Introduction

The native SketchUp material editor supports only a texture and a transparency value – not
necessarily sufficient to create visually stunning images such as the ones our users usually achieve .
This is why we came up with our very own material editor specifically for SketchUp, to make sure all
of our users can enjoy powerful tools such as Bump- and Reflectivity maps.

In addition to this Knowledgebase Article, you can also have a look at this best-practices blog post  by
Dan Stine.

Using some detailed Bump- and Reflectivity maps in SketchUp

Accessing the Material Editor
To open the Enscape material editor, either go to Extensions ->  Enscape ->  Enscape Materials, or
click the Enscape Materials Button in the Enscape Toolbar:

Enscape Material Editor in SketchUp

 This is the interface that will pop up
In your case, the window may look slightly different – the reason is that the Enscape material editor
will always display the material that is currently selected in SketchUp – as long as the material is
used in your model.
This way, you can easily choose any material to adjust in Enscape by simply selecting it using

the Sample Paint ( ) tool in SketchUp. The Enscape material editor will switch to any selected
material immediately.
Material Types
In general, there’s four types of materials you can select in the Enscape material editor:

 Generic
 Grass
 Water
 Foliage
Generic
The “Generic” material type is suited for any materials that aren’t supposed to be rendered as grass
blades, water surface, or have translucency applied.
It gives you control over the color, reflectivity, transparency, surface relief (bump) and light
emission of your material.
This is the default material type and can be used for the majority of all possible materials.

The Generic Material Interface

Albedo
The Albedo area controls the basic color of the surface you’re designing. You can either select a
color, or choose a texture by clicking the [+] symbol. If choosing a texture, you’ll also receive a “Tint
Color” menu, allowing you to easily change the color of the texture used. Control the amount of
influence on your texture using the “Image Fade” slider. Of course, Enscape will use any UV
information (texture placement) it gets from SketchUp.

The Albedo area with no texture applied

Albedo area with texture applied
 Albedo Texture on Sphere
Self Illumination
The Self Illumination setting, when enabled, tells Enscape to literally handle your material as if
glowing, and emitting actual light. You can choose a brightness between 1 and 100000 candela per
square meter (cd/m²), and the color of the light.

Self Illumination area

 Checker texture applied to Self Illumination Color
Transparency
The Transparency area lets you control the opacity of your model, or, in other words, the amount of
light that can travel through the surface, allowing you to see what’s behind it.
 The Transparency area
 Texture
The Texture parameter allows you to control the transparency using a 2D image, a map. It refers to
the Opacity value, so a black area (which equals zero) on the image used will result in a perfectly
transparent portion of the surface, while a white area will appear perfectly opaque. Grey areas will
appear partially transparent, such as glass. If you load a colored image, Enscape will automatically
convert it to black and white, so you don’t have to worry about that.
 Opacity
The Opacity slider controls the overall transparency of the surface. If you’re using it combined with a
transparency map, it will define the maximum opacity, so white areas on said map will appear as
opaque as you’ve set using this slider.
 Tint Color
This menu allows you to choose a color that should be added to any semi-transparent areas of your
material. Very much like colored glass.
 Refractive Index
The Refractive Index slider determines by which factor light is being bent when traveling through a
transparent surface. You know this effect from looking at a glass of water, or very thick glass.
Air has a refractive index of 1.0 – so light rays travel through it in a straight line -, water has an index
of 1.33, window glass 1.52, and, for example diamonds have an index of 2.42 – they bend light quite
heavily.
For further information on this topic, feel free to have a look at the Wikipedia article .
 Frosted Glass
If the Frosted Glass checkbox is enabled, Enscape will blur what’s visible through the transparent
surface. The amount by which it’s blurred is being determined by the Roughness value in the
Reflections area.
 Transition from transparent sphere to one with transparency texture applied
Bump
The Bump area in the Enscape material editor allows to utilize so called Bump Maps.

Bump maps, again, can be any black and white 2D images. They tell Enscape to interpret a surface
as protruding (bright parts of the texture) or pushed in (dark parts of the texture).
 This is incredibly valuable for realism in your images!
Bump maps can make for an incredible surface detail and noise, without having to use a lot of
geometry or modeling. You can use this feature for noise on concrete surfaces, wood, or even full
reliefs! This can go a long way in convincing the viewer of looking at a realistic picture.

The effects of a sample bump map on a sphere

As powerful of a feature this is, it’s very easy to setup. Just select an image file using the  –
Button. It doesn’t even have to be black & white, Enscape will take care of that for you.

Then, select the intensity the effect should be applied with, using the “Amount” slider. Negative values
will invert the effect, causing dark areas to stick out and bright areas to be pushed in.

The Bump Map area

PRO TIP
If there’s already an Albedo texture applied to your material, you can just click “Use
Albedo“. Enscape will then assign the color texture to the bump value. This offers a
uniquely streamlined way to set up existing projects for Enscape: If you want to apply
a bump effect to, e.g. an existing wood material, simply select the material in
SketchUp using the   tool. Click “Use Albedo” in the Bump area (and, if desired, in
the Reflections area as well), select the right intensity with the “Amount” slider –
Done!
Reflections
This area is all about the microscopic roughness of your material, determining how much of the
environment you’ll see reflected in its surface.

The Reflections area

 Roughness
The smoother the material (Roughness -> 0%), the more it will reflect it’s environment. The
rougher the more it will diffuse incoming light.
 Texture
Again, you can also use 2D Images to control the reflective value per location on your surface.
 Metallic
The Metallic-slider tells Enscape to treat the surface either as a non-metallic (e.g. plastic,
ceramic..) reflective surface, or as a metallic one.
Let’s say metallic surfaces behave more like a mirror, reflecting a clear image of their surrounding,
while non-metallic surfaces show more of their actual surface, reflecting the environment rather
vaguely.
 Specular
This value controls the amount by which light is being reflected when hitting a non-metallic surface
at a steep angle, as opposed to light that’s hitting it rather from the side.
If you’re not too familiar with this setting, it’s best to leave it around 50% for realistic results.
 Sphere with checker texture applied for reflectivity
Grass
The Grass type material, as seen in the material editor, looks almost the same as the Generic type.
While it’s lacking the Transparency part, it instead features a Grass Settings area. Apart from
the Albedo area, which you can use to color your grass (also using a texture), the Bump–
 and Reflections parts are only useful if you plan to toggle the Grass Rendering setting on and off (this
can be found in the Enscape settings -> “Advanced” tab).

Grass Settings

'Grass' selected as material type

 Height
The Height slider will stretch the sprites being used as grass blades, making them appear larger,
making for higher grass.
 Changing the grass height
 Height Variation
The Height Variation slider adds a random factor to the grass height. This makes for
a wilder looking, ragged grass.

Randomizing the grass blades

Water
 Setting the Water type for a material will tell Enscape to treat any surface it’s applied to as physical
water, including waves & caustics.
 Water Color
Choose a color your water should be tinted in. No textures to be used this time – water color is set
globally.
 Separate faces and materials have been used in this image
Water Settings
Control the water movement. Change the speed and the direction your water is flowing to simulate
e.g. a river.
 Wind controls
 Intensity
Control the speed in which the water is flowing.
 Direction Angle
Control the overall direction water is moving in.
ATTENTIONDon’t be surprised, water in Enscape will stop moving as soon as you stand
still and stop moving the camera. This is intentional, and will not happen in video exports or VR.
Wave Settings
Fine tune the look of your waves, whether it’s the overall scale to match the proportions of your
model, or just the height to control whether your water looks rather wild or calm.

The Wave Settings sliders

Height: The Height slider controls the height – or intensity – of waves in water materials.
 Size: The Size slider controls the overall scale of your water. This way you can adjust the water
behavior for various project sizes, close ups etc.
Detail Settings
 Caustics Intensity
Caustics occur when light is being refracted through waves in water. Control this beautiful effect
using this slider. Keep in mind you will only see this effect as long as there’s a surface beneath the
water to reflect the light.
 No caustics to 100% caustics visibility
Foliage
When selecting “Foliage” as material type, the Enscape Material Editor interface will look identical to
when selecting “Generic” as type.
The difference this material type will cause is only visible on single-face objects. Please make sure
the object you apply this material to doesn’t have any depth, and also that the material is applied to
both sides of the face.
If these conditions are met, Enscape will apply Translucency to objects this material type is applied
to. This means that, if the Sun(yes, this doesn’t work combined with artificial lighting) is located
behind said surface, it will be illuminated on both sides. This is common in nature for example with
leaves, which is why this is the most common use case for this type of material.

You can apply a material to two sides of the same face

 Regular material on the left, Foliage material on the right
Texture Editor
 All texture slots used & their texture buttons above the settings
You can use up to four textures at a time per Enscape material. Textures are being used to
control Color, Visibility, Surface Detail and Roughness of a material.
By clicking any of the texture symbols at the top of the material editor, or any of the blue and
underlined image file names next to “Texture”, you’ll enter the actual texture editor interface.

Here you can

 Choose the image file for your texture

 Change the brightness
 Invert the colors of your image
 Apply explicit texture transformations, if you don’t want to use the ones delivered from
SketchUp
The Texture Editor interface is the same for any texture type. It’s meant to allow for simple image
editing operations without having to leave the material editor.
 The Texture Editor
Naming Keywords
Before introducing the Material Editor, Enscape would let you decide material properties using
keywords you simply had to include in the material name. This framework is still included in the
Enscape feature set, and can be used freely alongside the material editor for greater comfort.

These are the keywords to include in the SketchUp Material name to tell Enscape how to display it
more realistically.
 Keywords and their effects
KEYWORD EXPLANATION
Water, Ocean, River Draws the material as a water surface.
Vegetation, Foliage, Leaf Adds translucency to thin surfaces (single face
Emissive Emissive material based on the material color
Grass, Tall Grass, Wild Grass Realistic grass material based on the underlying surfa