Credit by Exam: CM-211

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1. Short figured bass examples (20 points): Provide all Roman numerals and figures below the staff. Add upper voices using
SATB style notation. Label each key. (Roman numerals and figures need to be written below the grand staff)

### 4 b b b 43
& 4

? # # # 44 b b b 43 œ œ œ œ ˙
œ œ #œ œ w
^ ^5 *`Q`Q`&`Y $2`Y ^ ^5 Y
2. Figured bass (36 points): Provide all Roman numerals and figures below the staff. Add upper voices using SATB style notation.

### 4
Label the key.

& 4

? # # # 44 œ œ œ œ œ #œ œ œ ˙
œ #œ œ œ œ œ ˙ ˙ w
^5 ^4`X ^ 5^ $`Q`Q`X ^ ^ X ^5`y & *6¢` &5¢`œ`œ`≈ x
3. Melody harmonization (14 points): Provide keyboard accompaniment to the following melody. Use one chord per measure

œ œ
except in bar 7 (and maybe bar 4), and follow the pattern of the first bar. Use at least one chord in first inversion, and the cadential

œ. œ œ œ œ œ. œ œ œ œ
6/4. Label the key, Roman numerals and figures, and all nonchord tones and cadences specifically.

b
& 43 J #œ. J œ
J
œ œ
? b 43 Œ˙ . œ œ

œ. œ œ œ. œ œ œ œ œ œ
b J J œ ˙.
&

?b

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 Credit by Exam: CM-211
4. Analysis (30 points): Label the key and complete a Roman numeral analysis of the following excerpt. In the space 
beneath the score, diagram the form of this piece.  Label all nonchord tones and cadences specifically.

Form Diagram

CBX - CM211 page 2