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SEVEI{ COI\4E E.LEVE,N

Charlie's solo is full of modern devices here. Note especially:
1. the long held neighbor note (Db) in Bar @ 5, which finally resolves to the Ch in the next bar;
2. Barp 1. Here Charlie is thinking of G7 as a chord in C,major, even though the traditional method
would be C minor as being more closely related to Ab major (the key of the piece)
3. Bar D +. Notice the dissonant passing tone (Bh) on the strong beat of the bar.
4. Bar D s. Same ur #g. This time Eh.
5. Bar D O. Added l3th to an F7 (Dl)
6. Bar D z. Added 9th to Bb7 (Ch)
7. Bar IDI Z. Anticipated chord tone (Eb)
8. Bar D f O. - D f 1. Extended passage using blue notes
9. Bar D f O. Ending solo on unresolved 7th
By
BENI\ry GOODMAN
CHARLIE CHRISTIAN
Intro @ass SoIo)

(Melody) E

C7 F7 r,bz nbz

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