AMO

Trompeta 1 Pasillo Cancion Arnulfo Briceño

Arr: Miguel Angel Tamayo C.

   
          
 
    
                            
9

       
                      
15

    
 
                           
22

 
                        
    
31

   
      
              
39

 

                              
51

 
                         
To Coda

   
58

 
 
                    
65

     D.S. al Coda

 
     
 
         
   
  
  
76 a tempo

rit.

12/ 03/ 2012

 AMO
Trompeta 2 Pasillo Cancion Arnulfo Briceño
Arr: Miguel Angel Tamayo C.

   
             

    
 
  
   
 
                                
8

 

  
                              
14


 
         
24

    
 
 
                     
36

      
46
            
       
 
                                  
54

 
        
61

  
To Coda

     
 
                      
71

 D.S. al Coda

                       
76 a tempo

     
rit.
12/ 03/ 2012
 AMO
Corno en F Pasillo Cancion Arnulfo Briceño
Arr: Miguel Angel Tamayo C.

        
          
     

        
8

          

                     
16

       

                    
23

       

                 
30

           

                      
38

 
    

  
           
47

 
          

           
      
60 To Coda

        
 
                       
    D.S. al Coda
69

   
  
                
76
a tempo

 
rit.

12/ 03/ 2012

 AMO
Trombón Pasillo Cancion Arnulfo Briceño
Arr: Miguel Angel Tamayo C.

    
 
                  

  
         

   


 
     
8


             
 
                
18

       
                 

26


             
     
37

           
             
45

 
        
                 
53

           
            
62 To Coda

                            
 
69

 D.S. al Coda

     
               
76 a tempo

rit.

12/ 03/ 2012

 AMO
Tuba Pasillo Cancion Arnulfo Briceño
Arr: Miguel Angel Tamayo C.

               

         
                
  
10

              

                              
17

  
    
             
26

            
                
32

          


             
41


        
         

           

48

         
       
57 To Coda


       
              
67

          
D.S. al Coda

      
76 a tempo

             
rit.
12/ 03/ 2012