PRINT EDITION, V 2.

0 / OT I S ART BOOK FA I R / SUMMER 201 9, LO S ANGELES, CA / (an in-progress, collaborative project)

THE DECOLONIZING / PUNCTURING / EX-

PANDING / DE-WESTERNIZING DESIGN READER
- - - -
tinyurl.com/y43sukuu →TINYURL.COM/Y43SUKUU →tinyurl.com/y43sukuu →tinyurl.com/y43sukuu →tinyurl.com/y43sukuu →TINYURL.COM/Y43SUKUU

READINGS & RESOURCES

-
(by no means an exhuastive list)…

↑Pi-Sheng, 11th Century AD, Inventor of

—THE DANGER OF THE SINGLE STORY, CHIMAMANDA NGOZI ADICHIE (LOOK AT THIS!!!!)

the 1st movable type in China.

HTTPS://YOUTU.BE/D9IHS241ZEG

—THE POLITICS OF DESIGN BY RUBEN PATER

HTTPS://WWW.AMAZON.COM/POLITICS-DESIGN-GLOBAL-MANUAL/DP/9063694229
HTTPS://YOUTU.BE/YNF3QLYCQ78

—GOOD HISTORY/BAD HISTORY, TIBOR KALMAN, J. ABBOTT MILLER, AND KARRIE JACOBS(PDF)
HTTP://WWW.PRINTMAG.COM/WP-CONTENT/UPLOADS/GOODHISTORYBADHISTORY.PDF?91875E

—WHAT ARE THE DANGERS OF A SINGLE STORY?

HTTPS://WWW.NPR.ORG/TEMPLATES/TRANSCRIPT/TRANSCRIPT.PHP?STORYID=186303292

—DECOLONISER, OLIVIA U. RUTAZIBWA, TEDXFLANDER

HTTPS://YOUTU.BE/Z0B6WFDGSEUF

—HOW WILL WE QUEER DESIGN EDUCATION WITHOUT COMPROMISE?

WALKER ART CENTER, READER, AUGUST 2018
HTTPS://WALKERART.ORG/MAGAZINE/SOUNDBOARD-QUEERING-DESIGN-EDUCATION-RAMON-TEJADA
WHY THIS READER? PART 1
Lascaux Cave Paintings — GRAPH-
—bell hooks
IC DESIGN’S HISTORY (AND ART HISTORY HTTPS://OPINIONATOR.BLOGS.NYTIMES.COM/2015/12/10/BELL-HOOKS-BUDD
FOR THAT MATTER) usually starts HISM-THE-BEATS-AND-LOVING-BLACKNESS/
here, BUT… HOW HAS THIS HISTORY HTTPS://SJUGENDERSTUDIES.FILES.WORDPRESS.COM/2013/09/KILLINGRAGE-BELL-HOOKS.PDF
HTTPS://WWW.CDS.HAWAII.EDU/SITES/DEFAULT/FILES/DOWNLOADS/RESOURCES/DIVERSITY/KILLINGRAGEENDINGRACISM_PART1.PDF
BEEN TOLD? WHO WROTE THIS HISTO-
HTTPS://WWW.CDS.HAWAII.EDU/SITES/DEFAULT/FILES/DOWNLOADS/RESOURCES/DIVERSITY/KILLINGRAGEENDINGRACISM_PART2.PDF
RY? HISTORY IS ABOUT THE INTERPRE- HTTPS://CHARLIEROSE.COM/VIDEOS/12053
TATION BY THE WRITER/AUTHOR WHO HTTP://SITES.UTEXAS.EDU/LSJCS/FILES/2018/02/TEACHING-TO-TRANSCEND.PDF
WRITES IT FROM HIS (USUALLY A WHITE
MALE) PERSPECTIVE. WHERE DOES THAT —PAULO FREIRE (PEDAGOGY OF THE OPPRESSED/ HUMANIZATION)
HTTPS://SELFORGANIZEDSEMINAR.FILES.WORDPRESS.COM/2011/08/FREIRE_PEDAGOGY_OPPRESED1.PDF
LEAVE THE REST OF US… THE SOUTH-
HTTPS://YOUTU.BE/DTWY2NGONS8
ERN HEMISPHERE? INDIGENOUS PEO-
PLES? PEOPLES OF COLOR? HOW CAN —COLONIZATION AND DECOLONIZATION
WE BEGIN THE PROCESS OF EXPAND- HTTPS://EN.WIKIPEDIA.ORG/WIKI/DECOLONIZATION
ING THIS NARRATIVE? WHO SHOULD WE HTTPS://EN.WIKIPEDIA.ORG/WIKI/WESTERN_EUROPEAN_COLONIALISM_AND_COLONIZATION THIS READER IS COLLABORA-
HTTP://WWW.UN.ORG/EN/DECOLONIZATION/ TIVE (OPEN SOURCED) COM-
HIGHLIGHT, READ, ENGAGE AND TALK PILATION OF READINGS, RE-
HTTPS://WWW.METMUSEUM.ORG/TOAH/SEARCH/?SEARCH-TERM=COLONIZATION SOURCES AND BITS AND PIECES
WITH? WHOSE WORK, NARRATIVES, EX- HTTPS://WWW.KHANACADEMY.ORG/HUMANITIES/ART-AFRICA/AFRICAN-ART-INTRO/A/AFRICAN-ART-EFFECTS-OF-EUROPEAN-COLONIZATION ABOUT EXPANDING GRAPHIC
AMPLES, IDEAS, THOUGHTS, PERSPEC- HTTPS://WWW.THEGUARDIAN.COM/CULTURE/2015/JUN/29/MUSEUMS-LOOTING-ART-ARTEFACTS-WORLD-CULTURE DESIGN/DESIGN’S HISTORI-
CAL NARRATIVES AND FIND-
TIVES SHOULD WE BE IN CONVERSA- ING WAYS TO ALTER, EXPAND
—COLONIALISM AND (GRAPHIC) DESIGN AND INCLUDE THE PEOPLES
TION WITH, OR BETTER YET INCLUDE IN AND NARRATIVES THAT ARE
HTTP://WWW.DECOLONISINGDESIGN.COM/ MISSING (WHICH IS A LOT).
THE ROOM AND AROUND THE TABLE?
HTTPS://DEPATRIARCHISEDESIGN.WORDPRESS.COM/PAGE/1/ THIS READER IS BY NO MEANS
HTTPS://EYEONDESIGN.AIGA.ORG/WHAT-DO-SEXISM-PLAGIARISM-AND-COLONIALISM-HAVE-TO-DO-WITH-YOUR-JOB/ EXHAUSTIVE AS THERE IS SO
MUCH WE NEED TO ENGAGE
THIS READER IS AN ATTEMPT TO GATH- HTTPS://ONLINELIBRARY.WILEY.COM/DOI/FULL/10.1111/J.1755-618X.2004.TB02179.X WITH AND ELEVATE AS PART
ER MATERIALS TO BEGIN THE PROCESS HTTPS://WWW.FASTCOMPANY.COM/1661859/IS-HUMANITARIAN-DESIGN-THE-NEW-IMPERIALISM OF DESIGN HISTORY AND DIS-
COURSE THAT DOES NOT CON-
OF EXPANDING AND MAKING DESIGN TINUE TO PRIVILEGE WESTERN
—JAMES BALDWIN EUROPE AND ITS CHILDREN.
MORE INCLUSIVE. IT IS ABOUT READ-
I AM NOT YOUR NEGRO, DIRECTED BY RAOUL PECK, TEXTS BY JAMES BALDWIN
ING AND ENGAGING WITH OTHERS. IT HTTPS://YOUTU.BE/RNUYDGIYAPM
IS BY FAR FROM COMPLETE, ACTUALLY, HTTPS://WWW.YOUTUBE.COM/WATCH?V=DND1XH-BNBE
IT WILL NEVER BE FINISHED. WE HAVE MOVIE SCRIPT: HTTPS://WWW.SPRINGFIELDSPRINGFIELD.CO.UK/MOVIE_SCRIPT.PHP?MOVIE=I-AM-NOT-YOUR-NEGRO
HTTPS://SCHOLARWORKS.UMASS.EDU/CGI/VIEWCONTENT.CGI?ARTICLE=1042&CONTEXT=CIBS
SO MUCH TO READ AND CONSID-
HTTPS://WWW.NEWYORKER.COM/MAGAZINE/2017/11/13/RICHARD-AVEDON-AND-JAMES-BALDWINS-JOINT-EXAMINATION-OF-AMERICAN-IDENTITY
ER TO EXPAND THIS STORY OF WHAT HTTPS://WWW.THEGUARDIAN.COM/BOOKS/2017/NOV/16/BALDWIN-NOTHING-PERSONAL
DESIGN IS, SHOULD BE AND CAN BE. HTTPS://WWW.NEWYORKER.COM/MAGAZINE/1962/11/17/LETTER-FROM-A-REGION-IN-MY-MIND
¡ A D E L A N T E !

-
—ON SUPER-DIVERSITY BY TARIQ RAMADAN
HTTPS://WWW.AMAZON.COM/SUPER-DIVERSITY-REFLECTIONS-ENGLISH-DUTCH-ARABIC/DP/1934105775/REF=SR_1_1?S=BOOKS&IE=UTF8&QID=1532265330&SR=1-1&KEYWORDS=ON+SUPER+DI-
VERSITY

— A HISTORY OF DESIGN IDEOLOGY FOR THE FUTURE BY MARJANNE VAN HELBERT (ED).
IN PARTICULAR, THE INTRODUCTION, DESIGN HISTORY INTERRUPTED: A QUEER-FEMINIST PERSPECTIVE, ECE CANLI; IF NOT TOMORROW, THEN TODAY: PARADIGMS OF LATIN AMERICAN DESIGN,
LUISA PRADO DE O. MARTINS & PEDRO JS VIEIRA DE OLIVERA.
HTTP://UNTOLD-STORIES.NET/?P=THE-RESPONSIBLE-OBJECT
HTTP://DIRTY-DESIGN.NET/
HTTP://DIRTY-DESIGN.TUMBLR.COM/
↑The Politics of Design by Ruben

—A TASTE OF DUTCH COLONIALISM, RUBEN PATER

HTTP://UNTOLD-STORIES.NET/?P=DUTCH-SWEETS

—THE SHORT CENTURY: INDEPENDENCE AND LIBERATION MOVEMENTS IN AFRICA,

1945–1994 AN INTRODUCTION
HTTPS://DRIVE.GOOGLE.COM/FILE/D/1VYZ44UTYNAS3CVU2HHDX_8N4XYUN_HIV/VIEW

—ROXANNE GAY
WE ARE MANY. WE ARE EVERYWHERE, ROXANNE GAY
Pater.

HTTPS://THERUMPUS.NET/2012/08/WE-ARE-MANY-WE-ARE-EVERYWHERE/

—TONI MORRISON: THE RADICAL VISION OF TONI MORRISON

HTTPS://WWW.NYTIMES.COM/2015/04/12/MAGAZINE/THE-RADICAL-VISION-OF-TONI-MORRISON.HTML
HTTPS://WWW.NYPL.ORG/BLOG/2017/02/15/WHERE-START-TONI-MORRISON
HTTPS://WWW.THEGUARDIAN.COM/BOOKS/2015/APR/25/TONI-MORRISON-BOOKS-INTERVIEW-GOD-HELP-THE-CHILD
HTTPS://WWW.HISTORYTODAY.COM/ALEXANDER-LEE/PORTRAIT-AUTHOR-HISTORIAN-TONI-MORRISON
HTTP://WWW.HUP.HARVARD.EDU/CATALOG.PHP?ISBN=9780674976450
HTTPS://WWW.THEGUARDIAN.COM/BOOKS/2017/OCT/18/ORIGIN-OF-OTHERS-TONI-MORRISON-REVIEW
HTTPS://WWW.YOUTUBE.COM/WATCH?V=FAS3E1AGNEM
HTTPS://YOUTU.BE/F4VIGVKPT1C
HTTPS://YOUTU.BE/Q5D5PLI7KVC

decolonizing Designg Reader_printed_v2_otis at book fair_newspaper club_350x500mm.indd 1 6/25/19 1:41 PM

 HTTPS://SCHOLARBLOGS.EMORY.EDU/POSTCOLONIALSTUDIES/2014/05/31/AFRICAN-AMERICAN-STUDIES-AND-POSTCOLONIALISM/ —BERLIN BIENNALE: REAL DECOLONIZATION HAS TO HURT
HTTPS://WWW.NYTIMES.COM/VIDEO/BOOKS/1194834031847/A-CONVERSATION-WITH-TONI-MORRISON.HTML HTTPS://WWW.DW.COM/EN/BERLIN-BIENNALE-REAL-DECOLONIZATION-HAS-TO-HURT/A-44112263
tory (makers).
↑@bgwaybright, informal survey of graphic design his-
HTTPS://YOUTU.BE/ZLR_TCGHZRU
—MALCOLM GLADWELL, REVISIONIST HISTORY PODCAST
TADANORI YOKOO HTTP://REVISIONISTHISTORY.COM/
HTTP://WWW.TADANORIYOKOO.COM/INFO/INDEX_E.HTML
HTTP://WWW.DESIGNISHISTORY.COM/1960/TADANORI-YOKOO/ —MAKING AFRICA: A CONTINENT OF CONTEMPORARY DESIGN (LOOK AT THE ESSAY ON “GRAPHIC DESIGN AND THE DECOLONIZATION AESTHETIC”)
HTTPS://WWW.TATE.ORG.UK/WHATS-ON/TATE-MODERN/EXHIBITION/EY-EXHIBITION-WORLD-GOES-POP/ARTIST-INTERVIEW/TADANORI-YOKOO HTTPS://WWW.AMAZON.COM/DP/393193652X/?COLIID=I37MY3M9UJRU98&COLID=2SNBWXO0XWX10&PSC=0&REF_=LV_OV_LIG_DP_IT
HTTPS://WWW.SSENSE.COM/EN-US/EDITORIAL/CULTURE/AESTHETIC-SHOCK-DESIGNER-TADANORI-YOKOO-2 HTTPS://YOUTU.BE/JZIMBVBEGYI

—ADRIAN PIPER, A READER (A SYNTHESIS OF INTUITION, MOMA) —YINKA SHONIBARE

HTTPS://YOUTU.BE/E5LUE0FFZGQ HTTPS://WWW.NYTIMES.COM/2018/06/12/ARTS/DESIGN/YINKA-SHONIBARE-EXHIBITION-LONDON.HTML
HTTPS://WWW.AMAZON.COM/DP/1633450333/?COLIID=I3KAJB7VFCRCNU&COLID=2SNBWXO0XWX10&PSC=0&REF_=LV_OV_LIG_DP_IT HTTP://WWW.STEPHENFRIEDMAN.COM/EXHIBITIONS/PAST/2018/TALISMAN-IN-THE-AGE-OF-DIFFERENCE/
HTTP://MEDIA.STEPHENFRIEDMAN.COM/FILES/BLACK-MAGIC.PDF
—WHAT IS AT STAKE WITH DECOLONIZING DESIGN? A ROUNDTABLE (PDF) HTTPS://YOUTU.BE/X0RAIMV0K4M
HTTPS://WWW.RESEARCHGATE.NET/PUBLICATION/323463776_WHAT_IS_AT_STAKE_WITH_DECOLONIZING_DESIGN_A_ROUNDTABLE HTTPS://YOUTU.BE/FSANE1OW5RM
HTTPS://YINKASHONIBARE.WORDPRESS.COM/COLONIALISM-AND-POST-COLONIALISM/
—RAMON GROSFOGUEL: “DECOLONIZING THE UNIVERSITY”
HTTPS://YOUTU.BE/LKGL92YQYGK —OKWUI ENWEZOR, CURATOR
HTTPS://YOUTU.BE/HAJIQDKYLRC HTTPS://YOUTU.BE/MJKAYB1UXPM
HTTPS://DIALNET.UNIRIOJA.ES/DESCARGA/ARTICULO/3982167.PDF HTTPS://POSTWAR.HAUSDERKUNST.DE/EN/

—1491 & 1493 BY CHARLES C. MANN —SYMPOSIUM: THE SEA IS HISTORY: ART AND BLACK ATLANTIC CULTURES
HTTPS://WWW.YOUTUBE.COM/WATCH?V=BGHLHJ-C8OS HTTPS://YOUTU.BE/VGJH6F7YI60
HTTPS://WWW.AMAZON.COM/1491-REVELATIONS-AMERICAS-BEFORE-COLUMBUS/DP/1400032059/REF=SR_1_1?S=BOOKS&IE=UTF8&QID=1532266090&SR=1-1&KEY-
WORDS=1491
—AVA DUVERNAY
HTTPS://WWW.AMAZON.COM/1493-UNCOVERING-WORLD-COLUMBUS-CREATED/DP/0307278247/REF=SR_1_1?S=BOOKS&IE=UTF8&QID=1532266104&SR=1-1&KEY-
WORDS=1493 HTTPS://WWW.NYTIMES.COM/2016/01/26/MOVIES/AVA-DUVERNAY-ON-HOLLYWOODS-INCLUSION-PROBLEM.HTML
HTTPS://WWW.YOUTUBE.COM/WATCH?V=DHQ75RHJ9WU (LOOK AT THIS!!!!)

—DIVERSITY IN DESIGN: PERSPECTIVES FROM THE NON-WESTERN WORLD, VIBHAVARI JANI

HTTPS://WWW.AMAZON.COM/DIVERSITY-DESIGN-PERSPECTIVES-NON-WESTERN-WORLD/DP/1563677555/REF=SR_1_1?S=BOOKS&IE=UTF8&QID=1532266182&S- —OPRAH WINFREY
R=1-1&KEYWORDS=DIVERSITY+IN+DESIGN%3A+PERSPECTIVES+FROM+THE+NON-WESTERN+WORLD%2C+VIBHAVARI+JANI HTTPS://WWW.NYTIMES.COM/2018/01/07/MOVIES/OPRAH-WINFREY-GOLDEN-GLOBES-SPEECH-TRANSCRIPT.HTML
HTTPS://YOUTU.BE/FN5HV79_8B8
—WHY CAN’T THE US DECOLONIZE ITS DESIGN EDUCATION?
HTTPS://EYEONDESIGN.AIGA.ORG/WHY-CANT-THE-U-S-DECOLONIZE-ITS-DESIGN-EDUCATION/ —ASIKO: ON THE FUTURE OF ARTISTIC AND CURATORIAL PEDAGOGIES IN AFRICA
HTTPS://EYEONDESIGN.AIGA.ORG/4-MORE-QUESTIONS-ABOUT-DECOLONIZING-U-S-DESIGN-EDUCATION/ HTTP://WWW.EDDIECHAMBERS.COM/ASIKO-BOOK/
HTTPS://NUBLOCKMUSEUM.BLOG/2017/08/09/BISI-SILVA-ON-BUILDING-SUSTAINABLE-CONTEMPORARY-ARTS-ORGANIZATIONS-IN-NIGERIA-VIDEO/
—BLACK IN DESIGN, HSD, 2017 EDITION (LOOK AT THE DESIGN FUTURING PANEL)
HTTP://WWW.GSD.HARVARD.EDU/EVENT/BLACK-IN-DESIGN-2017/ —JOHN LEGUIZAMO
HTTPS://WWW.NYTIMES.COM/2017/11/08/THEATER/JOHN-LEIGUIZAMO-MUSIC-LATIN-HISTORY-MORONS.HTML
—BLACK DESIGNERS: MISSING IN ACTION, CHERYL D. MILLER HTTPS://WWW.NYTIMES.COM/2017/03/27/THEATER/JOHN-LEGUIZAMO-LATIN-HISTORY-FOR-MORONS-REVIEW.HTML
HTTP://WWW.PRINTMAG.COM/DESIGN-CULTURE-2/HISTORY-2/BLACKS-IN-DESIGN-1987/ HTTPS://YOUTU.BE/RHYAWTU498E
HTTPS://YOUTU.BE/IELQKSRYWV4
HTTPS://YOUTU.BE/QHKTJ1_NS_W
—DECOLONIZE BROOKLYN MUSEUM
HTTPS://YOUTU.BE/EXZMEDJ3V8U
HTTPS://DECOLONIZEBROOKLYNMUSEUM.WORDPRESS.COM/ HTTPS://HYPERALLERGIC.COM/437542/GROWING-COALITION-CALLS-BROOKLYN-MUSE-
UM-OUT-OF-TOUCH-AND-DEMANDS-DECOLONIZATION-COMMISSION/ FREAK, COMIC BOOK, BE AWARE THAT THERE ARE 3 VOLUMES HTTPS://WWW.AMAZON.COM/FREAK-PART-1/DP/0692951717/REF=SR_1_1?IE=UTF8&QID=1532438465&SR=8-1&KEYWORDS=JOHN+LE-
GUIZAMO+FREAK%2C+COMIC+BOOK

—THE QUILTMAKERS OF GEE’S BEND

—EMORY DOUGLAS
HTTPS://VIMEO.COM/50174695
HTTPS://YOUTU.BE/HNY_S4Z4VPW
HTTPS://YOUTU.BE/OSXQPG0POHE
—THE WESTERN GRAPHIC DESIGN CURRICULUM MUSN’T CONTINUE TO RESIST DIVERSITY, HARSH PATEL HTTPS://YOUTU.BE/SIDNKW7NPUC
HTTP://DRAWER.HARSHPATEL.COM/
—HISTORY AND ART HISTORY (MISSING)
—WHY IS GRAPHIC DESIGN 93% WHITE? HTTPS://WWW.SMITHSONIANMAG.COM/SMITHSONIAN-INSTITUTION/TWO-ARTISTS-SEARCH-MISSING-HISTORY-180968651/
HTTPS://WWW.AIGA.ORG/AIGA/CONTENT/TOOLS-AND-RESOURCES/DIVERSITY-AND-INCLUSION/WHY-IS-GRAPHIC-DESIGN-93-WHITE/ HTTP://NPG.SI.EDU/EXHIBITION/UNSEEN-OUR-PAST-NEW-LIGHT-KEN-GONZALES-DAY-AND-TITUS-KAPHAR
HTTP://GALLERYOFLOSTART.COM/
—LEMONADE, BEYONCE HTTPS://WWW.NYTIMES.COM/2006/03/07/ARTS/DESIGN/REVISING-ART-HISTORYS-BIG-BOOK-WHOS-IN-AND-WHO-COMES-OUT.HTML
HTTPS://WWW.YOUTUBE.COM/RESULTS?SEARCH_QUERY=LEMONADE+BEYONCE HTTPS://WWW.METMUSEUM.ORG/TOAH/
HTTPS://WWW.SPIN.COM/2016/04/BEYONCE-LEMONADE-HBO-ALBUM-FILM-ANALYSIS/
—FELA KUTI
—LEMONADE, SYLLABUS HTTPS://WWW.YOUTUBE.COM/WATCH?V=PCPUA4DVUXS (AUDIO)
HTTPS://GISELLEPR.FILES.WORDPRESS.COM/2016/05/LEMONADE-SYLLABUS.PDF HTTPS://YOUTU.BE/Z7OB9W0CAZS (LIVE IN PERFORMANCE)

—THE MEANING BEHIND THE CLASSICAL PAINTINGS IN BEYONCÉ AND JAY-Z’S “APESHIT,” VOX (ADDED BY ELENA FORAKER) —THE SHORT CENTURY: INDEPENDENCE AND LIBERATION MOVEMENTS IN AFRICA, 1945–1994
HTTPS://WWW.VOX.COM/CULTURE/2018/6/19/17476212/APESHIT-VIDEO-BEYONCE-JAY-Z-CARTERS-PORTRAIT-NEGRESSE-BENOIST (CATALOGUE, OF HIGHLY INFLUENTIAL SHOW CURATED BY OKWUI ENWEZOR, IS IN THE RISD LIBRARY AND CONTAINS SEVERAL ESSAYS OF INTEREST FOR THIS COURSE)
HTTP://MOMAPS1.ORG/EXHIBITIONS/VIEW/193
HTTPS://WWW.NYTIMES.COM/2002/02/17/ARTS/ART-ARCHITECTURE-FERMENT-LIBERATION-COMES-REVOLUTION-AFRICAN-ART.HTML
—BLACK PANTHER
HTTPS://YOUTU.BE/XJDJIWPWCPU
—KADER ATTIA
HTTP://KADERATTIA.DE/THE-COLONIAL-MODERN/
—GET OUT, JORDAN PEELE
HTTPS://NEWS.ARTNET.COM/ART-WORLD/KADER-ATTIA-REPARATIONS-REPAIR-834059
HTTPS://YOUTU.BE/DZFPYUB60YY
HTTPS://WWW.SPIKEARTMAGAZINE.COM/EN/ARTICLES/RE-APPROPRIATING-COLONY
HTTPS://WWW.APOLLO-MAGAZINE.COM/ARCHIVAL-IMPULSE-AN-INTERVIEW-WITH-KADER-ATTIA/
—BLACKKKLANSMAN, SPIKE LEE
future by Marjanne van Helbert.
↑ from A History of Design Ideology for the

HTTPS://WWW.YOUTUBE.COM/WATCH?V=PFC6I0RGMGY
—JANELLE MONAE
HTTPS://YOUTU.BE/IHALL95JNYA
—AFRICAN INFLUENCES IN MODERN ART HTTPS://WWW.THEM.US/STORY/JANELLE-MONAES-DIRTY-COMPUTER-DELIVERS-A-BLACK-FEMINIST-AND-QUEER-VISION-OF-FREEDOM
HTTPS://WWW.METMUSEUM.ORG/TOAH/HD/AIMA/HD_AIMA.HTM
—MARTINE SYMS
—CHEF’S TABLE, NETFLIX SERIES, LOOK AT SEASON 2, EPISODE #4 ON ENRIQUE OLVERA AND VOLUME 3, EPISODE #1 ON JEONG KWAN HTTPS://WWW.YOUTUBE.COM/WATCH?V=IUG5T6YPLDK&INDEX=17&LIST=PL5AJYOXLOMO0CIBC7V68BVTMPIYFMBAJ7
(SEE ARTICLE ON JEONG KWAN BELOW) HTTP://MARTINESY.MS/
HTTPS://WWW.NYTIMES.COM/2015/10/16/T-MAGAZINE/JEONG-KWAN-THE-PHILOSOPHER-CHEF.HTML HTTPS://WWW.THEGUARDIAN.COM/ARTANDDESIGN/2016/MAY/09/MARTINE-SYMS-FACT-AND-TROUBLE-ICA-ART-NOT-MOST-EFFECTIVE-PROTEST

—AIGA RESPECTFUL DESIGN VIDEO —WHY SELF-PUBLISHING IS A “DECOLONIZING” ACT IN THE PHILIPPINES
HTTPS://WWW.YOUTUBE.COM/WATCH?V=SESVWI5AAHA HTTPS://EYEONDESIGN.AIGA.ORG/WHY-SELF-PUBLISHING-IS-A-DECOLONIZING-ACT-IN-THE-PHILIPPINES/
HTTP://WWW.OFFICEOCD.COM/
—THE NATIVE GRAPHIC DESIGN PROJECT
HTTP://WWW.NEEBIN.COM/NATIVEDESIGN/?PAGE_ID=27 —MEMORIES OF UNDERDEVELOPMENT: ART AND THE DECOLONIAL TURN IN LATIN AMERICA, 1960–1985
HTTPS://WWW.FUNDACIONJUMEX.ORG/EN/EXPOSICIONES/98-MEMORIAS-DEL-SUBDESARROLLO-EL-GIRO-DESCOLONIAL-EN-EL-ARTE-DE-AMERICA-LATINA-1960-1985
—AMERICANS, SMITHSONIAN, NATIONAL MUSEUM OF THE AMERICAN INDIAN HTTPS://FRIEZE.COM/ARTICLE/ART-AND-DECOLONIAL-TURN-LATIN-AMERICA-1960-1985
HTTPS://NMAI.SI.EDU/AMERICANS/
HTTPS://NMAI.SI.EDU/AMERICANS/#STORIES/THE-INVENTION-OF-THANKSGIVING —ADAM PENDLETON, BLACK DADA READER
HTTP://ADAMPENDLETON.NET/CATEGORY/IMAGE
↑Decolonize your bookshelf,
Greenboxshop.com

—A CANADIAN MUSEUM PROMOTES INDIGENOUS ART. BUT DON’T CALL IT ‘INDIAN.’ HTTP://ADAMPENDLETON.NET/CATEGORY/TEXT
HTTPS://WWW.NYTIMES.COM/2018/07/13/ARTS/DESIGN/ART-GALLERY-OF-ONTARIO-INDIGENOUS-ART.HTML?RREF=COLLECTION%2FTIMESTOPIC%2FNATIONAL%20 HTTPS://WWW.AMAZON.COM/ADAM-PENDLETON-BLACK-DADA-READER/DP/3960983174/REF=SR_1_1?IE=UTF8&QID=1532440030&SR=8-1&KEYWORDS=BLACK+DADA+READERS
MUSEUM%20OF%20THE%20AMERICAN%20INDIAN&ACTION=CLICK&CONTENTCOLLECTION=TIMESTOPICS&REGION=STREAM&MODULE=STREAM_UNIT&VERSION=LATEST&-
CONTENTPLACEMENT=2&PGTYPE=COLLECTION
—AZTEC CODICES HTTPS://WWW.THEGUARDIAN.COM/TECHNOLOGY/2016/AUG/21/HIDDEN-CODEX-REVEALS-SECRETS-OF-LIFE-IN-MEXICO-BEFORE-SPANISH-CONQUEST
HTTPS://EN.WIKIPEDIA.ORG/WIKI/AZTEC_CODICES
—DECOLONIZING THE ART MUSEUM: THE NEXT WAVE, OLGA VISO
HTTP://WWW.LIBRARY.ARIZONA.EDU/EXHIBITS/MEXCODEX/INTRO.HTM
HTTPS://WWW.NYTIMES.COM/2018/05/01/OPINION/DECOLONIZING-ART-MUSEUMS.HTML
HTTP://WWW.LIBRARY.ARIZONA.EDU/EXHIBITS/MEXCODEX/AZTEC.HTM

—HISTORY REFUSED TO DIE, EXHIBIT THE MET IN NYC

—DECOLONIZING DESIGN, PLATFORM
HTTPS://WWW.METMUSEUM.ORG/EXHIBITIONS/LISTINGS/2018/HISTORY-REFUSED-TO-DIE
HTTP://WWW.DECOLONISINGDESIGN.COM/

—PEDAGOGY OF THE DECOLONIZING

—THE ANTI-RACIST CLASSROOM, CONFERENCE AT ART CENTER, LA, 2018
HTTPS://WWW.YOUTUBE.COM/WATCH?V=IN17OS8JAR8

#OSCARSOWHITE

decolonizing Designg Reader_printed_v2_otis at book fair_newspaper club_350x500mm.indd 2-3 6/25/19 1:41 PM

 rated by Jerome Harris.
↑As, Not For: Dethroning Our Absolutes, cu-
—@DECOLONIZETHISPLACE (INSTAGRAM) HTTP://CITESEERX.IST.PSU.EDU/VIEWDOC/DOWNLOAD?DOI=10.1.1.893.8601&REP=REP1&TYPE=PDF
HTTP://WWW.DECOLONIZETHISPLACE.ORG/ ANDRÉ ALEXIS: THE COMPLEX ISSUES WITHIN CULTURAL APPROPRIATION AND ART, BY ANDRE ALEXIS
HTTPS://WALKERART.ORG/MAGAZINE/2016-THE-YEAR-ACCORDING-TO-DECOLONIZE-THIS-PLACE HTTPS://WWW.THEGLOBEANDMAIL.COM/ARTS/ANDRE-ALEXIS-THE-COMPLEX-ISSUES-OF-CULTURAL-APPROPRIATION-AND-ART/ARTICLE34976557/
HTTPS://FRIEZE.COM/ARTICLE/DOES-OUR-AGE-ART-WORLD-BOYCOTTS-AND-MUSEUM-PROTESTS-PROVE-RESISTANCE-NOT-FUTILE

—KELLY MARIE TRAN: I WON’T BE MARGINALIZED BY ONLINE HARASSMENT

—ESTUDIO TEZONTLE (MEXICO) / TEZONTLE_STUDIO (INSTAGRAM) HTTPS://WWW.NYTIMES.COM/2018/08/21/MOVIES/KELLY-MARIE-TRAN.HTML
HTTPS://WWW.ARCHITECTURAL-REVIEW.COM/AREA/TEZONTLE-FORM-FOLLOWS-DECAY/10018187.ARTICLE

—A PEOPLE’S HISTORY OF THE UNITED STATES, BY HOWARD ZINN

—CRONOCAOS, EXHIBITION BY OMA HTTPS://MVLINDSEY.FILES.WORDPRESS.COM/2015/08/PEOPLES-HISTORY-ZINN-1980.PDF
HTTP://OMA.EU/NEWS/CRONOCAOS-AT-THE-NEW-MUSEUM HTTPS://EN.WIKIPEDIA.ORG/WIKI/A_PEOPLE%27S_HISTORY_OF_THE_UNITED_STATES
HTTP://OMA.EU/PROJECTS/VENICE-BIENNALE-2010-CRONOCAOS HISTORY IS A WEAPON: WHAT IS RADICAL HISTORY, BY HOWARD ZINN HTTP://WWW.HISTORYISAWEAPON.COM/DEFCON1/ZINNWHATISRADICALHISTORY.HTML
HTTPS://WWW.NYTIMES.COM/2011/05/24/ARTS/DESIGN/CRONOCAOS-BY-REM-KOOLHAAS-AT-THE-NEW-MUSEUM.HTML

—AUGUST WILSON, THE GROUND ON WHICH I STAND, A SPEECH ON BLACK THEATER AND PERFORMANCE,1996
—APPROPRIATION/ CULTURAL APPROPRIATION HTTPS://WWW.AMERICANTHEATRE.ORG/2016/06/20/THE-GROUND-ON-WHICH-I-STAND/
HTTPS://EN.WIKIPEDIA.ORG/WIKI/CULTURAL_APPROPRIATION
HTTPS://WWW.THEATLANTIC.COM/ENTERTAINMENT/ARCHIVE/2015/10/THE-DOS-AND-DONTS-OF-CULTURAL-APPROPRIATION/411292/
THE GROUND ON WHICH WE STAND: DIVERSITY AND OPPORTUNITY IN AMERICAN THEATRE—APRIL 18, 2016
HTTPS://WWW.THECUT.COM/2018/03/A-DESIGNER-AND-AN-ACTIVIST-TALK-CULTURAL-APPROPRIATION.HTML (THIS IS A CONFERENCE AT PRINCETON, RELATED TO AUGUST WILSON SPEECH ON AMERICAN THEATER IN 1996 ABOUT THE LACK OF DIVERSITY IN THEATER, ESSAY IS ABOVE).
HTTP://TIME.COM/4203112/BEYONCE-CULTURAL-APPROPRIATION/ HTTPS://YOUTU.BE/NLKR-IU5UHC
HTTPS://WWW.THENATIONAL.AE/LIFESTYLE/FASHION/THE-DELICATE-ART-OF-CULTURAL-APPROPRIATION-IN-DESIGN-1.696941

THE GROUND ON WHICH I STAND, PBS DOCUMENTARY ON AUGUST WILSON

—AIMÉ CESAIRE, DISCOURSE ON COLONIALISM, 1950 HTTPS://YOUTU.BE/8EFEDHGUZQW
HTTPS://EN.WIKIPEDIA.ORG/WIKI/DISCOURSE_ON_COLONIALISM
TRANSLATED FROM THE FRENCH: HTTP://ABAHLALI.ORG/FILES/_DISCOURSE_ON_COLONIALISM.PDF
—TA-NEHISI COATES, WRITINGS IN THE ATLANTIC
HTTPS://WWW.GOODREADS.COM/AUTHOR/QUOTES/49591.AIM_C_SAIRE
HTTPS://WWW.THEATLANTIC.COM/AUTHOR/TA-NEHISI-COATES/

—FAIRVIEW, PLAY BY JACKIE SIBBLIES DRURY

—HOW FOLK ART BECOMES DESIGN — AND VICE VERSA
HTTPS://WWW.NYTIMES.COM/2018/07/06/THEATER/FAIRVIEW-PLAY-RACE.HTML
HTTPS://WWW.VITRA.COM/EN-US/MAGAZINE/DETAILS/HOW-FOLK-ART-BECOMES-DESIGN
FAIRVIEW READER, @ SOHOREP.ORG

—BLACK CREATIVES AREN’T JUST AROUND IN FEBRUARY: AN INTERVIEW WITH MAURICE CHERRY
—MELINA MATSOUKAS, VIDEO DIRECTOR
HTTPS://DESIGNOBSERVER.COM/FEATURE/BLACK-CREATIVES-ARENT-JUST-AROUND-IN-FEBRUARY-AN-INTERVIEW-WITH-MAURICE-CHERRY/39819
HTTPS://WWW.NEWYORKER.COM/MAGAZINE/2017/03/06/THE-PROVOCATEUR-BEHIND-BEYONCE-RIHANNA-AND-ISSA-RAE
HTTPS://WWW.ELLE.COM/CULTURE/NEWS/A43667/DIRECTOR-MELINA-MATSOUKAS-CAREER-ADVICE/
—SEARCH FOR “RACIAL DIVERSITY” IN DESIGN OBSERVER
HTTPS://DESIGNOBSERVER.COM/SEARCH.PHP
—DESIGN GETS MORE DIVERSE
HTTPS://WWW.NYTIMES.COM/2011/03/21/ARTS/21IHT-DESIGN21.HTML
—ANTIONETTE CARROLL
HTTP://WWW.CREATIVEREACTIONLAB.COM/
—CIVILIZATIONS
HTTPS://YOUTU.BE/EEBMX5ZEJL0
BBC/PBS 2018 SERIES ON ART (HISTORY)
*NOTE THE PBS AND THE BBC SERIES ARE SLIGHTLY DIFFERENT: HTTPS://MEDIUM.COM/EQUAL-SPACE/JUSTICE-BY-DESIGN-A-TED-TALKS-ABOUT-EQUITY-COMMUNITY-DESIGN-AND-LIVING-EXPERTS-BCC34778F3AB
HTTP://WWW.PBS.ORG/CIVILIZATIONS/HOME/ HTTPS://DESIGNOBSERVER.COM/FEATURE/ANTIONETTE-CARROLL-AND-ALBERT-SHUM-LEARNING-THROUGH-ACTION/39899
HTTPS://HYPERALLERGIC.COM/452722/THE-NEW-BBC-TV-SERIES-AND-WHAT-WE-MEAN-WHEN-WE-SAY-CIVILIZATION/ HTTPS://YOUTU.BE/SFMED3P8YKQ
HERE IS A LINK TO STREAM THE BBC SERIES ONLINE (NOT ALL ARE FOR STREAMING): HTTPS://YOUTU.BE/G26DTLEBIN8 HTTPS://YOUTU.BE/Z9XKBGDORHU

↑I am not your Negro, James Baldwin.

HTTPS://WWW.DAILYMOTION.COM/VIDEO/X6FMXBW
HTTPS://WWW.DAILYMOTION.COM/VIDEO/X6FP9AL —AIGA: DIVERSITY AND INCLUSION
HTTPS://WWW.DAILYMOTION.COM/VIDEO/X6FQNG2 HTTP://AIGANY.ORG/GET-INVOLVED/DIVERSITY-AND-INCLUSION/
HTTPS://WWW.DAILYMOTION.COM/VIDEO/X6FU6EX
—THE LANGUAGE OF DESIGN IMPERIALISM, MARIA POPOVA
—AN INTERVIEW WITH SWEDISH DESIGNER PARASTO BACKMAN HTTPS://DESIGNOBSERVER.COM/FEATURE/THE-LANGUAGE-OF-DESIGN-IMPERIALISM/14718
HTTP://BLOG.TYPOGRAPHICS.COM/2018/AN-INTERVIEW-WITH-PARASTO-BACKMAN/
HTTPS://WWW.THEDESIGNKIDS.ORG/INTERVIEWS/STUDIO-PARASTO-BACKMAN —LIST OF READINGS ON RACE IN DESIGN (NAVIGATE TO RACE) ALSO TAKE A LOOK AT THIS REALLY GOOD RESOURCE OF READINGS
HTTP://READINGS.DESIGN/
—IS THERE A CANON IN GRAPHIC DESIGN HISTORY? BY MARTHA SCOTFORD
HTTP://VERYINTERACTIVE.NET/CONTENT/4-LIBRARY/24-IS-THERE-A-CANNON-OF-GRAPHIC-DESIGN-HISTORY/SCOTFORD-IS-THERE-A-CANNON-OF-GRAPHIC-DESIGN-HISTORY.PDF —WHAT’S THE “CRYSTAL GOBLET” IN KOREAN? JIWON LEE
HTTPS://DESIGNOBSERVER.COM/ARTICLE.PHP?ID=29138
↑Chimamanda Ngozi Adichie

—DESIGN HISTORY IN GLOBALIZATION AND THE PLACE OF EAST ASIAN DESIGN, BY WEN HEUE CHOU
HTTP://READINGS.DESIGN/PDF/DESIGN-HISTORY-IN-GLOBALIZATION.PDF —GETTING OTHERS RIGHT, TEJU COLE, 2017
HTTPS://WWW.NYTIMES.COM/2017/06/13/MAGAZINE/GETTING-OTHERS-RIGHT.HTML?RREF=COLLECTION%2FBYLINE%2FTEJU-COLE&ACTION=CLICK&CONTENTCOLLECTION=UNDEFINED&REGION=STREAM&MOD-
—DECOLONIZING AZTEC PICTURE WRITING, BY JANICE ROBERTSON ULE=STREAM_UNIT&VERSION=LATEST&CONTENTPLACEMENT=4&PGTYPE=COLLECTION
HTTPS://DRIVE.GOOGLE.COM/OPEN?ID=1HZRHV9PRW0WWR_X2WNMEVHFZM4ZXYH5O
—SEARCHING FOR A BLACK AESTHETIC IN AMERICAN GRAPHIC DESIGN, SYLVIA HARRIS
—BIZARRE FOODS—AZTEC ROUTES OF MEXICO, 2018 HTTP://READINGS.DESIGN/PDF/HARRIS-BLACKAESTHETIC.PDF
HTTPS://YOUTU.BE/55D6OBLNZ88
—DORI TUNSTALL, DEAN AT OCAD UNIVERSITY IN TORONTO
—BEYONCE, COACHELLA PERFORMANCE HTTPS://WWW.AZUREMAGAZINE.COM/ARTICLE/ELIZABETH-DORI-TUNSTALL-OCAD/
HTTPS://YOUTU.BE/2YNUE705GFC OR HTTP://DORI3.TYPEPAD.COM/
HTTPS://DRIVE.GOOGLE.COM/FILE/D/1V0LVV8RAD7AZP7FGJEFAOMC-S3JPXXPA/VIEW?USP=SHARING HTTP://DORI3.TYPEPAD.COM/
HTTPS://WWW.NYTIMES.COM/2018/04/16/OPINION/BEYONCE-COACHELLA-BLACKNESS.HTML HTTPS://WWW.COMMARTS.COM/COLUMNS/TUNSTALL
HTTPS://EYEONDESIGN.AIGA.ORG/DESIGNS-ROLE-IN-ACTIVISM-CAN-GO-DEEPER-THAN-POSTERS-AND-T-SHIRTS/
HTTPS://DESIGNOBSERVER.COM/FEATURE/CHAIN-LETTERS-DORI-TUNSTALL/39886
—BLACK TO THE FUTURE: AFRO-FUTURISM 1.0
HTTPS://DESIGNOBSERVER.COM/FEATURE/DORI-TUNSTALL/30258
HTTP://WWW.DETRITUS.NET/CONTACT/RUMORI/200211/0319.HTML
HTTPS://WWW.YOUTUBE.COM/WATCH?V=IEUYGRGQAAM (ADDED BY AISHA JANDOSOVA)
HTTPS://VIMEO.COM/204728326
—THE MUNDANE AFROFUTURIST MANIFESTO, MARTINE SYMS HTTPS://YOUTU.BE/IEUYGRGQAAM
HTTP://RHIZOME.ORG/EDITORIAL/2013/DEC/17/MUNDANE-AFROFUTURIST-MANIFESTO/

—DECOLONIZE IN CANADA
—DESIGN AND INTERSECTIONALITY, ECE CANLI AND LUIZA PRADO DE O. MARTINS HTTPS://WWW.CBC.CA/NEWS/CANADA/PRINCE-EDWARD-ISLAND/PEI-DECOLONIZING-EDUCATION-1.4316838
HTTP://WWW.DECOLONISINGDESIGN.COM/WP-CONTENT/UPLOADS/2017/06/CANLI-PRADO_DESIGN-AND-INTERSECTIONALITY.PDF HTTPS://MONTREALGAZETTE.COM/NEWS/NATIONAL/OPINION-DECOLONIZING-CANADA
HTTPS://WWW.CBC.CA/RADIO/IDEAS/DECOLONIZATION-THE-NEXT-150-ON-INDIGENOUS-LANDS-1.4295523
—TEACHING TO TRANSGRESS, bell hooks
HTTPS://ACADEMICTRAP.FILES.WORDPRESS.COM/2015/03/BELL-HOOKS-TEACHING-TO-TRANSGRESS.PDF —SLANTED MAGAZINE
HTTPS://RISD.KANOPY.COM/VIDEO/BELL-HOOKS-CULTURAL-CRITICISM-TRANSFORMATION (LOOK FOR ISSUES DEDICATED TO PARTICULAR COUNTRIES/CITIES,
WITH CONTEXTUAL AND HISTORICAL INFORMATION ABOUT THE DESIGN COMMUNITIES IN THOSE PARTICULAR AREAS)
↑Beyonce + Jay-Z, On the Run II.

CUBA
—4 MORE QUESTIONS ABOUT DECOLONIZING U.S. DESIGN EDUCATION, MARGARET ANDERSEN
ISTANBUL
HTTPS://EYEONDESIGN.AIGA.ORG/4-MORE-QUESTIONS-ABOUT-DECOLONIZING-U-S-DESIGN-EDUCATION/
ATHENS
TOKYO
—AIGA, RESPECTFUL DESIGN, VIDEO
HTTPS://YOUTU.BE/SESVWI5AAHA
—CHICHA POSTERS, PERU
CHICHA POSTER ART FROM PERU (2ND LINK HAS A VIDEO)
—DECOLONIZATION AS AN URGENT IMPERATIVE, 2016 AIGA DESIGN CONFERENCE, SADIE RED WING HTTPS://WWW.PINTEREST.COM/PIN/427490189600894972/?LP=TRUE
HTTPS://YOUTU.BE/HI7D_XGI6HK HTTP://CREATIVEROOTS.ORG/2012/08/CHICHA-POSTER-ART-FROM-PERU/
HTTPS://WWW.GOOGLE.COM/SEARCH?BIW=1057&BIH=1041&TBM=ISCH&SA=1&EI=4ED-W6NKHZTB7GK-7KEOCW&Q=CHICHA+POSTER+ART&OQ=CHICHA+POSTER+ART&GS_L=IMG.3...70558.74371.0.74506.23.19.2.0.0.0.224.1
—OPEN UP THE FUTURE, CLAUDIO FERLAUTO 903.0J10J2.12.0....0...1C.1.64.IMG..9.12.1608...0J0I67K1J0I10K1J0I10I24K1J0I8I30K1J0I30K1.0.KK_UA2XCUL0
HTTP://WWW.EYEMAGAZINE.COM/FEATURE/ARTICLE/OPEN-UP-THE-FUTURE HTTPS://WWW.YOUTUBE.COM/WATCH?V=IWQMTLIEJJQ

—EYE MAGAZINE, SEARCH FOR “DIVERSITY IN DESIGN,” NOTHING CAME UP WHEN YOU SEARCH “DECOLONIZING DESIGN” —W.E.B. DUBOIS
HTTP://WWW.EYEMAGAZINE.COM/SEARCH/YTO1ONTZOJG6IMTLEXDVCMRZIJTZOJE5OIJEAXZLCNNPDHKGAW4GZGVZAWDUIJTZOJEXOIJZZWFYY2HFBW9KZSI7CZOZOIJHBGWIO3M6MTE6INJLC3VSDF9WYWDLIJTZOJY6IN- HTTP://WWW.WEBDUBOIS.ORG/INDEX.HTML
NLYXJJACI7CZOXMDOIY29SBGVJDGLVBII7YTO4ONTPOJA7CZOXOII4IJTPOJE7CZOXOIIYIJTPOJI7CZOXOII5IJTPOJM7CZOXOII1IJTPOJQ7CZOXOII3IJTPOJU7CZOXOIIZIJTPOJY7CZOXOII0IJTPOJC7CZOXOII2IJT9CZOXM- HTTPS://HYPERALLERGIC.COM/306559/W-E-B-DU-BOISS-MODERNIST-DATA-VISUALIZATIONS-OF-BLACK-LIFE/
DOIBG9VC2VFZW5KCYI7YJOXO30 THE COMET, SHORT STORY BY DUBOIS (LAST SECTION HERE):
HTTPS://WWW.GUTENBERG.ORG/FILES/15210/15210-H/15210-H.HTM
—APPROPRIATION
HTTPS://WWW.TATE.ORG.UK/ART/ART-TERMS/A/APPROPRIATION —THE NEW CULTURAL POLITICS OF DIFFERENCE, CORNEL WEST
CULTURAL APPROPRIATION HTTPS://DRIVE.GOOGLE.COM/FILE/D/1OFXRJ1SQRWUHV5KKXIMHVQPQ6KQIWATW/VIEW?USP=SHARING
HTTP://WWW.THEWEEK.CO.UK/CULTURAL-APPROPRIATION
WHAT DOES ‘CULTURAL APPROPRIATION’ ACTUALLY MEAN? BY CONOR FRIEDERSDORF
—THE GHOST OF CORNEL WEST, MICHAEL ERIC DYSON
HTTPS://WWW.THEATLANTIC.COM/POLITICS/ARCHIVE/2017/04/CULTURAL-APPROPRIATION/521634/
HTTPS://NEWREPUBLIC.COM/ARTICLE/121550/CORNEL-WESTS-RISE-FALL-OUR-MOST-EXCITING-BLACK-SCHOLAR-GHOST
APPROPRIATION AND THE ART OF THE COPY, BY ELIZABETH MIX

decolonizing Designg Reader_printed_v2_otis at book fair_newspaper club_350x500mm.indd 4-5 6/25/19 1:41 PM

 —POST-COLONIAL THEORY: ORIENTALISM, EDWARD SAID
HTTPS://YOUTU.BE/FVC8EYD_Z_G —W. E. B. DU BOIS’S DATA PORTRAITS. VISUALIZING BLACK AMERICA, WHITNEY BATTLE-BAPTISTE, BRITT RUSERT
HTTPS://WWW.AMAZON.COM/W-BOISS-DATA-PORTRAITS-VISUALIZING/DP/1616897066/REF=SR_1_2?CRID=104F0BEQ38YGS&KEYWORDS=WEB+DUBOIS+DATA+PORTRAITS&QID=1561467909&S=GATEWAY&SPREFIX-
HTTPS://SITES.EVERGREEN.EDU/POLITICALSHAKESPEARES/WP-CONTENT/UPLOADS/SITES/33/2014/12/SAID_FULL.PDF =WEB+DUBOI%2CAPS%2C128&SR=8-2
HTTPS://ARTHISTORYUNSTUFFED.COM/POST-COLONIAL-THEORY-EDWARD-SAID/
YOCUBA BONDE, BURKINA FASO —HOW WE GET FREE: BLACK FEMINISM AND THE COMBAHEE RIVER COLLECTIVE
—AARON DOUGLAS EDITED BY KEEANGA-YAMAHTTA TAYLOR
HTTP://WWW.AARONDOUGLAS.KU.EDU/RESOURCES/FAMILY_GUIDE.PDF HTTPS://WWW.AMAZON.COM/HOW-WE-GET-FREE-COLLECTIVE/DP/1608468550

↑1491, Charles C. Mann.

—LOUISE E. JEFFERSON —DAPPER Q’S SHOW AT NY FASHION WEEK — QUEERING / DECOLONIZING FASHION WEEK
HTTPS://WWW.AIGA.ORG/DESIGN-JOURNEYS-LOUISE-E-JEFFERSON HTTPS://WWW.INSTAGRAM.COM/EXPLORE/TAGS/DAPPERQNYFW/
↑Adrien Piper @ MOMA.

—CHARLES DAWSON —REVIEWS OF BERLIN BIENNIAL WE DON’T NEED ANOTHER HERO (A SHOW CURATED COLLABORATIVELY BY BLACKS FROM AFRICA OR FROM THE DISPORA), THE CURATOR GABI NGCOBO SAID “WE ARE NOT HERE TO EDU-
HTTPS://WWW.AIGA.ORG/DESIGN-JOURNEYS-CHARLES-DAWSON CATE PEOPLE ABOUT POSTCOLONIALITY, DECOLONIALITY,” SHE SAYS. “WE REFUSE TO PROVIDE THIS AS A SERVICE—TO EDUCATE, TO HELP DECIPHER, TO CORRECT.”
HTTPS://WWW.LIB.UCHICAGO.EDU/COLLEX/EXHIBITS/RACE-AND-DESIGN-AMERICAN-LIFE/KINGDOM-COMMERCE/CHARLES-DAWSON/ HTTPS://WWW.ARTINAMERICAMAGAZINE.COM/REVIEWS/BERLIN-BIENNALE-2/#SLIDESHOW_98733.2

—ROMARE BEARDEN —AGE, RACE, CLASS AND SEX: WOMEN REDEFINING DIFFERENCE, AUDRE LORDE
HTTPS://BEARDENFOUNDATION.ORG/ HTTPS://WWW.COLORADO.EDU/ODECE/SITES/DEFAULT/FILES/ATTACHED-FILES/RBA09-SB4CONVERTED_8.PDF
HTTP://WWW.ARTNET.COM/ARTISTS/ROMARE-BEARDEN/
—BLACK DESIGNERS EXHIBIT AT MICA, SEPT. 2018
—MINNIE PWERLE HTTPS://EYEONDESIGN.AIGA.ORG/CELEBRATING-THE-AFRICAN-AMERICAN-PRACTITIONERS-ABSENT-FROM-WAY-TOO-MANY-CLASSROOM-LECTURES/
HTTP://WWW.REDROCKGALLERY.NET/PAGES/MINNIE-PWERLE.HTML HTTP://WWW.BMOREART.COM/2018/09/BLACK-GRAPHIC-DESIGN-AN-EXHIBIT-AT-MICA.HTML
HTTP://AFROPUNK.COM/2018/09/BLACK-GRAPHICS-CELEBRATING-DESIGNERS-OF-COLOR/
—GLORIA PETYARRE
HTTP://WWW.ARTCOLLECTOR.NET.AU/GLORIATAMERREPETYARRETRUECOLOURSOFUTOPIA —BUILDING HUMANE CITIES, TED RADIO HOUR, FRIDAY, SEPT. 28, 2018
HTTPS://EN.WIKIPEDIA.ORG/WIKI/GLORIA_PETYARRE HTTPS://WWW.NPR.ORG/PROGRAMS/TED-RADIO-HOUR/

—OOSPAL —ACHILLE MBEMBE. RETHINKING DEMOCRACY BEYOND THE HUMAN. 2017

HTTP://WWW.OSPAAAL.COM/ HTTPS://YOUTU.BE/A_K3YIUPGOK
HTTPS://EN.WIKIPEDIA.ORG/WIKI/ORGANIZATION_OF_SOLIDARITY_WITH_THE_PEOPLE_OF_ASIA,_AFRICA_AND_LATIN_AMERICA
—PHILOSOPHY IS THE NEW BATTLEGROUND IN SOUTH AFRICA’S FIGHT AGAINST COLONIALISM
—ARTHUR BISPO DO ROSARIO HTTPS://QZ.COM/1332351/PHILOSOPHY-IS-THE-NEW-BATTLEGROUND-IN-SOUTH-AFRICAS-FIGHT-AGAINST-COLONIALISM/
HTTP://WWW.PHAIDON.COM/AGENDA/ART/ARTICLES/2012/NOVEMBER/09/WHY-IS-ARTHUR-BISPO-DO-ROSARIO-SO-REVERED-RIGHT-NOW/
HTTPS://THECULTURETRIP.COM/SOUTH-AMERICA/BRAZIL/ARTICLES/ARTHUR-BISPO-DO-ROS-RIO-ART-AS-SALVATION/ —REWRITING HISTORY, JEANNETTE EHLERS (VIDEO, MAD LAB)
HTTPS://YOUTU.BE/IST22V1U-HY HTTPS://WWW.MADFEED.CO/VIDEO/REWRITING-HISTORY-JEANNETTE-EHLERS/
HTTP://WWW.JEANNETTEEHLERS.DK/INDEX.HTML
—AEKENE IJEOMA
HTTPS://STUDIOIJEOMA.COM/ABOUT —EMERGE INTERVIEW: SADIE RED WING
HTTPS://YOUTU.BE/SCLFITSV3FC HTTP://EMERGE.AIGA.ORG/2018/10/02/INTERVIEW-SADIE-RED-WING/
HTTPS://PIGEONSANDPLANES.COM/INTERVIEWS/2018/01/EKENE-IJEOMA-JAZZ-DATA-MASS-INCARCERATION-INTERVIEW
—ALEXANDRA BELL
—BEA FEITLER HTTP://WWW.ALEXANDRABELL.COM/
HTTPS://WWW.AIGA.ORG/MEDALIST-BEAFEITLER HTTPS://WWW.NYTIMES.COM/2017/12/07/ARTS/DESIGN/ARTIST-ALEXANDRA-BELL-DISSECTS-THE-NEW-YORK-TIMES.HTML
HTTP://WWW.HISTORYGRAPHICDESIGN.COM/THE-AGE-OF-INFORMATION/THE-NEW-YORK-SCHOOL/251-BEA-FEITLER
—TANIA BRUGUERA ON THE TATE COMMISSION
—REI KAWAKUBO, COMME DE GARCON HTTPS://WWW.APOLLO-MAGAZINE.COM/TANIA-BRUGUERA-ON-TRANSFORMING-TATE-MODERNS-TURBINE-HALL/
HTTPS://WWW.NYTIMES.COM/2017/05/01/FASHION/REI-KAWAKUBOS-COMMES-DE-GARCONS.HTML
HTTPS://WWW.THEGUARDIAN.COM/FASHION/2017/MAY/05/REI-KAWABUKO-FASHION-MET-GALA-INTERVIEW —IN LITERATURE, WHO DECIDES WHEN HOMAGE BECOMES THEFT?
HTTPS://WWW.NYTIMES.COM/2012/05/31/FASHION/REI-KAWAKUBO-OF-COMME-DES-GARCONS-VEILED-LIKE-MONA-LISA.HTML HTTPS://WWW.NYTIMES.COM/2018/10/08/T-MAGAZINE/LITERATURE-HOMAGE-THEFT-APPROPRIATION.HTML?RREF=COLLECTION%2FSECTIONCOLLECTION%2FT-MAGAZINE&ACTION=CLICK&CONTENTCOLLEC-
TION=T-MAGAZINE&REGION=STREAM&MODULE=STREAM_UNIT&VERSION=LATEST&CONTENTPLACEMENT=2&PGTYPE=SECTIONFRONT
HTTPS://WWW.NYBOOKS.COM/ARTICLES/2017/09/28/REI-KAWAKUBO-CLOTHES-THAT-DONT-NEED-YOU/

—RALPH LEMON (NO HIERARCHIES)

—SIMONE LEE
HTTPS://WWW.MOMA.ORG/LEARN/MOMA_LEARNING/RALPH-LEMON-UNTITLED-2008-2/
HTTPS://WWW.NYTIMES.COM/2018/08/29/ARTS/DESIGN/SIMONE-LEIGH-SCULPTURE-HIGH-LINE.HTML?RREF=COLLECTION%2FSECTIONCOLLECTION%2FARTS&ACTION=CLICK&CONTENTCOLLECTION=ARTS&RE-
GION=RANK&MODULE=PACKAGE&VERSION=HIGHLIGHTS&CONTENTPLACEMENT=1&PGTYPE=SECTIONFRONT HTTPS://WWW.FOUNDATIONFORCONTEMPORARYARTS.ORG/RECIPIENTS/RALPH-LEMON
HTTPS://WWW.YOUTUBE.COM/WATCH?V=ZD_0VREV02S
—ARTURO ESCOBAR: DESIGNS FOR THE PLURIVERSE HTTPS://WWW.ARTANDEDUCATION.NET/CLASSROOM/VIDEO/168608/ADAM-PENDLETON-RALPH-LEMON-AND-TRIPLE-CANOPY-NEITHER-HERE-NOR-NOW
HTTPS://YOUTU.BE/8OUY7AN6XPS
HTTP://ROROTOKO.COM/INTERVIEW/20180423_ESCOBAR_ARTURO_ON_BOOK_DESIGNS_PLURIVERSE_RADICAL_INTERDEPENDENCE/ —TITUS KAPHAR
HTTPS://KAPHARSTUDIO.COM/
—GLORIA E. ANZALDUA HTTPS://WWW.TED.COM/TALKS/TITUS_KAPHAR_CAN_ART_AMEND_HISTORY
HTTP://COURSES.WASHINGTON.EDU/COM597J/PDFS/ANZALDUA,BORDERLANDS.PDF HTTPS://WWW.NYTIMES.COM/2018/08/10/OPINION/CHARLOTTESVILLE-CONFEDERATE-MONUMENTS.HTML
HTTPS://EN.WIKIPEDIA.ORG/WIKI/GLORIA_E._ANZALD%C3%BAA
HTTP://COURSES.WASHINGTON.EDU/COM597J/PDFS/ANZALDUA,BORDERLANDS.PDF —(RE)MAKING HISTORY: THE REAL STORY IS BIGGER AND BETTER | KEVIN GOVER
HTTPS://WWW.YOUTUBE.COM/WATCH?V=PTHEAF7OQMW
—TERESITA FERNANDEZ
HTTP://AUTUMNNOTHINGPERSONAL.ARTS.HARVARD.EDU/ —AFRICOBRA
HTTP://WWW.AREACHICAGO.ORG/THE-HISTORY-PHILOSOPHY-AND-AESTHETICS-OF-AFRICOBRA/
—DIVERSITY IN TELEVISION HTTPS://WWW.THEGUARDIAN.COM/ARTANDDESIGN/2018/JUN/15/AFRICOBRA-NOW-EXHIBITION-NEW-YORK-BLACK-ARTS-MOVEMENT
HTTPS://WWW.NYTIMES.COM/2018/09/02/ARTS/TELEVISION/TV-WRITERS-DIVERSITY.HTML?RREF=COLLECTION%2FSECTIONCOLLECTION%2FARTS&ACTION=CLICK&CONTENTCOLLECTION=ARTS&REGION=RANK&MOD-
ULE=PACKAGE&VERSION=HIGHLIGHTS&CONTENTPLACEMENT=1&PGTYPE=SECTIONFRONT —SEARCHING FOR A BLACK AESTHETIC IN AMERICAN GRAPHIC DESIGN, SYLVIA HARRIS
HTTP://READINGS.DESIGN/PDF/HARRIS-BLACKAESTHETIC.PDF
—CLAUDIA RANKINE, CITIZEN: AN AMERICAN LYRIC
HTTPS://YOUTU.BE/I-SNKU3T7IA —POSING MODERNITY: THE BLACK MODEL FROM MANET AND MATISSE TO TODAY @COLUMBIA UNIVERSITY, WALLACH ART GALLERY
HTTPS://YOUTU.BE/8RYLFX9OG54 HTTPS://WWW.NYTIMES.COM/2018/10/25/ARTS/NEW-ATTENTION-FOR-FIGURES-IN-THE-BACKGROUND.HTML
HTTPS://YOUTU.BE/2SBPWNN09N8 HTTPS://WALLACH.COLUMBIA.EDU/EXHIBITIONS/POSING-MODERNITY-BLACK-MODEL-MANET-AND-MATISSE-TODAY
HTTPS://YOUTU.BE/8RYLFX9OG54
HTTPS://WWW.NYTIMES.COM/2014/12/28/BOOKS/REVIEW/CLAUDIA-RANKINES-CITIZEN.HTML —THE UNREALITY OF RACIAL JUSTICE CINEMA, NY TIMES
HTTPS://WWW.NYBOOKS.COM/ARTICLES/2015/04/23/CLAUDIA-RANKINE-NEW-WAY-WRITING-ABOUT-RACE/ HTTPS://WWW.NYTIMES.COM/2018/10/24/MOVIES/RACIAL-JUSTICE-CINEMA.HTML?RREF=COLLECTION%2FSECTIONCOLLECTION%2FARTS&ACTION=CLICK&CONTENTCOLLECTION=ARTS&REGION=RANK&MODULE=PACK-
HTTP://1.DROPPDF.COM/FILES/ZBFF0/CITIZEN-AN-AMERICAN-LYRIC-CLAUDIA-RANKINE.PDF AGE&VERSION=HIGHLIGHTS&CONTENTPLACEMENT=2&PGTYPE=SECTIONFRONT

—TONY FRY —DECOLONIZATION IS NOT A METAPHOR, EVE TUCK

HTTPS://YOUTU.BE/A-THYIYP7MU HTTPS://JPS.LIBRARY.UTORONTO.CA/INDEX.PHP/DES/ARTICLE/VIEW/18630/15554

—MANUEL DE LANDA, A THOUSAND YEARS OF NON-LINEAR HISTORY —SAFI MAFUNDIKWA

HTTPS://YOUTU.BE/U3AE3Z6LLMC HTTPS://WWW.AIGA.ORG/DESIGN-JOURNEYS-SAKI-MAFUNDIKWA
HTTP://AFRICANDIGITALART.COM/2009/09/SAKI-MAFUNDIKWA/
—GD HISTORY FROM A GLOBAL PERSPECTIVE, WEN HUEI CHOU HTTPS://WWW.TED.COM/TALKS/SAKI_MAFUNDIKWA_INGENUITY_AND_ELEGANCE_IN_ANCIENT_AFRICAN_ALPHABETS?UTM_CAMPAIGN=TEDSPREAD&UTM_MEDIUM=REFERRAL&UTM_SOURCE=TEDCOMSHARE
History for Morons.
↑@johnleguizamo, a syllabus for Latin

HTTPS://DRIVE.GOOGLE.COM/FILE/D/1M1IPIZ55OUIFQLG8BAYRQLNKKFNMHB0U/VIEW
—DECOLONIAL DOCUMENTS, PART 1 & 2 FRIEZE MAGAZINE, 2018
—CHEAT SHEET FOR A NON (OR LESS) COLONIALIST SPECULATIVE DESIGN HTTPS://FRIEZE.COM/ARTICLE/DECOLONIAL-DOCUMENTS-PART-ONE
HTTPS://MEDIUM.COM/A-PAREDE/CHEAT-SHEET-FOR-A-NON-OR-LESS-COLONIALIST-SPECULATIVE-DESIGN-9A6B4AE3C465 HTTPS://FRIEZE.COM/ARTICLE/DECOLONIAL-DOCUMENTS-PART-TWO

—7 THINGS YOU CAN DO TO MAKE YOUR ART LESS RACIST—A COMPREHENSIVE HOW TO GUIDE —LATIN HISTORY FOR MORON’S—SYLLABI BY JOHN LEGUIZAMO, NOV. 2018
HTTP://MICMOVEMENT.COM/2013/02/7-THINGS-YOU-CAN-DO-TO-MAKE-YOUR-ART-LESS-RACIST-A-COMPREHENSIVE-HOW-TO-GUIDE/ HTTPS://WWW.NETFLIX.COM/TITLE/80225421

—LITTLE BY LITTLE (1969), JEAN ROUCHE (EL) —TYPEGEIST.ORG (TYPE DIRECTORS CLUB)
HTTPS://WWW.YOUTUBE.COM/WATCH?V=OFX90VYI0JK HTTP://TYPEGEIST.ORG/

—GLOBAL FUTURES LAB (EL) —QUEER. ARCHIVE. WORK, EDITED BY PAUL SOULELLIS
HTTPS://WWW.GLOBALFUTURESLAB.COM/ HTTPS://QUEER.ARCHIVE.WORK/
HTTPS://VIMEO.COM/259035687
—DECOLONISING ARCHIVES, L’INTERNATIONALE
—DESIGN HISTORY ISN’T REPEATING ITSELF—SO WHY IS THE WAY WE TEACH IT? HTTP://WWW.INTERNATIONALEONLINE.ORG/MEDIA/FILES/DECOLONISINGARCHIVES_PDF_DEF_02.PDF
AIGA, EYE ON DESIGN MAGAZINE, 2018
HTTPS://DRIVE.GOOGLE.COM/OPEN?ID=1TUYP9AKH-0BM3JRFRUHYETB6ME8OWSXF —DOES ABSTRACTION BELONG TO WHITE PEOPLE?, BY MIGUEL GUTIERREZ, BOMB MAGAZINE
HTTPS://BOMBMAGAZINE.ORG/ARTICLES/MIGUEL-GUTIERREZ-1/
—THE WORK OF DESIGN IN THE AGE OF CULTURAL SIMULATION, OR, DECOLONIALITY AS EMPTY SIGNIFIER IN DESIGN
HTTPS://MEDIUM.COM/@AANSARI86/THE-SYMBOLIC-IS-JUST-A-SYMPTOM-OF-THE-REAL-OR-DECOLONIALITY-AS-EMPTY-SIGNIFIER-IN-DESIGN-60BA646D89E9 —EXPANDING KNOWLEDGES: PEDAGOGIES OF FREEDOM FOR VISUAL COMMUNICATION
HTTPS://DEPATRIARCHISEDESIGN.COM/

decolonizing Designg Reader_printed_v2_otis at book fair_newspaper club_350x500mm.indd 6-7 6/25/19 1:42 PM

 — “HOW I LEARNED TO STOP WORRYING AND LOVE DISCUSSING RACE,” JAY SMOOTH
↑The Bauhaus at 100.

HTTPS://WWW.YOUTUBE.COM/WATCH?V=MBDXEFCQTAU

—QUEER ARCHIVE, BY PAUL SOULELLIS

HTTPS://QUEER.ARCHIVE.WORK/

—THE TRANSFORMATION OF SILENCE INTO LANGUAGE AND ACTION

HTTPS://WGS10016.COMMONS.GC.CUNY.EDU/LORDE-POETRY-IS-NOT-A-LUXURY/

→TINYURL.COM/Y43SUKUU →TINYURL.COM/Y43SUKUU →TINYURL.COM/Y43SUKUU →TINYURL.COM/Y43SUKUU →TINYURL.COM/Y43SUKUU →TINYURL.COM/Y43SUKUU

—AFRICAN AMERICAN DESIGNERS IN CHICAGO: ART, COMMERCE AND THE POLITICS OF RACE
HTTPS://YOUTU.BE/4FS_3O1GB5W
HTTPS://WWW.CHICAGO.GOV/CITY/EN/DEPTS/DCA/SUPP_INFO/DESIGNERS.HTML
HTTPS://WWW.CHICAGO.GOV/CONTENT/DAM/CITY/DEPTS/DCA/CCC%20EXHIBITS/DESIGNERS/AADEXHIBITEXPLORER.PDF

—THE HISTORY OF THE RENAISSANCE WORLD: FROM THE REDISCOVERY OF ARISTOTLE TO THE CONQUEST OF CONSTANTINOPLE.
A NON EUROCENTRIC LOOK AT CONCURRENT EVENTS AROUND THE WORLD DURING THE RENAISSANCE PERIOD. IT OPENS BY CREDITING ISLAM FOR
PRESERVING CLASSICAL LITERATURE WHICH WAS TRANSLATED TO ARABIC DURING THE ISLAMIC PERIOD IN SPAIN AND OTHERWISE WOULD HAVE
BEEN LOST.
HTTPS://WWW.AMAZON.COM/HISTORY-RENAISSANCE-WORLD-REDISCOVERY-CONSTANTINOPLE/DP/0393059766

— —TITUS KAPHAR ON PUTTING BLACK FIGURES BACK INTO ART HISTORY AND HIS SOLUTION FOR THE PROBLEM OF CONFEDERATE MONUMENTS
HTTPS://NEWS.ARTNET.COM/ART-WORLD/TITUS-KAPHAR-ERASURE-ART-HISTORY-1497391

—BEYONCE, HOMECOMING
HTTPS://WWW.NETFLIX.COM/TITLE/81013626

—THE UNDERCOMMONS, FUGITIVE PLANNING & BLACK STUDY, FRED MOTEN AND STEFANO HARNEY
HTTP://WWW.MINORCOMPOSITIONS.INFO/WP-CONTENT/UPLOADS/2013/04/UNDERCOMMONS-WEB.PDF

—FRED MOTEN’S RADICAL CRITIQUE OF THE PRESENT

HTTPS://WWW.NEWYORKER.COM/CULTURE/PERSONS-OF-INTEREST/FRED-MOTENS-RADICAL-CRITIQUE-OF-THE-PRESENT

—CHRISTINA SHARPE AND TORKWASE DYSON IN CONVERSATION

WHY THIS READER? PART 2
AS A DESIGNER, I HAVE COME TO TERMS
WITH THE FACT THAT WHAT AND WHO
DESIGN HISTORY HAS BEEN INTERESTED
IN CANONIZING, UP TO THIS POINT, DOES
NOT REFLECT ME, MY CULTURES, MY VAL-
UES, AND MANY OF THE TENETS THAT
MAKE ME A CITIZEN, A DESIGNER, AND A
TEACHER. I DON’T SEE MYSELF REFLECTED
IN MUCH OF THE NARRATIVE OF DESIGN—
HTTPS://WWW.YOUTUBE.COM/WATCH?V=BMMVQXZ2HEG&T=167S
—WHAT DOES IT MEAN TO DECOLONIZE DESIGN? DISMANTLING DESIGN HISTORY 101, BY ANOUSHKA KHANDWALA
HTTPS://EYEONDESIGN.AIGA.ORG/WHAT-DOES-IT-MEAN-TO-DECOLONIZE-DESIGN/
—THE POLITICS OF DESIGN: I READ THE BOOK. HOW CAN DESIGN BECOME MORE RESPONSIVE AND INCLUSIVE? BY RUBEN PATER
HTTP://THEPOLITICSOFDESIGN.COM/
—CAN HISTORY BE CORRECTED? BY VICTOR MARGOLIN
HTTPS://CHICAGODESIGNARCHIVE.ORG/RESOURCE/CAN-HISTORY-BE-CORRECTED
—THE BAROQUE AND THE MARVELOUS REAL, BY ALEJO CARPENTIER
HTTPS://ACADEMICS.SKIDMORE.EDU/BLOGS/TRANSNATIONAL-S19/FILES/2014/07/CARPENTIER_THE-BAROQUE-AND-THE-MARVELOUS-REAL-.PDF

NOT IN THE HISTORY, THE THEORY, THE

—HOW CAN FASHION BE INDIGENIZED?
PRACTITIONERS OR THE OUTCOMES…”
HTTPS://WALKERART.ORG/MAGAZINE/SOUNDBOARD-INDIGENIZING-FASHION-AMBER-DAWN-BEAR-ROBE

—RAMON TEJADA, “WE MUST TOPPLE THE —SUBCULTURE: THE MEANING OF STYLE
TROPES, CRIPPLE THE CANON,” WALKER ART HTTPS://EN.WIKIPEDIA.ORG/WIKI/SUBCULTURE:_THE_MEANING_OF_STYLE
CENTER SOUNDBOARD READER, JULY 2018

-
—SO, GUTENBERG DIDN’T ACTUALLY INVENT THE PRINTING PRESS: ON THE UNSUNG CHINESE AND KOREAN HISTORY OF MOVABLE TYPE
HTTPS://LITHUB.COM/SO-GUTENBERG-DIDNT-ACTUALLY-INVENT-THE-PRINTING-PRESS/

—NONTSIKELELO MUTITI ON INTERROGATING THE EURO-CENTRIC DESIGN CANON

HTTPS://EYEONDESIGN.AIGA.ORG/NONTSIKELELO-MUTITI-ON-THE-SPECIFICITY-OF-LOCALITY-IN-GRAPHIC-DESIGN/

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decolonizing Designg Reader_printed_v2_otis at book fair_newspaper club_350x500mm.indd 8 6/25/19 1:42 PM