Professional Documents
Culture Documents
Then comes the suitors named the Prince of Arragon. He chooses the
silver casket swayed by the inscription on it : Who chooseth me shall get as
much as he desires. This prince is not foolish like the Prince of Morocco.
Like the Prince of Morocco he is not carried away by an external show. So
he rejects gold with all its superficial pomp and glitter. A hater of ordinary
man, the haughty and egotistical Prince of Arragon, very much proud of his
royal birth chooses the silver casket for his arrogant belief that he alone
deserves beautiful Portia. That is, he also fails in the tough test of character
because he thinks he is the only deserving character, the only competent
suitor of Portia.
We have seen Bassanio’s great anxiety to repay the loan from his
friend, Antonio. Unlike a fortune hunter he is honest and sincere. He is mean
minded and narrowly calculative like trader. It is his sincere and genuine
passion of love for Portia that inspire him to risk and hazard all and stand the
test of the lottery of caskets. The challenges on the leaden casket appeals to
his combative or competitive spirit of a born soldier and he chooses the right
casket. The speech that he makes just before his choice of a casket shows the
immense possibilities of his character so long unknown to us. The father of
Portia wanted such a self – sacrificing suitor as a son- in – law for his
daughter.
In “Arms And The Man” by Shaw we come across two beloveds and
three suitors. The beloveds are Raina and Louka and the suitors are Sergius,
Bluntschli and Nicola. Sergius is a major in the Bulgarian army and the
captain of a cavalry force. This handsome and impressive young man is the
fiance of Raina. This romantic young man earns romantic glory making a
foolish and foolhardy cavalry charge on the Serbian artillery forces in the
battle at Slivnitza. Sergius, the Byronic self- conceited romantic hero wins
the battle fighting the wrong way and the opposition forces lost the battle
fighting the right way. He becomes disillusioned about the romance of war
when he is refused promotion to a higher rank by the Russian officers.
Consequently he resigns his post as a cavalry captain and returns to his
beloved Raina only to be disillusioned and disenchanted about love and
marriage. Tired of his higher spiritual love with Raina, Sergius who is
basically a flesh and blood man but superficially a romantic lover starts
flirting with Louka, the maid- servant of Raina.
The maid- servant, however, plays upon the young hero’s weakness
for her and very cleverly tricks him into marrying her. This young suitor has
the blood of a soldier in him and challenges Bluntschli, his rival in love to a
dual but marking the cold blooded great bravery of Bluntschli he withdraws
not only his heroic challenges but also his romantic claims over Raina.
Sergius’s notion of love was initially unreal and romantic. He looked upon
Raina as his goddess, his queen and his heroine. Returning from the war, he
meets his beloved like a knight meeting his lady- love. The beloved also
welcomes the romantic hero as her hero, her king. This illusion of romantic
love, however, gets shattered with the knowledge of truth and the truth is
Sergius’s flirtation with Louka and Raina’s disillusion about Sergius’s
higher love and her discovery of a better life- partner in Bluntschli.
A typical Shavian practical man, Nicola would keep quiet and serve
his own ends or feather his own nest. He would never take advantage of that
secret like Louka. He thinks that as a wife Louka would be very expensive
but as Sergius’s wife and a customer of the goods of his new shop she would
be more profitable. So even though he is engaged to her, he readily gives his
consent to her marriage with the rich and fashionable young man Sergius.
He would rather have her as a fashionable customer than as his costly wife.
As a suitor Nicola is practical and commercial minded. He is like and unlike
Bluntschli. Both are Shaw’s practical men. But while Nicola belongs to
lower social rank, Bluntschli belongs to aristocratic social rank. Bassanio is
a self-sacrificing lover. He is ready to sacrifice his all / all he has for the sake
of his beloved. Nicola is not. He would rather withdraw his claim upon his
beloved than sacrifice his financial interest. This is how we can attempt a
simple comparative study of the different suitors of Portia, Raina and Louka.
-0-