VIOLIN REPERTOIRE

1. R. Strauss: “Don Juan” from bar 1 until the end of 1st page
2. W.A. Mozart: Symphony No. 39, mvt. IV, from bar 1 – 104 (no repeat / no
repeticione)
3. Free piece of your choice (max 10 minutes; *if your piece is longer than 10
minutes, choose only a portion of it to perform) / Obra libre (máximo 10 minutos;
*Si su pieza es mas que 10 minutos, escoge solo una sección para tocar)
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complete the Audition Material Request Form.
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VIOLA REPERTOIRE 
1. Mozart: Symphony No. 35 Finale, from bar 134-181
2. Ravel: Daphnis et Chloé Suite #2. Reh. 158-166
3. Brahms: Variations on a Theme by Haydn. Variations V, VII, VIII.
4. Mendelssohn: Scherzo from “A Midsummer Night’s Dream,” from bar 17 until
reh. D
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CELLO REPERTOIRE
1. J.S. Bach: Brandenburg Concerto No. 3, mvt. I, from bar 55-67; bar 114-119
2. Brahms: Symphony No. 4, mvt. I from bar 1-18, bar 299-324; mvt. II from bar
41-57; mvt. IV from bar 40-68
3. Sibelius: Symphony No.1, mvt. IV, from reh. K to 4 bars after reh. N
4. Mahler: Symphony No. 4, mvt I from beginning to 10 bars after reh. #1, 9 bars
after reh. #3 to reh. #4, reh. #6 to reh. #8; mvt. III from reh. #4 to reh. #5
5. “Courante” from any of the six Suites for solo cello by J.S.Bach (no repeats) /
“Courante” de cualquier de los seis Suites para violonchelo solo de J.S.Bach
(sin repeticiones)
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DOUBLE BASS REPERTOIRE
1. W.A. Mozart: Symphony No. 40, mvt. I, from bar 114-138 and bar 191-220
2. Strauss: Death and Transfiguration, from 10 bars before reh. E to 2 bars before
reh. F
3. Prokofiev: Romeo and Juliet, Suite No. 2, Op. 64, V, from 4 bars after rehearsal
#49 to 1 bar after rehearsal #50
4. A solo work of the player’s choice with or without piano accompaniment such as
a concerto movement including a cadenza, a sonata, a solo Bach, etc. (max 3
minutes; *if your piece is longer than 3 minutes, choose only a portion of it to
perform) / Una obra libre con o sin acompanamiento de piano como por ejemplo
un movimiento de un concierto con cadencia, una sonata, o Bach solo, etc.
(máximo 3 minutos; *Si su pieza es mas que 3 minutos, escoge solo una
sección para tocar)
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audition, complete the Audition Material Request Form.
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audición, complete este formulario: Audition Material Request Form.
FLUTE/PICCOLO REPERTOIRE
1. Mozart: Concerto in G Major, KV313, exposition of mvt. I [Part not provided by
OA]
2. Beethoven: Leonore Overture, from bar 328-360
3. Brahms: Symphony No. 4, mvt. IV, from bar 93 – 105
4. Hindemith: Symphonic Metamorphosis, mvt. III, 6 bars before rehearsal C to the
end
5. Debussy: Prelude to the Afternoon of a Faun, See PDF excerpt
6. Dvorak: Symphony No. 8, mvt. IV, from rehearsal C – E
7. Stravinsky: Firebird Suite, Variation de l’oiseau de feu (complete)
8. Rossini: Overture to Semiramide, from bar 132 – 145 and from bar 329 – 337
(piccolo part)
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OBOE REPERTOIRE
1. Beethoven: Symphony No. 3, mvt. II, from bar 8-16; from bar 36-47
 2. Beethoven: Symphony No. 6, mvt. III, from bar 91-122
3. Debussy: La Mer, mvt. II – “Jeux de vagues”; Rehearsal #17 to 5 bars before
reh. 19; Rehearsal #25 to 6 bars after reh. 25
4. Rossini: La Scala di Seta, from bar 4-21; from bar 37-54
5. Mussorgsky: Pictures at an Exhibition, “Tuileries”
6. Ravel: Le Tombeau de Couperin, mvt. I, beginning to reh. #2; 6 bars after reh.
#8 to reh. #9
7. Strauss: Don Juan, Beginning to reh. B; 4 bars after reh. L to 17 bars after reh.
M
8. Tchaikovsky: Symphony No. 4, mvt. II, from beginning to bar 21
Optional: You are encouraged to include English horn with your audition. It is not
required, but demonstrates versatility and will add to the strength of your
audition. / Opcional: se anima a los participantes a incluir porciones en su audición
ejecutando corno inglés. Esto no es requerido, pero da a demostrar su versatilidad y
podría hacer que su audición sea más influyente.
English horn (optional):
9. De Falla: Three Cornered Hat, Three Dances – Miller’s Dance: given excerpt
10. Ravel: Concerto in G Major for Piano and Orchestra, mvt II Adagio assai, solo
part
11. Ravel: Rhapsodie espagnole, II.Malagueña: reh. #12 to 3 bars after reh. #13
12. Respighi: The Pines of Rome, mvt IV – “The Pines of the Appian Way”, solo part
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CLARINET REPERTOIRE
1. Mozart (A clarinet): Concerto, mvt. I exposition
2. Stravinsky (A clarinet): Firebird Suite, Variation (complete)
3. Respighi (A clarinet): Pines of Rome, Pini de Gianicolo – given excerpt
4. Brahms (A / B-flat clarinet): Symphony No. 3, mvt. I, from 1 bar after rehearsal B
to 3 bars after reh. C
5. Beethoven (B-flat clarinet): Symphony No. 6, mvt. II, 1 bar before reh. D to 2
bars before reh. E
6. Mendelssohn (B-flat clarinet): Scherzo from “A Midsummer Night’s Dream,”
beginning until reh. B
Optional: You are encouraged to include bass clarinet and/or E-flat clarinet with your
audition.  It is not required, but demonstrates versatility and will add to the strength of
your audition. / Opcional: Se anima a los participantes a incluir porciones en su
audición ejecutando clarinete bajo y/ó clarinete en e-flat. Esto no es requerido, pero
da a demostrar su versatilidad y podría hacer que su audición sea más influyente.
Bass clarinet (optional):
7. Strauss: Till Eulenspiegel, from 4 bars after reh. #9 to 4 bars before reh. #12
8. Grofé: Grand Canyon Suite, mvt. 3 (On the Trail), rehearsal #2 – rehearsal #3; 8
bars before rehearsal #13 to 4 bars after rehearsal #13
E-flat clarinet (optional):
9. Copland: El Salon Mexico, from 6 bars after reh. #25 to reh. #34
10. Strauss: Till Eulenspiegel, given excerpt
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audición, complete este formulario: Audition Material Request Form.
BASSOON REPERTOIRE
1. W.A. Mozart: Bassoon Concerto, mvt. I, from bar 35 – 71; mvt. II from bar 7 – 21
2. Beethoven: Violin Concerto, mvt. I from bar 18 to downbeat of bar 29; mvt. III
from pickup to bar 135 to downbeat of bar 142; mvt. III from pickup to bar 151 to
downbeat of bar 158
3. Rimsky-Korsakov: Scheherazade, mvt. II from Andantino to downbeat of reh. A;
mvt. II from reh. L to M
Optional: You are encouraged to include Contrabassoon with your audition. It is not
required, but demonstrates versatility and will add to the strength of your audition. /
Opcional: se anima a los participantes a incluir porciones en su audición ejecutando
contrafagot. Esto no es requerido, pero da a demostrar su versatilidad y podría
hacer que su audición sea más influyente.
Contrabassoon (optional):
4. R. Strauss: Elektra, see PDF excerpt
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audition, complete the Audition Material Request Form.
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audición, complete este formulario: Audition Material Request Form.
FRENCH HORN REPERTOIRE
1. R. Strauss: Till Eulenspiegel, from bar 6 to rehearsal #1
2. Shostakovich: Symphony No. 5, mvt. I, from 3 bars after rehearsal #17 to 1 bar
after rehearsal #21
3. Ravel: Pavane pour une Infante Défunte, from bar 1 – 11
4. A melody or folk tune from your native country, a solo work, or orchestral excerpt
of your choice (max 2 minutes) / Una melodía folclorica de su país, una pieza
solista, o un extracto orquestal de su elección (máximo 2 minutos)
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audition, complete the Audition Material Request Form.
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audición, complete este formulario: Audition Material Request Form.
TRUMPET REPERTOIRE
1. Beethoven: Leonore Overture, see PDF excerpt
2. Stravinsky: Petrushka, from 4 bars after rehearsal #134 to rehearsal #139; from
5 bars after rehearsal #140 to rehearsal #158
3. Dvorak: Symphony No. 9 (New World), mvt. IV, from bar 10 – 25
4. Mahler: Symphony No. 5, mvt. I, from beginning to 6 bars after rehearsal #1;
from 1 bar before rehearsal #3 to 5 bars before rehearsal #4; from rehearsal #7
to rehearsal #8
5. An improvisation, folk tune, or sample of current classical repertoire, with or
without accompaniment (max 3 minutes) / Una improvisación, melodía folclorica,
o un obra del repertorio clasico de su elección con o sin acompanamiento de
piano (máximo 3 minutos)
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TENOR TROMBONE REPERTOIRE
 1. A concerto or solo piece of your choice from the major repertoire (max. 4
minutes) / Un concierto o pieza solista de su elección del repertorio principal
(máx. 4 minutos)
2. W.A. Mozart: Requiem Mass, Tuba Mirum, beginning to bar 34
3. Berlioz: Marche Hongroise (Hungarian March from “The Damnation of Faust,”
Op.24), from bar 94 – 112
4. Free excerpt of your choice representing your country or culture (max 3
minutes) / Obra libre que represente a su país o cultura (máximo 3 minutos)
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audition, complete the Audition Material Request Form.
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audición, complete este formulario: Audition Material Request Form.
BASS TROMBONE REPERTOIRE
1. A concerto or solo piece of your choice from the major repertoire (max. 4
minutes) / Un concierto o pieza solista de su elección del repertorio principal
(máx. 4 minutos)
2. Haydn: The Creation, No. 26
3. Schumann: Symphony, No. 3, mvt. 4. m. 1-23
4. Free excerpt of your choice representing your country or culture (max 3
minutes) / Obra libre que represente a su país o cultura (máx. 3 minutos)
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audition, complete the Audition Material Request Form.
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TUBA REPERTOIRE
1. A concerto or solo piece of your choice from the major repertoire (max. 4
minutes) / Un concierto o pieza solista de su elección del repertorio principal
(máx. 4 minutos)
2. Wagner: Die Meistersinger von Nürnberg (given excerpts)
3. Prokofiev: Symphony No. 5, 1st movement, m. 27-51
4. Free excerpt of your choice representing your country or culture (max 3
minutes) / Obra libre que represente a su país o cultura (máx. 3 minutos)
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audition, complete the Audition Material Request Form.
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audición, complete este formulario: Audition Material Request Form.
NOTE ON PERCUSSION and TIMPANI AUDITION
**Applicants may audition for Percussion or Timpani, or may apply for both
Percussion and Timpani if they would like to be considered in both categories.
**Aplicantes pueden aplicar para percusión o timbales o para los dos percusión y
timbales si quieren ser considerados para las dos categorías.
PERCUSSION REPERTOIRE
i. XYLOPHONE
1. Gershwin: Porgy and Bess (Overture), from bar 4 -18
2. Bartok: Concerto for Orchestra, from bar 173-183
3. Copland: Appalachian Spring, from 5 bars after reh. #48 to 4 bars after reh. #49
ii. GLOCKENSPIEL
1. Debussy: La Mer, No.3 – “Dialogue du vent et de la mer”, from 9 bars after
rehearsal #55 to 8 bars before rehearsal #56
 2. W.A. Mozart: The Magic Flute (Finale from Act I of the Opera), Entire excerpt in
“Allegro” section
3. Dukas: The Sorcerer’s Apprentice, from 4 bars after rehearsal #17 to 4 bars
after rehearsal #19; rehearsal #22 to rehearsal #24
iii. SNARE DRUM
1. Rimsky-Korsakov: Scheherezade, mvt. III, from rehearsal D to E; mvt. IV, from 1
bar before reh. C to D; 4 bars before reh. N to 19 bars after reh. N; and reh. P to
reh. R
2. Prokofiev: Lieutenant Kijé, mvt. I, The Birth of Kijé, from rehearsal #1 to #3
3. ff roll (concert style) – 10 seconds, pp roll (concert style) – 10 seconds, pp cresc-
ff-decresc pp roll – 10 seconds
iv. TAMBOURINE
1. Dvorak: Carnival Overture, from bar 1 to 5 bars after reh. A; 17 bars after reh. K
to 26 bars after reh. K; reh. T to the end
2. Chabrier: España, Rhapsody for Orchestra, from 25 bars after reh. A to 1 bar
before reh. B; reh. L to 4 measures before reh. M
3. ff roll (5 seconds), pp roll (5 seconds), pp cresc-ff-decresc pp roll (10 seconds
total)
v. CYMBALS
1. Rachmaninoff: Piano Concerto No. 2, mvt. III, from rehearsal #32 to 13
measures after #32
2. Tchaikovsky: Symphony No. 4, mvt. IV, from bar 1 – 8; 16 measures after reh. H
to the end
3. Tchaikovsky: Romeo and Juliet, from 2 bars before reh. O to 12 bars after reh. O
4. Single crashes: 4 half notes ff – quarter=100; 4 half notes mp – quarter=100
vi. OTHERS
1. Demonstrate your own abilities on Latin and/or Brazilian percussion with your
choice of instruments from the following list: congas, timbales, bongo, tambora,
maracas, pandeiro, repinique, tamborim, caixa. Please choose 2 instruments to
perform on and play for a maximum of 1 minute on each instrument. /
Demuestre su habilidad en percusión Latina o Brasilera en su elección de
instrumento de la siguiente lista: congas, timbales, bongo, tambora, maracas,
pandeiro, repinique, tamborim, caixa. Escoja 2 instrumentos y toque por un
máximo de 1 minuto cada uno.
2. Play a solo of your choice (max 3 minutes) on one of the following instruments /
toque un solo de su elección en un instrumento de los siguientes (máximo 3
minutos): Marimba, Vibraphone, Xylophone, Timpani, Snare Drum
Note: published, unpublished, original, or improvised materials will all be considered
appropriate, as well as a 3 minute section from a longer work. / Nota: obras
publicadas, no publicadas, originales, ó improvisadas son consideradas apropiadas,
asi como también tres minutos de una obra más extensa.
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audition, complete the Audition Material Request Form.
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audición, complete este formulario: Audition Material Request Form.
TIMPANI REPERTOIRE
1. Hindemith: Symphonic Metamorphoses, from 5 bars after reh. S to 1 bar before
reh. T; 7 bars after reh. Y to the end
2. Tchaikovsky: Symphony No. 4, mvt. I, from reh. T to 1 bar before reh. V
 3. W.A. Mozart: Symphony No. 39, mvt. I, from bar 1 – 16
4. Beethoven: Symphony No. 9, mvt. I, from bar 17 – 35 (with upbeat); bar 297 –
345
5. Beethoven Symphony No. 5, mvt. III/IV, from bar 224 to bar 395
6. Elgar: Enigma Variations, Var. VII, Troyte, from bar 1 to reh. #25; Var. XI, from 2
bars before reh. #50 to the end of the variation
7. Chávez: Toccata, from reh. #40 to #42; reh. #55 to 2 bars after #62
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HARP REPERTOIRE
1. Britten: Young Person’s Guide to the Orchestra, Variation I, Variation J, and
Fugue
2. Berlioz: Symphonie Fantastique, mvt. II, from bar 1 to reh. #35
3. Chabrier: España, from bar 9 to 16 bars before reh. B; 2 bars after reh. M to 4
bars before reh. N
4. Ravel: Tzigane, Cadenza
5. Donizetti: Solo from Lucia Di Lammermoor, No. 2, Scena E Cavatina; see PDF
excerpt / estracto dado en el documento PDF
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audition, complete the Audition Material Request Form.
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PIANO REPERTOIRE
1. Any Chopin Etude except Op. 10 #3 or Op. 25 #1 and #2 / Cualquier estudio de
Chopin excluyendo Op. 10 #3 o Op. 25 #1 y #2
2. Stravinsky: Petrouchka, Danse Russe, from reh. #64 to reh. #91
3. A movement of a Classical sonata by Haydn, Mozart, or Beethoven / Un
movimiento de una sonata classical por Haydn, Mozart, o Beethoven
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audition, complete the Audition Material Request Form.
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audición, complete este formulario: Audition Material Request Form.