Credit by Exam: CP-210

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1. Using quarter and eighth notes, with longer notes at cadences, provide counterpoint in the bass. Identify the
key, all intervals and implied harmonies. Use at least one suspension. Circle and label all non-chord tones
(PT, NT, Sus). (20 points)

b bb 4 œ œ œ œ œ œ U̇ œ œ œ œ œ œ nU˙
& 4
? b 4
bb4

bb b œ œ œ œ œ œ œ ˙U
&
? bb
b

2. This is the first section of a binary form. Identify the key and all intervals, as well as all implied harmonies
using Roman numerals. Compose a contrasting consequent phrase ending in a tonicized half cadence. Use
at least one suspension. Circle and label all non-chord tones (PT, NT, Sus). (28 Points)

#### 3 œ œ œ œ. œ œ œ œ œ œ œ œ œ. œ œ
Tempo di minuet

& 4 J J

? # # # # 43 œ œ œ ˙ œ œ œ œ
œ
˙

#### ..
&

? #### ..
052020REMOTE
 Credit by Exam: CP-210

3. Continue this canon at the octave above by a two measure delay. You may break the imitation within the last two
measures to make a perfect authentic cadence in the original key. Identify the key and all intervals, as well as all
implied harmonies using Roman numerals.(52 points)

4
&b 4 œ œ œ œ œ œ œ œ œ œ œ œ œ

? 4 ∑ ∑
b4

&b

?
b

&b

?b

CBX CP-210 page 2