Professional Documents
Culture Documents
The Original name for Africa is: Alkebulan: Arabic for “The
Land Of The Blacks"
Alkebulan is the oldest and the only name of indigenous origin. It was used by
the Moors, Nubians, Numidians, Khart-Haddans (Carthagenians), and Ethiopians.
Africa, the current name adopted by almost everyone today, was given to this continent
by a European invader by the name of Louis Africanus. Like all methods of manipulation
the Romans sought to completely disconnect the indigenous Africans from their culture,
deities, and knowledge.
History of Louis Africanus and Alkebulan's name change:
Publius Cornelius Scipio battled Carthage–a powerful city-state in northern
Africa–which had established itself as the leading maritime power in the world. The First
Punic War broke out in 264 B.C. when Rome interfered in a dispute on the
Carthaginian-controlled island of Sicily; the war ended with Rome in control of both
Sicily and Corsica and marked the empire's emergence as a naval as well as a land
power. In the Second Punic War, the great Carthaginian general Hannibal invaded Italy
and scored great victories at Lake Trasimene and Cannae before his eventual defeat at
the hands of Rome's Scipio in 202 B.C. left Rome in control of the western
Mediterranean and much of Spain. In the Third Punic War, the Romans, led by Publius
Cornelius Scipio the sYounger captured and destroyed the city of Carthage in 146 B.C.,
turning Alkebulan into Africa. Scipio then later adapted the name Publius Cornelius
Scipio Africanus.
Alienation by Color-Line
“The problem of twentieth century is the problem of color line,” W.E.B.Du Bois wrote in
“The Souls of Black Folk.” African Americans were free from slavery after the Civil War,
but the color line kept them segregated and marginalized. Although the white population
had a conception of “the Negro” as a group, it seemed to have no conception of it as an
individual. Ralph Ellison’s “Invisible Man” is a shining example of this theme. His book is
a cerebral account of a black man who, despite considerable efforts to overcome the
color line, finds himself alienated from both blacks and whites.
A Journey to Africa
Africa looms large in the imagination of all African-American writers in two ways. Those
who crossed the Atlantic on slave ships brought Africa with them to the American soil.
This Africa survived orally in music and folklore and was later supplemented by writing.
In addition, the descendants of slaves looked at Africa for inspiration and a cure to the
trauma of slavery and a permanent sense of nostalgia for the lost homeland. Alex
Haley's "Roots" is a classic example of the journey-to-Africa theme.