al Terceto de Guitarras de México

...de furia y melancolía

2014
Eduardo Garrido
(1975*)
Reflexivo ( q = 50)
   (vib.)

      
  

I

mp 
  
                                 
(pont.) (pont.)

(tasto)

II  
6a en DO
p pp p (l.v.)
non accentuatto, eguale sempre


(vib.)

III         
  
mp 

4 

            
 
  
                   
                         
(tasto) (tasto) (pont.)
(pont.) (tasto)

f sub. pp sub. p f sub. pp sub.

       
  
 

        

7
 
       
   



   
XII

   
XII

  
          

            
        
     
  
3
mf 3
deciso, ma dolce
 2


10
   XII
 
             


  
  
      


.
   

ss

        
gli
     


sfz

   
        
XII

        
 

Con anima ( e = q )
 
13
      
(2)
     
 
ritmico e vigoroso

  
               
 
XIX

         
(1)

   
      
(pont.)

 (pizz.)
 

     
(pont.)

         
                  
  

(rasg.)
                        
         
20
 
           
                       
                     
ff

  glis Tambora
(3)

  
       
   
s.
  
      
                 
sfz     
ff

          

(rasg.)

            
      
    ff

(1) Mano izquierda sola - Martellato / (2) Percusiones contrastantes a elegir / (3) Restallar la cuerda contra el diapasón - Pizz. "alla Bartok"
 3

   
     
              
23 (rasg.)

 


         
f sub.


Tambora
   
      


   


             
ff sub.

f sub.
(rasg.) 
                        
                              


ff sub. f sub.

Meno mosso, rubato ( q = 80)

        XII    

        
26
     
   
mf
lirico e malinconico

      

 
          
           
mf
lirico e malinconico


XIX

             
             
   
  
    
mp

                        
30
      

f brillante e un po' come una improvisazione


    

      
        
    
    

colla parte
4
 Poco piu mosso  
  XV
(Lontano)
XII  XII 
XIII

     
          

33

    
    
poco vib.
poco rit. p pp
poco rit.

  
(pizz.)
    

  
       
 
p pp
poco rit.



(pont.) (tasto)
        
   

             

     
p pp poco rit.
poco rit.

de  a  y Final


38
  (tasto)

  
   

p


(pont.)
                
    
p (l.v.)

rit.


  
XVI

    
    
p pp
rit.