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Global consumer culture is recognised as a collection of common signs and symbols (e.g.
hrands) that are understood by significant numbers of consumers in urban markets around
the world. International advertising is a powerful driving force of this evolving phenom-
enon. However, scholars have suggested that more comprehensive theoretical frameworks
are needed to better understand international advertising in the global environment.
Global consumer culture positioning (GCCP) and perceived brand globalness (PBG)
represent two important constructs for studying international advertising in the context of
global consumer culture. This review of GCCP and PBG highlights their past application
and future potential for advancing international advertising theory, research and practice.
It also sheds light on the long-standing standardisation versus adaptation debate.
Introduction
The process of economic globalisation may slow down during times of
financial and social upheaval, but global movements of capital, labour
and production will continue to grow over the long term (Townsend et al.
2009). Furthermore, while deep-seated cultural traditions and values do
not appear to be converging, demand for global brands among certain
segments remains strong. In addition, evidence supports the validity of
acculturation to global consumer culture (AGCC; Cleveland & Laroche
2007) and the existence of the individual difference construct-global
consumption orientation (GCO; Alden et al. 2006).
Alden et al. (1999) describe global consumer culture (GCC) as a set of
consumption-related symbols and behaviours that are commonly under-
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INTERNATIONAL JOURNAL OE ADVERTISING, 2010, 29(1)
to positioning strategy, e.g. they report that beauty products are likely to
employ more standardised advertising than other product categories.
In a study related to brand quality, Amine etal. (2005) respond to Alden
et al.\ (1999) call for more managerially orientated research on the use of
global positioning strategies. The authors referenced both the GCCP and
PBG frameworks in their case study analysis, which examined Taiwan's
country-image ad campaign. They found evidence of a semiotic approach
for meaning transfer in advertising, and identified quality and excellence
as recurring themes that were used to improve Taiwan's country image to
the rest of the world. Taiwan's use of a quality appeal in the promotion of
its country image is consistent with the PBG construct (Steenkamp et al.
2003), which suggests that quality is often associated with perceptions of
globalness. Moreover, Amine et al.'s (2005) study supports Alden et al.'s
(1999) finding that global ads employ soft-selling over hard-selling tactics,
as Taiwan's recent ads portrayed an affective approach using images of
culture and quality of life.
In their study of status-seeking consumers in China, Hung et al. (2005,
p. 52) draw on both GCCP and PBG. The authors explain:
Global brands are known to purposely promote a foreign image when market-
ing in transitional economies (Alden et al. 1999). This is to enhance the desira-
bility of these brands among local consumers who tend to associate foreignness
with higher perceived quality and social status given the brands' higher price,
relative scarcity and higher prestige (Batra etal. 2000; Steenkamp etal 2003).
With the goal of improving media decisions in China, W\xn%et al.^^ (2005)
study found that advertising in special interest magazines is more effec-
tive in reaching 'upscale urbanités' - consumers who are young, educated
and have relatively high incomes — than advertising on television or in
newspapers. Moreover, they found that magazines, particularly fashion
magazines, were effective for reaching status-seeking consumers. In line
with Steenkamp et al. (2003), the authors suggest that these media out-
lets, which are effective in reaching status-seeking consumers, should be
important to advertisers with non-local positioning.
Zhou and Belk (2004) apply the GCCP framework and analyse reader
responses towards globally versus locally positioned advertisements
among Chinese consumers. Two distinct groups were identified: one
attracted to global advertising appeals and the other to local advertising
appeals. Consistent with the GCCP framework, global advertisements
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GLOBAL BRAND POSITIONING AND PERCEPTIONS
were found to use less literal or 'softer' appeals, and portrayed the feeling
of cosmopolitan sophistication. The group attracted to the global appeals
interpreted meanings of beauty, status and cosmopolitanism, while the
group attracted to local appeals associated ad meanings with Chinese
cultural values and feelings of nationalism. These results also supported
Steenkamp etal.'s (2003) findings that the global culture is associated with
the desire for status or prestige.
While research related to GCCP and PBG indicates the existence of
common elements associated with international advertising and GCC
(e.g. brand quality and prestige), other variables also appear to influ-
ence attitudes and perceptions towards global brands (Alden et al. 2006).
Several advertising studies have drawn on GCCP in conjunction with
research related to consumer perceptions. Such studies emphasise indi-
vidual differences and cultural differences in responsiveness to advertising
communications.
For example, Zhou etal. (2008) develop a scale measuring susceptibility
to global consumer culture (SGCC). The authors derive this concept from
the PBG framework (Steenkamp etal. 2003) and define SGCC as 'the con-
sumer's desire or tendency for the acquisition and use of global brands' (p.
337). They explain that this individual difference is recognised as a gen-
eral consumer tendency that varies across cultures (Holt et al. 2004) and
influences the effectiveness of GCCP on consumer perceptions of brand
globalness. In line with the pathways of PBG, SGCC is found to relate to
three general aspects of consumption: conformity to consumption, quality
perception and social prestige. The authors suggest that the SGCC con-
cept can be used to inform decisions related to GCCP by helping firms
better understand the motivations of consumer attitudes towards globally
positioned brands.
In their study on 'brand morphing', Kates and Goh (2003) recognise the
three brand-positioning categories proposed within the GCCP framework,
but they argue that global, local and foreign positioning does not account
for the presence of multiple brand meanings in the culturally diverse glo-
bal market. They explain that a brand can have multiple meanings and
may be associated with diverse groups of people, including cultures. The
authors present several brand morphing practices (customised uniformity,
changing brand positioning and creating 'new' meanings) that interna-
tional advertisers can use to communicate global images while increasing
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local relevance. The integration of local cultural signs and symbols with
global messages and content has been recognised as the hybridised
approach (e.g. Alden et al. 2006) - an alternative to the extreme positions
of standardisation and adaptation.
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GLOBAL BRAND POSITIONING AND PERCEPTIONS
Conclusion
This exploration of international advertising and GCC responds to
Taylor's (2005) call for research regarding cultural influences in adver-
tising and empirically tested theoretical frameworks for advancing
international advertising research. It is argued here that GCC is a par-
ticularly relevant context for international and cross-cultural advertis-
ing research, as it cuts across local, national and regional borders alike.
As mentioned, due to the complexity of globalisation, investigation of
GCC benefits from consideration of both the role of the firm and that
of the consumer. Two theoretical constructs - global consumer culture
positioning (GCCP; Alden et al. 1999) and perceived brand globalness
(PBG; Steenkamp et al. 2003) - have been presented here, along with
related research that has contributed to the study of international adver-
tising and GCC. However, the concept of GCC is relatively new and the
dynamics of globalisation make it difficult to study. Research regarding
GCC will only gain in importance as globalisation advances and the
worldwide movement of brand signs and globally oriented consump-
tion behaviours increases in speed. Thus, though challenging, future
research opportunities are plentiful and meaningful to the advancement
of international advertising theory and practice.
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