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THE BRUSSELS ANCIENT ART FAIR 2012

FROM WEDNESDAY JUNE 6 TILL SUNDAY JUNE 10


THE BRUSSELS ANCIENT ART FAIR

The Brussels Ancient Art Fair (BAAF) was created completely from scratch on a whim in
2003 in less than three months. It was a major challenge and few people would have bet
on it being successful. I will never forget the incredulous and anxious email that my
colleague from Amsterdam, Vincent Geerling, with whom I set up the fair, sent me at
the time. Although brief, he made his feelings clear. “Jacques, what kind of adventure
are we embarking on!?” Neither of us could have suspected that the fair would still be
in existence so many years later, that it would become a benchmark and a not-to-be-
missed date for archaeological collectors from around the world, and that it would
have a sister fair in Switzerland, the Basel Ancient Art Fair.
To mark its tenth anniversary, the Brussels Ancient Art Fair is proud to welcome two new
high quality exhibitors, who have just been included in the IADAA (International Association
of Dealers in Ancient Art). The first is Karl Stimm, an art historian by training, who is
based in Antwerp and who runs the gallery Akanthos. The second is Randy Hixenbaugh,
a classical archaeologist originally from New York, who was trained in art dealing by
Jerry Eisenberg from Royal-Athena Galleries and who runs Hixenbaugh Ancient Art.
For this tenth jubilee edition, we have arranged a large Egyptian art exhibition, entitled
Ancient Egypt. Masterpieces from Collectors and Collections. It has only seen the light of
day thanks to support from private collectors and European museums (the Kestner
Museum in Hannover and the Antikenmuseum und Sammlung Ludwig in Basel), to whom
we are extremely grateful.
The exhibition will take place just a stone’s throw from Sablon, opposite the Palais de
Justice at Hôtel de Mérode, one of Brussels’ great venues. This princely palace dates back
FROM WEDNESDAY JUNE 6 TILL SUNDAY JUNE 10 to the 17th century and is home to the very select Cercle de Lorraine Business Club, which
counts the elite of the Brussels’ business world among its members. It will enable the
public to see around one hundred very high quality Egyptian pieces, which stand apart
due to their charm and originality. Many of them have never been exhibited before.
Vernissage A superb catalogue produced by around a dozen renowned Egyptologists details all of
the pieces in the exhibition.
Wednesday June 6th 3 pm – 9 pm
Our tenth anniversary is also the perfect opportunity for us to thank all of our exhibitors
for their exemplary loyalty. Most of them have been with us from the very beginning, some
Exhibition of them travel far to be with us, and year after year they appreciate the warm atmosphere
Thursday June 7th 11 am – 7 pm that descends on Sablon at the beginning of June.
Friday June 8th 11 am – 7 pm In fact, we are not the only ones to occupy Sablon. Our sister fairs BRUNEAF and BOAFair,
under the inspired leadership of Pierre Loos and Georgia Chrischilles, also draw a
Saturday June 9th 11 am – 7 pm
large number of visitors to Brussels. It is this combination of ancient, tribal and oriental
Sunday June 10th 11 am – 5 pm art that gives this tripartite event its originality and unique identity.
If you have a passion for ancient art, you owe it to yourself to be in Brussels–and
nowhere else–for BAAF. The fair is exceptional in every way.
Jacques Billen Member of the organising committee of the Brussels Ancient Art Fair
THE BRUSSELS ANCIENT ART FAIR

Exhibiting at
Chambre Royale
Akanthos Ancient Art
des Antiquaires de Belgique, Karl Stimm
Rue Ernest Allard 32 - Brussels

Fragment of a funerary stela - Eastern Greece - Roman period, 2nd century AD


Pentelic marble - Height: 98 cm.

For the most holy/honourable and her husband loving Apfia/apoia,


daughter of Meleagros. Proklos Alypos, son of Proklos made this for himself.
Greek epigraphical translation: Prof. Dr. E. M. Moormann,
University of Nijmegen, Netherlands.

Provenance: private collection Barbier, Belgium, about 1980.


Lit. Pfuhl, E., / Mobius, H., “Die Ostgriechische Grabreliëfs”, Mainz am Rhein, 1977, Tafelband II.

Akanthos Ancient Art


Oever 7 - 2000 Antwerp - Belgium
T 32 3 2481855 - M 32 486282354 - akanthos@ telenet.be - www.akanthos.be
THE BRUSSELS ANCIENT ART FAIR

Exhibiting at Antiken-Kabinett
Galerie Synthese Bernd Gackstätter
Rue Ernest Allard 24 - Brussels

Bell krater - Lucanian, circa 400 BC - Terracotta - Height: 28.7 cm

Red-figure bell krater attributed to the Creusa painter.

Provenance: collection Dr Linn, Germany.

Antiken-Kabinett
Ganghoferstrasse 24 - 60320 Frankfurt/Main - Germany
T 49 (0)69 519015 - F 49 (0)69 519026 - M 49 (0)1717124229
mail@ antiken-kabinett.de - www.antiken-kabinett.de
THE BRUSSELS ANCIENT ART FAIR

Exhibiting at
Galerie Lorelei
Archea Ancient Art
Place du Grand Sablon 3 Vincent J. Geerling
Brussels

Terracotta statuette of a dancer moving forward, performing the Mantle Dance


Greek, Boeotia - Mid 4th century BC - Height: 18.8 cm

She is entirely enveloped within the folds of her himation, with white slip.

Provenance: private collection Boston, U.S.A., acquired in the 1960s.


CF: R. Higgens, Catalogue of the terracotta’s in the British Museum.
London 1964. no 881 an example apparently from the same mould.

Archea Ancient Art


Nieuwe Spiegelstraat 37 1 - 1017 DC Amsterdam - The Netherlands
T 31 (0)20 6250552 - F 31 (0) 20 4218768 - info @ archea.nl - www.archea.nl
THE BRUSSELS ANCIENT ART FAIR

Exhibiting at Arteas
Galerie Christine Ritter Laura Bosc de Ganay
Rue Ernest Allard 19 - Brussels

Large ex-voto figure representing Osiris - Egypt, Third Intermediate Period


(1070-715 BC) - Bronze, red and green oxidations - Height: 29 cm - Feet restored

He is wearing the Atef crown with a large Uraeus, the false beard, and he is
holding the heqa (crook) and nekhakha (flail) sceptres. The face is finely modelled.

Old French private collection, before 1980.

Published: “Exhibition catalogue”, Musée du Quai Branly Paris, 2011, p.350.

Arteas
315 Trafalgar House - Grenville Place - London NW7 3SA - England
T 44 2082114775 - F 44 2082114962 - M 33 607587876 - arteasltd @ gmail.com
THE BRUSSELS ANCIENT ART FAIR

Exhibiting at Dr. Robert R. Bigler Asian & Egyptian Art


Galerie Pierre Hallet Dr. Robert R. Bigler
Rue Ernest Allard 33 - Brussels

Canopic jar for the scribe Hapy - Egypt - New Kingdom, 1st half of
the 18th Dynasty, ca. 1470-1450 BC - Calcite-alabaster - Height: 29,3 cm
 
The iconographic style of the face on the lid and this specific version of
the inscription suggest that this example was produced during the reigns
of either Hatshepsut or Thutmose III.
 
Provenance: private collection France (acquired in the 1960’s).

Dr. Robert R. Bigler Asian & Egyptian Art


Seestrasse 92 - 8803 Rüschlikon/Zürich - Switzerland
T/F 41 (0)44 724 27 37 - M 41 (0)793361459 - robert.bigler @ cwmail.ch
THE BRUSSELS ANCIENT ART FAIR

Exhibiting at Cybèle
Centre Yogashram Jean-Pierre Montesino
Rue des Minimes 27 - Brussels

Amphoriskos - Egypt, 18th dynasty, Amarna period - Glass - Height: 13.9 cm

A very rare example of a small group, the closest parallel being


in the Metropolitan Museum of Art in New York.

German private collection, 1980.

Cybèle
65 bis, Rue Galande - 75005 Paris - France
T 33 (0)1 43 54 16 26 - F 33 (0)1 46 33 96 84
cybele5 @ wanadoo.fr - www.librairie-cybele.com
THE BRUSSELS ANCIENT ART FAIR

Exhibiting at Roswitha Eberwein


Galerie Synthese
Rue Ernest Allard 24 - Brussels
Antike Kunst Göttingen
Roswitha and Antonia Eberwein

From right to left:


Reis of King Sheshonq II - Dark green faience with black details
Egypt - 3rd Intermediate Period, early XXII. Dynasty (c. 890 BC)
Height: 12.7 cm
Former French private collection 1960s
Lit.: Kêmi Tome IX, Pierre Montet, Paris 1942, Pl. XXVI
Statuettes Egyptiennes, Jacques Aubert, Paris 1974 Pg. 151-155, Pl.: 83
Tanis, L’or des Pharaons, Paris Galeries nationales du Grand Palais 1987. Pg 116, Pl 29

Shabti of King Osorkon II - Green faience with black details


Egypt - 3rd Intermediate Period, XXII. Dynasty (874-850 BC)
Height: 15.8 cm
Former German private collection 1964
Lit.: Kêmi Tome IX, Pierre Montet, Paris 1942, Pg 80,  Pl. XXVI
Statuettes Egyptiennes, Jacques Aubert, Paris 1974 Pg. 157-161, Pl.: 108
Tanis, L’or des Pharaons, Paris Galeries nationales du Grand Palais 1987. Pg 116, Pl 30

Female Worker-Shabti of King Psusennes II – Blue faience with black details


and inscription on the front
Egypt - 3rd Intermediate Period, Late XXI. Dynasty (c. 959-945 BC)
Height: 6.9 cm
Former French private collection 1970s
Lit.: Kêmi Tome IX, Pierre Montet, Paris 1942, Pg 78, Pl. XXVI, 256
Statuettes Egyptiennes, Jacques Aubert, Paris 1974 Pg. 151-155, Pl.: 83
Tanis, L’or des Pharaons, Paris Galeries nationales du Grand Palais 1987. Pg 116, Pl 19

Roswitha Eberwein Antike Kunst


Bismarckstrasse 4 - 37085 Göttingen - Germany
T 49 (0)55147083 - F 49 (0)55141543
antonia.eberwein@ gmail.com - www.antike-kunst-goettingen.de
THE BRUSSELS ANCIENT ART FAIR

Exhibiting at David Ghezelbash Archéologie


Wim Prové Antiquair David Ghezelbash
Rue Watteeu 21 - Brussels

Statuette of a steatopygous stylized woman, both arms underneath the chest.


Amlash culture, circa 10th-12th century BC - Orange terracotta
Height: 35.8 cm

Former private collection of Mr Sam Dubiner, acquired around 1960-70.

David Ghezelbash Archéologie


12 rue Jacob (fond de cour à gauche) - 75006 Paris - France
T 33 (0)1 46336481 - M 33 (0)6 88233911
david.ghezelbash@ orange.fr - www.davidghezelbash.com
THE BRUSSELS ANCIENT ART FAIR

Exhibiting at Galerie Jürgen Haering


Galerie Ritter Jürgen Haering
Rue Ernest Allard 17 - Brussels

Bull - Roman Art, 2nd–3rd century AD - Bronze


Height: 11.5 cm, Length: 12.7 cm.

The majestic bull is adorned with a decorated ribbon.


It was probably part of a relief depicting a procession leading to the sacrifice of
the bull, performed for the welfare of the Roman Empire.

Provenance: German private collection, acquired in the 1980s.

Galerie Jürgen Haering


Marienstrasse 13 - 79098 Freiburg - Germany
T 49 (0)76125330 - F 49 (0)7612927425 - M 49 (0)1752437489
info @ galerie-haering.de
THE BRUSSELS ANCIENT ART FAIR

Exhibiting at Harmakhis Archeologie


Harmakhis Archeologie Jacques Billen
Rue des Minimes 17 - Brussels

Lion devouring the head of an Asian - Egypt, 26th-27th dynasty (664-404 BC)
Faience - H: 3.3 cm, L: 6.8 cm.

Depicted as a lion devouring an Asian prisoner–who can be recognized by his


pointed beard and Roman nose–the Pharaoh provides magical protection from
Egypt’s traditional enemies.

The best parallel, from an iconographical point of view, is the famous Ramesside
lion’s head swallowing the head of a Nubian, from the Schimmel Collection,
kept in the Metropolitan Museum of Art in New York (1989.281.92).

Provenance: O.L. collection, Brussels, 1980s

Harmakhis Archeologie
Rue des Minimes 17 - 1000 Brussels - Belgium
T 32 (0)2 511 65 39 - F 32 (0)71 81 31 64 - M 32 (0)475 650 285
harmakhis@ skynet.be - www.harmakhis.be
THE BRUSSELS ANCIENT ART FAIR

Exhibiting at
Costermans-Antiques
Hixenbaugh Ancient Art
Place du Grand Sablon 5 Randall Hixenbaugh
Brussels

Roman Marble Aphrodite Anadyomene - An ancient Roman marble statuette of


Aphrodite Anadyomene, the goddess of love, rising from her bath and leaning her
head to wring out her hair. At her feet a dolphin sits with its tail curling upward.
Ca. 1st century BC / 1st century AD - Height: 32.5 cm - Repaired at the knee -
Fine grain Greek Island marble - Very fine style.

Aphrodite was the Greek goddess of sexual love and beauty. She was also known
as Cypris and Cytherea after the two places, Cyprus and Cythera, where she
was said to have originated. Hephaestus was her husband, the child Eros her
companion, and Ares one of her lovers. The dove, the sparrow, and the swan
were the animals sacred to her.  In Rome the goddess was known as Venus.
The Aphrodite Anadyomene type statue depicted the goddess nude, wringing out
her hair or adjusting the fillet in her hair after rising from her bath or the sea.
Confer: Metropolitan Museum of Art, New York, inv. no. 27.122.17;
The Walters Art Museum, Baltimore, inv. no. 23.101.

Formerly in a German private collection, prior to 1970.

Hixenbaugh Ancient Art


320 East 81st Street - New York, NY 10028 - United States
T 1 212 861 9743 - M 1 646 326 0820
info @ hixenbaugh.net - www.hixenbaugh.net
THE BRUSSELS ANCIENT ART FAIR

Exhibiting at Galerie Günter Puhze GmbH


Galerie Harold t’Kint Günter Puhze
Rue Ernest Allard 31 - Brussels

Bronze statuette of  a warrior - Etruscan, ca. 500 BC - Height: 12 cm

Provenance: Swiss collection, acquired ca. 1970

Galerie Günter Puhze GmbH


Stadtstrasse 28 - 79104 Freiburg - Germany
T 49 (0)761 25476 - F 49 (0)761 26459
office @ galerie-puhze.de - www.galerie-puhze.de
THE BRUSSELS ANCIENT ART FAIR

Exhibiting at Galerie Rhéa


Rue des Minimes 19 Michael G. Petropoulos
Brussels

Stunning Gorgoneion antefix - Greek art, Taras, circa 500 BC - Terracotta


(traces of red polychrome on the lips, tongue and hair; black on the serpents)
Height: 24.5 cm

Provenance: Swiss private collection, bought at MuM, Basel, 11.01.1953, No. 299.

Published: Schefold, Meisterwerke griechischer Kunst 1960, No. 275 and Solothurn Exhibition
catalogue 1967, No. 334.
From the same matrix: Mollard-Besques 1, No. B 522, pl. 47; Naples, Museo Nationale, room 86;
Reggio Calabria, Museo Nazionale, inv. 2390C; University of Catania, collection Libertini;
Brindisi Museum, coll. Gorga; C. Laviosa, Arch Cl 6, 1954, p. 217ff.

Galerie Rhéa
Stadelhoferstrasse 38 - 8001 Zürich - Switzerland
T 41 (0)44 252 06 20 - F 41 (0)44 252 06 26 - M 41 (0)79 407 38 00
rhea@ swissonline.ch - www.rheagallery.com
THE BRUSSELS ANCIENT ART FAIR

Exhibiting at Royal-Athena Galleries


Galerie Arts 4 Dr. Jerome M. Eisenberg
Rue des Minimes 3 - Brussels

Important Egyptian large limestone figure of a royal lady -


Later Ptolemaic Period, 2nd-1st Century BC - Height: 60.3 cm

Striding on a rectangular base, her arms held to her sides, and wearing a long
close-fitting dress and a headdress that echoes the nemes, royal headcloth.

Provenance: collection of Jan van der Werff (1901-1988), Delft,


acquired ca. 1950s, then by descent.

For related statues of the mid Ptolemaic and early Roman periods cf.
S. Albersmeier, Untersuchungen zu den Frauenstatuen des ptolemaeischen Aegypten,
Mainz am Rhein, 2002, pls. 68a, 69a (Cleopatra of Egypt, Age of the Ptolemies, Brooklyn, 1988,
cat. 28), 71a­b, and 74a-d, statues in Brussels, Paris and Cairo respectively.

Royal-Athena Galleries
153 East 57th Street - New York, NY 10022 - U.S.A.
T 1 2123552034 - F 1 2126880412 - M 44 (0)7771787597
Ancientart @ aol.com - www.royalathena.com
THE BRUSSELS ANCIENT ART FAIR

Exhibiting at Dominique Thirion Ars Antiqua


Dominique Thirion Dominique Thirion
Rue des Minimes 35 - Brussels

Ring stone engraved with Faustulus, with she-wolf and twins


Roman Republic - 1st century BC - Red jasper - Height: 1.6 cm - Intact.

Faustulus is standing to the right, an animal skin on his back, leaning on his stick.
Before him, the she-wolf is suckling Romulus and Remus. In the background,
vine stock with five bunches of grapes.

According to Roman mythology, Faustulus was a shepherd who guarded flocks


belonging to Amulius, usurper king of Alba Longa. Amulius took the twins
Romulus and Remus and threw them into the river Tiber. They were found and
then suckled by a she-wolf. Faustulus raised them with his wife Acca Larentia.
The twins, who were Amulius’s great-nephews, were the children of Rhea Silvia
and the god Mars (as claimed by their mother, herself the daughter of the
deposed king Numitor).

Dominique Thirion
Rue des Minimes 35 - 1000 Brussels - Belgium
T 32 (0)2 503 50 21 - F 32 (0)2 503 50 22 - M 32 (0)477 465 907
dt @ thirion-ancient-art.com - www.thirion-ancient-art.com
THE BRUSSELS ANCIENT ART FAIR

Holding office at The Art Loss Register Collectors, Museums


Costermans-Antiques
Place du Grand Sablon 5 William Webber and the Art Trade Worldwide Offices

Brussels
London
The Art Loss Register (ALR) has over 300,000 stolen art and
The Art Loss Register
antiques on its database and has returned over £90m worth of
63-66 Hatton Garden
items to their rightful owners. London EC1N 8LE

Our aim is to identify and recover stolen and missing works of T:+44 (0)20 7841 5780
F:+44 (0)20 7841 5781
art, deter art theft, reduce the trade in stolen art and protect art
E: artloss@artloss.com
collections against loss.
New York
The ALR provides a research service to buyers and sellers of art; subject E: newyork@artloss.com
to the results, an ALR certificate is provided. To set up a search account Paris
please visit www.artloss.com and select ‘Search to see if an item is lost or
E: paris@artloss.com
stolen’.
Cologne
Stolen and missing works of art and antiques may be registered via our E: cologne@artloss.com
website, please select ‘Register a lost or stolen item’. Items will remain on
Amsterdam
the Register until such time as they are recovered.
E: amsterdam@artloss.com
As a deterrent to theft and to avoid unauthorised sales, large private and
public collections may be registered with the ALR. These items will be
checked against private and public sales
worldwide. To register a collection, please
visit our website and select ‘Register a
possession’ or contact your nearest office
for further information.

Specialist services include World War II


and expert provenance research and the
resolution of art related civil disputes.

Representatives will be available


The Art Loss Register throughout the fair and will be located at:
First Floor - 63-66 Hatton Garden - London EC1N 8LE - United Kingdom Place du Grand Sablon 5,
1000 Brussels, Belgium.
T 44 (0)207841 5780 - F 44 (0)207841 5781
artloss@ artloss.com - www.artloss.com
THE BRUSSELS ANCIENT ART FAIR

Exhibiting at
Costermans-Antiques
Laboratory Ralf Kotalla
Place du Grand Sablon 5 Ralf Kotalla
Brussels

Worldwide oldest private laboratory


specialized for genuine TL analyses

Sampling – scientific evaluation and documentation


Since 1979
Safe, well-founded, precise
Quick and discreet
Only service – no sales

Laboratory Ralf Kotalla


Kätzling 2 - D-72401 Haigerloch - Germany
T 49 (0) 747495360 - F 49 (0) 7474953610 - M 49 (0) 171 622 85 21
ralfkotalla @ me.com - www.kotalla.de
PAZ
THE BRUSSELS ANCIENT ART FAIR
LABORATORIEN
FÜR
ARCHÄOMETRIE
Exhibiting at
Costermans-Antiques
PAZ Laboratorien für Archäometrie
Place du Grand Sablon 5 Dr. Boaz Paz
Brussels

Dr. Boaz Paz is an experienced analytical scientist who has worked for over
15 years in the field of scientific archaeometrical research. He worked for several
years at the Rathgen Research Laboratory of the Berlin State Museums and
continued his work at the Curt-Engelhorn-Centre in Mannheim as senior scientist,
where he was responsible for scientific investigations concerning the authenticity,
provenance and dating of antiquities.

Now he offers with PAZlab a variety of analytical services to the archaeological


community, private collectors, antique and art dealers, conservators, artisans
and educational institutions.

The general aim of archaeometry is to collect natural-scientific information


about artifacts and ancient objects that is in­accessible through purely archaeo-
logical and/or art historical methods. By using several methods of material
analysis it is possible to obtain information about ancient production techniques
or the provenance of archaeological artifacts and antique objects. PAZlab also
specializes in performing non-destructive analysis of glass, ceramics, metals
and art works.

Please contact us for further information. www.paz­lab.de

PAZ Laboratorien für Archäometrie


Planiger Straße 34, Haus 18/19 - D-55543 Bad Kreuznach - Germany
T 49 (0)671-483 483 64 - M 49 (0)176-32104580 - info @ paz-lab.de
Masterpieces from Collectors and Collections

ANCIENT EGYPT Art Exhibition held


to mark the 10th Anniversary
of the Brussels Ancient Art Fair
(BAAF)

6 to 10 June 2012
Le Cercle de Lorraine
Place Poelaert, 6
1000 Brussels
Belgium

Open daily from


10 am to 6 pm

www.baaf.be

The Sablon - June 6-10, 2012


Exhibition from Wednesday June 6 to Sunday June 10, 2012

Opening Hours Wednesday June 6, Vernissage - 3 p.m. to 9 p.m.


Thursday June 7 - 11 a.m. to 7 p.m. / Friday June 8 - 11 a.m. to 7 p.m.
Saturday June 9 - 11 a.m. to 7 p.m. / Sunday June 10 - 11 a.m. to 5 p.m.

www.boafair.be map and invitation 2012 can be downloaded from our web-page (starting from May)
or contact info@boafair.be
BRUNEAF
World’s largest Tribal Art Fair

EXPO BRUNEAF

XXII
June 6th - 10th 2012

WINTER
B
3

SA LON
Save the date
January 16th - 20th 2013

www.bruneaf.com
the

BAAF
BASEL ANCIENT ART FAIR
2012 the ancient art event

In the autumn 18 top international dealers in classical,


Egyptian and Near Eastern antiquities gather again in the
elegant setting of the Wenkenhof – a lavish baroque residence
in Riehen, on the outskirts of Basel.
Quality is the key word, not only in objects and expertise but
in context too.
Set in a magnificent park, the Reithalle Wenkenhof has
proved to provide the perfect ambience for a November fair.
All participants are member of the International Association
of Dealers in Ancient Art (IADAA) and follow a strict code
of ethics concerning the authenticity and provenance of the
objects they sell. Lunch or a refreshment at the BAAF Bistro
completes the experience.

Please visit our website for more information;


www.baaf.ch

November
2–7
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T: 852 2511 1368 F: 852 2507 4620 E: office@orientations.com.hk
Visit the secure Orientations website at www.orientations.com.hk

Vous désirez un abonnement annuel (9 numéros): Belgique 45 € - Europe 65 € - Airmail 74 €.


U wilt een jaarabonnement (9 nummers): België € 45 - Europa € 65 - Airmail € 74.
Eugène Warmenbol

L’égyptomanie et l’égyptologie
en Belgique au XIXe siècle
Le lotus et l’oignon

550 pages, avec 280 illustrations (quadrichromie) en deux volumes


Éditeur: Le Livre Timperman - Sortie prévue: juin 2012
Publié avec le concours de la Fondation Universitaire de Belgique
THE BRUSSELS ANCIENT ART FAIR

International Association of Dealers in Ancient Art

Code of Ethics – an extract from Article 11 of the Rules of the IADAA

THE GLOBAL LOGISTIC SOLUTION 1  The members of IADAA undertake to the best of their ability to make their purchases in good faith.

We, ZIEGLER Expo Logistics, are delighted to welcome you in Brussels 2  The members of IADAA undertake not to purchase or sell objects until they have established to the best of
and any other art city in Belgium.
their ability that such objects were not stolen from excavations, architectural monuments, public institutions
Due to our woldwide network of agents we could offer you a tailor-made or private property.
logistic solution taking care of your fine art & antiques objects guaranteeing
a safe/in-time delivery on your booth or any other location as requested. 3  The members of IADAA refuse to dismember and sell separately parts of one complete object.

Our customs operations office housed under the same roof, gives you 4  The members of IADAA undertake to the best of their ability to keep objects together that were originally meant
the ability to easy your several customs formalities. to be kept together.
Feel free to contact us :
5  The members of IADAA undertake to the best of their ability to keep photographic records prior to repair and
- Jean-Marc SALMON : jean-marc_salmon@zieglergroup.com
- Sylvie SEGHERS : sylvie_seghers@zieglergroup.com restoration, to be honest and open by describing in writing the amount of repair and restoration undertaken to
a prospective purchaser.

6  Members guarantee the authenticity of all objects they offer for sale.

7  Members of IADAA undertake to the best of their ability to inform the Administrative Board about stolen goods
and thefts. They also undertake to co-operate with international and national agencies involved with the recovery
of stolen goods.

8  It is a condition of membership that all members undertake to check items which are to be sold at a price
of € 5,000 or over (or local currency equivalent) with the Art Loss Register or with a stolen art register which
is recognised by the Board, unless the item has already been checked.

ZIEGLER EXPO LOGISTICS 9  IADAA condemns illegal use of metal detectors.


Parc des Expositions - Tentoonstellingspark - 1020 BRUSSELS 2 - BELGIUM
TEL. +32 (0)2 475 45 40 - FAX +32 (0)2 475 45 69 More information about IADAA and its views on collecting antiquities can be found on the IADAA website
EMAIL : ziegler-expolog@zieglergroup.com - www.ziegler-expolog.com www.iadaa.org
A selection of Belgian museums with archaeological collections

Musées Royaux d’Art et d’Histoire - Gallo-Roman Museum


Koninklijke Musea voor Kunst en Geschiedenis Kielenstraat 15
Parc du Cinquantenaire - Jubelpark 10 B-3700 Tongeren
1000 Brussels Tel.: +32 (0)12 670330
Tel: +32 (0)2 741.72.11 E-mail: grm@limburg.be
Website: www.kmkg-mrah.be Website: www.galloromeinsmuseum.be
Open: Tue-Fri 9.30-17.00 Open: Tue-Fri 9.00-17.00
Sat-Sun 10.00-17.00 Sat-Sun and public holidays 10.00-18.00
The largest collections of Classical, Egyptian Important collection of Gallo-Roman and Merovingian
and Near-Eastern archaeology in Belgium. archaeology, beautifully displayed.

Musée de Louvain-la-Neuve Museum aan de Stroom (MAS)


Place Blaise Pascal 1 Hanzestedenplaats 1
1348 Louvain-la-Neuve 2000 Antwerpen
Tel: +32 (0)10 47.48.41 Tel: +32 (03) 338.44.44
Website: www.muse.ucl.ac.be E-mail: mas@stad.antwerpen.be
Open: Mon-Fri 10.00-18.00 Website: www.mas.be
Sun 14.00-18.00 Open: Tue-Sun 10.00-17.00
Small but interesting collections of Classical, Egyptian Antwerp and the world through objects from
and Near-Eastern archaeology. 5 continents, including the Egyptian collections
formerly in the Vleeshuis.
Musée Royal de Mariemont
Chaussée de Mariemont 100
7140 Morlanwelz
Tel: +32 (0)64 21.21.93
Website: www.musee-mariemont.be
Open: Tue-Fri 10.00-18.00
Very important collections of Classical, Egyptian and
Near-Eastern archaeology. Located in a wonderful park.

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