Professional Documents
Culture Documents
Rationale
If you are familiar in anyway with the guilty pleasure reality show Big Brother, then you
definitely are prepared to read about George Orwell’s dystopian classic, 1984. In the TV show Big
Brother contestants are monitored around the clock while living together in one house – a house
they cannot leave. It is definitely not the same as 1984, but it provides you with the idea of “Big
Brother”: the eyes that are always watching. Considering the fact that the novel was written in 1949
and is still referenced in popular culture; this demonstrates how influential Orwell’s novel
continue to be.
The story takes place in 1984, which was 35 years into the future when Orwell published the
novel. The protagonist, Winston Smith is an average guy who works for the Ministry of Truth
editing old newspaper articles to revise details of the past. The world he lives in is in constant war
and government surveillance (Big Brother) is the norm; there are telescreens in all the homes and
We are about to embark on a journey with Winston. We will follow him as he fights the
totalitarian force of the Party and Big Brother. To explore the novel in depth, we will draw
comparisons between Orwell’s 1984 and our reality. How have concerns about privacy and
freedom that were expressed in the novel developed in our society? What role does the
government play in private and public lives? The novel raises questions associated to organized
society in any time and place, and asks the reader to think about the corrupting influence of power
throughout time. The novel provides the modern day reader with a cautionary tale about the
Overall Expectations
Oral 1. Listening to Understand: listen in order to understand and respond appropriately in a
Communication variety of situations for a variety of purposes;
3. Reflecting on Skills and Strategies: reflect on and identify their strengths as listeners and
speakers, areas for improvement, and the strategies they found most helpful in oral
communication situations.
Reading and 1. Reading for Meaning: read and demonstrate an understanding of a variety of literary,
Literature informational, and graphic texts, using a range of strategies to construct meaning;
2. Understanding Form and Style: recognize a variety of text forms, text features, and
stylistic elements and demonstrate understanding of how they help communicate meaning;
3. Reading With Fluency: use knowledge of words and cueing systems to read fluently;
4. Reflecting on Skills and Strategies: reflect on and identify their strengths as readers,
areas for improvement, and the strategies they found most helpful before, during, and after
reading.
Writing 1. Developing and Organizing Content: generate, gather, and organize ideas and
Comprehension information to write for an intended purpose and audience;
2. Using Knowledge of Form and Style: draft and revise their writing, using a variety of
literary, informational, and graphic forms and stylistic elements appropriate for the purpose
and audience;
4. Reflecting on Skills and Strategies: reflect on and identify their strengths as writers,
areas for improvement, and the strategies they found most helpful at different stages in the
writing process.
Media Studies 3. Creating Media Texts: create a variety of media texts for different purposes and
audiences, using appropriate forms, conventions, and techniques.
Assessment Tasks
Discussions Essay
Reflections Creative Writing Activities
Observations Analysis Presentation
Chapter Questions Final Exam
Book Test(s)
Resources
o Enotes; Penguin; SparkNotes; Shmoop
o https://www.youtube.com/watch?v=6hBeMuRkHT0
o http://www.newspeakdictionary.com/ns-dict.html
o https://www.youtube.com/watch?v=Z4rBDUJTnNU
o http://mashable.com/2010/10/20/parents-teens-facebook-monitoring/#BwWgTw4N_Pqg
o http://teachersnetwork.org/teachnet-lab/fklane/pmaslow/1984/singh.htm
o http://www.cnn.com/2013/08/03/opinion/beale-1984-now/
o http://www.thedailybeast.com/articles/2013/08/12/george-orwell-s-letter-on-why-he-wrote-1984.html
o Rossi, John P. “The Enduring Relevance of George Orwell.” Contemporary Review. September 2003, Vol. 283
Issue 1652, p172, 5p.
o http://www.readwritethink.org/files/resources/lesson_images/lesson829/Argument-Propaganda.pdf
o http://research.calvin.edu/german-propaganda-archive/faq.htm
o Customer, By A. "Amazon.com: The Crisis of German Ideology : Intellectual Origins of the Third Reich
(9780865274266): George L. Mosse: Books." Web. 12 Dec. 2010. <http://www.amazon.com/Crisis-German-
Ideology-Intellectual-Origins/dp/0865274266>.
o Von, Maltitz Horst. The Evolution of Hitler's Germany; the Ideology, the Personality, the Moment. New York:
McGraw-Hill, 1973. Print.
Tentative Schedule
Tuesday, May 17: Introduction to 1984. The teacher will walk the student through the unit
package and important Before Reading activities and information.
Student will complete a reflection about her thoughts, feelings, concerns and
questions for the unit.
Born Eric Blair in India in 1903, George Orwell was educated as a scholarship student
at prestigious boarding schools in England. Because of his background—he famously
described his family as “lower-upper-middle class”—he never quite fit in, and felt
oppressed and outraged by the dictatorial control that the schools he attended exercised
over their students’ lives. After graduating from Eton, Orwell decided to forego college in
order to work as a British Imperial Policeman in Burma. He hated his duties in Burma,
where he was required to enforce the strict laws of a political regime he despised. His failing
health, which troubled him throughout his life, caused him to return to England on
convalescent leave. Once back in England, he quit the Imperial Police and dedicated himself
to becoming a writer.
Inspired by Jack London’s 1903 book The People of the Abyss, which detailed London’s
experience in the slums of London, Orwell bought ragged clothes from a second-hand store
and went to live among the very poor in London. After re-emerging, he published a book
about this experience, entitled Down and Out in Paris and London. He later lived among
destitute coal miners in northern England, an experience that caused him to give up on
capitalism in favour of democratic socialism. In 1936, he traveled to Spain to report on the
Spanish Civil War, where he witnessed firsthand the nightmarish atrocities committed by
fascist political regimes. The rise to power of dictators such as Adolf Hitler in Germany and
Joseph Stalin in the Soviet Union inspired Orwell’s mounting hatred of totalitarianism and
political authority. Orwell devoted his energy to writing novels that were politically
charged, first with Animal Farm in 1945, then with1984 in 1949.
1984 is one of Orwell’s best-crafted novels, and it remains one of the most powerful
warnings ever issued against the dangers of a totalitarian society. In Spain, Germany, and
the Soviet Union, Orwell had witnessed the danger of absolute political authority in an age
of advanced technology. He illustrated that peril harshly in 1984. Like Aldous
Huxley’s Brave New World (1932), 1984 is one of the most famous novels of the negative
utopian, or dystopian, genre. Unlike a utopian novel, in which the writer aims to portray the
perfect human society, a novel of negative utopia does the exact opposite: it shows the worst
human society imaginable, in an effort to convince readers to avoid any path that might lead
toward such societal degradation. In 1949, at the dawn of the nuclear age and before the
television had become a fixture in the family home; Orwell’s vision of a post-atomic
dictatorship in which every individual would be monitored ceaselessly by means of the
telescreen seemed terrifyingly possible. That Orwell postulated such a society a mere thirty-
five years into the future compounded this fear.
Of course, the world that Orwell envisioned in 1984 did not materialize. Rather than
being overwhelmed by totalitarianism, democracy ultimately won out in the Cold War, as
seen in the fall of the Berlin Wall and the disintegration of the Soviet Union in the early
1990s. Yet 1984 remains an important novel, in part for the alarm it sounds against the
abusive nature of authoritarian governments, but even more so for its penetrating analysis
of the psychology of power and the ways that manipulations of language and history can be
used as mechanisms of control.
Satire
• An ironic, sarcastic, or witty composition that claims to argue for something, but actually argues
against it.
• First laugh, then think.
• Seeks to correct vices and follies, and improve a person or practice.
Satire is a genre that sets out to improve bad behavior through sarcasm and irony. A satirist
humorously depicts a current state of affairs, and hopes that by doing so, he might improve it. It's
all about making fun of vices, foolishness, and shortcomings, so that the subject can improve. Satire
can be found in novels, plays, short stories, and well, almost anywhere, even The Simpsons.
Satire started way back in the classical period. Horatian satire, for example, is derived from the
ancient poet Horace and is known for using gentle, self-deprecating humor to make fun of general
foolishness. Then there's Juvenalian satire, named after the Roman Juvenal, which is a lot harsher,
and a lot less funny. Well it's still funny, but you might cringe while chuckling.
In English literature, satire experienced a bit of a revival during the 18th century, when folks like
Alexander Pope and, even more famously, Jonathan Swift, poked fun of society for all kinds of
weaknesses. One of the most famous satires of all time is Jonathan Swift's A Modest Proposal,
which suggests that Irish folks raise themselves out of poverty by selling their children as food for
rich folks. He was kidding. We hope. (That, by the way, is an example of Juvenalian satire.)
Satirical Devices
• Hyperbole: something that does happen, but is exaggerated to absurd lengths so that the
ridiculous and its faults can be seen.
• Incongruity: something that seems like it would never happen, but could. To present things that
are out of place or are absurd in their surroundings.
• Irony: conveying the opposite of what is expected (i.e. the order of events, hierarchical order).
• Deadpan: is a form of non-comedic delivery in which humor is presented without a change in
emotion or facial expression, usually speaking in a monotone manner.
• Euphemism: the substitution of an inoffensive term for one that is offensive. For example,
replacing “die” with “pass away”.
• Verbal Humor: play on words using puns, innuendo/double entendres, extended/running gags,
shaggy-dog stories (a long rambling story filled with irrelevant detail and repeated phrases,
which has an absurd anti-climactic punch line. It leads its listeners on in the expectation there
will be an ending to make sense of all they’ve heard. Often there isn’t or there will be a really
weak pun. It’s pointless is the joke!), or a statement of the obvious.
What is “Utopia”?
What is it?
In 1984, Orwell portrays the perfect totalitarian society, the most extreme realization
imaginable of a modern-day government with absolute power. The title of the novel was
meant to indicate to its readers in 1949 that the story represented a real possibility for the
near future: if totalitarianism were not opposed, the title suggested, some variation of the
world described in the novel could become a reality in only thirty-five years. Orwell
portrays a state in which government monitors and controls every aspect of human life to
the extent that even having a disloyal thought is against the law. As the novel progresses,
the timidly rebellious Winston Smith sets out to challenge the limits of the Party’s power,
only to discover that its ability to control and enslave its subjects dwarfs even his most
paranoid conceptions of its reach. As the reader comes to understand through Winston’s
eyes, The Party uses a number of techniques to control its citizens, each of which is an
important theme of its own in the novel.
Democracy:
Capitalism:
Communism:
A theory or system of social organization based on the holding of all property in common,
actual ownership being ascribed to the community as a whole or to the state
Controlled by a totalitarian state
Socialism:
Theory or system of social organization that advocates the vesting of the ownership and
control of the means of production and distribution, of capital, land, etc. in the community
as a whole
Collectivist principles
Fascism:
Dictatorship
Dystopia: A futuristic, imagined universe in which oppressive societal control and illusion of a
perfect society are maintained through corporate, bureaucratic, technological, moral, or totalitarian
control. Dystopias, through an exaggerated worst-case scenario, make a criticism about a current
trend, societal norm, or political system.
Important Characters
Winston Smith
Protagonist
Minor member of the ruling Party
Works at the Ministry of Truth
Thin, frail, contemplative, intellectual, and fatalistic 39-year-old
Hates the totalitarian control and has revolutionary dreams
Julia
Winston’s love interest
Works in the Fiction Department at the Ministry of Truth
Beautiful dark-haired woman
Optimistic and practical
Privately rebels against the Party for her own enjoyment
O’Brien
Mysterious, powerful and sophisticated member of the Inner Party
Winston believes he is part of the Brotherhood (Anti-Party Rebels)
Big Brother
Figurative character, i.e. never actually appears in the novel and may not actually exist
Ruler of Oceania
Big Brother propaganda: “BIG BROTHER IS WATCHING YOU!”
Mr. Charrington
An old man who runs a second-hand store in the Prole district
Syme
Works with Winston at the Ministry of Truth
Specializes in languages and works on the new edition of the Newspeak dictionary
Parsons
Works at the Ministry of Truth and lives next to Winston
Children are members of the Junior Spies
Emmanuel Goldstein
Described by the Party as the most dangerous and treacherous man in Oceania
Traitor and leader of the Brotherhood
Never appears in the novel, but is spoken about
1. Oceania: covers the entire continents of Western Hemisphere, Australasia, Southern Africa
and the British Isles, the main location for the novel, in which they are referred to as
‘Airstrip One’.
Ideology = Ingsoc (English Socialism)
Newspeak is the official language
2. Eurasia: covers Europe and – more or less – the entire Soviet Union (Russia and Siberia)
Neo-Bolshevism
3. Eastasia: covers Japan, Korea, China and northern India
Obliteration of the Self (Death worship)
These three states all share very similar ideologies, yet are in an everlasting state of warfare. The
wars take places in the disputed territories, which run from North Africa over the Middle East and
Southern India to Southeast Asia.
The plot mostly takes place in London, the capital city of Airstrip One – the province that was once
called England or Britain. Throughout the city are posters of the Party leader, Big Brother, with the
caption “BIG BROTHER IS WATCHING YOU” on them. There are omnipresent telescreen
(transceiving television sets) that monitor the private and public lives of the population.
1. Upper-class Inner Party – the elite ruling minority (2% of the population)
2. Middle-class Outer Party (13% of the population)
3. Lower-class Proles (Proletariat) – represent the uneducated working class (85% of the
population)
The government – the Party – controls the population with four ministries:
Winston Smith is a member of the Outer Party and works in the Records Department of the
Ministry of Truth as an editor. He revises historical records in order to make the past conform to
the ever-changing party line and deleting references to “unpersons” – people who have
disappeared (killed by the state and denied existence in history and memory).
Isolation and
Relationships
Technology Control
Themes
Focus on
Truth Conformity
These
Topics
History and
Power
Memory
Freedom
Language
War
Doublethink
Motif: A recurring
pattern or a repeated
action, element, or Class
idea in the novel System: The
Sexuality
Party and
The Proles
Song Privacy
Big Brother
Red Sash
Telescreens
St. Clement's
Paperweight
Church
Dreams Diary
Forbidden Newspeak
Food Dictionary
Prole
Woman
Reflection