samvat २०६६ śrāvan kriś
, kriśna tritiyā
 A lok
lok Jagawat is a young astrologer with
deep study in astrology. He is a Graphic
Engineer and has done MA in Astrology.He
started astrology at a very young age of
nineteen and has had many credible
predictions to his credit. His website is
 www.gems-astrology.com
 www.gems-astrology.com
543
tritiyā
Narpatijaycharya
By
Sri Narpati
Translated by: Alok Jagawat,
India
NarpatiJayacharya is a text readily
available in Hindi language but ignored by
publishers of english astrology publications
in India so far. Inspite of requesting many
publishers and authors to translate it in
english with good commentary since last 4
years nothing has happened in this respect.
This translation might not be accompanied
with an extensive commentary but it is the
first step to bring it out in english. Some
say that ‘It is a wonderful ancient text
written by the scholar Narapati in the year
AD 1232, and describes the Jaya charya i.e.
'Acts to win the wars' that should be
followed by the kings. It is a text that deals
with prashna, omens and swara (breath)
related predictions & chakras. On forum
someone wrote ‘Jaycharya means the
behaviour of kings and the book shows the
use of astrology by the kings for various
purposes like war etc.). This is the text
which says that a king should never reveal
his true horoscope as his enemies can
misuse the info. This text is written in
peotic phrases and is mostly a shakun
shastra based on swara science.
 Chapter 1
ātha ṣhastrasangrahādhyaya

Shloka 1 to 2

अयमयय शात नतात यगना ूयम   ्

सवारनदःवप यदे ॄ सवरगम   ्१
avyaktamavyaya ṁ  śā nta ṁ  nit ān
  ta ṁ   yogin āṁ
     priyam
sarv ān   ṁ   yattadvande brahma sarvagam 1
  andasvar ū pa 

ववधववुधवाम   ्भात वदमान
ूचुचतुभाव दातुकाम जनेय
नपतत लके यातनमाभधाःये
नपतजयचयारनामक शमेतत   ्२
vividhavivudhavandy ām   bh ār  at ī ṁ  vandam ān   a ḥ 
 pracuracaturabh āv   a ṁ  d āt  uk ām  a ṁ   janebhya ḥ 
narapatiriti loke khy āt  anam āb   hidh ās   ye
narapatijayacary ān   aka ṁ  ś astrametat 2
   ām

I pray to universally existent Brahma, the undefined, the beloved of all Yogijan,
the symbol of eternal happiness.
I “Narpati”, With a heartfelt devotion to Goddess “Saraswati”, who is the
beloved of many Devatas and knowledgeable men, embark upon the journey of
writing the Grantha” (the book) which will be a key to success of kings.

With this, I start the epic work called “ ṇarpatijayacarya ṣvarodaya”

Shloka 3 to 7

ौुवाद यामलास तथा युजयाणरवम   ्
कमा कशल चैव यगनजालसचम   ्३
ś rutv ād
  au y ām  al ān  sapta tath ā  yuddhajay ār   ṇ avam
kaum ār   ī ṁ  kau ś ala ṁ  caiva yogin  j 
ī  āl  asa ṁ caram 3

न च मुड च ःवसह ःवाणरवम   ्

भवल भैव नाम पटल ःवभैवम   ्४
rak ṣo
  ghna ṁ  ca trimu ṇḍ  a ṁ  ca svarasi ṁ ha ṁ  svar ār   ṇ avam
bh ū vala ṁ   bhairava ṁ  n ām
  a pa ṭ ala ṁ  svarabhairavam 4

544
 त णायम   ्यातम   ्सात जयपतम   ्
पुःतकेि च ढकम   ्च ौदशयतशम   ्तथा ५
tantra ṁ  ra ṇ āh
  vayam khy āt  am siddh ān  ta ṁ   jayapaddhatim
 pustakendra ṁ  ca ḍ  haukam ca ś r ī dar ś aṁ  
   jyauti ś am tath ā 5

मयायनेकान  कटयुान  यान  च 

तयु च  वाय  वान वडवानले ६
mantrayantr āṇ    yanek ān  i k ū ṭ ayuddh ān   i y ān  i ca
tantrayukti ṁ  ca vijñ āy
  a vijñ ān   a ṁ  va ḍ  av ān
  ale 6

एतेषा सवरशााणाम   ् िसाऽहमामना 

सााम   ् भणँयाम  सवरसवानुकपया  ७
ete ṣ āṁ    sarva śā str āṇ
   ām  dri ṣṭ has ār  o'ham āt  man ā 
s ār  oddh ār  am bha ṇ iś y    ām
  i sarvasatv ān   ukampay ā   7

Before writing this grantha Sri Narpati practiced the Seven Yamalas (Yamalas
are a part of Sakta Agama and hold Sakti as Supreme Goddess. Both Vama and Dakshina
hold Sixty-four agamas or more. Most of them are in the form of Siva-Sakti conversation ).
Sri Narpati grasped and practiced the mention from these scriptures before he
finally condensed them to  “ṇarpatijayacarya ṣvarodaya”.

 These Yamalas are:

1. Brahmayamal.
2. Vishnuyamal.
3. Rudrayamal.
4. Aadiyamal.
5. Skandayamal.
6. Kurmayamal.
7. Deviyamal.

He also read Yuddhajayarnava, Kaumari  auśal, Yogini zāl, akśoghnam

ṭrimundam, ṣvararnavam, bhuval bhairavm, ṣvarabhairav patal. He quotes
that the above granthas were related to Swarashastra.

Commentator : Most of the Granthas mentioned above are not present in their exact form.
It is difficult to find them.

Shloka 8 to 9

अथ ःवशाःय ूधानवम   ्
atha svaraśāstrasya pradhānatvam
545
 पयगजभपालै सपणार यद वाहन 
तथाप भगमायात नृप हनःवदय ८
 patya śv   āl  ai ḥ   samp ū r ṇā
  agajabh ū p     yadi v āh
  in ī 
  bha ṛ gam āy
tath ā pi    āt  i n ṛ po
  honasvaroday ī  8

तावत  ते धा  दयारमाहवसागम   ्

यावपतत  न  चे ःवाःते वडवानले ९
t āv
  attaranti te dh ī r ā dorbhy ām   āh
  avas āg   aram
y āv  atpatanti no cakre svar ās   te va ḍ  av ān
  ale 9

Sri Narpati remarks that a king carrying a “Hina-Swarodaya” (Heena means

weak Swara or with improper attunement to a swara ) is defeated at the behest
of his enemy. Even if he owns lot of soldiers, horses, elephants and supporters,
he will lose the battle owing to this “Hina Swara”.

 The author mentions that warriors can win the battle only to the extent till
they lose all good swaras expounded by a “Swara Shastra’ expert.

Commentator : The author is giving due importance to an expert of Swara Shastrargya

and his presence to win battles.

Shloka 10 to 12
कथचजय युे ःवेन वना नृप
घुणवनपमम   ्तु यथाघचटकह १०
katha ṁc  idvijay ī  yuddhe svarajñena vin ā n ṛ pa 
  ḥ 
ghu ṇ avarnopamam tattu yath āṁ    ghaca ṭ akagraha ḥ   10

यःयैकऽप  गृहे नाःत  ःवशाःय  पाग

भाःतभपम ायम   ् नतम   ् तःय  भपते ११
yasyaiko'pi g ṛ he n ās
  ti svara śā strasya p ār  aga ḥ 
  tambhopama ṁ   r ā jyam
rambh ās   ḥ   11
ni śc  itam tasya bh ū pate 
 

ःवशाे सदायास  सयवाद  जतेिय

तःयादेशःय  य कार जयौःतम   ् नृप भजेत  ्  १२
svara śā stre sad āb  hy ās
   ī  satyav ād    ī   jitendriya ḥ 
  e ś asya ya ḥ  kartt ā jaya śr  ī  stam n ṛ pa 
tasy ād   ṁ   bhajet 12

A king can win a battle even without the help of a “Swara Shastra” expert, but
then his triumph will be as short lived as the letters formed through floor
beetle or as the blindness of a Pied Crested Cuckoo (Chataka).
546
Commentator : Floor beetles are fast and alphabets will vanish if beetles are used for
 formation of words. Pied crested cuckoo has a short-lived desire for rainwater; which is
referred as blindness over here.

A king, who is not assisted by a “Swara Devagya” (expert of Swara) has his
kingdom standing on the poles made of stem of a Banana tree.

Commentator : Stem of a banana tree indicates weakness of the base.

 The king will be bestowed the wealth of victory; if he follows the man who is
righteous, who has controlled his cravings; and who is an expert of
“Swarashastra”.

Shloka 13 to 19

दशैकेन शत तै सह शतसयया 

ःवदयबल ाजा दशनम   ्हत  ललया १३
da ś aikena ś ata ṁ   tai śc
  a sahastra ṁ  ś atasa ṁ khyay ā 
  ā da ś aghnam ha ṁ ti l īl  ay ā   13
svarodayabal ī  r ā j 

पुंपैप न ययम   ्यावनःवदय
ःवदयबले ूाे ययम   ्शाकटभ १४
 pu ṣ pairapi
  na yoddhavyam y āv   asvarodaya ḥ 
  addh īn
svarodayabale pr ā pte
  yoddhavyam śā strako ṭ ibhi ḥ  14

ःव शकुन दैव मपाग
केलवथा ााम   ् करत पचकम   ्१५
svarajña ḥ  ś akunajña śc   a daivajño ma ṁ trap ār  aga ḥ 
keral īv
  ittath ā r ā jñ 
  ām  k īr  ttita ṁ   ratnapa ṁ cakam 15

ःवचाण चाण भबलान बलान च 
यतशम   ्शकुन चैव षडगान वदायहम   ्१६
svaracakr āṇ    i cakr āṇ
   i bh ū bal ān
  i bal ān  i ca
 jyauti ś am ś akuna ṁ   caiva ṣ aṁ   ḍ  ag ān
  i vad ām  yaham 16

यामलेषु च सवशु यायुन ःवदये

वशत ःवचाण वआयेऽहम   ्तान चाधुना १७
  ale ṣu
y ām   ca sarve śu   y ān   yuktani svarodaye
vi ṁś
   ati ḥ   svaracakr āṇ   i vak ṣ ye'ham t ān
  i c ād
  hun ā 17

माा वन हजव ाशभ पडयगक 

547
 ादशादम   ्तथादम   ्च अदाधरमृतुमासकम   ्१८
  o r āś irbha ṁ  pi ṇḍ  ayogakau
m āt  r ā varno grahoj īv
dv ād   a śā bdam tath āb  dam ca abd ār  dham ṛ tum ās   ikam 18

पाहनारडकम   ्च तथवारयगक
दश तवावधान च दनफल च वदायहम   ्१९
 pak ṣ āh   arn āḍ    ikam cakra ṁ  tithiv ār  ark ṣ ayogaka ṁ 
di śi  tattv āv
  adh ān   a ṁ   ca dinaphala ṁ  ca vad ām  yaham 19

A king with strong Swara Bala can win ten fighters with one, hundred fighters
with ten and one thousand fighters with hundred fighters. One with a weak
Swara Bala should avoid fighting everyone, even a flower.

With proper Swarabala one can fight with the strongest man carrying heavy
weapons. Sri Narpati says that a king should have Pancharatnas (Five gems) in
his court. They include:

1.ṣvaragya (A knower of Swaras)

2. ṣakunagya (A person who has expertise in omens)

3. ḍaivagya (A person who has expertise in astrology)

4. ṁantraśastri (An expert of Mantras)

5. keriliya jyotirvid (An expert of Kereliya astrology)

Sri Narpati now explains the twenty chakras been defined in Shadangas. This
includes Swarachakra, Chakra, Bhubala, Bala, Sahakuna and Jyotisha. They
are the six parts, which carry twenty types of Chakras.

1| ṁatrasvara
2| varnaṣvara
3| ġrahasvara
4| zeevasvara
5| aśisvara
6| ṇakśatrasvara
7| pindasvara
8| yogasvara
9| ḍvadaśvarśiksvara
10| varśik svara
11| āyanasvara
12| itusvara
13| ṁasiksvara
14| pakśhsvara
15| ḍinasvara
16| ṇadisvara
548
 17| ṭithi var ṣanyoga ṣvara
18| ḍiśasvara
19| ṭatkalik ṣvara
20| ḍinaphalsvara

Commentator : Swara refers to cosmic sounds or nada. A human body has different
nadas inside. One can hear these cosmic sounds during the awakening of Kundalini. As
the shadchakras get “bhedan” or are pierced, several nadas are produced. In super- 
conscious state, these nadas provide keys to the kala gyana or knowledge of time.

The Swaras correlated to chakras of human body, which produce cosmic nada. They
influence human psyche by different patterns. Knowledge of these swaras gives us the
key to physical, psychological and transcendental state of mind.

The all-pervading Maya chakras mentioned by these chakras are projections to your
original six inside. Once you know what is inside; you will always know what is outside.
Once you know what is outside (swara chakras), you will know what is inside.

In short, these chakras are cosmic sound patterns that hold the golden key of
“Kalagyana”.

Shloka 20 to 32

पवरम
ु े षु शाेषु मया ातन यान च 
चतुशतचाण तेषाम   ्नामान वयहम   ्२०
 p ūr  vamukte ṣu
  śā stre ṣ u may ā jñ āt  ani y ān
  i ca
catura śī ticakr āṇ
   i te ṣ ām
  n ām
   ān
  i vacmyaham 20

एकाशतपद च शतपद नवाशकम   ्

छ सहासन च कम पञचवध वदम   ् २१
ek āśī tipada ṁ  cakra ṁ  ś atapada ṁ   nav āṁ    ś akam
chatra ṁ   si ṁh
   ās
  ana ṁ  cakra ṁ  k ū rma ṁ   pañcavidha ṁ   tvidam 21

भदेशनगेम   ् गृहकम च  पञचमम   ्

पच फणशाय ाह    ु कालानल मतम   ् २२
bh ū de ś anagarak ṣ etram g ṛ hak ū rma ṁ   ca pañcamam
 padmacakra ṁ  pha ṇ o śā khya ṁ  r āh   ala ṁ   matam 22
  uk āl   ān

सयक
र ालानल च चिकालानल तथा 
घकालानल च शलकालानल मतम   ् २३
  ala ṁ   cakra ṁ   candrak āl   ān
s ūr  yak āl   ān   ala ṁ   tath ā 
ghorak āl   ān   ala ṁ  cakra ṁ  ś oolak āl   ān
  ala ṁ   matam 23

शशसयसर मायगे च कालानल मतम   ्

सघट सम ेय सकालानलान  च  २४
ś aś   oge cakra ṁ   k āl   ān
  i  s ūr  yasam āy   ala ṁ  matam

549
 sa ṁg
  ha ṭṭ aṁ
     saptama ṁ   jñeya ṁ   saptak āl   ān
  al ān
  i ca 24

तथवारम   ् च  नम   ् धा  चेव  कुलाकुलम   ्

कुभचम   ् धा  ू ाशनसभवम   ् २५
tithirv ār  am ca nak ṣ atram tridh ā ceva kul āk
  ulam
kumbhacakram dvidh ā  prokta ṁ   r āś inak ṣ atrasambhavam 25

वगरूःतावेध च  धा  तु बु मेव  च 

भच खेच पाथ नाडचम   ् धा  मतम   ् २६
vargaprast ār  avedha ṁ  ca tridh ā tu ṁb   urumeva ca
bh ū cara ṁ   khecara ṁ   p ān
  tha ṁ  n āḍ
    ī cakram dvidh ā matam 26

कालच फण सयारय चिज तथा 

कवच धा  ू ःथानःवायृपवक
र म   ् २७
k āl  acakra ṁ   pha ṇ idva ṁ dva ṁ   s ū ry āk
  hya ṁ  candraja ṁ   tath ā 
kavicakra ṁ   dvidh ā prokta ṁ  sth ān   y ṛ k ṣ ap ū rvakam 27
  asv ām

खलकाय धा  ू काःथानभादकम   ्

कटचाक ू चतुादभेदत २८
khalak āk  hya ṁ  dvidh ā  prokta ṁ   krittik ās   th ān
  abh ād
  ikam
ko ṭ acakr āṣ  ṭ aka ṁ   prokta ṁ   caturastr ād
  ibhedata ḥ  28

  ु  धनु
गजमम   ् थ यह कुत खग छ 
स सेवा न डभ पवगारयवषरणम   ् २९
gajama śv   am ratha ṁ   vy ū ha ṁ  kunta ṁ  kha ṅ ga ṁ  churi ṁ   dhanu ḥ 
sauri ṁ  sev āṁ
    nara ṁ  ḍ  i ṁb
  ha ṁ  pak ṣ ivarg āy
  avar ṣ aṇ
   am 29

सेखवम   ् च पञचेखद  ुभ

  ाःकम   ्
वध मातृकाच वेयम   ् ँयेनतणे ३०
saptarekhodbhavam cakra ṁ  pañcarekhe ṁd   ubh ās  karam
trividha ṁ  m āt  ṛ   k āc  akra ṁ  vijñeyam ś yenatora ṇ e 30

अहलागलबजोषाय सनाडकम   ्
च सावसःथान मास च दनायम   ् ३१
ahil āṁ   alab  joptivri 
  g ī  ṣ āk
  hya ṁ  saptan āḍ     ikam
cakra ṁ   s āṁ   atsarasth ān
  v   a ṁ   m ās
  a ṁ   cakra ṁ   din āh
  vayam 31

एतान  सवरचाण  ावा  यु समाचेत  ् 

जयेदह  न  सदेह शतुय च  भपतम   ् ३२
  i sarvacakr āṇ
et ān    i jñ āt  v ā  yuddha ṁ   sam āc  aret
 jayediha na sa ṁ deha ḥ  ś akratulya ṁ  ca bh ū patim   32

Sri Narpati now explains the few chakras from eighty-four different
chakras that have been defined in shastras. This includes:

550
1| Padatmaka
2| ṣatpadchakra
3| ṇavmanśa chakra
4| chatra chakra
5| ṣinghasan chakra
6| kurma chakra
7| bhu
8| ḍeś
9| ṇagarchetra chakra
10|ġrahkoorma chakra
11|Pakśa chakra
12| ahukalanal carka
13| ṣuryakalanal chakra
14| chandrakalanal chakra
15| ġhorkalanal chakra
16| ġoodhkalanal chakra
17| chandrasuryajanitkalanal chakra
18| ṣanghat chakra
19| Kulakul charka
20|  umbha chakra
21| Varna prastar chakra|
22| ṭumburuchakra
23| bhucarchakra
24|  hecar chakra
25| ṇadichakra
26| Kaālchakra
27| Phani chakra
28| ṣthanchakra
29|  halakchakra
30| Kotachakra
31| ġajchakra
32| āśva chakra
33| atha chakra
34| vieuchakra
35| Kuntachakra
36|  angachakra
37| chuhrichakra
38| ḍhanuchakra
39| ṣanichakra
40| ṣevachakra
41| ṇarachakra
42| ḍimbhachakra
43| Pakśichakra
44| vargachakra
45| āāychakra
46| vriśtichakra
47| ṣaptaśalakhachakra
48| panchaśalakha chakra
49| ṣyenchakra
50| ṭoranchakra
51| āhibalchakra
551
52| ḻangalchakra
53| bijotpattichakra
54| vriśchakra
55| ḍinphalchakra
56| Matrikachakram
57| Saptanadicharam
55| Sawantasar chakram
55| Sthanchakram
55| Maaschakram

According to Narpati, a king can win over a battle with “Indra”, if he starts his
combat after a thorough knowledge of all these chakras.

Commentator : Sri Narpati has mentioned about eighty-four chakras in the starting of the
sloka and actual mention of names is far less. Either some slokas of this part are missing,
or Sri Narpati himself avoided the same. Reader’s discretion is adviced.

Shloka 33 to 45

अथात सूवआयाम  भबलायभधानत

कवे तथा द 
  ुग चतुगे महाहवे ३३
ath āt  a ḥ  sampravak ṣ y ām
  i bh ūb
  al ān
  yabhidh ān  ata ḥ 
kavidvandve tath ā durge catura ṅ ge mah āh   ave 33

ःवदयै  चै   शुयर   समऽधक

त  युे बल देय भबलैवरजयाथरनाम   ् ३४
svarodayai śc   a ś atruryatra samo'dhika ḥ 
  a cakrai śc
tatra yuddhe bala ṁ   deya ṁ   bh ū balairvijay ār  thin ām
  34

तेषा नामायह वआये याता  ये ॄयामले

चतुशतसयाना यलेन  जय  णे ३५
te ṣ āṁ
     n ām   yaha ṁ   vak ṣ ye khy āt   ā ye brahmay ām
   ān   ale
catura śī tisa ṁ khy ān    āṁ
     yadvalena jay ī   ra ṇ e 35

औजालध  पणार कामा  कलैकवका 

शलीा  महामा  ेपाल  च  वशजा  ३६
au ḍ  r  j 
ī  āl  a ṁ dhar ī  p ū rṇ
   ā k ām    ā kolaikav ī rik ā 
ś il ī ndhr āś ca mah ām    ār   ī   k ṣ etrap āl   ī  ca va ṁ ś aj ā 36

िकालानल  ूा  कालेखा  नामया 

जयलआममरहलआमजरया  वजयभैव  ३७
rudrak āl   ān
  al ī  prokt ā k āl  arekh ā nir ām
  ay ā 
 jayalak ṣ mī  rmahalak ṣm   ī  rjay ā vijayabhairav ī   37

बाला  यगे  चड  माया  भु भुककर 

552
 शाद 
  र  ल  सहल  तव  महामाया  महे  ३८
b āl   ā yoge śv   ar ī   ca ṁḍ  ī  m āy
   ā bhu ṁb   hukakarttar ī 
śā rd ū lī    si ṁ hil ī  tanv ī   mah ām    āy
   ā mahe śv
  ar ī  38

देवकट शव शधरॆा  माला  वाटका 

मुडा  मस  धमारमृत  शा  याया  ३९
devako ṭ iḥ    ś iva ḥ  ś aktirdh ū mr ā m āl   ā var āṭ   ik ā 
trimu ṇḍ  ā  matsar ī   dharm ām   ṛ   ta ś iṣ  ṭ ā k ṣ ay āk
   ṣ ay ā 39 

द 
  ुमत
र   ूवा  ग  काल  नाह  बला 
खेच  भच  गुा  ादश  वृकेवला  ४०
durmat ī   pravar ā gaur ī   k āl   ī   n ār  ahar ī   bal ā 
khecar ī  bh ūc  ar ī  guhy ā dv ād   a śī  v ṛṣṭ ikeval ā 40

ैलयवजया  स  काल  वडवापा 

ि  च  शशुमातग  चाभेा  दहन  जता  ४१
trailokyavijay ā saur ī   kar āl   ī   va ḍ  av ā par 
  ā 
raudr ī   ca ś iś  m āt  a ṅ g ī   c āb
 u   hedy ā  dahan ī   jit ā 41

बह 
  ु ला  वगरभम  कपाल  चानलानला 
चिाकर बबभम  हाशवलनगा  ४२
bahul ā vargabh ū mi śc
  a kap āl   ī  c ān
  il ān
  al ā 
candr ār  kabimbabh ū mi śc  a grahar āś ivilagnag ā 42

ाह 
  ु कालानल  भम ःवभमरधा  मता 
िमासकैव  ाह    ु ावधःतथा  ४३
r āh   al ī  bh ū mi ḥ   svarabh ū mirdvidh ā mat ā 
  uk āl   ān
rudrastrim ās   ika śc  aiva r āh    āṣ  ṭ avidhastath ā 43
  u śc

चि सदावध सुय र तुधार यगन  धा 

कालच भेद च  तथनवाजम   ् ४४
candra ḥ  sad āv   idha ḥ  surya śc
  aturdh ā yogin ī  tridh ā 
k āl  acakra ṁ   tribheda ṁ   ca tithinak ṣ atrav ār  ajam 44

इमान  भबलाय  ावा  य ूवशेिणे

अयःतःय  नँयत  मेघा  वातहता  यथा  ४५
im ān
  i bh ūb   yatra jñ āt  v ā ya ḥ   pravi śe
  al ān   dra ṇ e
arayastasya na ś yanti megh ā v āt  ahat ā yath ā 45

Sri Narpati is praising Bhubala which is usable in great wars, in these shlokas. He says that a
king who is adorned with Swara strength of Matradi Twelve kala swaras in a battle; can only be
defeated in a war, if the opponent king is given the power through Bhubala. Sri Narpati has not
explained Bhubala as yet. It seems that this is an important Swara strength which renders
extreme power to an individual.

Shlokas 36 to 49  carries the names of the different types of Bhubalas.

553
श समाधके नान  ःवैै   भबलै
ःथानसैयाधके श  बलवानसयत ु े ४६
ś atro ḥ   sam ād
  hike n ām
  ni svarai śc   a bh ū balai ḥ 
  akrai śc
sth ān
  asainy ād   asa ṁ yute 46
  hike ś atrau balavijñ ān

अभागे चायभेदे च  असाये द 

  ुजरये प 
जयपायमह वआये मयादक बलम   ् ४७
abh āṅ
   ge c ā pyabhede
  ca as ād
  hye durjaye ripau
 jayop āy  amaha ṁ   vak ṣ ye mantrayantr ād   ika ṁ  balam 47

णाभशेचन दा णाचार णकङणम   ्

वपटम   ् णे पटम   ् जयपटःय  बधनम   ् ४८
ra ṇ āb   cana ṁ   d īk
  hi śe    ṣā
  ṁ
    ra ṇ ār  c ā   ra ṇ aka ṅ aṇ   am
v īr  apa ṭṭ am ra ṇ e pa ṭṭ am jayapa ṭṭ asya ba ṁd   hanam 48

मेखलाकवचयास मुिा  ा  च  कञचुकम   ्

औषधम   ् तलक तजा  घुटका  कपदरका  ४९
mekhal āk  avacany ās   a ṁ   mudr ā rak ṣ ā ca kañcukam
au ṣ adham tilaka ṁ  tajj ā ghu ṭ ik āś ca kapardik ā 49

यगे घटतशाण  शा च  मटनम   ्

शलेपा  ववधा  बाणाना पछबधनम   ् ५०
yoge gha ṭ ita ś astr āṇ
   i ś astrarak ṣ āṁ      ca mo ṭ anam
ś astralep āś ca vividh ā b āṇ    ān
   āṁ
    picchabandhanam 50

ासक काहला  ढका  मुज भःमसाधनम   ्

माणम   ् महन ःतभ वेषचाटन वशम   ् ५१
  aka ṁ   k āh
tr ās   al ā  ḍ  hakk ā muraja ṁ   bhasmas ād   hanam
m ār  a ṇ am mohana ṁ  stambha ṁ  vidve ṣo   cc āṭ   ana ṁ  va ś am 51

पताका  पछक य पवावनाशनम   ्

शातक नजसैयःय  करय जयकाभ ५२
   ā picchaka ṁ   yantra ṁ  paravidy āv
 pat āk   in āś anam
śā ntika ṁn   ijasainyasya karttavya ṁ  jayak āṁ    ṣ ibhi ḥ  52
  k

बलायेतान  य  ाव  साम कुते न

असायःतःय  नैवाःत  शतुयऽप  भपत ५३
bal ān   i yo jñ āt  va sa ṅ gr ām
  yet ān   a ṁ   kurute nara ḥ 
as ād
  hyastasya naiv ās ḥ   53
  ti ś akratulyo'pi bh ū pati 
 

554
Sri Narpati is praising Tantra, Mantras and Yantras over here. He says that if the enemy is more
powerful because of Bhubala in swarachakras, and if his strength and power is impenetrable;
then the opponent should employ the strength of mantras. He mentions the different types of
mantras and tantric instruments which can be devised for victory:
1. Ranabhisechan
2. Deekasham
3. Ranarcha’
4. Ranakankan
5. Veerpata
6. Ranapata
7.  Jayapata
8. Mekhla
9. Kavach Nyas
10.Mudra Raksha
11.Kanchuki
12. Tilak
13.Ghutika Kapdirka
14.Weapons made during auspicious Muhurtas
15.Weapons smeared with different types of chemicals.
16.Bandhan of arrows
17.Kahla
18.Dahhaka
19.Muraj
20.Bhasma Sadhan’
21.Maran-Mohan
22.Stambhan
23.Videshan-Ucchatan
24.Vashikaran
25.Pataka
26.Pichhak
27.Yantras that destroy Parkrityas
28.Shanti Upayas for your own army

Sri Narpati claims that a person who understands and uses all these strengths can even defeat
the king who is as powerful as Indra*. Everything will be possible for that person.

 Please
Commentator:  note that several strengths mentioned in these shlokas are very sacred and
 powerful. It takes time to fully comprehend these powers. Moreover these powers are shared only
through Guru shishya parampara. These techniques are not shared with anybody. A teacher will
only impart this knowledge when he acknowledges that his student is humble and will not misuse
this power.
*Indra is mentioned in many classics and puranas. Indra is referred as King of Devatas. Indra is a
word which refers to Indriya or sensory organs. Indra enjoys heavenly pleasures and it actually
means our happiness and joy derived from maya. You can conquer Indra means; you can conquer
all your desires, and become an Indrajit or Yogi.

Shloka 54 to 70

अथ यतषागम   ्
atha jyauti ṣ āṅ
   gam

555
ग़णत यवहा च  हाान पःफुटम   ्
ःकध यतष वआये जयचयारःवदये ५४
ġ aṇ
   ita ṁ   vyavah ār  a ṁ   ca hor ā jñ    a ṁ   parisphu ṭ am
  ān
triskandha ṁ   jyauti ṣ aṁ      vak ṣ ye jayacary ās   varodaye 54

हतयाानयनमुदयाःत  च  शग 
शुमसमा खेटा  ाँयधशा  बलाबलम   ् ५५
grahatithy ād
  y ān
  ayanamuday ās   tau ca ś ighragau
ś atrumitrasam āḥ      khe ṭ ā r āś yadh īśā  bal āb
  alam 55

उचनचा  मयःथा  ःथानान  यायप 

गच च  तथा  वेध दशाःवतदरशा  पुन ५६
uccan ī c āś ca madhyasth ā d ṛ iṣ  ṭ isth ān
   ān
  i y ān
  yapi
gocara ṁ   ca tath ā vedha ṁ  da śā svantarda śā  puna ḥ   56

वगरफल तथा  सधलरावेधमुपहम   ्

शुभाशुभफल वआये तथधंयगुणागुणम   ् ५७
vargaphala ṁ   tath ā sandhirlatt āv   edhamupagraham
ś ubh āś ubhaphala ṁ   vak ṣ ye tithidhi ṣṇ yagu ṇ āg
  u ṇ am 57

चितााबल ेय िभा चैव  पुंकम   ्

यमघट यमदम   ् च चैवागरल तथा  ५८
  ala ṁ  jñeya ṁ  bhadr āṁ
candrat ār   āb      caiva tripu ṣk
  aram 
yamagha ṇṭ aṁ     yamada ṁṣṭ ram cakra ṁ   caiv ār  gala ṁ  tath ā 58

देवनृणाम   ् भान  पावारधमुखान  च 

बाल कुमा तण वृमृयुःवाःतथा  ५९
devarak ṣ on ṛ u ṇ ām   bh ān   i p ār   śv
  ordhv ād
  homukh ān  i ca
b āl  a ṁ   kum ār  a ṁ  taru ṇ aṁ    v ṛ ddham ṛ tyusvar ās
  tath ā 59

कालवेला तथा  हा यामाध कु लक तथा 

वआये वेध च  स च  श ूाणापहाणम   ् ६०
k āl  avel āṁ
     tath ā hor āṁ
    y ām
   ār  dha ṁ   kulika ṁ  tath ā 
vak ṣ ye vedha ṁ   ca siddhi ṁ   ca śī ghra ṁ  pr āṇ    ā pah 
  ār  i ṇ ī m 60

पघ शलधंय च  वायग च  यगनम   ्

दिभा  कालपाश च  ाहःत च  भागरवम   ् ६१
 parigha ṁ  śū ladhi ṣṇ ya ṁ   ca v ār  ayoga ṁ  ca yogin īm
 
digbhadr ā k āl  ap āś aṁ
    ca r āh
  orasta ṁ  ca bh ār  gavam 61

छायपम   ् धा  वआये षु मये दनागाम   ्

दनमान दने भु छायदयूमाणकम   ् ६२
  otpattim tridh ā vak ṣ ye tri ṣu
ch āy   madhye din āṣ  ṭ ag ām
 
dinam ān   a ṁ   dine bhukti ṁ  ch āy
  odayapram āṇ
   akam 62

556
 सछायाषम   ् च  द 
  ुभा  सवशतम   ्
लनदय ःवदेशय यत  लनसाधनम   ् ६३
   āt  ri ṣ aṣ  ṭ im ca du ṣṭ abh ā saptavi ṁ ś atim
siddhacch āy
lagnodaya ṁ   svade śī ya ṁ  ya ṁ trato lagnas ād   hanam 63

लनमान तथा  हा  ाशकनवाशकम   ्

ादशाश च  शाशमुदयाःताशसाधनम   ् ६४
lagnam ān   a ṁ   tath ā hor ā r āś iddakkanav āṁ    śa
  kam
  a śā ṁ ś aṁ
dv ād     ca tri ṁ śā ṁ ś amuday ās
  t āṁ
   ś as ād
  hanam 64

  ु भाशुभ वआये यााहादनणरयम   ्

लनाछ 
देवताना ूताम   ् च  दाम   ् याूवेशनम   ् ६५
lagn āc  chubh āś ubha ṁ   vak ṣ ye y āt  rodv āh   inir ṇ ayam
   ād
devat ān    āṁ
    prati ṣṭ h ām    ṣ ām
  ca d īk   yatr ā prave 
  ś anam 65

वाःतुदपाधरवयास  कालवशपकःतथा 
जलयगऽधरकाड  वषरमासाहनणरय ६६
v ās
  tud  p 
ī  ār  dhaviny ās   o k āl  avi ṁ śo
  pakastath ā 
 jalayogo'rdhak āṁ   ḍ  a śc  a var ṣ am ās   anir ṇ aya ḥ  66
   āh

तयाद खेचािःतकालदयज ःफुटम   ्

अवःथानेमु च  लकभेद वदायहम   ् ६७
  i ḥ  khecar āś candrastatk āl  odayaja ḥ  sphu ṭ am
tithy ād
avasth ān   e ṣṭ amu ṣṭ iṁ
     ca l ūk
  abheda ṁ  vad ām
  yaham 67

अङगःपदान  सवारण  कालचान  यान  च 

द 
  ुाायह वआये तथा  तेषा च  शातकम   ् ६८
a ṅ agaspand ān   i sarv āṇ
   i k āl  acihn ān
  i y ān   i ca
du ṣṭ ār  i ṣṭ ān
  yaha ṁ   vak ṣ ye tath ā te ṣ āṁ      ca śā ntikam 68

यतषागमद सव ये जानत  मनषण

दपव वजानयामहाधकानाशनम   ् ६९
 jyauti ṣ āṅ
   gamida ṁ  sarva ṁ   ye j ān   anti man ī ṣ iṇ
   aḥ
  
d  pavatta 
ī  ṁ  vij ān
  ī  y ān
  moh ān
  dhak ār  an āś anam 69

पतक  पगला  काक  य शवा  मेण  च 

पञचमद वआये षागे शाकुने मते ७०
 potak ī  pi ṅ gal ā k āk
  o yak ṣ aḥ
    ś iv ā krame ṇ a ca
 pañcaratnamida ṁ  vak ṣ ye ṣ aṣ  ṭ h āṅ    ge śā kune mate 70

Sri Narpati mentions that a king can also use the power of astrology to conquer his opponents.
He mentions the names of different methodologies employed in astrology like the uccha neecha,
drishti bal, gochara, vedha sthanam, grahas vastha, yamardha etc. He also mentions that one
should use Vastu Pad vinyasa as well. This increases the strength. He is also mentioning the

557
different names of methods used in omens. He is claiming that one should seek the help of
astrology, vastu and omens to get power.

To Be Continued………….

558