Professional Documents
Culture Documents
Composition Characteristics of
Composition
Medieval Period Hildegard von Bingen - Ordo virtutum Medieval music consists of songs, instrumental pieces, and
Guillaume de Machaut - Messe de Nostre liturgical music. Medieval music includes solely vocal music,
Dame such as Gregorian chant and choral, solely instrumental music,
Pérotin and Léonin - Magnus liber organi and music that uses both voices and instruments.
Adam de la Halle - Jeu de Robin et Marion
Renaissance Period Giovanni Pierluigi da Palestrina - Missa Renaissance means rebirth. The style of renaissance church
Papae Marcelli music is described as choral polyphony, meaning more than
Josquin des Prez - Missa Hercules Dux one part. Homophonic means moving in chords. Monophonic
Ferrariae means one melody line. Choral polyphony was intended to be
Claudio Monteverdi - Vespro della Beata sung a cappella. The main forms were the mass and the motet.
Vergine
Guillaume Dufay - Nuper rosarum flores
Baroque Period Johann Sebastian Bach - St Matthew A characteristic Baroque form was the dance suite. The
Passion orchestra started to take shape, mainly in the strings, and the
George Frideric Handel – Hallelujah Chorus violins became the dominant instrument, and most important in
Antonio Vivaldi – The Four Seasons orchestras. It is basically polyphonic.
Classical Period Wolfgang Amadeus Mozart– Apollo et This is an early classical style, and a very courtly style. It was
Hyacinthus meant to please the listener. This style made more of balance
Ludwig Van Beethoven – Fur Elise and control, grace and beauty of melody, and the form or
Franz Joseph Haydn – The Clock Symphony design became important. Classical music is basically
homophonic. The Orchestra began to grow.
Romantic Period Frederic Francois Chopin- Nocturne in E- Romantic composers aimed for a store powerful expression of
flat, Op. 9 emotion, often revealing their innermost thoughts and feelings.
Pyotr Ilyich Tchaikovsky - Fatum, Romeo As Romantic composers widened the range of their musical
and Juliet material, we find richer harmonies, more passionate melodies,
Franz Liszt - Liebestraum and greater use of chromaticism. Songs began to develop in
Camille Saint-Saens- Danse Macabre, the Romantic period for solo voice and piano.
Samson et Dalila