Professional Documents
Culture Documents
WHAT WE KNOW
● Equalization is used by a lot of people to improve sound quality
RESEARCH
Facts
● Equalizers are found in higher end speakers
● Approximately %40% of speakers have equalization or leveling hardware
Inference
● People would want to have equalization software on lower-end, cheaper speakers
Speculation
● Adding additional EQ control to speakers will make rehearsals easier and better for
amateur musicians
Opinion
● It would be easier to have your own equalizer set up how you like it
Performance
D: Must have a pre-amp in order to allow for equalization
D: Will not interfere with the preamp in the speaker
W: Will be able to connect to a variety of devices
W: Will have a easy to interact with interface
Geometry
W: It will be compact and easy for transport
D: Must be able to accommodate the wiring for a preamp and equalizer
D: Must be able to be attached to an XLR cable
Materials
D: Durable exterior to protect interior
W: Reliable
W: Long-lasting
Energy
W: Must not consume too much power
D: Uses enough energy to accomplish its task
Time
D: Must be easy to set up
Costs
W: must be relatively affordable for amateur musicians
Standards
D: Must not violate any district, state, federal, or international laws
W: Does not violate Geneva Conventions
D: Uses a physical audio interface
Safety
D: Must not be dangerous to plug in
D: must not be explosive
W: cannot be damaged by water
Transport
D: must be mobile
W: must be light
Ergonomics
W: pleasant to the ears
Environment
W: recyclable components
PROBLEM STATEMENT
Problem
During live rehearsals, there is often very little control over the levels and equalization. As a
result, instruments can sound too loud or too quiet, and some instruments can be unpleasant to
listen to because they’re unbalanced.
Problem Definition
We want a simple way to give people more control over their audio during live rehearsals.