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Summary
Abruptly, the perspective shifts back to a description of the clutching and decrepit plant life in this dry
environment. Here, the sun is unmerciful and the trees provide no shelter. There is no water.
The perspective changes once again—this time to a dialogue in which someone describes being given
hyacinths. Another voice notes that upon returning from the "Hyacinth garden," she was blind and could
not speak.
Next, the speaker introduces Madame Sosostris, a clairvoyant who has a pack of tarot cards and lays them
out, one after the other. She turns over a card for the speaker; it is "the drowned Phoenician Sailor" with
pearls for his eyes. The speaker says that she sees people walking in a circle.
Finally, the speaker describes a winter day in London and a long procession of people walking over
London Bridge. The speaker then meets a man the speaker knows and asks him a series of strange
questions about a "corpse ... planted last year" in the man's garden. "Will it bloom this year?" the speaker
asks.
Someone begins to talk about bad "nerves," asking someone else to stay and "Speak to me. Why do you
never speak. Speak ... I never know what you are thinking. Think." And the person responds, "I think we
are in rats' alley / Where the dead men lost their bones."
And the conversation continues. The first speaker wants to go for a walk and then play a game of chess.
They are preparing for a "knock upon the door."
Then another conversation begins between the speaker and someone named Lil, whose husband Albert had
been in the war. The discussion includes warnings about Lil's declining looks and finances. Lil has had
many children by Albert, but she tells the speaker that she's taken pills in order to have an abortion. Finally,
Albert arrives home, and the speaker gives farewells.
The speaker next tells of Mr. Eugenides, a fig merchant from Smyrna who asks the speaker to lunch.
And then the speaker abruptly identifies himself as Tiresias, who can "see" the lives of people, including a
sailor and a typist drying her undergarments. Tiresias, too, will await an "expected guest"—who turns out
to be a pimply agent's clerk. The clerk sexually assaults the typist. Tiresias explains that he has
"foresuffered" this experience. The agent's clerk then departs. The woman is relieved that the ordeal is over,
and she "puts a record on the gramophone."
The speaker describes mandolin music he hears "beside a public bar on Lower Thames Street." Fishermen
lounge near a beautiful church along the river.
After that, readers hear a series of songs about the river and nautical life, drifting boats, church bells, and,
finally, a "dusty" urban landscape. The part ends with what sounds like a prayer or a sermon.
Referring to someone wrapped in a cloak, the speaker wonders about a "third" person "that walks beside
you?" "When I count, there are only you and I together / But when I look ahead ... / There is always another
one walking beside you," the speaker says.
The speaker describes the "Falling towers" of "Jerusalem Athens Alexandria / Vienna London." And he
concludes, "Unreal."
Shifting again, the speaker describes a woman with long hair who "fiddled whisper music on those strings,"
and, bats, and towers with tolling bells. The speaker then describes "tumbled graves" and an "empty
chapel."
The scene shifts to the Ganges River and the sound of thunder. In a chanting tone the speaker repeats a
series of almost fable-like verses about the thunder, which leads to a sequence spoken by someone fishing.
It includes songs, poetry in English, Italian, and French, and a final chant-like closing.