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chrisdermo
Ultra Wiggler
Posts: 941
Joined: Sun May 20, 2012 1:52 pm
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27/05/2020 New tape album featuring Ciat Lonbarde instruments - MUFF WIGGLER
PB, CQ, Stuber, Sid, Shtar, also featuring a plethora of other banana gear, lorre mill, mroztronium, blippoo etc and solenoid
acoustic percussion! It's a killer release and we're really happy to share it with the world on hand dubbed cassette through
my analog mastering chain.
Hope you all enjoy it.
We also have some of our other releases back in stock, including Cosmic Call which is heavily based around unconventional
uses of Tetrax:
Cosmic Call download share
by CC
1. Jettison 00:00 / 03:58
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27/05/2020 New tape album featuring Ciat Lonbarde instruments - MUFF WIGGLER
always comes back to basics - groove/movement/gesture & texture to preserve the emotional intention, especially in such Posts: 941
Joined: Sun May 20, 2012 1:52 pm
esoteric music.
WTB / WTTF: Bugbrand PRC2B, DD3, PRC4, ENV1
Posts: 941
I don't own Ciat Lonbarde instruments but would you mind sharing patch notes if you have? Joined: Sun May 20, 2012 1:52 pm
I didn't make the Scy1e record - that was made by Raub of Scy1e / Horaflora / Weird Ear fame, my involvement was
mastering and it was released on my label, 0PR. The second album in the post (Cosmic Call) is one that I made.
Perhaps if Raub sees this (not sure he uses Muffs much these days) he can share some notes on how he made the album.
WTB / WTTF: Bugbrand PRC2B, DD3, PRC4, ENV1
Patch notes, eh? I could field a more specific OR more coarse query, but don't have specific patch notes from these,
generally. I will say that a lot of it comes down to 'tuning' the responses between things, as there's a lot of interaction
between the instruments - I generally will build up a system-wide patch and play it for up to a month, sometimes getting a
good deal of material, but usually being satisfied to take away a small portion for later involvement in an album such as this
one.
If you had specific instruments, sounds, or rhythms you were curious about, I could perhaps speak a bit more to some stuff.
As for it being dry, I 'come from' the EAI side of experimental music, and have a strong predilection for more tactile qualities
in sound, I want it to tickle your eardrum, rather than sound grandoise, as could be done with a rich reverb or what have
you.
Glad you enjoy, and happy to chat more, cheers!
-Raub
Label: https://weirdearrecords.bandcamp.com/
Current Music:
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27/05/2020 New tape album featuring Ciat Lonbarde instruments - MUFF WIGGLER
Joined: Sat Nov 22, 2014 2:51 am
MaxPower wrote: ↑ Sat May 02, 2020 5:36 am Contact:
Instrument wise I'm looking into buying the Cocoquantus so I'm curios how you used it on the record.
The low haunting drone sounds on Differing: How did you create and sequence those?
I'm pretty certain that is op-1, using a vocal sample, using one of its internal sequencers, and it's 'phone' effect, going
through the A/V Dog input of Plumbutter. I think I would have had the AV Dogs overlapping, so there's less stereo action
there than one usually gets from anything Ciat.
Check out the vocal samples on 'expressing air' and more-so on 'Lately creeps' for coco usage, I tend to use it for more
stereophonic/granular sound than for it's lo-fi sound, in fact, I try to avoid the lo-fi of it when I can, I think a lot of people
are attracted to that aspect though (lofi), and it tends to be more the focus of a lot of pieces utilizing it, rather than it's more
plastic-ey granular aspects (lots of instagram vids using coco where it's just audio running through, with no skip/flip/freq
modulation, just looking to add grit)
All for now, cheers!
Label: https://weirdearrecords.bandcamp.com/
Current Music:
The reason I'm attracted to the CQ is because of lofi and the stuff you can do with weird sampling, that is in some ways
granular.
Its hard for me to get an idea what these machines are really capable of, but the music here and the generous explanations
are helping a lot
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