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PHILIPPINE LITERATURE arikenken

(Reviewer) -verbal joust, meaning “one-on-one debate”


-precursor to the bukanegan
Region 1: Ilocos Region

Isabelo de los Reyes’ HISTORIA DE ILOCOS (1885) sarsita and pakasaritaan


-literal translations: story and history
ilog (river)  Ilocos  people by the river -narratives about the unfolding of life, revealing who
the Ilokano people are and the kind of future they want
- referred to the early settlers living along riverbanks. to have
The area was first inhabited by aboriginal Negritos
before Malay occupants dominated the narrow coast. Ilokano literature is one of the most active tributaries to
the general Philippine Literature.
Tingguians inhabited the interior, Ilocanos in the north,
and Pangasinenses in the south.
Languages used in Ilokano Literature: F PIES
1972: Pangasinan became a part of the Ilocos Region  Foreign
under P.D. No. 1  Philippine languages
 Iloko
Provinces: IloPaLa  English
1. Ilocos Norte: Laoag City  Spanish
2. Ilocos Sur: Vigan City
3. Pangasinan: Lingayen City Earliest known written Ilokano Poems:
4. La Union: San Fernando City  Romances translated from Spanish by Francisco
Lopez
Language  Doctrina Christiana by Cardinal Bellarmine
Ilokano (Pagsasao nga Ilokano)
Pedro Bukaneg
 spoken by 66% of citizens
 Father of Ilokano Poetry and Literature
 third most spoken native language
 First known Ilokano poet
 Authored Biag ni Lam-ang (17th cent.)
Literature
 El Ilokano (1889-1890)
 Ilokano literature is considered as part of
 Vida de Lam-ang
national literature by critics and literature
experts.
18th Century
 Translation is vital to be understood for readers
Missionaries used religious, secular lit.  Christianity
and thus creates a problem for the Ilokano
Works:
writer limiting Ilokano literature.
 Sumario de las Indulgencias (Fr. Jacinto Rivera)
 Iluko writing in another language suffers
 Pasion (St. Vincent Ferrer’s Sermons into Iloko –
constriction.
Burtia/burburtia = RIDDLE Fr. Antonio Mejia)
Pagsasao = SAYINGS
(both distill insight and reflection about human life) 19th Century
Leona Florentino – Nat’l Poetess of the Philippines
Dallot – Chant during weddings and birthdays  Bridge from oral to literary tradition
Dung-aw – Chant narrating the pain and joy of life of  Mother of Philippine Women’s Literature
the living and dead  works published on the Bibliothique
(both are forms of performance art antedating drama) Internationales de Cuevre de Femmes (1889)
Works:
Dallot to Pangangas-sawa  Pagbating Babiro
The groom’s side establishes marriage parameters to be  Blasted Hopes
offered to the bride’s side. Marriage, according to the  Naunsyaming Pag-asa
dallot, is a communal concern. These are rite and ritual,  Kakaibang Pagkalibing ng Paghahangad
rhyme and reason. Some places in Ilocos still hold on to
the dallot as a unifying cultural practice. Isabelo de los Reyes
 Son of Leona Florentino
kablaaw (tribute)  Historia de Ilocos
The Ilokanos are oriented by a sense of direction. Honor  Folklore Filipino
to them is an individual affair hence the  Las Islas Visayas
contextualization of kablaaw.
Marcelino Mena Crisologo
bukanegan  Helped popularized Zarzuela
-named after Pedro Bukaneg, the Father of Ilokano
Poetry and Literature Pascual Agcaoili
-argumentation as an art reflecting sophistication of  Wrote and staged Daguita Agpaspasukmon
mind Basi
 These are epic songs are sung during the
Isaias R. Lazo harvest season at night.
 Comedia and Zarzuela  They are mostly about headhunting and or
courtship their stories are often surrounded
Rufino Redondo with magic and supernatural elements
 Matilde de Sinapangan  They usually sung in the northern part of
 First Iloko novel (1892) Kalinga
Alim
20th Century  A kind of epic whose main protagonist are
More intense literary activity divine rather than the typical mortal
 Biag ti Maysa a Lakay, Wenno Nakaamames a  These epics can only be performed by men
Bales (Life of an Old Man, or a Dreadful during special occasion and during harvest
Revenge) – Marian Gaerlan season.
 Uray Narigat no Paguimbagan (Improvement Two great example of Cordillera epic poetry are the
Despite Obstacle) – Facundo Madriaga “The Harvest Song of Aliguyon” by the Ifugaos and
 Apay a Pinatayda ni Naw Simon? (Why did they “The Heroi Exploit of Banna” by the Kalinga.
kill Don Simon?) – First known detective novel
in Iloko Famous People
 Banawag Magazine (Sister publication of
Liwayway, Bisaya and Higaynon) 1. Pedro Bukaneg (see prev.)
2. Leona Florentino
CORDILLERA ADMINISTRATIVE REGION 3. Carlos Sampayan Bulosan - an English-
language Filipino novelist and poet; His best-
Main city: Baguio City known work today is the semi-
Established on July 15, 1987 (EO 220) Cory Aquino autobiographical America Is in the Heart, but he
Provinces: first gained fame for his 1943 essay on The
1. Abra Freedom from Want.
2. Apayao 4. Francisco Sionil José - novels and short
3. Benguet stories depict the social underpinnings of class
4. Ifugao struggles and colonialism in Filipino society. The
5. Kalinga Rosales Saga – five novels encompassing a
6. Mountain Province hundred years of Philippine history, painting a
7. Baguio vivid documentary of Filipino life.
5. JUAN CRISÓSTOMO CABALLA SOTO - wrote a
The Cordillera Literature is divided into 2: number of lyrical poems, historical dramas,
1. Ritualistic - these consist of songs, chants and humorous plays and philosophical essays, and
narratives that is performed during religious "sarsuwelas.“ the most famous of which is
rituals when imploring the aide of divine or "Alang Dios" or There is no God (1901).
supernatural beings. 6. ANGELA MANALANG GLORIA - Lyric poet,
2. Non-Ritualistic - pieces of literature that is pianist, and editor, had her roots in Guagua,
performed in any occasion usually during times Pampanga, but her ancestors went to Albay and
of celebration like festival and birthdays they prospered. the first and only pre-war
often express communal living and personal anthology of poetry in English by a Filipino
sentiment. woman
7.
Epic Poetry:
Ifugao Hudhud
 A mythical figure known for his wealth and
prowess
 Often sung on the wake of a high class member
in community and also during weeding time
when women work in the fields during the
harvest time. So Hudhud is also considered as
an harvest song.
 Only women can be a soloist in this epic or a
narrator during a duet.
Kalinga Ullalim
 Is a long ballad chanted by both men and
women during feast and other social occasion.
 Represent the epic tradition of Southern
Kalinga.
Gasumbi

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