C-DRN-N-UOAC SINDHI (Arabic) (COMPULSORY ) Time allowed : Three Hours Maximum Marks : 300 QUESTION PAPER SPECIFIC INSTRUCTIONS Please read each of. the following instructions carefully before attempting questions : All questions are to be attempted. The number of marks carried by a question is indicated against it. Answers must be written in SINDHI (Arabic seript) unless otherwise directed in the question. Word limit in questions, wherever specified, should be adhered to and if answered in much longer or shorter than the prescribed length, marks may be deducted. ‘Any page or portion of the page left blank in, the Question-cum-Answer Booklet must be clearly struck off. 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Following independence in 1947, the 1950s and 60s are regarded as the ‘Golden Age’ of Indian cinema in terms of films, stars, music and lyries. The genre was loosely defined, the most popular being ‘socials’, films which addressed the social problems of citizens in the newly developing state. In the mid-1960s, camera technology revolutionized the documentary method by enabling the synchronized recording of image and Sound. Today, CINEMA 4D users are free to create scenes without worrying about the size of objects or how many objects are in the soene, shaded settings, texture size, multipass-rendering or eye-catching particle systems, Until the 1960s, film-making companies, many of whom owned studios, dominated the film industry. Artistes and technicians were either their employees or were contracted on a long-term basis. Since the 1960s, however, RN-N-UOAC 9most performers went the freelance way, resulting in the star system and huge vcealations in film production costs. Financing deals in the industry also started becoming murkier and murkier, since then. According to estimates, the Tadian film industry has an snmual turnover of € 60 billion. 1 employs more than 6 million people, most of whom are contract workers as opposed to regular employees. In the late 1990s, it was recognized as an industry More money impacted the poreeption, visual representation, and definitions of reality. Like any other media of mass communication, the themes are televant to their times. ‘Thus, filmmaking became mare expensive and riskier. As opposed to the time of the Gemini Studios, when only 5 percent of a movie was shot outdoor, film-makers often select overseas locations in order io create greater vealiem, manage costs more. eficiently or source people and props Filmmekers spend considerable time scouting for the perfect location. ae psa erenpl ype Poe Fd ayo usel crlle cole} diel pyle . gps GES woe Pbak ye pg ee ye er et! focal woe sy pot 90 jeu Geers UI2F pie “ Als ea olgepor wi fol vee IY PF platy i eee yg os Ge secle, pelizy se ge fy vhs bert 7 Lot os pot gene aye! 2 jet! re ; : by olw EP /7 pes Dyce YP Sypens wei oe OP appre EH EES ween (C-DRN-N-UOAC 10 rg bertPT MEMES LS flow Lo + elses LF a8 ge) x0 poly, se ops ep ie gens Lysine Lome! wfenp Lita Sepap (eer te bees ei XS glen PAC p07, ky yo we p0 Lag b Sab! 52 pT Gioaph olen nate p ob gelrta ece Shobe 2p Glew b cathe exes ares 1G)Pe £2 Leh 4 iget 0 : celts oe 204 el ode sib sacle ze Ley be job pee Lalas (Ui pF 2 erp ipe pakr Lolo 22 yor yeine pay vy Glaow 6 b Ewe PE wT ie MS oy Sle tek ge Pb TUG gprisel ihe KAAS $Y OF Pi 1a deofat Le opts. eds only op Olin Lowae » pop plab! ake uf pal -2ike promne OT Bis OF Let gp em AL ws sib 2 wl - wore OF glee b ews Suey YEe ool py. vay bys® ral be’ gis BEIT PL AE JB gp ea SEIS Yptts PIV Cpls Saw sop 0 wT lors get pre yb lL ays antl pyle pcb jab loom we Fes ‘ nol che ese 2g FEY -DRN-N-UOAC1 " . | wlew3 asl pflor ape b ley Geuyse ree Tee Sp fT eH ph hh po Hef iis, we La Lypeb gervn ce clus AS i prob on. ol CoS HS ol & pdergel 1 apy een ee P* ee Co) abt a4 | sey ob | | bFe AT Uh C-DRN-N-UOAC 2io os pl (Sito ste 92 ob BF Bee Jew cee th 2S di, LanT &% Ca 2 fib ge pg 2B mel we Ob) Ji! 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