Dance

Me To The End Of Love

Piano

   
Leonhard Cohen

  
Freely, wothout tempo

                                   
3 3 6 3 3

   
  

     

 
                
   

       
           
6 a tempo ( = 120)

 
6


    
   
     

         
                   
 
   
11

                

  
        
          

       

          
        
  
  
19

      
               
             
    

  

                           
         
27

   
3

         
          
           
                
    

34 To Coda

   
           
    
            

                
                 
41

   
3

     

      
   
           

                            
       
48

   
         
  
           

  
                   
    
55

   
     
    
          

   
  
                      
           
61
3

  
  
 

    
          

     
    
         
                  
1. 2. D.S. al Coda

  
67

  
   
       
        

2
            
 Coda

   
      
74

  
          
  
               

   
            
      

  
     
80

       
3

  
     
         

                        
           
    
86

   
   
                

                   
       
   
93

   
            
            

   
          
       
 
101


        
   
     
    
