This document discusses the dimensions used to describe consonant articulation in English: place, manner, and voicing. Place refers to where in the mouth a sound is formed. Manner describes how the vocal tract is configured to produce the sound, such as stops, nasals, or fricatives. Voicing refers to whether the vocal cords are vibrating. English consonants can be described using a combination of one term for each dimension, for example "voiced bilabial stop" describes the sound "b". While many combinations are possible, English uses only about a quarter of the potential consonant sounds.
This document discusses the dimensions used to describe consonant articulation in English: place, manner, and voicing. Place refers to where in the mouth a sound is formed. Manner describes how the vocal tract is configured to produce the sound, such as stops, nasals, or fricatives. Voicing refers to whether the vocal cords are vibrating. English consonants can be described using a combination of one term for each dimension, for example "voiced bilabial stop" describes the sound "b". While many combinations are possible, English uses only about a quarter of the potential consonant sounds.
This document discusses the dimensions used to describe consonant articulation in English: place, manner, and voicing. Place refers to where in the mouth a sound is formed. Manner describes how the vocal tract is configured to produce the sound, such as stops, nasals, or fricatives. Voicing refers to whether the vocal cords are vibrating. English consonants can be described using a combination of one term for each dimension, for example "voiced bilabial stop" describes the sound "b". While many combinations are possible, English uses only about a quarter of the potential consonant sounds.
Consonants articulation is described with respect to three basic dimensions:
place, manner, and voice. The place of articulation tells where a sound is formed, the folds are vibrating in association with the consonant segment. English consonants can be described by using a modifier or descriptor from each of these three dimensions, as shown in the following list. Voicing Place Manner Voiced Bilabial Stop voiceless Labiodental Nasal Interdental Fricative Alveolar Affricate Palatal Liquid Palatal-velar (a)Lateral Glottal (b)Rhotic glide Using all these possible combinations of voicing, place, and manner, we would have a total of almost 100 consonants. However, the English language uses only about one fourth of this number. The number of possible consonants sounds is far larger than 100, because other languages have voicing, place, and manner capabilities in addition to those listed above. For example, some languages incorporate whistles, clicks, and sounds formed at other places in the vocal tract. But is also should be noted that not all combinations of the descriptors given above are possible sounds, for some combinations are not pronounceable.
Consonants phonemes in English, then, can be described by specifying the
voicing, place, and manner. For instance, the sound b, as in bee, above, and rub, is described as a voiced, bilabial, stop consonant. This description tells us that the sound is produced with vibrating vocal folds (voiced), with a constriction at the lips (bi meaning two and labia meaning lips), and with a complete closure (stopping) at the place of articulation. Given our earlier definition of phonemes with respect to minimal pairs of words, it should be possible to change the voicing, place, and manner features and thereby create other consonants, for example, if we alter only the voicing term, changing it to voiceless instead of voiced, we have the sound p,as in pea, apple, and rip. Notice that b and p are alike in place of articulation (both involving the lips) and manner of articulation (both involving a complete closure or stopping), but that they