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Vineyard Coils A LITTLE MATH = A
SIMPLE KNOTS Bracelet FOXY ROXY LOT OF SUCCESS IN
CHAIN MAILLE BY SARA (GRAHAM)
NECKLACE CHAIN MAILLE
EARRINGS RICHARDSON BY SARA (GRAHAM) BY Karen Hung
BY Denise Peck RICHARDSON
IN JEWELRY MAKING, jump rings delicately ornamented with vinelike coils. Next, move on to a
are links usually used to connect other chain maille necklace featuring patterned focal beads that hang
parts, securing a clasp to a necklace or from a handmade foxtail chain: this classic chain maille weave
charms to a bracelet, for example, but is one of everybody’s favorites. But that’s not all—with the
you can also make jewelry with nothing fabulous bonus guide to working with jump rings that comes
but jump rings, too. Requiring little with the free eBook Jewelry Making Daily Presents: 3 Free
more than the pliers you need to open Chain Maille Projects Plus Bonus Guide to Aspect Ratio, Wire
and close a jump ring and a good sup- Gauge, Inner Diameter and Outer Diameter, you’ll learn ev-
ply of jump rings to link to one another, erything you need to know about aspect ratio, inside diameter,
the easy and versatile jewelry making technique of chain maille outside diameter, wire diameter, and wire gauges to allow you
combines jump rings into chains, necklaces, bracelets, earrings, to follow these chain maille jewelry tutorials exactly as shown—
and more that can be simple or complex, wildly colorful or or successfully adapt them into your own original designs.
elegantly monochromatic – whatever style you choose. So get out your flat nose pliers, round nose pliers, flush cutters,
Jewelry Making Daily Presents: 3 Free Chain Maille Projects jump rings, ear wires, clasps, and favorite beads, and start mak-
Plus Bonus Guide to Aspect Ratio, Wire Gauge, Inner Diam- ing chain maille jewelry today!
eter and Outer Diameter is the perfect sampler collection of
chain maille projects and chain maille jewelry instructions. You
can start by learning how to make chain maille earrings with
colorful jump rings and glass beads in just five minutes! Then Merle White
try a basic two-by-two chain for a colorful chain maille bracelet Editor-in-Chief, Lapidary Journal Jewelry Artist
This premium has been published by Interweave, 201 E. Fourth St., Loveland, CO 80537-5655; (970) 669-7672. Copyright © 2011 by Interweave Press LLC, a division of Aspire Media,
all rights reserved. The contents of this publication may not be reproduced either in whole or in part without consent of the copyright owner.
By DENISE PECK
H
ere’s an easy way to show off a pair of favorite beads.
This chain maille knot is made with just three jump
rings. You can use any gauge or size ring you’d like.
M at e r i a l s
7mm silver-plated jump rings, 64
24-gauge colored craft wire,
amethyst and seafoam,
Hook and eye clasp.
Tool s
Thin mandrel (16-gauge copper
wire or equivalent), flat nose
pliers, 2 pairs, flush cutters.
Sources
Wire: Parawire, parawire.com.
Jump rings: Michaels, michaels.
com. Clasp: Star’s Clasps,
starsclasps.com.
1 Open all 64 jump rings. 5 Close a seafoam coiled ring and a plain 8 Thread on single jump rings through
jump ring, but do not link them together. the holes of both sides of the clasp. Attach
2 Build a coil on the mandrel using a one side of the clasp to the seafoam end,
length of seafoam 24g wire. Slide the coil off 6 Link an amethyst coiled ring and a and the other to the amethyst end. Close
the rings.
the mandrel, and cut it into 16 pieces, each plain jump ring onto the rings from Step
about ¼" long. 5. Close both rings to start a two-by-two
chain. SARA (GRAHAM) RICHARDSON is a former
3 Repeat Step 2, with the amethyst editor of Step by Step Wire Jewelry and now
24g wire. 7 Link a seafoam coiled ring and a plain runs Creative World of Sara, which includes
the line Lovestruck Jewelry.
ring to the rings you added in Step 6. Repeat
4 Slide both colors of coils onto the jump Steps 6 and 7, alternating colors, until you
end with an amethyst coiled ring next
rings. If the coils don’t slide down onto the
ring, remove the coil, flush cut the ends if to a plain ring.
needed, and slip the coil back on the ring.
M at e r i a l s
20-gauge silver craft wire, 1'
18-gauge 8mm OD anodized aluminum
jump rings in one or more colors, appx. 437
Ceramic 20mm Happy Beads, 6
Foxy Roxy Necklace
Hook or toggle clasp Combine foxtail chain with rocky ceramic beads.
tool s
Round nose pliers, flush cutters, 16-gauge By Sara (Graham) Richardson
mandrel or thin knitting needle, small
paperclip or scrap wire (optional)
L
Sources ately, I have had a lot of fun with lightweight anodized aluminum jump rings in
Happy Beads from Some Enchanted my chain maille designs. I also had some Happy Beads tucked away in a container.
Beading, someenchantedbeading.com. I found jump rings that matched the beads, made foxtail chains, linked all the
Wire from Parawire, parawire.com. beads together with simple loops, and combined them. Make the chains match your
Jump rings from The Ring Lord, beads, or play around with different color combinations.
theringlord.com. Clasp from Star’s
Clasps, starsclasps.com.
1 2 13
1 Cut a 2" length of wire. Slip it through a 2 Take six silver rings, and open four of 3 Pick up all the rings and flop the top rings
bead, and make simple loops on each side. them. Link them together in a two-by-two- down to each side. Thread the thin mandrel
Repeat for the other beads. Link by opening by-two pattern. Twist a scrap piece of wire or through the middle rings now at the top. Slide
one loop on the right side of the bead, and put a small paper clip on the end to keep your the mandrel to the left and thread it through
threading on the loop of the next bead. Close place. one of the jump rings you flopped to the side.
the loops. Slide the mandrel to the right to catch the
other flopped side ring. You should have what
looks like a clover.
4 5 6
4 Thread a silver jump ring through the 5 Repeat Steps 3–5 several more times 6 At any point, switch to the colored rings
four rings on the mandrel, and close. Thread to form the chain. and back to the silver rings. Repeat Steps 3–5
another jump ring through the same path. until you make a chain about 5½" long. Repeat
Close. Take the chain off the mandrel, and add Steps 2–6 to make an identical chain for the
two more rings to the top of the chain, and other side of the necklace.
close both.
7 8
SARA (GRAHAM) RICHARDSON is a former
7 On one end of a chain, thread on a single 8 Link two jump rings on the end of the editor of Step by Step Wire Jewelry and now
jump ring through two end rings, and attach chain. With the second jump ring, attach one runs Creative World of Sara, which includes
it to the first loop of the beaded section. half of the clasp. Close the rings. Repeat on the line Lovestruck Jewelry.
Close the ring. Repeat on the other chain. the other end of the chain.
BY KAREN HUNG
F i n d i n g t h e A s p e c t R at i o
COMMON CHAIN TERMS To get the AR of aCOMMON
chain you needWIRE
... math.DIAMETERS
But the formula
AWG
is very easy, and FRACTION
you will find yourself using it over and overMM
AR Aspect Ratio
when making chains.
ID Inside Diameter 12 .0808 2.05
Here’s the basic formula: ID / WD = AR
OD Outside Diameter Let’s say you14 .0641 chain that you saw
want to weave a Byzantine 1.63
WD Wire Diameter in a magazine, but16you prefer to make it with a larger or smaller
.0508 1.29
AWG American Wire Gauge (In the United States, includes wire than shown. Looking at the AR formula, you can see
but not limited to: copper, sterling, gold, gold-fill, 18 data points needed
there are only three .0403 1.02
to make all your chain
Argentium,™ aluminum, craft wire) fantasies come true.
20 .0320 .813
Let’s say the magazine chain is: 16 AWG copper rings with an ID
SWG Standard Wire Gauge (in the United States, includes
but not limited to: stainless steel, galvanized steel. of 4.25mm, using22 this information you .0253 .643
can do the AR calculation.
Includes precious metals in the United Kingdom (See Common Wire Diameters box)
and Canada)
COMMON CHAIN TERMS COMMON WIRE DIAMETERS
AWG FRACTION MM
AR Aspect Ratio
K
nowing how to weave rings into intricate patterns is only 12 .0808 2.05
ID Inside Diameter
half of the craft of chain maille. To make a great looking
OD Outside chain,Diameter
you must know the optimal ring size to highlight the 14 .0641 1.63
WD WireIfDiameter
pattern. your rings are too large, your chain is floppy, and the 16 .0508 1.29
pattern
AWG is lost. Wire
American Conversely,
Gauge if(Inyour
therings
UnitedareStates,
too small, your chain
includes
is inflexible
but notorlimited
may not
to: be able to
copper, be woven
sterling, gold,atgold-fill,
all. Many times 18 .0403 1.02
you’llArgentium,™
see referencesaluminum, craftinwire)
to ring sizes books or Web sites, sometimes 20 .0320 .813
referred to as key numbers or more commonly, Aspect Ratio (AR).
SWG TheStandard Wire Gauge (in the United States, includes 22 .0253 .643
AR is the relationship between the Wire Diameter (WD)
but not limited to: stainless steel, galvanized steel.
and Inside Diameter
Includes precious(ID) of the
metals in ring. As important
the United Kingdomas the AR is for
chainand
making, there
Canada) usually isn’t one AR for any particular chain To find the AR of the magazine chain (16AWG =1.29mm and
weave. With few exceptions, there is usually an AR range for most 4.25mm ID rings), plug the numbers into the formula:
chains, and the number you choose is a subjective decision. When ID / WD = AR 4.25 ➥ 1.29 = 3.29
you see an AR range in the lower numbers, it indicates a tighter Now you know the AR of the magazine chain is 3.29. To make
weave. Larger numbers indicate an airy weave. One important thing a larger chain, let’s say with 14 AWG wire, you would use the
to remember — the real beauty of AR is that the ratio remains the basic formula, rearranged to use the numbers that you know to
same regardless of the wire you are using; gold, to copper, to find the new ring ID for the 14 AWG wire.
galvanized steel, AWG or SWG, the AR is always the same. From the chart, you know the diameter of 14 AWG is 1.63mm,
and from your previous calculation you know that the AR for
the magazine Byzantine chain is 3.29. Plugging in the known
SINCE
E
1947
7
master
the saw:
what works, what doesn't, and why. Learn how
create this design
the as a negative
and a positive
issue PAGE 43
12
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