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PIETER SPIERENBURG
of living did so in spite of the stigma of dishonor attached to it. They either had no possibility of
getting an honorable job or they expected better earnings. Among themselves, however, prosti-
tutes cherished notions of honor, too. Someone who accepted married men as clients, for example,
was considered more dishonorable than her colleague who did not.6
As practitioners of an illegal trade, prostitutes were not only marginal but
also criminal. Thieves, burglars, robbers, and swindlers were unequivocally engaged in criminal
pursuits. In every European country they were traditional targets of judicial prosecution. Like
prostitution, property crime was associated with the sphere of dishonor. A respectable man took
pride in a reputation of economic stability. Calling him a thief or a schelm (rogue) was a serious
insult. Many of those convicted of property crimes in Dutch cities, men and women, belonged to
the floating population who traversed the urban network. Burglars operated in groups of two to
five. They would gather in a tavern or in the street. Typically, two persons would meet who
already knew each other, introducing others who were previously unacquainted. In groups of
burglars and robbers, men usually played the active roles, with women keeping a watch or selling
the stolen goods afterwards. All these things are not peculiar to Dutch towns. Generally,it may be
said that with respect to property crime, there were no significant differences between the Nether-
lands and other countries.
In the case of banditry, however, the western part of the Republic had some
peculiar characteristics. In this area, urban robber bands operated from time to time, though their
operations often extended into the countryside. The underworld in urban Holland differed not
only from France or Germany, but also from its counterparts in rural parts of the Republic, Gen-
erality-ruled Brabant in particular.For one thing, fluctuations in the size and activity of the Hol-
land bands responded to economic fluctuations and alterations of peace and war. The bands
themselves were networks, largely invisible to the authorities. In contrast, the moors and wood-
lands of Brabant offered safe hiding places, allowing bands a more continuous existence. Mem-
bers of the Holland bands often had a mobile occupation like boatman. Another crucial feature of
the eighteenth-century underworld, especially in Holland, was the increasing cooperation of the
Christian poor with outsiders such as Jews and gypsies.7
The remaining criminal category is that of violent offenses. Of course rob-
bers were often violent too, and even beggars might harass unwilling people. Here we are con-
cerned with violence in "daily life," with enmity, conflicts in taverns, challenges, and insults.
Around 1700 a knife-fighting culture flourished in Amsterdam and probably in other parts of the
Republic. Male honor and ritual were central to this culture. One-on-one combats with a knife
can be termed popular duels, and they may actually have originated in imitation of the official,
aristocratic duel with swords. Rituals and cultural codes partly dictated the course of popular
duels to ensure an equal fight. Everybody might be involved in the preliminaries, but when two
men had actually started a combat, others normally stepped aside. The yell sta vast marked the
beginning of the fight. If, during it, one of the combatants accidentally dropped his knife, the
other often granted him a reprieve to pick it up or, if it was broken, to obtain the knife of an
onlooking friend. The fight was a test of strength and manhood. Normally it would end when
some blood was shed: when one man had cut the other's face, for example, his adversary with-
drew; or when both combatants were satisfied at having given the other party his due. The most
extensively documented fights, however, are cases that got out of hand: when one of the combat-
ants died and his adversary was prosecuted for homicide.
A knife fight on 27 December 1700, resulting in homicide, is a good ex-
ample. The actors were four men, called Jan, Johannes, Dirk, and Frans. Jan had been to a funeral
earlier that day, but in the evening he went to a tavern at the Haarlemmerdyk where he met the
other three. Soon, Johannes and Frans started to quarrel with Dirk. All three went outside and
drew their knives, but Jan followed them to hush them up. In particular, he tried to calm down
Johannes, who was furious at Dirk. Then Dirk left the group. At Frans' insistence, the three of
them went to a tavern at the Lindengracht to take another pot of beer. Along the way, Johannes,
still angry because Jan had separated him from Dirk, twice drew his knife at Jan, who said he
should wait until they had reached a place where he could put off his black coat, apparently
meaning that he was unable to fight wearing it. Jan got rid of it in the tavern at the Lindengracht,
but a fight did not ensue immediately. A little later Johannes kicked Jan'sdog, thus causing the pot
of beer, just ordered, to topple. Then Johannes issued the challenge "come, let's go" and went
outside, followed by Jan. It was four o'clock in the morning now. Franswas no longer referredto
in the story; he may or may not have been present during the combat. Jan soon got the upper
hand. He stabbed Johannes in the belly. Johannes fell down, but managed to cut his attacker's
thumb and to stab him in his right arm, where the knife stuck. Jan, however, pulled it out, threw
it away and then stabbed Johannes in his right shoulder. This last act, stabbing an adversary after
throwing away his knife, was actually a breach of the code of fair fighting.8
In Amsterdam the years 1690-1720 were the heyday of the knife-fighting
culture. It disappeared from the city after the 1720s, leaving few traces. Severalconclusions can be
drawn from the chronology. That the popular duel came to the Republic in the first place, despite
the pacification of its elites and the rarity of the official duel within its boundaries, shows again
how easily certain cultural customs reached this center of European traffic. On the other hand, the
popular duel seems to have been practiced as often in rural parts of the Netherlands and abroad.
In this respect, then, the Dutch urban world hardly differed from its surroundings. Great differ-
ences can be observed again in the chronology of the popular duel's demise. In Groningen and
Brabant, honorific knife fights appear to have been common practice until the early nineteenth
century. In Rome they were even fought in the early twentieth.9 This means that change occurred
relatively early in Amsterdam. The urban environment must have been conducive to an eventual
decline of lower-class violence.
In conclusion, we may return to the question whether Holland's urban cul-
ture had peculiar features with respect to crime and marginality. Clearly, those features which
have been identified hardly add up to a "Dutch pattern." Any peculiarity consisted partly in a
specific combination of characteristics and partly in the timing of change. Although the behavior
of most thieves, swindlers, and burglars did not differ significantly from that of their colleagues
elsewhere, the characteristics of robber bands adapted to the urban system. The knife culture
disappeared earlier in Amsterdam than in rural areas, but there are no data available for other
towns in Holland in this respect. Generally, we saw that Amsterdam stood apart from other
Dutch towns (and was akin to other European metropolises) in some respects, such as the promi-
nent presence of prostitutes in the former city. This would seem to suggest that de Vries' idea of
one single Randstad, already existing in the seventeenth and eighteenth centuries, is less convinc-
ing when we consider crime, marginality, and the culture they formed part of. The idea of a single
Randstad appears to be valid primarily with respect to the policies of the urban authorities: the
system of prison-workhouses was practically an invention of Holland's patrician elite, and these
institutions were established in towns throughout the province.
PIETER SPIERENBURGhas taught history at Erasmus University since 1977.
NOTES
5. GA Amsterdam, archive 5061 (Old Judicial Archive; hereafter "R.A."), nr. 408, fo. 222vs, 231vs,
235vs, 238, 241.
6. Lotte van de Pol, Het Amsterdams hoerdom. Prostitutie in de 17e en 18e eeuw (Amsterdam:
Wereldbibliotheek, 1996).
7. Florike Egmond, Underworlds. Organized crime in the Netherlands, 1650-1800 (Cambridge: Pol-
ity Press, 1993).
8. R.A. 349, fo. 246, 250, 262vs, 264vs, 265vs, 273, 277vs, 278.
9. Pieter Spierenburg(ed.), Men and violence. Gender, honor and rituals in modern Europe and America
(Columbus: Ohio State Univ. Press, 1998).