Professional Documents
Culture Documents
Location:Athens Year: 2009 Modern Museum of Art Location:Manhattan Architects:Yoshio Taniguchi 1984: Cesar Pelli Location:Los Angeles Architects:Diller Scofidio+Renfro
Acropolis Museum Area:21,000m2 Architect: Bernard Tschumi Area:630000 ft 2 Completion year: 2004 Cesar Pelli added the tower, to make the The Broad Museum Area:120,000m2 Completion year: 2015
museum stand out once again between
commonly associated with deconstruc- Studied architecture at Harvard University›s is an interdisciplinary design
the high-rise buildings. The lobby was
tivism. Born of French and Swiss parent- Graduate School of Design, graduating in studio that integrates architecture,
expanded to accomodate more people.
age. 1964, known for Bauhas architecture. the visual arts, and the performing
Excavations Viewing Platform Galleries, bookshop, staff reception,
Concept Interior views of the ramp and arts. Based in New York City.
Ramp Systems Shared double Concept restaurant, garden hall were added as Concept
Tschumi wanted to build something highly con- stair system. DSR uplifted the veil on the corner facing the Grand Disney Hall because first, the viewer would
The two walls height To expand the Museum’s space and synthesize its disparate well. Exuberant neighbors were one challenge, but the
tecxtual to respect the surroundings and history. go through a paradox, and second, because the corner begins at one point and expands towards
The museum elements. Hewanted to create more than one entrance. 2004: Yoshio Taniguchi: architects also had to open up the building to Grand edges, discreetly revealing what›s inside, unlike the grand disney hall.
Developing the concept
respected the History of the museum He created a building for education center, Avenue.
old one. which views into the garden. Two lobbies The Veil and the Vault
1939: Goodwin and Stone
The last floor shifted as the acropolis is. International Style Building. It had were created, one closer to the tower and
a curved entrance that was moved the new building, and one closer to the gar-
aside. A lobby connecting both den and restaurants. He restored the old en- The space remaining between the two ribbons is closed with glass panels to allow the
streets, services area and an exhibi- trance, and placed the services discfreetly viewers who are seated inside to see the whole walk of the two couples. Glass also
tion space. between the galleries. DSR created a mute document next to such a loud one, The Broad had to link roads to a allows the light to filter the area and make it seem holy.
The addition Veil symbolizes purity, whereas the vault is the security because the contrast between them would make it stand out. future railway station
1951: Phillip Johnson Yoshio designed the proportion of the new building respecting its Yoshio also opened up the dense museum by adding glass to of precious items.
The North Wing and Sculpture Gar- surrounding buildings, in terms of height and width. He worked with obtain a 15 percentage of glass. He also revived the old build-
The three layers represent the change of structurein the greek periods,from concentrated den were added. The North wing and dividing some lengths while keeping the others in the same length. ing by using its white color.
The ground floor has the reception along with the to freedom. the garden were seperated by the ser-
excavations, the second has the archaic period, its mezanine vices area. The lobby was illiminated,
has a restaurant, shop and viewer platform, the last floor has a visitor directly enters into the exhi-
the parthenon gallery. bition space, opened up by a garden.
Circulation occurs in a chronological order, on a glass ramp situated between two They also created a paradox between the interior and the exterior of the museum, the exterior
identical walls. 1964: Phillip Johnson being a simple cube shape, and the interior lobby being organic. Another contrast takes place
between the monotone grey lobby and the highlt lit galler floor. A transition takes place between The chapel could be compared to different parts of a wedding ceremony, like the
East and West Galleries were included.
them on the vertical circulation. bride›s dress and wedding cake.
The North wing had to be removed. The
entrance was also removed, but the lob- What makes it touristic? What makes it touristic?
What makes it touristic? Nakamura managed to translate the whole experience of a
by came back. The garden was further What makes it touristic? The public zones were designed to take on half the first floor , only part of the The broad›s paradox with the grand disney hall grabs any viewer›s attention. The paradox in terms
The Acropolis has a potential to show the visitors the historical views surrounding them. marriage into a small chapel. He got the idea of the movement of
expanded . Both galleries were black, Its numerous changes aimed at facilitating circulation while adding new interactive functions like bookshops, restaurants and galleries. second and the complete third. DSR aimed at this to create a transaction between of size, and shape and texture. This contrast doesn›t stop there, it continues to the inside where the
It also has a scripted circulation which facilitates the whole experience for any viewer, It also facilitates its accent points by opening up to both roads in the Manhattan grid system. It provides greenery in the city of lobby contrasts with the last floor, making the interaction with the museum more interesting and the newly weds, and put it vertically instead of horizontally, which
contrasting with the white building in both zones, the lobby and the gallery, to ameliorate the viewer›s experience.
especially with the natural light highlighting the historical statues. Manhattan. Some galleries open up to the streets of Manhattan, allowing interaction; while others close off to focus more on the art. dynamic. affected dynamism and allowed viewers to see and experience .
the middle.
Location:Netherlands Architects:Delugan Meissi The concept is, the roof is the main factor for shaping this institute and making it look like a sculpture. Location: Marseilles Architects:Rudy Ricotti Sunset Chapel Location: Acapulca Architects: Esteban Suarez
Sydney Opera House Location:Sydney Architects:Jorn Urtzon Eye Film Institute Area:6,300m2 Completion year: 2012
In terms of shape
The roof inclines down to the sea in order to fit with the surroundings, and gets higher to respect the tower
MuCem Museum Area:15,510m2 Completion year: 2014 Area:120 Year: 2011
Area:18,000m2 Year: 1973
Danish architect, had a Nordic sense Studied at the University Innsbruck she has a that was once a symbol for Amsterdam. Architect and engineer, winner of born and raised in mexico city & re-
of concern for nature which developed practice in Innsbruck and Vienna, has a teaching National Grand Prize for Architecture cieved his master’s degree in architec-
into what Utzon later referred to as position at the University Stuttgart. She is also , is representative of this generation of ture in 2004.He founded bunker arqui-
Additive Architecture chairwoman of the BIG Architecture Advisory architects that combine creative power The MuCem is placed at the same height of the fort of the castle next to it, the bridge is connected tectura as a platform for developing
and real constructive culture. to the last level of the museum. This circulation facilitates the visitor›s experience since it new strategies to study the architec-
The Concept
Concept Viewers had different access points to the project and to what was around it, and at The Concept reduces the distance from one cultural area to another, and it takes the visitor to the top of the tur-al phenomenon of the 21st century
The revival of that area that had nothing to offer for people, not
The Sydney Harbour had become a cosmopolitan different heights To build a museum next to the historic 17th century fort where he can go down again. The fact that there is a restaurant on the last floor, gives them The Concept
in terms of entertainment or housing.The project also has to
melting pot. A new symbol was needed to represent The Spherical Solution integrate a museum to store local and international films. Fort St Jean , rising along with the VIlla Mediteranne the option to cross the bridge or to look from afar. The chapel needed the light to enter in a strategic
that idea. All the sides of the volume were folded to decrease in height at the level of the sea, One side was lifted to meet up to the manner, to express both the joy of weddings and the
Creating a link between cinema and architecture mournings of funerals.
Urtzon`s Inspirations to point all the public areas towards it, creating a thin link between inside and outside, tower next to it.
In terms of circulation between the reality of the ocean and the illusion of the eye. A vehicular pathways lays parallel to the chapel, for easier access for visitors. The
overall shape of the chapel mimics the neighboring boulders ,integrating perfectly.
Location: Paris, France Architects: Bernard Tschumi Heatherwick decided to show the proccess of the distillation of gin. The movement
Parc de la Vilette Area: 12,670 m2 Year: 2011
Metropol Parasol Location: Spain, Seville
Area: 12,670 m2
Architects: Jurgen Mayer
Year: 2011 100 Step Garden Location: Awaji Yumebutai, Japan Area:3600 m2 inside, and allowing visitors to see it firsthand, would make this an attraction.
Architect: Tadao Ando Year: 2000
Concept is a German architect and artist. J. MAYER Japanese self-taught architect whose
H focuses on works at the intersection of approach to architecture and landscape
To revitalize the abandoned and undeveloped land
architecture, communication, and new tech- was categorized as “critical regional-
since it was undergoing an urban redevelopment
nology. ism”
as part of city beautification, as well as making ot The access points of the parasol are from the north and south. Access to the underground museum is from a lobby that is under the
Concept The Concept
a more tourist influenced city. Some of these follies are purely decorative and sculptural, while others serve functions elevated market area. The market area is accessed by huge stairs that act as a dynamic and static area as well. The Awaji Yumebutai is a conference center, Heatherwick attached these two new green houses to an old building, springing from
Located on a dormant land,an archeological site, farmers
such as pub or restaurants and more. Some are empty spaces that are used for any hotel and memorial in Awaji, Hyogo built in the its old window. Access to it has to be by exiting the old building, going outside, and
market, elevated plaza, multiple bars and restaurants were
function. wake of the 1995 Great Hanshin earthquake. entering the new building. This is a transition from the old to the new.
constructed under a distinct structure.
Tadao Ando created this artificial landscape to
showcase flowers of the region. The access points of the garden could be from the tower connecting to the hotel, or from the main
Sky Caffe
Organic pedestrian access which is the small staircase next to the waterfall staircase.
surfaces The trees start with concrete, then that con- The 5 elements of Japanese Buddhism philosophy
Elevated Plaza crete holds the innovative wooden structure. Water, represents the fluid, The process is that the old machinery would make the heat, and transfer it to the
The wooden mega structure consists of glued Earth: Stones are highly resistant
flowing, formless things in greenhouses, since heat is a rare occurence in Britain.
laminated veneer lumber panels arranged in an to movement or change, It is a
Grid the world.
The system of points are called follies, all 26 Market orthogonal grid with of 1.5 x 1.5 metres. All garden-squares (5m x 5m) are surrounded by steps: 14 steps upward going West desire to have things remain as What makes it touristic?
are placed 120 meters apart from one another The folie grid is related to a larger coordinated structure, an orthoganal system of The musuem shows views of the ruins and 7 steps upward going North. The difference in height is bridged by the fact that they are; a resistance to change. The Distillery facilitated circulation in the village of Laverstoke and
in a grid pattern. Tschumi has designed the high-density pedestrian movement. These lines were put to life when they planted of spain, whereas the restaurants and the the garden-squares themselves are all sloping down. allowed visitors to see the process of making gin, as well as the process
Wind and Void represent the
follies without any function. In fact, their them with shrubs. They guide people throughout the park . walkway above shows contemporary Fire represents the energetic, of growing it. The shape is also very natural, looking like a waterfall. Its
Points freedom of the human spirit,
only role is to create a matrix that work to spain. forceful, moving things in and things composed of pure name, Saphire Distillery came from the fact that it lights up in blue at
What makes it touristic? Museum
organise the park and act as reference points. What makes it touristic? the world. energy. night, making it a torch in a dark area.
Parc de La Vilette became a small city of its own. Tourists can interact with the folies When building the Parasol, old excavations were found. This came in favor of the project, since Its role as a unique urban space within the dense fabric of the medieval inner city of Seville allows for a great variety What makes it touristic? To conclude, touristic architecture is based on : easy, guided circulation, comfortable
of activities such as memory, leisure and commerce. A highly developed infrastructure helps to activate the square, Sweatpea: Goodbye White Camelia: Waiting Sakurasu: Everlasting love
as they please, they are points to guide people inside, towards the orthogonal system it attracted people even more. So the structure of the Parasol had to be studied to not harm any Hanakotoba refers to the ancient art of assigning meanings to flowers. The underlying Tadao Ando managed to translate the language of flower and the 5 elements of the Buddhism movement from one space to another, pleasant lighting and shade areas, and on the
which guides people further into the main attractions, being the museums, halls and treasures. 6 trunks were made and vertical circulation takes place in them ( elevators and stairs) making it an attractive destination for tourists and locals alike. It aids people to view spain historically in the museum, philosophy into one garden, a powerful one. He put an extension to the museum, one that is used interaction between the architecture and the culture.
meaning of the flower determines the message sent to the recipient. This allows one MIRNA CHEIBAN
music conservatory. There are 4 horizontal levels, each holding a seperate cultural function. and contemporarily in the high rise restaurants. It is also a highly dynamic area with the use stairs and elevators. for culture and meditation reasons.
to communicate feelings and emotions without words.