Professional Documents
Culture Documents
Rebecca J. Warren, MM, MT-BC, is a music therapist, clinical supervisor, and ad-
junct professor in Western New York. This study was completed in partial fulfillment
of the Master of Music in Music Therapy program at the State University of New
York at Fredonia, NY. Address correspondence concerning this article to Rebecca
J. Warren, MM, MT-BC, Fredonia School of Music, Mason Hall, Fredonia, NY 14063.
Phone: 585-935-1578. E-mail: rebecca.warren@fredonia.edu
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2 Journal of Music Therapy
Accommodations
Training in the helping professions and the demand for con-
tinual reflexivity can be rigorous and challenging. It is essential
for students to recognize the ways in which these demands interact
with any challenges from their II/ID to determine the need for
accommodations. Students reported managing their mental illness
through various types of support including: (a) academic, (b) psy-
chosocial, (c) support services for mental illness, (d) peer support,
and (e) inner resources (Weiner, 1999). These types of support
can be provided by the university’s disabilities office, by professors,
or by other students. However, both students and supervisors re-
ported misunderstanding regarding who should initiate the ac-
commodations process (Kiesel et al., 2018; Wilbur et al., 2019).
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Vol. XX, No. XX 3
Disclosure
Students with mental illness reported self-disclosure as a barrier
to success (Weiner, 1999). Kiesel et al. (2018) completed interviews
with 15 Caucasian, female social workers with mental illness, phys-
ical limitations, sensory limitations, or neurological/behavioral
disorders regarding their challenges, barriers, and opportunities
in field education. Thematic coding revealed “experiences with a
visible versus invisible disability, confusion about accommodation,
field as a learning opportunity, and a sense of isolation in being a
social worker with a disability” (Kiesel et al., 2018, p. 700). As stu-
dents, social workers reported frequently waiting to disclose their
disability until already in their field placement or, more frequently,
chose not to disclose. The social workers expressed “feelings of
shame, fear, and the need to hide a disability” (Kiesel et al., 2018,
p. 701).
In a systematic review of studies related to disability disclosure
and accommodations for youth with various disabilities in post-
secondary education, Lindsay, Cagliostro, and Carafa (2018) re-
ported, “youth with invisible disabilities (e.g., learning disability)
specifically noted feelings of inadequacy and fear of disclosing
due to stigma related to society’s limited tolerance to learning
and mental health disabilities” (Thompson-Ebanks, 2014, p. 545).
Additionally, Lindsay et al. (2018) discovered another barrier to
disclosure that the students were not aware of the support available
and how to access them. When students disclosed their II/ID, they
were able to self-advocate and receive supports and resources as
well as mentorship.
with mental illness regarding their purpose and goals for pursuing
post-secondary education. Students reported that post-secondary
education may normalize their lives, provide structure and routine,
and bring a sense of hope. Students with II/ID in post-secondary
education may experience challenges related to physical symp-
toms, psychological symptoms, and the decision to disclose their
illness. Students with mental illness reported many types of bar-
riers to educational success, including (a) technical, (b) medical,
(c) educational, (d) external social, (e) internal social, (f) self-
disclosure, and (g) social interactions (Weiner, 1999). Students
with psychological disabilities reported higher rates of suicidal
ideation, suicide attempts, and non-suicidal self-injury than those
with learning, sensory, or physical disabilities (Coduti et al., 2016).
Music Therapy Students. Wheeler (2002) used open-ended
interviews to investigate the lived experiences and potential chal-
lenges of eight undergraduate music therapy students completing
a practicum. The students described being scared to fail and put-
ting up “a really good front” to cope with feelings of inadequacy
(Wheeler, 2002, p. 293). Students in music therapy practica re-
ported a fear of new experiences, difficulty in session planning, dif-
ficulty addressing the needs of clients, and difficulty maintaining
adequate music skills.
Music therapy educators and internship directors reported they
observed students with severe professional competency problems
(SPCP), including psychological, intrapersonal, and interpersonal
problems, as well as demonstrating clinical skill deficiencies, eth-
ical violations, a lack of professionalism, and having supervision
conflicts (Hsiao, 2014). Music therapy educators and internship
directors reported the most common remediation strategies for
music therapy students with SPCP included “referral to personal
therapy, increased supervision, repeating academic coursework/
practicum, leave of absence, and remedial lessons” (Hsiao, 2014,
p. 189). When compared with internship directors, music therapy
program directors were significantly more likely and most fre-
quently suggested students with SPCP seek personal therapy to ad-
dress SPCP. Hsiao (2014) recognized that gatekeeping practices in
the helping professions allow educators to determine the suitability
of students for engaging in practica and the profession. Although
educators reported using remediation strategies for students with
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6 Journal of Music Therapy
Method
Researcher Lens
The researcher of this study recognizes the influence of her own
practica experiences, philosophical assumptions, and interpretive
frameworks. The researcher completed three practica placements
during her undergraduate music therapy education in a retire-
ment home, a dialysis unit in a hospital, and a pediatric psychiatric
center. She has experience in internship at a children’s hospital
and completed a six-month internship at an integrated preschool.
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Vol. XX, No. XX 7
Research Design
The researcher collected both quantitative and qualitative data
concurrently to explore music therapy students’ experiences with
II/ID in music therapy practica through an exploratory survey. The
researcher compiled frequencies and percentages on the preva-
lence of II/ID, disclosure, and accommodations. The researcher
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8 Journal of Music Therapy
Procedure
The researcher used a descriptive, exploratory online internal
survey using a convenience sample of undergraduate music
therapy students from the American Music Therapy Association
(AMTA) electronic mailing list. The researcher obtained names
and email addresses for undergraduate music therapy students
(n = 977) upon approval of the research study by the Institutional
Review Board and AMTA. There were 101 invalid e-mail addresses.
Twenty-eight individuals emailed to state they were no longer music
therapy practica students, resulting in a potential respondent pool
of 848 music therapy students Figure 1.
Participants
Participants were 136 undergraduate music therapy students,
who had completed at least one semester of practica, and who were
over 18 years of age. Students chose to participate in the study after
being informed electronically by email of the purpose and expect-
ations of the study. The students gave electronic consent on the
first page of the survey.
Instrument
The online survey was developed in Google Forms. The re-
searcher created questions related to three core processes re-
lated to successful post-secondary participation: “(a) knowing and
managing oneself and managing one’s illness, (b) negotiating the
social space, and (c) doing the academic work” (Ennals et al., 2015,
p. 113). These processes motivated the researcher to ask questions
related to accommodations, disclosure, as shown in the survey
(see Supplementary Appendix). The researcher also created each
Likert scale question based on a factor contributing to her own suc-
cess in practica with an II/ID: (a) energy level, (b) ability to focus,
(c) session attendance, (d) time completing post-session notes, (e)
time preparing session plans, and (f) coping skills. The researcher
reviewed the questions with a content expert, who was a music
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Vol. XX, No. XX 9
Data Analysis
The researcher used Excel to compute frequencies and percent-
ages for yes/no questions and medians and modes for Likert scale
questions. The researcher used deductive and inductive coding to
analyze all qualitative responses for patterns and themes (Miles,
Huberman, & Saldaña, 2014). Qualitative analysis consisted of the
following process: (a) reading and re-reading all written comments
to identify significant codes, (b) clustering similar themes, and
(c) providing a summary of the data. Quantitative and qualitative
data were merged in joint displays for disclosure/nondisclosure ra-
tionales and to report other effects of II/ID from the open-ended
questions.
Results
Demographics
Findings were based on a convenience sample of 849 AMTA
undergraduate student members with 136 total respondents. The
response rate was approximately 16%. Demographics are reported
for 136 students from 56 undergraduate colleges and universities.
Excluded individuals (n = 28) who emailed to state they were no longer in music therapy practica
Excluded students (n = 17) who had not yet completed any music therapy practica
Excluded students (n = 48) who did not have an invisible illness or invisible disability
Figure 1
Flow of participants in the survey study.
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10 Journal of Music Therapy
Accommodations
The researcher asked closed-end questions in the survey re-
garding accommodations. The majority of students with II/ID
reported not needing accommodations (n = 60, 84.7%) and not
receiving accommodations during practica (n = 56, 82.1%). Some
students with II/ID reported needing accommodations (n = 11,
15.3%). Figure 3 indicates the types of accommodations students
reported receiving from the given list. Canceling or rescheduling
a session was the highest reported accommodation (n = 8). In the
open-ended “other” response, students (n = 3) reported receiving
assistance carrying instruments, needing adapted transition
lengths, using large print, receiving extended time for assignments,
and having professors allow more time to complete instrument
competencies. Using a 5-point Likert scale, students (n = 27) indi-
cated their satisfaction with accommodations (Table 2). This result
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Vol. XX, No. XX 11
Table 1
Participant Demographics
Demographics n %
Gender
Male 10 7.40
Female 125 91.90
Missing 1 0.01
Age
18–24 years 116 85.30
25–29 years 8 5.90
30–39 years 7 5.10
40–59 years 4 2.90
60+ years 1 0.70
Ethnicity
White 113 83.10
Hispanic/Latinx 5 3.70
African-American 2 1.50
Native American 2 1.50
Asian/Pacific Islander 11 8.10
Middle Eastern 1 0.70
Other 2 1.50
Current Employment Status
Not Employed 40 29.65
1–10 hr 38 28.10
11–20 hr 34 25.20
21–30 hr 11 8.10
31–40 hr 12 8.90
Region
Great Lakes 27 19.90
Mid-Atlantic 32 23.50
Midwestern 22 16.20
New England 8 5.90
South Eastern 23 16.90
South Western 9 6.60
Western 15 11
Practicum (semesters)
0 17 12.50
1 9 6.60
2 42 30.90
3 20 14.70
4 17 12.50
5 10 7.40
6+ 21 15.40
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12 Journal of Music Therapy
Other (n = 1)
Comorbid (n = 13) 2%
18% Chronic Illness (n = 20)
28%
Developmental
Disability (n = 5)
7%
Location of Practicum 1
Length of Session 0
Population Change 0
Other 4
0 10 20 30 40 50 60
Figure 3
Types of accommodations provided to music therapy students with invisible illness
or invisible disability (n = 68).
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Vol. XX, No. XX 13
Table 2
Student Reported Ratings for Satisfaction with Accommodations (n = 27)
may have been skewed, as students who did not report receiving
accommodations responded to the question on satisfaction.
Disclosure
Disclosure to Program Director and Clinical Supervisor. Survey
responses indicated that students disclosed their II/ID to their
program director (n = 45), clinical supervisor (n = 37), or both
(n = 29). Qualitative themes related to reasons for disclosure in-
cluded wanting to receive accommodations, to receive aid in per-
sonal and professional development, and to encourage open com-
munication. See Table 3 for the frequencies and percentages of
qualitative themes and subthemes related to disclosure.
Accommodation. The most common reason for disclosure of an
invisible illness was to receive accommodations (n = 28). Some stu-
dents who listed accommodation as a reason for disclosure also re-
ported receiving accommodations (n = 6). Though students listed
accommodation as a reason for the disclosure, not all 28 students
reported receiving accommodations. This may be due to the types
of accommodations required and the use of informal or formal
accommodations.
Personal and Professional Development. Students disclosed their
II/ID, so their program director and clinical supervisor could assist
with personal and professional development (n = 36). Students re-
ported that their professors verbally processed concerns with phys-
ical and psychosocial limitations in day-to-day functioning. Some
students reported that their II/ID were exposed by their profes-
sors or classmates involuntarily during classroom discussions or
symptoms occurring during practica (n = 5). Students described
discussing the recommendation for personal therapy with their
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14 Journal of Music Therapy
Table 3
Participant Reasons for Disclosure or Nondisclosure (n = 71)
I have ways of coping with my invisible illness 1 (1.4) 3 (4.3) 13 (18.6) 32 (45.7) 21 (30)
at my practica.
Does invisible illness affect your ability to 24 (34.3) 17 (24.3) 11 (15.7) 17 (24.3) 1 (1.4)
complete/succeed in music therapy
practicum?
a
Indicates a reverse-scored question.
17
Table 5
Participant Narrative Comments on the Effect of Invisible Illness and Invisible Disability
had times when they did not want to get out of bed, which led to
session cancelations and needing to miss classes. Some students
disclosed feelings of self-doubt, perfectionism, and anxiety over
having symptoms during sessions, about upcoming sessions, during
preparation for sessions, and during social situations (n = 7). A few
students reported issues interpreting interactions with their clin-
ical partners and organizing meeting times (n = 2). Students re-
ported that peers and professors were insensitive and had general
misunderstandings about II (n = 7). Students expressed concern
with professors not knowing how to make appropriate accommo-
dations (n = 3). One student was concerned with transference and
countertransference with clients who have similar personal trauma
histories.
Cognitive Symptoms. A small number of students reported cog-
nitive symptoms that affected their ability to complete practica
(n = 3). The ability to focus on practica responsibilities when faced
with external stressors impacted the ability to complete documen-
tation in a timely manner (n = 5). A few students had difficulty
focusing their mindset on the session and not on mental illness or
other symptoms (n = 2). One student reported difficulty remem-
bering details of sessions. Another student had difficulty clarifying
important information when their professor talked too quickly and
did not provide visual notes. One student stated that it was more
difficult to read music when tired.
Coping Strategies. Students utilized coping strategies to aid
their success in music therapy practica (n = 19). Students reported
utilizing formal and informal accommodations as a coping strategy
(n = 4). One student mentioned the need to prepare for the adult
world by completing music therapy practicum without extensive
accommodations. One student stated that their II/ID is well con-
trolled with medication. A few students reported “sleeping it off” or
ignoring the symptoms and trying to get through sessions (n = 2).
When having pain, one student reported switching mediums for
accompaniment or singing without accompaniment.
Benefits. Students felt their II/ID helped them to understand cli-
ents, raised their awareness and empathy for clients, and provided
rare profound insights that can be incorporated into their music
therapy practice (n = 4). One student found support when profes-
sors were able to adapt teaching styles to promote participation
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20 Journal of Music Therapy
Discussion
The purpose of this exploratory study was to investigate the
impact of II/ID on students’ success in music therapy practica.
Students provided quantitative and qualitative data focused on ac-
commodations, disclosure, and factors for success. The researcher
sought to learn more about student experiences with II/ID, which
may help to inform music therapy education practices and develop
strategies for success for music therapy students with a wide range
of diagnoses. The results will be discussed in relation to accommo-
dations, disclosure, and success in practica.
Accommodations
In the Code of Ethics, AMTA requires music therapy students to
function and adapt as needed to not impair their ability to work
with clients (AMTA, 2019). Music therapy students who experi-
ence difficulty meeting required competencies in clinical skills,
music skills, and music therapy skills may request accommodations
and supports from their professors or formal accommodations
from their university’s disability office in order to be successful.
Educators could become aware of the barriers and challenges that
students with II/ID have when pursuing post-secondary education
(Ennals et al., 2015; Weiner, 1999).
Music therapy educators and clinical supervisors should also be
aware that not all students disclose their II/ID and the majority
in this study did not seek accommodations. Music therapy educa-
tors and clinical supervisors may consider referring all students to
their university’s disabilities office to explore specific, individual-
ized supports. Faculty may inquire as to the supports and services
available on campus and consider general ways of communicating
this information to all students in order to decrease individual
pressure. Providing a general referral to seek support may help
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Vol. XX, No. XX 21
Disclosure
In the current study, though most students disclosed their II/
ID to their program director or clinical supervisor (75%), the
remaining students chose not to disclose due to the fear of dis-
crimination and judgment by their professors, peers, and clients
(25%). Many students reported disclosing their II/ID to their
program director and/or supervisor to receive accommodations,
to receive assistance in their personal and professional develop-
ment, or to maintain open communication with their professors.
Students who maintained nondisclosure with their program dir-
ector, supervisors, and/or clients reported doing so to avoid stigma
and stereotypes or to manage their II/ID independently. Though
one student in the current study disclosed their II/ID to spread
awareness for mental health, some students chose not to disclose
to avoid the prevailing stigma/stereotypes surrounding II/ID and
being treated differently by professors, peers, and clients (12.7%).
These findings confirm prior findings by Coduti et al. (2016) and
Ennals et al. (2015) indicating that students are required to dis-
close a disability to receive services and accommodations but are
hesitant to do so due to stigma, discrimination, and not wanting to
be treated differently. Music therapy faculty and supervisors may
consider that students may be hesitant to disclose their illness, to
seek out counseling, and to obtain individualized accommodations
(Coduti et al., 2016; Jung, 2003). Therefore, music therapy educa-
tors could provide opportunities for open communication related
to issues that affect practica success (Hsiao, 2014).
In the current study, students indicated different views about dis-
closure to their clients, with most indicating that they chose not to
disclose to prioritize client-centered care and to avoid transference
or countertransference. However, two students disclosed their in-
visible illness to their clients to build rapport and develop the thera-
peutic relationship. These results may indicate that music therapy
students with II/ID are navigating how their II/ID relates to using
“oneself effectively in the therapist role in both individual and
group therapy, for example, appropriate self-disclosure, authenti-
city, empathy, etc. toward affecting desired therapeutic outcomes”
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22 Journal of Music Therapy
in (AMTA, 2013). This may also indicate that students will look to
music therapy professors and supervisors to help guide their pro-
fessional development as it relates to self-disclosure.
Conclusion
The goal of this exploratory study was to promote awareness and
stimulate dialog regarding the impact of II/ID on students’ music
therapy practica success. The information derived from this study
informs the development of strategies for success in music therapy
practica as well as exposes the potential barriers in post-secondary
education. The prevalence of II/ID in music therapy practica stu-
dents was 59.7% in this online survey questionnaire, but it is not
indicative of the prevalence for all music therapy practica students
in the United States.
Overall, many students in the study highlighted that their II/
ID did not affect their music therapy practica; therefore, it was not
necessary to disclose their invisible illness or receive accommoda-
tions for success in practica. Music therapy students with II/ID in
the current study reported their own experiences with barriers to
succeeding in practica, including issues with physical symptoms,
psychological symptoms, the need for individualized accommoda-
tions, and navigating disclosure decisions. In addressing these bar-
riers, music therapy educators could be prepared to utilize open
communication and collaboration to assist students in professional
development and appropriate self-disclosure as well as coordinate
individualized accommodations to promote success in practica.
Music therapy students with II/ID in this study reported feeling
able to succeed in music therapy practica regardless of their II/ID
diagnoses.
Supplementary Data
Supplementary data are available at Journal of Music Therapy
online.
Acknowledgments
The author acknowledges and thanks the students who par-
ticipated in this project and shared their experiences for the
benefit of others. The author also wishes to acknowledge Dr. Joni
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Vol. XX, No. XX 25
Conflicts of interest
None declared.
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26 Journal of Music Therapy