'able
diatónico. Agregar aDiatonic Tensions
ella nombre de
la escala y rotular los grados de la siguiente forma:
Name Major Key - Avall'able Diatonic Tensions
. Below, you'll find each of the diatonic 7th chords of C major extended to the 13th.
Name
Followm'g the model ofde
theAcorde:
Imaj7 chord, Major Key - Avall'able Diatonic Tensions
. Below, you'll
A.find Notas (ocomplete
1,37th the following:
b3, o sus4),
chords2)Identify
5 (o b5,
of C major
o #5),to6,7 b7, o7)
(o13th.
1) Identify the each of
quality ofeach
the diatonic
of the extensions. theextended
quality of the9th
the between each
Followm'g thefindmodel of the Imaj7 chord, complete the Major
following: Key - Avall'able Diatonic Tensions
. Name
extension and
Below, you'll its respective
each of thechord tone.7th3)
diatonic Transpose
chords of C each
major extension
extendeddownto thean13th.
octave to complete
1) Identify
the the
chord scale
Followm'g the quality
B. model
Tensiones
for each ofthe
of each
diatonicof the
Disponibles:
Imaj7 extensions.
chord.
chord, T9
Label (othe
complete 2)Identify
Tb9,
notes
the T#9,)theT11
o following: quality
as tensions of the 9th
(oorT#11),
harmonic between
T13avoid
(o Tb13) each
tones.
. extension
Below, and
you'll its
find respective chord tone.7th3)chords
Transposeof C each
major extension
extended down an octave to complete
each of the diatonic to the
1) Identify the quality of each of the extensions. 2)Identify the quality of the 9th between each 13th.
the chord scale
Followm'g the forrespective
model each diatonic
of the Imaj7 chord.
chord,Label the notes
complete
3) Transpose as tensions
the each
following:
extensionor down
harmonican la avoid tones.
octave
extension
EX- Cmaj7 and
C. itsA Evitar chord tone.
Armónicamente: S seguido del grado a evitar de to complete
escala asociada
1) Identify
the the quality
chord scale for eachofdiatonic
each of chord.
the extensions.
Label the2)Identify the quality
notes as tensions of the 9th between
or harmonic each
avoid tones.
EX-extension
Cmaj7
“.- al acorde (ejemplo S4).
and its respective chord tone. 3) Transpose each _—-_—_‘extension down an octave to complete
chord scale for each diatonic chord. Label the notes as tensions or harmonic avoid tones.
theCmaj7
EX- “.-
e e e _—-_—_‘e-
“.- Maj9 P1 1 Maj l 3 Maj9 min9 Maj9
EX- Cmaj7 e e e _—-_—_‘e-
Maj9 P1 1 Maj l 3 Maj9 min9 Maj9
“.-
e e e _—-_—_‘
e-
Maj9 P1 1 Maj l 3 Maj9 min9 Maj9
e e e e-
Maj9
9 P1 1
11 Maj
13 l 3 Maj9
9 min9
b9 Maj9
9
JONIO

1 T9 3 S4 5 T13 7 1

Dorian scale: l

Dorian scale: l

Dorian scale: l

Dorian scale: l
 Dorian scale: l

Dorian scale: l

Name Major Key - Avall'able Diatom‘c Tensions

Major Key - Avall'able Diatom‘c Tensions

(K
Name
3 _ Fmaj7
Name Major Key - Avall'able Diatom‘c Tensions
Name
3Name
_ Fmaj7
MajorKey
Major Key --Avall'able
Avall'able Diatom‘c Tensions
Diatom‘cTensions
(K
Phrygian scale: 1
3 _ Fmaj7 (K
PhrygianFmaj7 scale: 1
33_ _ Fmaj7 13
continued on next page
(K
(K
continued on next page
13

Lydian scale: 1

Lydian scale: 1

Lydian scale: 1
Lydian scale:
Lydian scale: 11

Locrian scale:
14
Locrian scale:
14
Locrian scale:
14
Locrian
Locrianscale:
scale:
14
14