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  • French Horn Excerpts

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    Cláudia Neves
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    The Boston Lyric Opera Orchestra is holding auditions for their horn sub list. Candidates will be expected to play a solo of their choice for 2-3 minutes and selected excerpts from 5 operatic and orchestral works, including pieces by Bellini, Puccini, Beethoven, Brahms, and Shostakovich.

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    French-Horn-Excerpts

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    The Boston Lyric Opera Orchestra is holding auditions for their horn sub list. Candidates will be expected to play a solo of their choice for 2-3 minutes and selected excerpts from 5 operatic and orchestral works, including pieces by Bellini, Puccini, Beethoven, Brahms, and Shostakovich.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    38 views4 pages

    French Horn Excerpts

    Uploaded by

    Cláudia Neves
    The Boston Lyric Opera Orchestra is holding auditions for their horn sub list. Candidates will be expected to play a solo of their choice for 2-3 minutes and selected excerpts from 5 operatic and orchestral works, including pieces by Bellini, Puccini, Beethoven, Brahms, and Shostakovich.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 4

    Boston Lyric Opera Orchestra

    Horn Sub List Auditions

    Solo Repertoire:

    The candidate will play 2-3 minutes of a solo of the candidate’s choice.

    Operatic and Orchestral Excerpts:

    1. Bellini: I Caupleti e I Montecchi : Nr. 4, mm. 5-18

    2. Puccini: Tosca : Act III Prelude, mm. 1-17

    3. Beethoven: Symphony Nr. 6: 3rd Movement, mm. 132-161

    4. Brahms: Symphony Nr. 2: 2nd Movement, mm. 17-31

    5. Shostakovich: Symphony Nr. 5: Figure 17-mm. 1 of Figure 21


    1. Bellini: I Caupleti e I Montecchi : Nr. 4, mm. 5-18

    2. Puccini: Tosca : Act III Prelude, mm. 1-17


    3. Beethoven: Symphony Nr. 6: 3rd Movement, mm. 132-161

    4. Brahms: Symphony Nr. 2: 2nd Movement, mm. 17-31


    5. Shostakovich: Symphony Nr. 5: Figure 17-mm. 1 of Figure 21

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