Alto 1

A ÚLtima Trombeta
Arr: Rubinho


                
Soli[5]
              
      
 

          
7 1.  2.
              
10–11 sfz
15 $          
                  
 

22 [24]
    
      
              

To Coda Ø

29
      [32]
            

36
              
[40]
            



          
44
   
     [48]  

            


48–49
51  [56]
    
    
          
52–55

   [64]
            

60–61

 
  [72] 
       

68–71
Coda Ø

  
78
 D.S. al Coda
    
           
sfz
Copyright ©S@ldanha 2008
Alto 2
A ÚLtima Trombeta
Arr: Rubinho


[5]
                
Soli
       
                
   

           2.
 
7 1. 
 
         
10–11 sfz

$      

15
               
        
22 [24]
    
               
  
  
To Coda Ø

29
      [32]
            

36
           [40]
             



         
44
 
  [48]  
             

       
48–49
51
       [56]
              

52–55

   [64]
              
 
60–61

 
  [72] 
       

68–71
Coda Ø

  
78 D.S. al Coda
    
           
  
sfz
Copyright ©S@ldanha 2008
Bari. Sax. A ÚLtima Trombeta
Arr: Rubinho

  
[5]
      
        
              5–8

 
9 1.  2. $
   
 
      
10–12
 
sfz
17

     

     
            
23 [24] To CodaØ
    

   
   
 

  
28–29
30
 [32]  [40] 
        

32–39 40–42

             
44

 [48] 
  
        
  48–55
[56] 

  
   
    
     
60–61
62
         
[64]
      
  

 
  [72] 
      
 
68–71
CodaØ
   
78 D.S. al Coda
     
              
   
sfz Copyright ©S@ldanha 2008
Bass Guitar

A ÚLtima Trombeta
Arr: Rubinho
[5]

Dm7 Em7(b5) E¨Maj7/F Gm7 Dm7 E¨Maj7/F C#º Dm Dm/C B¨Maj7 C7(9)
                          

      
   
1. 2.


F6 Dm7 B¨Maj7 A7 A7 Em7 A7 Dm7 D7
                      
8

       


15 $ Gm C7(9) Am7 Dm7 Dm7 B¨Maj7 Em7

                               


[24]
To Coda Ø
23 A7 A7(b13) Gm7 C7(9) F6 B¨7 Em A7
                           


30 Dm A7 [32] Dm Dm/C B¨Maj7 C7(9) F6 Dm7 B¨Maj7

                             
 

38 A7 A7 [40] Dm Dm/C B¨Maj7C7(9) F6 Dm7 B¨Maj7 A7

                               

[48]
46 Dm Dm D7 Gm7 C7(9) F6 Dm7 Dm7 B¨Maj7
                               


[56]
54 Em7 A7 A7(b13) Gm7 C7(9) F6 B¨7 Em7 A7
                               


62 Dm A7 [64] Dm Dm/C B¨Maj7 C7(9) F6 Dm7 B¨Maj7

                            
 

70 A7 [72] Dm A7Dm/C B¨Maj7 C7(9) F6 Dm7

                           


77 B¨Maj7 A7 Dm7 D7 D.S. al Coda CodaØ Gm7 Am7 B¨Maj7 C#º Dm7(9)
            
                
   
Copyright ©S@ldanha 2008
Bass Trombone
A ÚLtima Trombeta
Arr: Rubinho


[5]

    
             
           

  
8 1. 2.

     
         
      
   
sfz
15 $  3 3
           
 
             
16–17
To Coda Ø
 [24] 
    
       
   
22–23 28–29

                
30 [32]
    3     
  
   
   

      
               
 [40] 
  

36–38 44–46

       
47 [48]
                    
   
54 [56]
    

             

    

       
61 [64]  
           

      
69 [72] 
             

77 D.S. al Coda CodaØ

         
                    
    
sfz Copyright ©S@ldanha 2008
 Drums

A ÚLtima Trombeta
Arr: Rubinho


[5] Ritmo 
         
Fill
   
   
    
5–8

 2. Ritmo
             
9 Ritmo 1. Ritmo 
 

10–12

$Ritmo [24] Ritmo To Coda Ø

    
  Pausa
 
16–23 24–29

[32] Ritmo  [40]Ritmo  [48]Ritmo  [56] Ritmo 


32–39 40–47 48–55 56–63

[64] Ritmo [72]

    
 Ritmo 

64–71 72–77

CodaØ Fill

       
79

           
D.S. al Coda 

Copyright ©S@ldanha 2008

Tenor 1
A ÚLtima Trombeta
Arr: Rubinho


[5]
 
Soli

    
              
    
          
     


          

7 1.  2.

  
         

10–11 sfz
$
       
15
  
                

22 [24]
    
        
   

  
   
  

29 To Coda Ø [32]

   
             
 
36
  [40]

                    
[48]
                          
43  
 
  
48–49

50  [56]
    
    
                   

52–55

59  [64]
 
                   

60–61

[72]
  
 
        
68–71
D.S. al Coda CodaØ
78

          
 
            
sfz
Copyright ©S@ldanha 2008
Tenor 2
A ÚLtima Trombeta
Arr: Rubinho

[5]

 
   Soli



         

   
          

  


                 
6 1.  2.

  
        
10–11

$
       
14

     
       
   
sfz
21 [24]
    
         
        
 

 

28 To Coda Ø [32]
 
   
            
    

 

36
 
[40]
   
                   
 
[48]
                         
44  
   
48–49

50
   [56]
    

    
        

52–55

59
[64]
   
            
    
60–61

[72]
  
 
    
   
68–71
Coda Ø
78 D.S. al Coda

 
        
             
sfz
Copyright ©S@ldanha 2008
Trombone 1
A ÚLtima Trombeta
Arr: Rubinho

  
[5]
    

         
 

        
   

         
9 1. 2.


                 

sfz

$  
                         
 3
16–17 3 22–23
To Coda Ø

                  
[24]    

     

28–29 3

                       
[32]    [40]
    

36–38

       
                  
41 [48]
  
     

44–46

  
50
           [56]
   
         


            
57 [64]
     
   


          
65     [72] 
   


74     
                  
sfz

79 D.S. al Coda Coda Ø

        
        
   
Copyright ©S@ldanha 2008
Trombone 2
A ÚLtima Trombeta
Arr: Rubinho


[5]

   


                
  
 

         
8 1. 2.


   
              

sfz

15 $  
                         
 3
16–17 3 22–23
To Coda Ø

    
[24]  3
                    
  
28–29

                    
[32]     [40]
    

36–38

               
41     [48]      
 
   

44–46

  
50 [56]
                       
 

                 
57
 [64]
     


          
65
 [72] 
      



74
    
            
 
   
sfz

79 D.S. al Coda Coda Ø

              
     
Copyright ©S@ldanha 2008
Trombone 3
A ÚLtima Trombeta
Arr: Rubinho


[5]

  


                  
    

         
8 1. 2.


 
 
               
sfz

15
$  

                        
 3
16–17 3 22–23
To Coda Ø
[24]
    
   
       
           
28–29 3

                 
31 [32]    
       

36–38

                       
[40]     [48]
    

44–46

       
49
                  


            
[56]
    
        
   
 

[64]     
63
              

71 [72]         
           

78 D.S. al Coda CodaØ

          
          


sfz
Copyright ©S@ldanha 2008
Trumpet 1
A ÚLtima Trombeta
Arr: Rubinho


[5]

    
                  
   
5–8
$
 
9 1.  2.


  
           
10–12 sfz
17
           [24] 
       
       
18–21
To CodaØ
    
25
   [32] 
        
28–29 32–34
35
                    [40] 
     
36–37 40–42

   [48]   
43 
 
              
 
45–46

           [56] 
             
50–53

 
58
   [64]
       
      
60–61
65  [72]
             
     
   
68–70
73 
  
         
  
 
76–77
78 CodaØ  
D.S. al Coda  
     
     
      
sfz
Copyright ©S@ldanha 2008
Trumpet 2
A ÚLtima Trombeta
Arr: Rubinho


[5]

 
   
 
                  
 5–8

 2. $

9 1. 
          
   
10–12 sfz
17
           [24] 
      
       
18–21

To CodaØ
    
25
 
         
28–29
[32]  
              
        
 
32–34 36–37
[40]
   [48] 
                    
40–42 45–46
49
           [56] 
      
       
50–53

    
57 
 
         
 
60–61
[64] 
            
       
   
 
68–70
[72] 
              
      
  
CodaØ
76–77
78 D.S. al Coda

   
         
         
sfz
Copyright ©S@ldanha 2008
Trumpet 3
A ÚLtima Trombeta
Arr: Rubinho


[5]

    
                 
     
5–8

 2. $

9 1. 

        
10–12
     
sfz
17
  [24]
                
        
18–21
25 To CodaØ
    

        
  
28–29
[32]  

                      
 
32–34 36–37
[40]
  [48] 
                
   
40–42 45–46 
49
  [56]
      
         
     

50–53
57 
    

        
    
60–61
[64] 
            
       
   
 
68–70
[72] 
              
      
  
76–77
78 D.S. al Coda CodaØ

 

  

               
  
sfz
Copyright ©S@ldanha 2008
Trumpet 4
A ÚLtima Trombeta
Arr: Rubinho


[5]

    
              

    
   
5–8

 2. $

9 1. 
    
     
    
10–12 sfz
17
  [24]

         
       
   
18–21
  
25  To CodaØ
    

       
  
28–29
[32]  

                  
   
32–34 36–37
[40]
  
          
     
40–42 45–46
[48]
 
                 
        
50–53
[56] 
    

         
     
60–61
63 [64] 
            
       
 
  
68–70
71 [72] 
              
      
     
76–77
78 D.S. al Coda CodaØ

  

         
   

        
sfz
Copyright ©S@ldanha 2008
 A ÚLtima Trombeta
Arr: Rubinho
          
Soli
[5]
            
Alto 1          

      
Soli
            
Alto 2                


     
Soli
 
          

 
      
Tenor 1 
    

   
   Soli
         
Tenor 2                


 
     
Bari. Sax.          
             
        

          
Trumpet 1 
   
   


      

Trumpet 2                   

      
  
Trumpet 3             
     

      
 
Trumpet 4        
             



Trombone 1
           
       
   

Trombone 2
            
         
 

         

Trombone 3
        
    


 
Bass Trombone
         

  
           

Dm7 Em7(b5) E¨Maj7/F Gm7 Dm7 E¨Maj7/F C#º Dm

   
Bass Guitar
            
 
   
   
  Ritmo
        
    
Fill
   
Drums   
    

Copyright ©S@ldanha 2008

2

                
6 1.
Alto 1        

                   
Alto 2    

               
   
Tenor 1     

              
    
Tenor 2     



Bari.      

 
Tpt. 1       


Tpt. 2       


Tpt. 3       


Tpt. 4       

    
Tbn. 1
              

   
Tbn. 2


             



Tbn. 3
                  


B. Tbn.
      
  
          
Dm/C B¨Maj7 C7(9) F6 Dm7 B¨Maj7 A7

                       
Bass


Ritmo Ritmo
Dr.       
 3

 
$  


12 2.  
  
Alto 1           
sfz

             
Alto 2     
sfz

 

  
     
Tenor 1         

sfz

  
  
 
Tenor 2           
  
sfz


  

Bari.        
      
sfz
   
 
Tpt. 1                   
sfz

Tpt. 2 
         
          
sfz

Tpt. 3 

               

sfz    

Tpt. 4 
              
     
sfz

Tbn. 1
                
sfz

Tbn. 2

                
sfz

Tbn. 3
               

sfz

 
      
B. Tbn.
   
   

sfz

         
A7 Em7 A7 Dm7 D7 Gm C7(9)

                
Bass


 Ritmo
             
Ritmo
Dr.    
4

  
18
             
Alto 1    

  
            
Alto 2     

           
Tenor 1      
 


 
Tenor 2      
          

  
   
Bari.    
           
  
Tpt. 1            

 
Tpt. 2            


Tpt. 3         
  


Tpt. 4         
  

Tbn. 1
                      
 3
3

                    
Tbn. 2     
3 3

Tbn. 3
                      
 3
3

3 3
B. Tbn. 
          
       
      
Am7 Dm7 Dm7 B¨Maj7 Em7

                   
Bass


Dr.      
 5


23 [24]
Alto 1
 
                         


    
                
Alto 2   
  

    
 
               
Tenor 1    

    
             
Tenor 2         

 
    
      
Bari.   
   

         
Tpt. 1               

    
 
Tpt. 2                

    

Tpt. 3             
    

    

Tpt. 4          
       

Tbn. 1
                  

    
Tbn. 2
            
 

    
Tbn. 3
             

     
B. Tbn.
         
   
A7 A7(b13) Gm7 C7(9) F6 B¨7 Em

                       
Bass


Ritmo
Dr.       
6

To Coda Ø

[32]
        
29

Alto 1        


Alto 2
 
              



Tenor 1             



   
Tenor 2      
    



Bari.         

  
Tpt. 1          


Tpt. 2          


Tpt. 3           


Tpt. 4          

              
    
Tbn. 1
          
3


              
3   
Tbn. 2
              
  

            
        
Tbn. 3
  
     
3


              
3   

B. Tbn.
              
 
A7 Dm A7 Dm Dm/C B¨Maj7 C7(9)

                    
Bass
 

    
Pausa Ritmo
Dr.      
 7


35
 
Alto 1                  


Alto 2

                  
 

           
Tenor 1    
     

   
Tenor 2  

                 



Bari.     

                   
Tpt. 1      

      

Tpt. 2             
 

  
Tpt. 3                        
 

    
           
Tpt. 4        

Tbn. 1
         

  
Tbn. 2       

Tbn. 3
         

  

B. Tbn.       

F6 Dm7 B¨Maj7 A7 A7

                   
Bass


Dr.      
8


[40] 
           
Alto 1       
    


 
Alto 2                      


 
Tenor 1                       



Tenor 2              
       



 
Bari.                     

  
Tpt. 1            


Tpt. 2                


Tpt. 3           
 


Tpt. 4          
  

                 
  
Tbn. 1
    


                
  
Tbn. 2
    
 
      
Tbn. 3
                  


                 
  

B. Tbn.
    

Dm Dm/C B¨Maj7 C7(9) F6 Dm7 B¨Maj7 A7

                       
Bass


Ritmo
Dr.       
 9


[48]
   
       
46 
           
Alto 1 

   
       
 
Alto 2          

         
    
Tenor 1         

      


Tenor 2             


       
  
Bari.    
 
   
Tpt. 1                 

 
Tpt. 2                   


Tpt. 3              
   
 

Tpt. 4            
      
 
        
Tbn. 1
         

        
Tbn. 2

        

              
Tbn. 3   

   

B. Tbn.
        
  
  
Dm Dm D7 Gm7 C7(9) F6

                   
Bass


Ritmo
Dr.      
10


51 [56]
                
Alto 1 

               
Alto 2 


 
Tenor 1          



Tenor 2            



Bari.          

  
             
Tpt. 1          

 
             
Tpt. 2        


            
Tpt. 3          


Tpt. 4            
          
       
Tbn. 1
             

Tbn. 2

                      
 

Tbn. 3
                      
 


B. Tbn.
                     
 
Dm7 Dm7 B¨Maj7 Em7 A7 A7(b13) Gm7

                       
Bass


Ritmo
Dr.       
 11


57
    
  
Alto 1           


    
   
Alto 2    
   
 

    
 
          
  
Tenor 1    


    

Tenor 2              
   

Bari.  


    
      
      

  

       
Tpt. 1           

    
 
Tpt. 2           

    

Tpt. 3          
  

    
 
Tpt. 4        
  

                   
   
Tbn. 1
   

                 
 
Tbn. 2       


              
    
  
Tbn. 3     

     
B. Tbn.   
    
         
  
C7(9) F6 B¨7 Em7 A7 Dm A7

                        
Bass


Dr.       
12


63 [64]

Alto 1         


Alto 2         


Tenor 1         


Tenor 2     
   



Bari.     
  


               
     
Tpt. 1    
 

            
        
Tpt. 2    
 

            
       
Tpt. 3     
 

                 
    
Tpt. 4    
 
     
Tbn. 1
        

    
Tbn. 2

        



Tbn. 3
             


  
B. Tbn.
           

Dm Dm/C B¨Maj7 C7(9) F6 Dm7

                   
Bass
 

Ritmo
Dr.       
 13


69 [72]

Alto 1        


Alto 2        


Tenor 1        


Tenor 2    
   



Bari.       


              
    
Tpt. 1     
 

            
      
Tpt. 2     
 

            
      
Tpt. 3     
 

                
   
Tpt. 4     
 

      
   
Tbn. 1
 

          
Tbn. 2   

Tbn. 3
            

      

B. Tbn.
     
B¨Maj7 A7 A7 Dm Dm/C B¨Maj7 C7(9)

                       
Bass


Ritmo
Dr.       
14

  
75
   
Alto 1    

sfz

   
Alto 2    

 
sfz

  
 
  
Tenor 1    
sfz

  
 
Tenor 2    
  
sfz

 
 
     
Bari.
 
sfz

  
Tpt. 1         
sfz


Tpt. 2         
sfz


Tpt. 3         

sfz


Tpt. 4         

sfz
   
Tbn. 1
   

             
sfz

   
Tbn. 2

                

sfz

    
Tbn. 3                

sfz

B. Tbn. 
      
         
     
sfz
F6 Dm7 B¨Maj7 A7 Dm7 D7

                
Bass


Dr.         
 15
Coda Ø
 
79 D.S. al Coda
           
 
Alto 1         

Alto 2


 
  

          
  

Tenor 1 

 

              
   

        
Tenor 2                

    
          
Bari.       
  
      
               
Tpt. 1   

         
    
Tpt. 2        

Tpt. 3 

 

              
    

        
Tpt. 4                

Tbn. 1
        
        
  

        
Tbn. 2               

       
Tbn. 3          
  

     
    
B. Tbn.   
      
    
Gm7 Am7 B¨Maj7 C#º Dm7(9)

   
Bass
               
   

                 
Fill

Dr.    