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Descente au Paradis

dédié à Jean Eustache, cinéaste †

molto espressivo François-Xavier Jean

q = 94

Voix 
      
  
 
Vl.I 
      
  
 
Vl.II        
 
   

         
Alto
  

 
  
Violoncello
       

q = 94

 
  
Voix       

copyright © 2011 Jean, François-Xavier


2 5
  
          
   

   
          
   


           
   
  
            

 
   
   
      

    
   
      

A
 
9

    
        

  
    
        
    
         

 
 

         
  
        

          
 
   
 
A
          
        
do mi fa
3

13
   
         

 
do mi fa

    
        
   
    
   
 
            
  
  
      
 

    
     

17
  
   
        
      
 
   
   
     
          
 


           
       

   

            

 
    

     
4 20

        
  
 
        
  
  
          
 
             
  
        
 
       

       
     
   

 
24

 
        
     

  
 
        
     

          

   
 
            

       
        

          
   
28
B 5

     
       

   
         
   
 

    
 

 

       
     

  


    
 
       
B
      
        

32
       
      

  
         
  
     
          
 

 
   
        

 
     
 

   
    
6 36
 
        
   
  
        
   
        
       
 

 
          
     


   
             


   
            


40
           
     

   
           
   


     
         
              


          
   
   
          
7
 
44

    
        
  
    
        
      
    
     
   
 

        
   
  
      
           
        
 

             
       

48
     
      
 

      
      
 
     
        
 
   
   
        


       
 

   
     
  
8 52

    
            
  
    
                
  
  
     
      
     
    

             
    

  
         

     
    

56
     
         

      
         

                  
 
           
     
   

    
      
   

   
      
   
61 9
        
        

      
      
     

       
        
               
 
       


      
  

        
      
  

65

           

 
          
  
    
 
   
     
 
          
 
        
   
             
       
       
1069

   
         
 
  
           
 
    
            

           
     
  
  
                  

  
                 

74
    
        
        

      
       
   
  

  
                  
             
    
  

              
   
                
  
79 11

        
  

échelle tritonique: la do ré

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